100 books like Anna Pavlova

P. I. Tchaikovsky is a world-famous composer but few people know anything about him. Much of his life was hidden by the Soviet Union due to his homosexuality. As information finally came to light, the mystery of his death in 1893 became an obsession for me. The truth of it lies beyond the rumors of suicide or cholera, as particular circumstances exposed in my novel clearly show. I am a ballet historian and the writing of Fate was an eight-year endeavor. Readers of Fate can now be the proverbial fly on the wall while Tchaikovsky lives his life and creates his major works.

P. I. Tchaikovsky is a world-famous composer but few people know anything about him. Much of his life was hidden by the Soviet Union due to his homosexuality. As information finally came to light, the mystery of his death in 1893 became an obsession for me. The truth of it lies beyond the rumors of suicide or cholera, as particular circumstances exposed in my novel clearly show. I am a ballet historian and the writing of Fate was an eight-year endeavor. Readers of Fate can now be the proverbial fly on the wall while Tchaikovsky lives his life and creates his major works.

P. I. Tchaikovsky is a world-famous composer but few people know anything about him. Much of his life was hidden by the Soviet Union due to his homosexuality. As information finally came to light, the mystery of his death in 1893 became an obsession for me. The truth of it lies beyond the rumors of suicide or cholera, as particular circumstances exposed in my novel clearly show. I am a ballet historian and the writing of Fate was an eight-year endeavor. Readers of Fate can now be the proverbial fly on the wall while Tchaikovsky lives his life and creates his major works.

P. I. Tchaikovsky is a world-famous composer but few people know anything about him. Much of his life was hidden by the Soviet Union due to his homosexuality. As information finally came to light, the mystery of his death in 1893 became an obsession for me. The truth of it lies beyond the rumors of suicide or cholera, as particular circumstances exposed in my novel clearly show. I am a ballet historian and the writing of Fate was an eight-year endeavor. Readers of Fate can now be the proverbial fly on the wall while Tchaikovsky lives his life and creates his major works.

I particularly enjoyed writing this book about a city that I love and have visited many times (starting in the late 1970s, when I was a student), and whose history I know well too. Most books, by foreigners anyway, talk about the city from a distance; I wanted to write something visceral, about sounds and smells as well as sights, and above all, how locals themselves think about their city, the way in which its intense and in some respects oppressive past shapes St Petersburg’s life today – yet all the same, never gets taken too seriously. Readers seem to agree: as well as an appreciative letter from Jan Morris, whose travel writing I’ve always admired, I treasure an email message from someone who followed my advice and tramped far and wide – before ending up in the room for prisoners’ relatives to drop off parcels at Kresty (the main city prison) when he wrongly assumed he was using an entrance to the (in fact non-existent) museum.

Classical music has been one of the great passions of my life, ever since at the age of 6 my father introduced me to the magic of Chopin’s Polonaise héroïque, by improvising the story that the music was telling, creating a magical mosaic of notes and words. I then realized that music tells stories and that musical stories do not only offer pleasure, excitement, and consolation, but also act as sources of insight into the world we inhabit, in all its complexity and drama. I have since made classical music a regular part of my life, Bach, Mozart, Chopin, and Beethoven being intimate friends and acquaintances, not distant historical figures. 

I am an academic researcher and an avid non-fiction reader. There are many popular books on science or music, but it’s much harder to find texts that manage to occupy the space between popular and professional writing. I’ve always been looking for this kind of book, whether on physics, music, AI, or math – even when I knew that as a non-pro, I wouldn’t be able to understand everything. In my new book I’ve been trying to accomplish something similar: A book that can intrigue readers who are not professional economic theorists, that they will find interesting even if they can’t follow everything.

I am an award-winning composer, author, and educator. Since 1990 I have had the privilege of teaching others about music through my concerts, children’s books, academic books, lessons, and online courses. 

I am an award-winning composer, author, and educator. Since 1990 I have had the privilege of teaching others about music through my concerts, children’s books, academic books, lessons, and online courses. 

I’ve been playing the guitar since I was ten years old. From then until now it has been my life’s focus, my friend and delight, my consolation, companion, and frustration. While I am reconciled to never being the world’s most famous guitarist, I still have a career, make a living, and, hopefully, contribute positively to the Universe. I have recorded albums of previously unheard music, performed throughout the world, and edited and published books for guitar. In spite of decades of study and practice, I find my enthusiasm undimmed and enjoy nothing more than sharing my expertise and guiding those less experienced to discover the delights of playing music.