100 books like Dancing for Degas

I adore this book because it simply plunges the reader into Nijinsky's strange and wonderful world. As the greatest dancer-actor of his time, the pressure placed on him was tremendous and had a great effect on his delicate yet wildly creative mind. After reading this book, you will come away with a unique understanding of the world of Diaghilev's Ballets Russes at the turn of the last century.

For an intriguing, first-hand account of the art and life of the greatest ballerina of our time, don't miss this grand read. Natalia Makarova, the prima ballerina of them all gives this thrilling autobiography life as she describes not only her roles at the Kirov Ballet in St. Petersburg and at American Ballet Theatre in New York City, but also her daring escape from KGB agents in London where she defected. Glorious photography crowns this amazing achievement. On a personal note, my life changed after seeing her dance—first in a video of Giselle and then later in person at the Metropolitan Opera House. 

As a celebrity in her own time, Pavlova was groundbreaking. I enjoyed reading this book and learning more about the life of an extraordinary pioneer. She lived at a time when changes in the world were many, as the film of her performing the Dying Swan certainly proves. She toured the world in order to share her art with others and has name recognition that has lasted to this very day. If you're curious about her incredible life, don't miss this lovely book.   

I found that this sometimes funny but always emotional and moving account of Ms. Kirkland's life as a ballerina in New York City to be a real triumph. She brings to the pages an honesty that is rarely seen, even in autobiographies. From the illegal drug scene that nearly killed her to the everyday trials of an immensely talented dancer caught between two worlds, this is the stuff that nightmares are made of.

This historical work is fiction but based on the true story of Edgar Degas and his models. It was a revelation for me to learn about the brutish lives led by the dancers in the ballet and the hard lives of most women outside the middle and upper class in Paris in 1878. We are taken behind the scene in the ballet, into cramped, unheated, dirty living quarters, brothels, and prisons. Of the three sisters in the story, only one will manage to make a marriage that will lift her out of the inevitability of having to survive through a life of thievery and prostitution on the mean streets of Paris. Unlike the first four books I recommended, this is not a story of a woman’s triumph, but rather one of how incredibly difficult it was for a girl without the trappings of wealth, to simply survive. 

It’s hard to love every artist – we all have different tastes – and I have always had problems with the apparently dry and academic art of Nicolas Poussin. That is, until I saw the exhibition Poussin and the Dance. Not only does it show a more relaxed side to this apparently reserved man, reveling in the fluidity and intimacy of movement, but as an exhibition it was perfectly formed. Every object, whether painting, drawing, sculpture, or vase, had a reason to be there, and each was informed by its presence with the others: a true conversation between artworks that you could enjoy and from which you could learn. And of course, the clarity of the minds which brought these exhibits together is also evident in the writing of the catalogue.

What’s the difference between a fake and a copy? Is a copy of a copy a forgery? Based on the famous 1990 Gardner Museum heist, still unsolved, Shapiro’s story peels back layers of duplicity to reveal a shocking deception.

As someone asked to authenticate paintings (which I don’t do!), I appreciated the author’s analysis of the subtleties involved. I sympathized with Claire Roth, her neurotic protagonist, and enjoyed the skewering of art-world pretensions, media-driven reputations, and marketing strategies. Still, I couldn’t help rooting for Claire and her dealer, hoping their clever scheme would succeed.

I maintain that the only way to gain a true understanding of Vincent van Gogh is to identify his role in seemingly peripheral narratives.

This book considers the Van Gogh sisters, and gives stunning voices to their previously untold narratives. An intimate and necessary insight into the siblings’ relationship, their struggles with mental health, and their intelligent observations of the changing social climate are given.

Without doubt, to recognise Vincent fully, there’s a need to both navigate and to appreciate the female relationships that influenced him.

This book may fall more under dark fantasy and the adventure it takes you on is more emotionally invested rather than swords and sorcery.

But I love origin stories and Kay does a fantastic job creating a world with tragic heartbreak and undying love. This book is based on The Phantom of the Opera and delves deeper into Erik’s origins and how he came to haunt the opera house.

It’s fantasy because while based in reality, the author also weaves a subtle magic that takes us on an adventure into the far reaches of a dark genius’ mind. 

To portray the title character in Bizet’s Carmen is only one of the many transformations American orphan Lilliet Berne’s life requires, both on and offstage, as she ascends to opera stardom in late 19th century Paris. In this immersive novel, the clothes are as richly described as the music, and the music is described with not only sincere emotion but attention to realities and absurdities: Bizet’s early death leads to greatly improved ticket sales, for example. In Chee’s haunting first novel Edinburgh, he made choral music shimmer with both beauty and horror. The Queen of the Night is very different in setting, time, and sweeping sense of adventure, but shares Chee’s ability to movingly explore acts of survival and reinvention.