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Listening to my father’s stories about flying for the U.S. 15th Air Force in the Second World War kindled my love for military history at a young age. He brought to life the individual experiences and strategic context of bombing targets like Ploesti and Brenner Pass. Later, I pursued my doctorate in history and focused on U.S. Marine Corps history. More recently, my interests shifted to writing about broader topics like American military history, grand strategy, and race and gender in warfare. Even so, my father left me with an enduring desire to understand human interests and emotions, whether among common soldiers or senior generals. This desire affected my work as a teacher and author.
Gallipoli occupies an infamous place in the history of amphibious operations. The British and Allies hoped in 1915 to wrest control of the Gallipoli peninsula from Turkish forces, then aligned with the Central Powers of Germany and Austria-Hungary. This attack in turn would open the way for the defeat of Turkey, link up with friendly Russian forces, and ultimately defeat the Central Powers. However, as Robin Pryor explains, the British amphibious assault suffered from poor planning, incompetent leadership, ineffective logistics, and inadequate weapons and vehicles. The Turks enjoyed the advantages of high ground and good leadership. Following the assault in April 1915, ground operations cost 130,000 British and Allied casualties and ended in their evacuation and failure in January 1916. Pryor’s book paints Gallipoli as a cautionary tale of how not to conduct amphibious operations.
A decisive account of the dramatic Gallipoli campaign of World War I, with a devastating assessment of its pointless losses
The Gallipoli campaign of 1915-16 was an ill-fated Allied attempt to shorten the war by eliminating Turkey, creating a Balkan alliance against the Central Powers, and securing a sea route to Russia. A failure in all respects, the operation ended in disaster, and the Allied forces suffered some 390,000 casualties. This conclusive book assesses the many myths that have emerged about Gallipoli and provides definitive answers to questions that have lingered about the operation.
Adam Hochschild is the author of ten books. The era of the First World War figures in his latest, Rebel Cinderella: From Rags to Riches to Radical, the Epic Journey of Rose Pastor Stokes, and is the major subject of his To End All Wars: A Story of Loyalty and Rebellion, 1914-1918. To End All Wars has been translated into seven languages, won the Dayton Literary Peace Prize, and was a finalist for the National Book Critics Circle Award. He is at work now on a book about the First World War era and its aftermath in the United States.
A striking look at the devastating impact the war had on one English town, hundreds of whose young men died in the disastrously bungled Gallipoli campaign.
There is no shortage of books on the ill-fated Gallipoli campaign of 1915 but this one stands out. In it Geoffrey Moorhouse moves the focus from the more familar aspects to concentrate on one small mill town, Bury, in Lancashire, and to anatomize the long-lasting effect the Dardanelles had on it.
Bury was the regimental home of the Lancashire Fusiliers. In the Gallipoli landings of 25 April 1915 it lost a large proportion of its youth. By May 1915, some 7,000 Bury men had already gone to war, to be followed by many others before Armistice Day. More than 1,600,from…
I’m an experienced historian, biographer, and storyteller. I’ve written widely about Australian politics, social history, sport, and World War I. My biography of Australia’s most famous fighting general, Pompey Elliott, won multiple national awards, and I assembled his extraordinary letters and diaries in a separate book, Pompey Elliott at War: In His Own Words. Another biography, Will Dyson: Australia’s Radical Genius, about a remarkably versatile artist–writer who was Australia’s first official war artist, was shortlisted for the National Biography Award. My multi-biography Farewell, Dear People: Biographies of Australia’s Lost Generation won the Prime Minister’s Prize for Australian History, and I’ve written a sequel, Life So Full of Promise.
It’s not common for books about WWI to contain detailed analysis of both the battlefields and the home front (although this dual coverage is a feature of my lost generation multi-biographies).
To compile a comprehensive history of Australia during the war that combines what happened at home with what occurred at the various fronts is indeed a daunting task, yet Joan Beaumont accomplished it with conspicuous success in this acclaimed and award-winning book.
Winner of the 2014 Prime Minister's Literary Award for Australian History.The Great War is, for many Australians, the event that defined our nation. The larrikin diggers, trench warfare, and the landing at Gallipoli have become the stuff of the Anzac 'legend'. But it was also a war fought by the families at home. Their resilience in the face of hardship, their stoic acceptance of enormous casualty lists and their belief that their cause was just, made the war effort possible.Broken Nation is the first book to bring together all the dimensions of World War I. Combining deep scholarship with powerful…
As a professional historian of the Middle East, I’ve long recognized WWI as a vital turning point in the region’s history, when the ancient Ottoman Empire fell and the modern states of the Middle East took its place. Based in Oxford, I am particularly aware of this university’s role in shaping so many of those whose book captured the British experience of the Ottoman Front. But there’s also an element of family history behind my fascination, as in following the story of my great-uncle’s death in Gallipoli in 1915, I came to appreciate the magnitude of sacrifice suffered by all sides in the Great War in the Middle East.
For all the interest in the British experience of the Great War in the Middle East, there are precious few books that captured the other side of the trenches in the immediate aftermath of the war. Liman von Sanders was one of the few. His book first appeared in German in 1919, but was published in English eight years later and gave American and British readers their first real sense of the Ottoman and German experience of the war. Liman began service in Ottoman domains as the head of a German military mission to rebuild the Turkish Army after the catastrophic Balkan Wars of 1912-1913. Given all he knew about the low level of Ottoman war preparedness, he was outspoken against concluding an alliance to draw Turkey into the Central Alliance. But once the die was cast, Liman threw himself into the Ottoman war effort with all he had. The…
Otto Liman von Sanders (1855 - 1929) will always be associated with the Dardanelles campaign in which he commanded the Turkish Fifth Army, the army that defended Gallipoli, defeated the allied invasion and, after a campaign lasting some eight months (April-December 1915) forced the Allies to give up and withdraw. He was a cavalry officer who was commanding the German 22nd Division in Cassel when, in June 1913, he was offered the post of Chief of a German Military Mission in Turkey: he accepted and took up his post in December of that year and took over command of the…
In a long international business career, I’ve survived military coups, a guerrilla war, storms at sea, life in mangrove swamps, tropical forest, offshore oil platforms, and boardrooms. My passion for nineteenth-century history, and my understanding of the cutting-edge technology of that time, have inspired the Dawlish Chronicles. The Royal Navy officer, Nicholas Dawlish, and Florence, the love of his life, are real people to me. The challenges they face are strongly linked to actual events both overseas and in Britain in the late 19th century and I know most of the settings from personal experience.
I met Douglas Reeman only once but I owe him a debt since he inspired me on that occasion to start writing seriously. He served as a Royal Navy officer in WW2 and saw extensive service in destroyers and motor torpedo boats. He survived a sinking, during which he was injured, and was wounded again off Normandy. He wrote many novels about war at sea—those of WW1 and WW2 under his own name, and as “Alexander Kent” about the Age of Fighting Sail. They’re all splendidly exciting reads in which fortitude, duty, and loyalty—to one’s ship, crew, and country—and the brutal realities of war are portrayed with a great feel of realism. He claimed HMS Saracen as his favourite—and, when read, it’s easy to see why!
Malta 1941. To most people HMS Saracen is just an ugly, obsolete ship with an equally ugly recent history: her last commander is due for court-martial after shelling the troops he was sent to protect. But to Captain Richard Chesnaye she brings back memories-memories of the First World War when he and the old monitor went through the Gallipoli campaign together. It seems that captain and ship are both past their best. But as the war enters a new phase, Chesnaye senses the possibility of a fresh, significant role-for him and the Saracen.
I wouldn't call myself a cosmic horror expert, but I've read quite a few of the expected authors--Dunsany, Machen, Lovecraft, Blackwood, Howard, etc--and I've written novels and short fiction in the genre and have been asked to panel and talk about it for years at professional events. How can a fictional narrative contain villains so powerful that human beings have no way to understand, let alone resist them? I like exploring that impossibility in my own writing, and I feel compelled to subvert its historical legacy of colonialism and racism where I can. It is not a genre that needs reclaiming but rewriting, and it is rife with possibilities.
This book of poems is a truly unexpected combination of current pop culture, social commentary, and cosmic horror--and a hugely enjoyable read. It deals with the themes of sacrifice, thoughtless loyalty, collusion, survival, colonialism, and the very idea of the monstrous. How do we know when the forces around us are asking too much of us? How can we trust what we will get in return? How do our personal histories inform how we will respond to the void when it comes knocking? A lively, thoughtful read.
#1 New Release in Caribbean & Latin American Poetry Cthulhu meets hip-hop in this book of horror poems that flips the eldritch genre upside down. Lovecraftian-inspired nightmares are reversed as O'Brien asks readers to see Blackness as radically significant. Can You Sign My Tentacle? explores the monsters we know and the ones that hide behind racism, sexism, and violence, resulting in poems that are both comic and cosmic.
I’ve always loved both horror and comedy. So imagine my delight discovering the two could be blended together into a roller coaster ride of highs and lows. Movies such as Ghostbusters, Army of Darkness, and Big Trouble in Little China are perfect examples. In each, you have a potentially terrifying situation, coupled with characters who are too full of themselves to play the victim – yet not quite competent enough to be the hero either. It’s inspired me to spend countless hours behind my computer crafting my own horrific worlds, coupled with characters who simply refuse to take it seriously. I hope you enjoy them as much as I do.
There should be no doubt for anyone who follows me that I love any tale that involves an underdog loser forced to either save the world or die trying. Even better if it involves rampaging tentacle beasts and other Lovecraftian horrors. Throw in a talking cockroach with a serious attitude problem, and you have a perfect recipe for that succulent dish known as horror/comedy. Definitely, a must-read for anyone who enjoys a good laugh in between their screams.
One loser, one talking cockroach, and one karate-chopping bombshell are all that stand between YOU and hell on earth.
Lloyd Wallace is the most clueless crossing guard the intersection of hell and earth has ever seen. So clueless, that he doesn't even realize the beer cave in the corner store where he works is the gateway to hell. The gate needs a hero, but Lloyd's a zero, a loser with a capital L. He's ten thousand dollars in debt and lives with his parents. He's been fired from every job he's ever had. He was the first thing his ex-girlfriend…
There are books and series I’ve loved that I’ve only read once, with no need to re-open those particular pages. There are other books that I can re-read every year or so without exactly remembering the details of the plot and enjoy them just as much the second (sometimes tenth) time around. They all inspired me to write, plus they all provided me with awesome entertainment. So, in no particular order…. Five books/series that I’ve re-read at least a half dozen times!
Ooooh, my goodness. Kane is possibly the best anti-hero ever created, and the combination of cosmic horror, swords, sorcery, action, and awesome storytelling make these books/story collections stand out for me. Kane is an immortal, cursed by a mad god to wander the Earth “until he is destroyed by the violence that he himself has created,” and is a take on the biblical Cain, but a lot more fun. Kane inspired one of the characters in my book series and he may just edge out Conan as my favorite lead in the sword & sorcery genre.
Where once the mighty Kane has passed, no one who lives forgets. Now, down the trail of past battles, Kane travels again. To the ruins of a devastated city peopled only with half-men and the waif they call their queen. To the half-burnt tavern where a woman Kane wronged long ago holds his child in keeping for the Devil. To the cave kingdom of the giants where glory and its aftermath await discovery. To the house of death itself where Kane retrieves a woman in love.
The past, the future, the present - all these are one for Kane as…
I write about flawed characters as a reflex. I’m more interested in exploring the journey of an alcoholic monster hunter with literal and figurative demons than a white knight. Throughout my life, I’ve seen the effects of substance abuse up close, and while difficult, it helped me find the humanity in flaws. I choose to write about those flaws with a humorous bend, because life is far too long to go through without jokes. As a result, I gravitate towards pithy antiheroes and dark comedy. To feel a character’s pain is human, to laugh in the midst of their darkest moments is divine.
My second love in literature is unreliable narrators, and from word one, it’s clear the protagonist in John Dies at the End is the worst offender.
There are few likable characters to be found in this book, and none of them are the protagonist. I fell in love with the main character’s sarcastic and often salacious take on monsters, zombies, and everything in between. Every scene feels like a joke to the narrator despite the death and carnage that seems to follow in his wake.
More than any of that, this book felt completely unique. I’ve never read anything quite like it. The words crack like a whip, there’s no slowing down, and even as I re-read lines, I felt like I was starting to lose my mind along with the protagonist. That’s a powerful tale.
It's a drug that promises an out-of-body experience with each hit. On the street they call it Soy Sauce, and users drift across time and dimensions. But some who come back are no longer human. Suddenly, a silent otherworldly invasion is underway, and mankind needs a hero. What it gets instead is John and David, a pair of college dropouts who can barely hold down jobs. Can these two stop the oncoming horror in time to save humanity? No. No, they can't. "John Dies at the End" has been described as a 'Horrortacular', an epic of 'spectacular' horror that combines…
Since I was young, I’ve suffered from Major Depressive Disorder, coupled with chronic pain that surfaced when I was in middle school. Being in constant pain—mental and physical—obviously drains the spirit. I found no hope whatsoever in phrases such as, “It gets better.” When you have chronic pain, that statement means nothing, because you know it won’t. These books, however, offered me something that I hadn’t encountered before: someone acknowledging that, although it may never get better, there is still something for me here, whatever form it takes. These books do not shame depressives, they console (and even commiserate) with them, and I hope you find them as fulfilling as I have.
Similar to Cioran, Ligotti has a profoundly dark worldview, but not one that is unearned.
Ligotti’s own experiences with anhedonia and despair seep through his writing. I cannot get enough of it. Through his prose, he creates his own world wherein doom is assured and life seems like a poorly written, performed, and directed play that is in profoundly bad taste.
It may seem like work like this would depress you, but for me, it gives me a sense of understanding. Someone out there, even if it’s just Ligotti’s characters, has felt that gloom.
Thomas Ligotti is often cited as the most curious and remarkable figure in horror literature since H. P. Lovecraft. His work is noted by critics for its display of an exceptionally grotesque imagination and accomplished prose style. In his stories, Ligotti has followed a literary tradition that began with Edgar Allan Poe, portraying characters that are outside of anything that might be called normal life, depicting strange locales far off the beaten track, and rendering a grim vision of human existence as a perpetual nightmare. The horror stories collected in Teatro Grottesco feature tormented individuals who play out their doom…
