Here are 100 books that Cul de Sac fans have personally recommended if you like
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I have been interested in the study of the early modern French colonial empire since my undergraduate years in Paris. As a Dane studying history in the French capital, I was struck by the strong presence of both Caribbean and African cultures in my local neighborhood, but I also noted the fraught colonial legacies that continued to condition the lives of many of its inhabitants. My book is an effort to grapple with a particularly transformative moment in the history of France’s imperial past and to reflect on the ways in which it conditioned later periods. The five books I recommended here brought home to me important aspects of this history in ways that insist on the reciprocal influences among France and its former colonies.
This book offers a lucid and very accessible study of the nuts and bolts of the eighteenth-century French sugar business. Readers get a clear understanding of the key aspects of the enterprise that made France the main sugar exporter in the world – from how it was financed, to how it relied on African slave labor, to its cultivation in the Caribbean sugar plantations. It also offers one of the best discussions of the local French domestic industries involved in the sugar business.
Henry Louis Gates Jr. is the Alphonse Fletcher University Professor and Director of the Hutchins Center for African and African American Research at Harvard University. He is an award-winning filmmaker, literary scholar, journalist, cultural critic, and institution builder, and has authored or co-authored twenty-two books; he's also the host of PBS’s Finding Your Roots. Andrew Curran is a writer and the William Armstrong Professor of the Humanities at Wesleyan University. His writing on the Enlightenment and race has appeared in The New York Times, The Guardian, Newsweek, and more. Curran is also the author of the award-winning Diderot and the Art of Thinking Freely and The Anatomy of Blackness.
Sue Peabody’s book on the death of the “free soil principle” in France is a milestone in legal history. Beginning in 1315, when Louis X signed the letters patent that forever associated the words French and Francewith the eradication of slavery, anyone who was bonded or a serf was supposedly “free” when stepping foot in France. This tenet began to fall apart in 1716, when the then Regent created a loophole for slaveowners returning to France with their enslaved servants. Peabody takes us deep into the legality (and illegality) of slavery on French soil as well as several illustrative court cases. There are No Slaves in France is a model of how archive-extracted research can be woven into a riveting and revealing story. A must-read for anyone interested in the relationship between mercantilism, race, and the legal statutes that created and legislated different categories of people.
There Are No Slaves in France examines the paradoxical emergence of political antislavery and institutional racism in the century prior to the French Revolution. Sue Peabody shows how the political culture of late Bourbon France created ample opportunities for contestation over the meaning of freedom. Based on various archival sources, this work will be of interest not only to historians of slavery and France, but to scholars interested in the emergence of modern culture in the Atlantic world.
I have been interested in the study of the early modern French colonial empire since my undergraduate years in Paris. As a Dane studying history in the French capital, I was struck by the strong presence of both Caribbean and African cultures in my local neighborhood, but I also noted the fraught colonial legacies that continued to condition the lives of many of its inhabitants. My book is an effort to grapple with a particularly transformative moment in the history of France’s imperial past and to reflect on the ways in which it conditioned later periods. The five books I recommended here brought home to me important aspects of this history in ways that insist on the reciprocal influences among France and its former colonies.
Chasing Empire Across the Sea is a multi-sited study of French colonial empire-building in the Atlantic World. Focusing on the colonial administrations in Quebec, New Orleans, and Martinique, the book’s emphasis on the fragility of colonial-metropolitan communication and the challenges this posed to French imperial sovereignty reminds readers of the vulnerability of early modern European empires. It also allows for a better understanding of the political structures and geographies that conditioned the French colonial enterprise.
Banks defines and applies the concept of communications in a far broader context than previous historical studies of communication, encompassing a range of human activity from sailing routes, to mapping, to presses, to building roads and bridges. He employs a comparative analysis of early modern French imperialism, integrating three types of overseas possessions usually considered separately - the settlement colony (New France), the tropical monoculture colony (the French Windward Islands), and the early Enlightenment planned colony (Louisiana) - offering a work of synthesis that unites the historiographies and insights from three formerly separate historical literatures. Banks challenges the very notion…
I have been interested in the study of the early modern French colonial empire since my undergraduate years in Paris. As a Dane studying history in the French capital, I was struck by the strong presence of both Caribbean and African cultures in my local neighborhood, but I also noted the fraught colonial legacies that continued to condition the lives of many of its inhabitants. My book is an effort to grapple with a particularly transformative moment in the history of France’s imperial past and to reflect on the ways in which it conditioned later periods. The five books I recommended here brought home to me important aspects of this history in ways that insist on the reciprocal influences among France and its former colonies.
Archipelago of Justice is a compelling study of the role of law in building a legal infrastructure for the early modern French colonial empire. Paying attention to the colonial councils in the Atlantic colonies of Martinique and Guadeloupe and the colonies of Île de France (today Mauritius) and Île Bourbon (today Réunion) in the Indian Ocean, Wood posits the centrality of French law in connecting scattered French colonial possessions into a unified imperial whole. Global in focus, it is one of the few books that have decidedly surpassed the tendency to write French colonial histories within a single oceanic framework.
An examination of France's Atlantic and Indian Ocean empires through the stories of the little-known people who built it
This book is a groundbreaking evaluation of the interwoven trajectories of the people, such as itinerant ship-workers and colonial magistrates, who built France's first empire between 1680 and 1780 in the Atlantic and Indian Oceans. These imperial subjects sought political and legal influence via law courts, with strategies that reflected local and regional priorities, particularly regarding slavery, war, and trade. Through court records and legal documents, Wood reveals how courts became liaisons between France and new colonial possessions.
I have been trying to understand revolutionary violence my whole life, in the classroom and through scholarship. I am fundamentally interested in questions of “how” and “so what” because even the best, most heavily evidenced historical reconstructions of collective decisions rely heavily on conjecture, especially when it comes to something as complex and controversial as revolutionary violence. My biography of Alexandre Rousselin, an eyewitness and participant in French politics across the Revolutionary era, brings to life the choices and pressures that influenced his actions without minimizing the price he paid for those choices. Rousselin’s extraordinary life story contextualizes and engages understandings of the Terror in the French Revolution like those reviewed below.
Divided into “The Poetics of Power” and “The Sociology of Politics,” the better known first half explores rhetoric, symbolic forms of political practice, and imagery in novel ways that have influenced both my scholarship and my teaching.
But I was even more struck by the second part where Hunt considered the backgrounds, age, occupations, and experience of Revolutionary political actors in four French cities as a way to understand the political geography of the Revolution, networks, culture brokers, and the emergence of a new political class.
This approach shaped my dissertation and first book, but, more importantly it made me think about the link among and between cultural influences, socio-economic backgrounds, and the lived experience to understand the French Revolution.
When this book was published in 1984, it reframed the debate on the French Revolution, shifting the discussion from the Revolution's role in wider, extrinsic processes (such as modernization, capitalist development, and the rise of twentieth-century totalitarian regimes) to its central political significance: the discovery of the potential of political action to consciously transform society by molding character, culture, and social relations. In a new preface to this twentieth-anniversary edition, Hunt reconsiders her work in the light of the past twenty years' scholarship.
I’m fascinated by these themes – love, France, mystery, women’s lives, war, and peace. My parents took me to France when I was 12 and I’ve spent years there in between and go back whenever I can. I started reading in French when sent to be an au pair in Switzerland when I was 17. My own novel, The Lost Love Letters Of Henri Fournier was absorbing to write as it contains all of the above. I found an unpublished novel of Fournier’s in a village in rural France a few years ago and decided I had to write about him and his lover, Pauline, who was a famous French actress.
This is a recent first novel, set mostly in France, about a young Palestinian man who goes there to study medicine and falls in love with the daughter of his host. I’m still reading it, and admiring the sureness of touch, the knowledge of history, and above all the sense of the period – it’s set before World War 1 and continues through the 20th century. Brava, Isabella Hammad!
'A sublime reading experience: delicate, restrained, surpassingly intelligent, uncommonly poised and truly beautiful' Zadie Smith
**WINNER OF THE BETTY TRASK AWARD 2020**
Midhat Kamal - dreamer, romantic, aesthete - leaves Palestine in 1914 to study medicine in France, under the tutelage of Dr Molineu. He falls deeply in love with Jeannette, the doctor's daughter. But Midhat soon discovers that everything is fragile: love turns to loss, friends become enemies and everyone is looking for a place to belong.
Through Midhat's eyes we see the tangled politics and personal tragedies of a turbulent era - the Palestinian struggle for independence, the…
I have been trying to understand revolutionary violence my whole life, in the classroom and through scholarship. I am fundamentally interested in questions of “how” and “so what” because even the best, most heavily evidenced historical reconstructions of collective decisions rely heavily on conjecture, especially when it comes to something as complex and controversial as revolutionary violence. My biography of Alexandre Rousselin, an eyewitness and participant in French politics across the Revolutionary era, brings to life the choices and pressures that influenced his actions without minimizing the price he paid for those choices. Rousselin’s extraordinary life story contextualizes and engages understandings of the Terror in the French Revolution like those reviewed below.
Tackett is the historian who has taught me the most about the French Revolution.
This book is a magisterial evocation of the mentality and choices of the men and women who decided to deploy state-sponsored violence on behalf of the Revolutionary French government.
It shows the era as a crucible that molded many people who had entered politics on behalf of liberty, equality, and fraternity to embrace the law on suspects and the guillotine.
Tackett, as always, bases his analysis on personal reflections and caches of letters, digging deep to find new and different voices that conjure the emotional tenor of the shifts and upheavals of the Revolutionary crisis.
It shows how the French Revolution of 1789 got to the Terror of 1793-94.
Between 1793 and 1794, thousands of French citizens were imprisoned and hundreds sent to the guillotine by a powerful dictatorship that claimed to be acting in the public interest. Only a few years earlier, revolutionaries had proclaimed a new era of tolerance, equal justice, and human rights. How and why did the French Revolution's lofty ideals of liberty, equality, and fraternity descend into violence and terror?
"By attending to the role of emotions in propelling the Terror, Tackett steers a more nuanced course than many previous historians have managed...Imagined terrors, as...Tackett very usefully reminds us, can have even more political…
As a young boy, I dreamed of becoming a novelist. I was fascinated and inspired by Les Années Folles, The Crazy Years of 1920’s Paris, when artists of all disciplines, from countries all around the world came together electrifying the City of Lights with an artistic passion. My mother was French. France is my 2nd country, where I spend a portion of each year. While researching my novel, The Memory of Love, I stayed in the actual atelier of my protagonist Chrysis Jungbluth, a young, largely unknown painter of that era. I visited, too, the addresses of dozens of the artists who bring the era alive again in our imagination.
This is a terrific coffee table-sized book with wonderful photographs of the sundry characters and vivid reproductions of paintings and other images. Here you’ll find a young, muscular Pablo Picasso with hair—on the beach in his bathing suit in front of Gerald & Sara Murphy’s villa on the Côte d’Azur. This privileged couple—he a fine avant-garde artist in his own right, and she, who became Picasso’s muse, a refined and elegant hostess—were patrons of the arts who surrounded themselves at their home with the young luminaries of the Jazz Age. Chapter headings in this stunning volume tell the tale.
At 174 large pages, this is a beautifully rendered and specific encapsulation of les années folles, from start to finish.
A panorama of the arts scene in Jazz Age France draws on letters, diaries, journals, photo albums, and private archives, in a visual exploration that includes unpublished paintings by Picasso and Leger, previously unknown works by e. e. cummings and John Dos Passos, and more. 15,000 first printing.
I’m fascinated by these themes – love, France, mystery, women’s lives, war, and peace. My parents took me to France when I was 12 and I’ve spent years there in between and go back whenever I can. I started reading in French when sent to be an au pair in Switzerland when I was 17. My own novel, The Lost Love Letters Of Henri Fournier was absorbing to write as it contains all of the above. I found an unpublished novel of Fournier’s in a village in rural France a few years ago and decided I had to write about him and his lover, Pauline, who was a famous French actress.
Another story that's impossible to forget – actually this is a novella in a collection of stories with this name. Again, about a lost house in a forest in France, an artist, a young man in love, and the two young women who bewitch him in turns. John Fowles is an English writer from the 1960s, whose work I loved when young and still do. He was much influenced by Alain-Fournier.
The Ebony Tower, comprising a novella, three stories, and a translation of a medieval French tale, echoes themes from John Fowles's internationally celebrated novels as it probes the fitful relations between love and hate, pleasure and pain, fantasy and reality.
I’m a writer and journalist with an eye on South and Southeast Asia. I first worked in Thailand in 1999, researching the Thailand chapter for the first edition of the Rough Guides Southeast Asia Guide. Since 2001, I’ve been a Thailand correspondent for German publisher Reise Know How. For the past decade, I have worked as Thailand Destination Expert for The Daily Telegraph. I co-wrote the bestselling Sacred Skin – Thailand’s Spirit Tattoos with photographer Aroon Thaewchatturat, and have written countless articles about Thai culture, politics and tourism. It took 20 years to write a novel set in Thailand – The Monsoon Ghost Image – a testament to the complexities of Thai society.
I felt I needed to include one title about Thailand’s endlessly discussed, sordid sex industry. Houellebecq’s acidic 2004 novel takes the country’s massive sleaze trade head-on, crammed with self-loathing observations of its male protagonist, his world eventually smashed to pieces by a terrorist attack and a heart-breaking ending in the country’s Gomorra-by-the-sea beach resort Pattaya. Audacious, cynical, yet nonetheless filled with humanity, and there’s plenty of sex, Viagra, fun, and despair as well. Platform puts all other fiction covering the country’s exploitative underbelly to shame.
Houellebecq's new novel tells the story of an attempt to create a package-holiday company for sex-tourists. Less philosophical and grandly ambitious than Atomised, it is, if anything, even more outrageously funny and bitingly satirical of the ways we live now than the earlier novel. Added to which, there is a genuinely moving love affair, real characters and a real plot!
