Here are 100 books that Cry to Heaven fans have personally recommended if you like
Cry to Heaven.
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I’m obsessed with the exploration of what it means to be a human being. We’re coming into an era where we see more characters who aren’t good or evil but both—they possess the potential to save someone from jumping off a bridge one day and beating someone the next. We’re all capable of the greatest acts of kindness and the most abominable atrocities imaginable. I believe we need to be reminded of that fact so that when there comes a time when we can decide whether to hurt or to help someone, we become the better version of ourselves and make the right decision.
I know, I know…this is a book you’re either going to love or hate, and it’s probably on a lot of lists. I love this book because before it was as common to “break the rules” and write frankly about taboo subjects, Katherine Dunn dove headfirst into an ocean of taboo and told a story that’s as exquisitely heart-wrenching as it is ghastly.
Despite her flaws (and I mean flaws in character–I don’t consider her physical traits to be flawed at all), the protagonist, Oly, is driven by devotion to her family as much as anything.
A National Book Award Finalist: This 'wonderfully descriptive' novel from an author with a 'tremendous imagination' tells the unforgettable story of the Binewskis, a carny family whose mater- and paterfamilias have bred their own exhibit of human oddities. (The New York Times Book Review)
The Binewskis arex a circus-geek family whose matriarch and patriarch have bred their own exhibit of human oddities (with the help of amphetamine, arsenic, and radioisotopes). Their offspring include Arturo the Aquaboy, who has flippers for limbs and a megalomaniac ambition worthy of Genghis Khan, Iphy and Elly, the lissome Siamese twins, albino hunchback Oly, and…
When you get a PhD in music, you end up with a lot of music books. Like, hundreds of them. At the end of every semester I could never bring myself to sell my textbooks because I just love books. Over the years I’ve continued to collect books about music, and books about everything. I’m happy that now a few have my name on the spine.
I remember reading this book over the summer when I was on the road with a recording company. It is filled with anecdotes about the metaphysical, transcendental, spiritual, and mystic properties of music. The thing I find so fascinating about these stories is not if they are true or not, but the belief systems of these ancient people, and the power and faith they put into music.
Joscelyn Godwin explores music's effects on matter, living things, and human behavior. Turning to metaphysical accounts of the higher worlds and theories of celestial harmony, the author follows the path of musical inspiration on its descent to Earth, illuminating the archetypal currents that lie beneath Western musical history.
When you get a PhD in music, you end up with a lot of music books. Like, hundreds of them. At the end of every semester I could never bring myself to sell my textbooks because I just love books. Over the years I’ve continued to collect books about music, and books about everything. I’m happy that now a few have my name on the spine.
This book is a nonfiction history of the concept of Spherics – the idea that music and astronomy are intimately connected. It starts by talking about Pathagorous and works our way chronologically up to Einstein. There are a lot of books on the topic of Music of the Spheres (and a Coldplay album), but this is the best book I’ve found to fully understand the concept.
For centuries, scientists and philosophers believed that the universe was a stately, ordered mechanism, both mathematical and musical. The perceived distances between objects in the sky mirrored (and were mirrored by) the spaces between notes forming chords and scales. The smooth operation of the cosmos created a divine harmony that composers sought to capture and express. Jamie James allows readers to see how this scientific philosophy emerged, how it was shattered by changing views of the universe and the rise of Romanticism, and to what extent it survives today - if at all. From Pythagoras to Newton, Bach to Beethoven,…
When you get a PhD in music, you end up with a lot of music books. Like, hundreds of them. At the end of every semester I could never bring myself to sell my textbooks because I just love books. Over the years I’ve continued to collect books about music, and books about everything. I’m happy that now a few have my name on the spine.
This book is essentially a book of quotes from famous musicians, composers, and conductors. I find this book especially inspiring because of the trivial nature of some of the quotes. Sometimes it is just refreshing to read Beethoven complaining about his taxes, or Mozart trying to get paid after a gig. I use this book in my university classes constantly.
A snakeful of critical venom aimed at the composers and the classics of nineteenth- and twentieth-century music. Who wrote advanced cat music? What commonplace theme is very much like Yankee Doodle? Which composer is a scoundrel and a giftless bastard? What opera would His Satanic Majesty turn out? Whose name suggests fierce whiskers stained with vodka? And finally, what third movement begins with a dog howling at midnight, then imitates the regurgitations of the less-refined or lower-middle-class type of water-closet cistern, and ends with the cello reproducing the screech of an ungreased wheelbarrow? For the answers to these and other…
As an author of a dual-timeline thriller series set in Venice in the present-day and 16th century, I’ve spent countless hours researching the world’s most mesmerizing city. I’ve been there three times, including on a research trip. I’ve worked with historians and experts on various aspects and have explored the ancient streets and buildings first-hand. I’ve also read dozens of books set in Venice.
There are so many amazing books set in Venice, but no list is complete without Thomas Mann's Death in Venice. It’s a literary classic from 1912 that not only stands the test of time, it exceeds the hype.Death in Venice follows Gustav von Aschenbach, a famous author who travels to Venice in search of inspiration. Instead, he finds obsession. Death in Venice is erotic and dark, but what I love most about this book is how it captures the city’s bewitching personality.
One of the most famous literary works of the 20th century, the novella "Death in Venice" embodies themes that preoccupied Thomas Mann (1875–1955) in much of his work; the duality of art and life, the presence of death and disintegration in the midst of existence, the connection between love and suffering, and the conflict between the artist and his inner self. Mann's handling of these concerns in this story of a middle-aged German writer, torn by his passion for a Polish youth met on holiday in Venice, resulted in a work of great psychological intensity and tragic power. It is…
As an author of a dual-timeline thriller series set in Venice in the present-day and 16th century, I’ve spent countless hours researching the world’s most mesmerizing city. I’ve been there three times, including on a research trip. I’ve worked with historians and experts on various aspects and have explored the ancient streets and buildings first-hand. I’ve also read dozens of books set in Venice.
While not as famous as Thomas Mann or Anne Rice, Marina Fiorato well deserves her place on this list with The Venetian Bargain. It’s another superbly researched and beautifully written piece of historical fiction set in 1576 during the plague. Grounded in fact, it follows a young Turkish girl, scorned in her homeland, who sneaks aboard a boat bound for Venice. She soon discovers the ship's illicit cargo in the hold—and the sultan’s horrific plan—a man infected with bubonic plague. The man infects the entire city within days. This book is much more than a historical account. It’s a gripping story with compelling characters. What’s more, much of what the world has gone through with Covid-19, from masks to quarantine, was invented by the Venetians and it's covered in The Venetian Bargain through the eyes of wonderful characters.
Venice, 1576. Five years after the defeat of the Ottoman Empire at the Battle of Lepanto, a ship steals unnoticed into Venice bearing a deadly cargo. A man, more dead than alive, disembarks and staggers into Piazza San Marco. He brings a gift to Venice from Constantinople. Within days the city is infected with bubonic plague―and the Turkish Sultan has his revenge.
But the ship also holds a secret stowaway―Feyra, a young and beautiful harem doctor fleeing a future as the Sultan's concubine. Only her wits and medical knowledge keep her alive as the plague ravages Venice.
I’m a historical fiction author but have always enjoyed actually making things as well as writing. In the past, I was a theatre designer, so I was often immersed in recreating antique objects for the stage. Our versions weren’t the real thing–but it meant researching old crafts and then imitating them to build a convincing fake version. My research filled me with great admiration and respect for the real craftsmen of the past–their skill and artistry, and I only have to look at our old cathedrals–so lovingly created, to be inspired all over again.
I loved the detail of the craft of gilding in this book, a craft that is little known today. I was interested, too, in the effect that the plague had on the city of Venice. Another plus for me was that Maria’s love interest was a Moor, Cristiano, and this added to the slow-burn tension of the relationship.
For me, this was the sort of historical fiction I don’t read often–immaculately researched with plenty of insider details that could only be known by an expert. Though the story doesn’t move particularly fast, it did make me think and immersed me in the period.
Would you rather sacrifice your livelihood, your lover, or your life?
When the Black Death comes knocking on your door, you'd better decide quickly.
ERIC HOFFER GRAND PRIZE FINALIST
EDITOR'S CHOICE, HISTORICAL NOVELS REVIEW
Venice, 1510. Maria Bartolini wants nothing more than to carry on her father’s legacy as a master gilder. Instead, her father has sent her away from the only home she’s ever known to train as an apprentice to Master Trevisan, a renowned painter.
Maria arranges to leave the painter’s workshop to return to her family workshop and to a secret lover waiting for her back home.…
As an author of a dual-timeline thriller series set in Venice in the present-day and 16th century, I’ve spent countless hours researching the world’s most mesmerizing city. I’ve been there three times, including on a research trip. I’ve worked with historians and experts on various aspects and have explored the ancient streets and buildings first-hand. I’ve also read dozens of books set in Venice.
The Four Horsemenis Gregory Dowling’s follow-up to his book Ascension. Set in the 1700s, it’s a thriller/mystery that follows a tour guide (yes, they had them back then) who is recruited into a secret police of sorts. They need him to investigate the death of an agent, which is connected to a secret society called The Four Horsemen. Forced to go on the run, the book delves into the back alleys, canals, and island of Venice. Another wonderfully researched book that will keep you on the edge of your seat.
After saving the Venetian Republic in Ascension, reluctant spy Alvise Marangon returns in this second adventure, played out once again in the carnivalesque atmosphere of eighteenth-century Venice.
After Alvise is arrested in a tavern brawl, he is summoned to meet the Missier Grande, head of the city's powerful secret service. Rather than being expelled from the city, he is coerced into a top-secret investigation of the mysterious death of one of the service's agents. This death seems to be connected with a mysterious secret society - The Four Horsemen - whose roots go back to the fall of Constantinople, or…
I’m a music biographer, and whenever I’ve hinted that the world of rock biography is a bit of a boys’ club, someone will bark names of famous female musicians who’ve written autobiographies at me. All brilliant, but biography is a different animal. It demands sensitivity, trust, intuition, empathy: the writer is presenting the story of another, wooing a publisher, balancing multiple perspectives, being a detective, asking strange questions, penetrating the skin, probing often forgotten places. Female music writers frequently face assumptions ranging from the dismissive to the salacious before being neatly sidelined, but this is changing – slowly. I wanted to take the opportunity to celebrate some rare queens of the art here.
This enduring LGBTQ icon might have been famously enigmatic, but O’Brien presents the story of the cool queen of blue-eyed soul with depth, precision, and humanity, qualities present in all of O’Brien’s books. Dusty’s tale is multi-faceted, often troubled, and tremendously relatable, but her profound strength comes through in this meticulously researched book, which also features an array of interviews with contemporaries and colleagues such as Tom Jones, Lulu, and Jerry Wexler.
FULLY REVISED AND UPDATED, THE STORY OF DUSTY SPRINGFIELD TWENTY YEARS ON.
'Provocative and deadly accurate' - Time Out
Dusty Springfield was one of our greatest pop singers. From 60s hits like 'I Only Want To Be With You', 'Son of a Preacher Man' and 'You Don't Have To Say You Love Me' to her 80s collaboration with the Pet Shop Boys and beyond, she was a musical pioneer and the very essence of authentic white soul. A member of the US Rock and Roll and UK Music Halls of Fame, international polls have named Dusty among the best female…
I’m a journalist whose work is often heard on NPR's national news magazines, and read in publications such as The New York Times, New York Magazine’s Vulture, BBC Culture, Wired, and Bandcamp. I'm most interested in stories about people, communities, and scenes that have been overlooked, forgotten, seen through a distorted lens, or perhaps never seen at all. I’m on a mission to get to a deeper understanding of what’s at stake in the way we see music and art- and the way we see ourselves.
Nashville-based singer-songwriter Margo Price is the real deal.
Her beginnings were humble, and her struggles have been many. Her memoir takes you on the road with her through bad low-paying, low-attended early gigs, drinking, and drugs. Price's marriage/creative partnership is tender and beautiful, yet becomes fragile as it shoulders the unbearable loss of a newborn son.
Through it all, you can feel Price’s grit and determination to survive with her soul intact, making it in an industry that pressures artists to conform to its priorities and sets them up to fail when they resist- or simply try to be themselves.
Price’s music is the soundtrack to her courageous story in progress. In the best possible way, this book reads like the liner notes: honest, heartfelt, and profound.
"[An] engaging and beautifully narrated quest for personal fulfillment and musical recognition...This is a fast-paced tale in which music and love always take center stage...A truly gifted musician, Price writes about her journey with refreshing candor."-Kirkus, starred review
"Brutally honest...a vivid and poignant memoir."-The Guardian
Country music star Margo Price shares the story of her struggle to make it in an industry that preys on its ingenues while trying to move on from devastating personal tragedies.
When Margo Price was nineteen years old, she dropped out of college and moved to Nashville to become a…
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