Why am I passionate about this?

I have always enjoyed looking at art, and love it when I can help others to enjoy it too. Curators and academics are incredibly knowledgeable, but sometimes theory gets in the way, and academic precision can lead to turgid texts. I’d rather write in a way that is as simple as possible – without being condescending – and so help people to understand art more fully. That’s why I love it when exhibitions bring art together in new ways, encouraging us to look afresh at familiar images, or startling us with something we haven’t seen before.


I wrote

The Secret Language of the Renaissance: Decoding the Hidden Symbolism of Italian Art

By Richard Stemp,

Book cover of The Secret Language of the Renaissance: Decoding the Hidden Symbolism of Italian Art

What is my book about?

I wanted to write an introduction to the Italian Renaissance which would not only cover as much material as possible,…

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The books I picked & why

Book cover of Carlo Crivelli: Shadows on the Sky

Richard Stemp Why did I love this book?

One of the best ways to keep up with the latest ideas about art is to go to temporary exhibitions curated by the leading minds in each field – which is why I am recommending my favourite catalogues from the past year. Carlo Crivelli is one of my favourite artists, and this particular catalogue is undoubtedly the best thing written about him so far. His work was neglected for decades because Art Historians couldn’t find a way to fit him into a rather restrictive ‘Story of Art.’ The curators wanted to explain what was truly remarkable about him – and they succeeded. Crivelli’s work just happens to be some of the most sophisticated of the 15th century, playing games with picture making that wouldn’t be seen again until the modern era.

Book cover of Poussin and the Dance

Richard Stemp Why did I love this book?

It’s hard to love every artist – we all have different tastes – and I have always had problems with the apparently dry and academic art of Nicolas Poussin. That is, until I saw the exhibition Poussin and the Dance. Not only does it show a more relaxed side to this apparently reserved man, reveling in the fluidity and intimacy of movement, but as an exhibition it was perfectly formed. Every object, whether painting, drawing, sculpture, or vase, had a reason to be there, and each was informed by its presence with the others: a true conversation between artworks that you could enjoy and from which you could learn. And of course, the clarity of the minds which brought these exhibits together is also evident in the writing of the catalogue.

By Emily A Beeny, Francesca Whitlum-Cooper,

Why should I read it?

1 author picked Poussin and the Dance as one of their favorite books, and they share why you should read it.

What is this book about?

Richly illustrated and engagingly written, this publication examines how the pioneer of French classicism brought dance to bear on every aspect of his artistic production.

Scenes of tripping maenads and skipping maidens, Nicolas Poussin’s dancing pictures, painted in the 1620s and 1630s, helped him formulate a new style. This style would make him the model for three centuries of artists in the French classical tradition, from Jacques-Louis David and Edgar Degas to Paul Cézanne and Pablo Picasso.

Poussin and the Dance, the first published study devoted to this theme, situates the artist in seventeenth-century Rome, a city rich with the…


Book cover of Johannes Vermeer: On Reflection

Richard Stemp Why did I love this book?

The exhibition dedicated to Johannes Vermeer at the Old Master Picture Gallery in Dresden last year was one of the best I have ever seen. Inspired by a recent discovery – a crucial detail in one of the Gallery’s own works had been painted over – the exhibition set out to explore the artist’s work in-depth focusing on this one image. The restoration of the painting and the revelation of the hidden detail led to a re-evaluation of Vermeer’s art. Each room of the exhibition, and chapter of the book, introduces a different aspect of the painting so that, when you finally get to see it and read about it, you have a thorough understanding of its meaning and development, and even of the society in which it was produced.

By Stephan Koja,

Why should I read it?

1 author picked Johannes Vermeer as one of their favorite books, and they share why you should read it.

What is this book about?

The Girl Reading a Letter at an Open Window by Johannes Vermeer is one of the most famous works of seventeenth-century Dutch art. Preserved at the Gemaldegalerie Alte Meister in Dresden, the painting has been restored, in an elaborate process lasting from 2017 to 2021. The removal of a large section of overpainting dating from a later period has profoundly altered the work's appearance and revealed the original composition. To showcase the discovery, the Dresden Gemaldegalerie is now presenting the Girl Reading a Letter along with other masterpieces by Vermeer and a selection of exceptional Dutch genre paintings that reveal…


Book cover of Laura Knight: A Panoramic View

Richard Stemp Why did I love this book?

Some artists, I think, have been unjustly neglected. In 1936, 168 years after it was founded, Laura Knight was the first woman to be elected as a full member of the Royal Academy of Art. In 1965 she was the first woman to have a solo exhibition at the same august institution, and yet today her name is little known. Why is that? Quite simply because she was a woman. Not only that, but her work valued the traditional craft of naturalistic representation precisely when abstraction, and then other forms of art beyond painting, became popular. Last year’s exhibition, the most comprehensive staged so far, together with the superbly written and illustrated catalogue, should go a long way to set the record straight. I think she was a great artist!

By Anthony Spira, Fay Blanchard,

Why should I read it?

1 author picked Laura Knight as one of their favorite books, and they share why you should read it.

What is this book about?

A major survey of Dame Laura Knight, first female Royal Academician and popular British artist of the 20th century. Laura Knight (1877-1970) was one of the most famous and popular English artists of the twentieth century. She was the first woman to have a solo exhibition at the Royal Academy of Arts, in 1965. In the following decades her realist style of painting fell out of fashion and her work become largely overlooked. A new generation has rediscovered her work, finding a contemporary resonance in her depictions of women at work, of people from marginalized communities and her contributions as…


Book cover of Alison Watt: A Portrait Without Likeness: A Conversation with the Art of Allan Ramsay

Richard Stemp Why did I love this book?

To my mind, Alison Watt’s unerring eye and technical skills rank among the best, and conceptually her paintings are equally compelling. Dealing with the complexities of perception, they constantly question the nature of art: what is this magic that paint alone can perform? Her work is an ongoing conversation with the art of the past, and the exhibition at the Scottish National Portrait Gallery was her response to the 18th Century portraitist Allan Ramsay. The paintings remind me of exhibits in a trial, or evidence of a forensic examination, focusing on specific details, insisting that we look more closely, enjoying forms and colours, and inviting us to speculate on their relevance to the original subjects. The catalogue, beautifully produced, is a work of art in its own right.

By Julie Lawson, Tom Normand, Andrew O'Hagan

Why should I read it?

1 author picked Alison Watt as one of their favorite books, and they share why you should read it.

What is this book about?

A unique insight into the ways in which one of today's leading artists is inspired by great works of the past.

In 16 emphatically modern new paintings, renowned artist, Alison Watt, responds to the remarkable delicacy of the female portraits by eighteenth-century Scottish portraitist, Allan Ramsay.

Watt's new works are particularly inspired by Ramsay's much-loved portrait of his wife, along with less familiar portraits and drawings. Watt shines a light on enigmatic details in Ramsay's work and has created paintings which hover between the genres of still life and portraiture.

In conversation with curator Julie Lawson, Watt discusses how painters…


Explore my book 😀

The Secret Language of the Renaissance: Decoding the Hidden Symbolism of Italian Art

By Richard Stemp,

Book cover of The Secret Language of the Renaissance: Decoding the Hidden Symbolism of Italian Art

What is my book about?

I wanted to write an introduction to the Italian Renaissance which would not only cover as much material as possible, but also give the readers the tools necessary to learn how to look at art that is not included for themselves. Different elements are introduced in simple, bite-sized chunks which gradually lead you towards far more complex ideas and images. As well as being great for the complete beginner, there is also enough unexpected material to surprise and delight enthusiasts who already have some knowledge of the subject.

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Secret St. Augustine: A Guide to the Weird, Wonderful, and Obscure

By Elizabeth Randall, William Randall,

Book cover of Secret St. Augustine: A Guide to the Weird, Wonderful, and Obscure

Elizabeth Randall Author Of Fire is the Test of Gold

New book alert!

Why am I passionate about this?

Author Reader Baker Teacher Matriarch Adventurer

Elizabeth's 3 favorite reads in 2023

What is my book about?

Tourists and local residents of St. Augustine will enjoy reading about the secret wonders of their ancient city that are right under their noses. Of course, that includes a few stray corpses and ghosts!

Secret St. Augustine: A Guide to the Weird, Wonderful, and Obscure

By Elizabeth Randall, William Randall,

What is this book about?

It is no wonder the ancient city of St. Augustine is steeped in secrets. St. Johns, the oldest continuously occupied county in America celebrated its 450th birthday on September 4, 2015. More like a European enclave than an urban landscape, it is a place of cannon fire, street parties, historical reenactments, concerts, and more. From admiring replicas of fine art at Ripley’s Believe or Not, to hunting haunts in restaurants and museums, to eating ice cream from a recipe originated by World War II bombardiers, St. Augustine has it all from beaches, gourmet dining, festivals, and attractions. A young and…


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