Here are 100 books that Coyote Queen fans have personally recommended if you like
Coyote Queen.
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I love books where the setting is just as big and alive as the characters. It doesn’t matter to me if it’s a familiar place or someplace new: if a vivid setting is a key element of the story, I’m in. I think it’s because I grew up in one of those small towns in the beautiful middle of nowhere where if someone asks where you’re from, it’s just easier to say someplace else. I wanted to see the world, and books let me do that. I also wanted validation in reading—and writing—about the small places I knew, and books let me do that, too.
This middle-grade memoir written and illustrated by Eugene Yelchin is hands down one of my favorite books in any category, period.
It is a short but rich story with layers of setting, from the Soviet Union during the Cold War, the courtyard of the narrator’s communal apartment building, to his private world under the family table in their one-room apartment. I laughed out loud, except for when I was crying.
An Association of Jewish Libraries Sydney Taylor Honor Winner
With a masterful mix of comic timing and disarming poignancy, Newbery Honoree Eugene Yelchin offers a memoir of growing up in Cold War Russia.
Drama, family secrets, and a KGB spy in his own kitchen! How will Yevgeny ever fulfill his parents’ dream that he become a national hero when he doesn’t even have his own room? He’s not a star athlete or a legendary ballet dancer. In the tiny apartment he shares with his Baryshnikov-obsessed mother, poetry-loving father, continually outraged grandmother, and safely talented brother, all Yevgeny has is his…
I love books where the setting is just as big and alive as the characters. It doesn’t matter to me if it’s a familiar place or someplace new: if a vivid setting is a key element of the story, I’m in. I think it’s because I grew up in one of those small towns in the beautiful middle of nowhere where if someone asks where you’re from, it’s just easier to say someplace else. I wanted to see the world, and books let me do that. I also wanted validation in reading—and writing—about the small places I knew, and books let me do that, too.
I’ve read countless books set in New York City or its boroughs, and I’m going to confess that sometimes they can feel a little generic. Not A Girl's Guide to Love and Magic.
The plot in this book is driven by Cicely’s quest to save her aunt through a scavenger hunt of sorts that is all tied into the excitement and action of the West Indian Parade on Labor Day in Flatbush, Brooklyn.
I also love how while this is technically a young adult book (Cicely is a sophomore in high school), it can be a great read for most older middle-grade readers, especially those who want to read up.
Perfect for fans of The Sun Is Also a Star and Blackout, this YA novel from Debbie Rigaud is a celebration of Haitian and Caribbean culture, and a story of first love, vodou, and finding yourself, all set against the backdrop of the West Indian Day Parade in Brooklyn.
Cicely Destin lives for the West Indian Day Parade, the joyous celebration of Caribbean culture that takes over the streets of her neighborhood. She loves waving the Haitian flag, sampling delicious foods, and cheering for the floats. And this year? She’ll get to hang with her stylish aunt, an influencer known…
I love books where the setting is just as big and alive as the characters. It doesn’t matter to me if it’s a familiar place or someplace new: if a vivid setting is a key element of the story, I’m in. I think it’s because I grew up in one of those small towns in the beautiful middle of nowhere where if someone asks where you’re from, it’s just easier to say someplace else. I wanted to see the world, and books let me do that. I also wanted validation in reading—and writing—about the small places I knew, and books let me do that, too.
This is another book I love that doesn’t take place any old somewhere—its very heart and soul is the setting, and it’s a whole lot of fun, wild, creepy (ghost hunting!), and moving heart and soul.
As weird things start happening in Howler’s Hollow, or at least as far as Tennie can see and feel, she discovers how deeply all those weird things are personal and particular to her, her family, and the land.
Bonus points for exceptional, natural dialogue and authentic kid vibes.
A laugh-out-loud, ghostly Southern mystery that's perfect for fans of Cassie Beasley and Natalie Lloyd.
Tennessee Lancaster has a hidden gift. She can pry into folks' memories with just a touch of their belongings. It's something she's always kept hidden -- especially from her big, chaotic family. Their lives are already chock-full of worries about Daddy's job and Mama's blues without Tennie rocking the boat.
But when the Lancasters move to the mountains for a fresh start, Tennie's gift does something new. Instead of just memories, her touch releases a ghost with a terrifying message: Trouble is coming. Tennie wants…
I love books where the setting is just as big and alive as the characters. It doesn’t matter to me if it’s a familiar place or someplace new: if a vivid setting is a key element of the story, I’m in. I think it’s because I grew up in one of those small towns in the beautiful middle of nowhere where if someone asks where you’re from, it’s just easier to say someplace else. I wanted to see the world, and books let me do that. I also wanted validation in reading—and writing—about the small places I knew, and books let me do that, too.
I love how this book is the perfect example of how the setting makes a story: the flooded coastal Louisiana town of Boutin, Jillian, and all its residents are the story.
If a place disappears, will its stories also disappear? Jillian doesn’t only see the seemingly inevitable problems; rather, she becomes part of the solution by taking part in ecology projects and collecting the oral histories of the town’s residents. As Jillian says, if she can’t save the land, she can save the stories.
I also love the centered and matter-of-fact way this book handles family problems. Bonus points for all the cooking and great food.
For thirteen-year-old Jillian Robichaux, three things are sacred: bayou sunsets, her grandmother Nonnie's stories, and the coastal Louisiana town of Boutin that she calls home.
When the worst flood in a century hits, Jillian and the rest of her community band together as they always do - but this time the damage may simply be too great. After the local school is padlocked and the bridges into town condemned, Jillian has no choice but to face the reality that she may be losing the only home she's ever had.
But even when all hope seems lost, Jillian is determined to…
I am a writer who has written an assortment of over a hundred and seventy different articles, poems, and books. I worked for thirty five years as a psychologist and my late wife, Rosie Larner, was a social worker and lecturer. We have both dealt with cases of domestic abuse and have recognised the extent of the problem worldwide and the misery that it causes. We offer these tales under the pen-name of Rosy Stewart to show the diversity of the problems and to bring hope to the sufferers with the hope of resolution of each case to reach a wider audience.
This is told in the voice of a young girl living in a household of domestic violence in the 1960s in UK.
She is regarded as presenting difficulties for her parents right from the beginning with her difficult birth. It is written in short scenes and excerpts from her childhood. She adores her mother, but she is sexually assaulted by one of her mother’s boyfriends. The writing of this is realistic as seen by an innocent four-year-old girl.
When the mother marries another boyfriend the family dynamics change from being kind at first to much stricter. It is clear that the little girl will develop psychological problems in later life.
Cursed by her grandmother and trapped in domestic violence in 1960s Britain, Evelyn must find a way to protect her five young daughters. Aware that her firstborn, Kim, is doomed to repeat her own disastrous life choices, Evelyn places her in the care of one of her admirers to protect her from her fate.
Meanwhile, her daughter Bess carries a deep-rooted sense of shame and guilt that her birth nearly killed her beloved mother. Subjected to sexual abuse, she tries to make sense of her feelings and her place within the secretive family she grows up in, desperately seeking love…
I am through and through a storytelling creature and fell in love with books as a child. I first aspired to be a librarian, then an author. Life took me in other directions, and when I found songwriting as a teen, I figured it would be the closest I would ever come to my original dreams. It was not until I escaped from my abusive family as a young adult and dove headfirst into therapy that I realized my story was far darker than I had ever let myself admit. I am now a singer-songwriter and memoirist who believes that sharing our stories with one another will change the world.
This is one of the most sobering, critical, and potentially life-saving books I’ve ever read. At times, I found it hard to accept its obvious truths about something I had endured first-hand for years and yet struggled to admit was my reality.
This book has three sections: the first focuses on the stories and experiences of domestic violence victims, the second on perpetrators, and the third on the efforts of helpers, advocates, and law enforcement.
Reading this book was healing and eye-opening. It directly motivated me to take more action to support other survivors and improve our frequently flawed systems.
WINNER OF THE HILLMAN PRIZE FOR BOOK JOURNALISM, THE HELEN BERNSTEIN BOOK AWARD, AND THE LUKAS WORK-IN-PROGRESS AWARD * A NEW YORK TIMES TOP 10 BOOKS OF THE YEAR * NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST * LOS ANGELES TIMES BOOK PRIZE FINALIST * ABA SILVER GAVEL AWARD FINALIST * KIRKUS PRIZE FINALIST
NAMED ONE OF THE BEST BOOKS OF 2019 BY: Esquire, Amazon, Kirkus, Library Journal, Publishers Weekly, BookPage, BookRiot, Economist, New York Times Staff Critics
“A seminal and breathtaking account of why home is the most dangerous place to be a woman . . . A tour de…
I’m pretty sure I’m about to die in space. And I just turned twelve and a half.
Blast off with the four winners of the StellarKid Project on a trip to the International Space Station and then to the Gateway outpost orbiting the Moon! It’s a dream come true until…
Novelist, poet and scriptwriter. My interest in young narrators stems from a desire to effectively capture the voices of children in my novels. Creative writing PhD studies with the University of South Wales encouraged me to research different strategies and techniques used by published authors and to experiment with them in my writing. The String Games my debut novel was the result of this academic and creative journey. Further novels continue to include young voices in a starring role as I get inside the heads of a range of characters. After a stint as a university lecturer, I dabbled in fiction for children and through a collaboration with illustrator Fiona Zechmeister, Pandemonium a children’s picture book was published in 2020.
Billy’s family gets caught up in the care system when the six-year-old narrator is smacked by his father. An only child surrounded by adults, Billy emulates the talk of others but mishears and repeats language incorrectly with hilarious results. Malapropism sees Billy using the word copulating instead of cooperating, he loves sayings but transcribes them incorrectly giving us a different cuttlefish rather than a different kettle of fish. Through Billy’s voice, readers are securely within the mind of a child. Extended periods of internal monologue and interrupted using an em dash to indicate speech. Questions directly to the reader add to the sense of intimacy created in this fine novel.
A boy runs across a busy road. His father smacks him. A passer-by intervenes ...
When Billy Wright runs across a busy road, his world is altered irreversibly, even though he doesn't realise it at the time. Because a passer-by has stopped to watch the scene. She has seen Billy's father catch up with him and smack him. Within an hour she has informed social services, plunging the family into a living nightmare which begins with a social worker's visit and escalates through a series of misunderstandings until the family is threatened to its core. What I Did is a…
I am a writer who has written an assortment of over a hundred and seventy different articles, poems, and books. I worked for thirty five years as a psychologist and my late wife, Rosie Larner, was a social worker and lecturer. We have both dealt with cases of domestic abuse and have recognised the extent of the problem worldwide and the misery that it causes. We offer these tales under the pen-name of Rosy Stewart to show the diversity of the problems and to bring hope to the sufferers with the hope of resolution of each case to reach a wider audience.
The story is told as a memoir in first person. What I like about this is that it tells of a period in a Derbyshire working class home in the 1940s and 1950s.
The description of the family environment is very realistic and one is drawn in immediately and carried along by the love in the home is and the playful the antics of the children. However, it soon develops into a novel of a young girl who runs away from that home because her mother becomes mentally ill and her father doesn’t know how to help his wife and ends up severely beating her.
It continues into what she does on the streets of London and how she eventually ends up in a women’s refuge. It is a lesson on how things can dramatically change.
Until 1971, female victims of domestic violence were expected to 'kiss and make up' with their husbands, hide their black eyes and bruises, and bear the shame that somehow their partners' brutality was their fault. Chiswick Women's Aid was Europe's first ever refuge for what were then called 'battered women', and Jenny Smith was one of the first females who bravely made their way to this much-needed safe house. Desperate, and in fear for her life and the welfare of her two small children, Jenny had fled her dangerously schizophrenic partner, carrying only a few possessions. In the Chiswick shelter,…
I am a writer who has written an assortment of over a hundred and seventy different articles, poems, and books. I worked for thirty five years as a psychologist and my late wife, Rosie Larner, was a social worker and lecturer. We have both dealt with cases of domestic abuse and have recognised the extent of the problem worldwide and the misery that it causes. We offer these tales under the pen-name of Rosy Stewart to show the diversity of the problems and to bring hope to the sufferers with the hope of resolution of each case to reach a wider audience.
This is certainly a gripping tale as it gets going.
I was impressed by how it realistically shows abuse of children and abuse of women in different families in two different story threads that are tied together dramatically as a thriller. It is told from two points of view: Celia a mother who works in Citizen’s Advice, and Lucie the little girl she befriends.
It begins as a normal domestic scene with the two characters meeting by chance, but soon it develops into a thriller where Celia is suddenly hijacking at knifepoint whilst going about her business. It shows another aspect of violence against women where they can be suddenly assaulted by strangers.
My future hangs in the balance. They’re questioning both of us and every word I say matters. I need to be careful – it’s my word against his, and I can’t afford to lose…
Thirteen years ago. Teenager Lucie babysits our little son Henry. She’s like the daughter I never had. And she believes we’re the perfect family – just me, my husband and Henry.
But Lucie doesn’t really know what’s happening behind closed doors. Until one night, she sees something so awful she leaves. And my family is never the same again…
Taking only what they can quickly pack, 11-year-old Mardella and her mom secretly move away from their abusive home to start a fresh life in Haven, MN. But Mardella’s sure she's to blame—if only she hadn’t dialed 911, her dad wouldn’t be in jail, her mom wouldn't have been fired,…
I am a writer who has written an assortment of over a hundred and seventy different articles, poems, and books. I worked for thirty five years as a psychologist and my late wife, Rosie Larner, was a social worker and lecturer. We have both dealt with cases of domestic abuse and have recognised the extent of the problem worldwide and the misery that it causes. We offer these tales under the pen-name of Rosy Stewart to show the diversity of the problems and to bring hope to the sufferers with the hope of resolution of each case to reach a wider audience.
This is a non-fiction book about how domestic abuse can easily turn into murder.
The author is an authority on cases of coercive control, stalking, and domestic abuse. Case studies are used frequently and the writing is clear and easy to read quickly. I found some of the concepts echoed some minor bullying that I was subjected to at school.
It begins with a typical scene where a victim of domestic abuse will not report the incident and will not get into the ambulance even though they are badly injured. The author says that it was this case which opened her eyes to the complexities of domestic abuse incidents.
The book debunks some common myths which perpetrators use as excuses, such as ‘crime of passion’. It describes eight stages of coercive control which can often lead to homicide. These are a whirlwind of commitment in the early stages of a…
'Groundbreaking' OBSERVER
'Blows assumptions about abusive relationships out of the water' CAITLIN MORAN
'Offers a strategy for intervention that would save lives' INDEPENDENT
Every four days in the UK, a woman is killed by her partner or ex-partner - and in the past year, domestic abuse has become an epidemic.
For thirty years, Jane Monckton Smith has been fighting to change this. A former police officer and internationally renowned professor of public protection, she has developed her ground-breaking research into an eight-stage homicide timeline, laying out identifiable stages in which coercive relationships can escalate to violence and murder.
Drawing on…
