Here are 95 books that In Control fans have personally recommended if you like
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I am a writer who has written an assortment of over a hundred and seventy different articles, poems, and books. I worked for thirty five years as a psychologist and my late wife, Rosie Larner, was a social worker and lecturer. We have both dealt with cases of domestic abuse and have recognised the extent of the problem worldwide and the misery that it causes. We offer these tales under the pen-name of Rosy Stewart to show the diversity of the problems and to bring hope to the sufferers with the hope of resolution of each case to reach a wider audience.
The story is told as a memoir in first person. What I like about this is that it tells of a period in a Derbyshire working class home in the 1940s and 1950s.
The description of the family environment is very realistic and one is drawn in immediately and carried along by the love in the home is and the playful the antics of the children. However, it soon develops into a novel of a young girl who runs away from that home because her mother becomes mentally ill and her father doesn’t know how to help his wife and ends up severely beating her.
It continues into what she does on the streets of London and how she eventually ends up in a women’s refuge. It is a lesson on how things can dramatically change.
Until 1971, female victims of domestic violence were expected to 'kiss and make up' with their husbands, hide their black eyes and bruises, and bear the shame that somehow their partners' brutality was their fault. Chiswick Women's Aid was Europe's first ever refuge for what were then called 'battered women', and Jenny Smith was one of the first females who bravely made their way to this much-needed safe house. Desperate, and in fear for her life and the welfare of her two small children, Jenny had fled her dangerously schizophrenic partner, carrying only a few possessions. In the Chiswick shelter,…
I am a writer who has written an assortment of over a hundred and seventy different articles, poems, and books. I worked for thirty five years as a psychologist and my late wife, Rosie Larner, was a social worker and lecturer. We have both dealt with cases of domestic abuse and have recognised the extent of the problem worldwide and the misery that it causes. We offer these tales under the pen-name of Rosy Stewart to show the diversity of the problems and to bring hope to the sufferers with the hope of resolution of each case to reach a wider audience.
This is told in the voice of a young girl living in a household of domestic violence in the 1960s in UK.
She is regarded as presenting difficulties for her parents right from the beginning with her difficult birth. It is written in short scenes and excerpts from her childhood. She adores her mother, but she is sexually assaulted by one of her mother’s boyfriends. The writing of this is realistic as seen by an innocent four-year-old girl.
When the mother marries another boyfriend the family dynamics change from being kind at first to much stricter. It is clear that the little girl will develop psychological problems in later life.
Cursed by her grandmother and trapped in domestic violence in 1960s Britain, Evelyn must find a way to protect her five young daughters. Aware that her firstborn, Kim, is doomed to repeat her own disastrous life choices, Evelyn places her in the care of one of her admirers to protect her from her fate.
Meanwhile, her daughter Bess carries a deep-rooted sense of shame and guilt that her birth nearly killed her beloved mother. Subjected to sexual abuse, she tries to make sense of her feelings and her place within the secretive family she grows up in, desperately seeking love…
I am a writer who has written an assortment of over a hundred and seventy different articles, poems, and books. I worked for thirty five years as a psychologist and my late wife, Rosie Larner, was a social worker and lecturer. We have both dealt with cases of domestic abuse and have recognised the extent of the problem worldwide and the misery that it causes. We offer these tales under the pen-name of Rosy Stewart to show the diversity of the problems and to bring hope to the sufferers with the hope of resolution of each case to reach a wider audience.
I think this is a basic skills book from which I was able to refresh my own knowledge.
This is an excellent workbook for therapists dealing with domestic abuse. It shows the real statistics behind domestic abuse, and begins by debunking myths, then explores the long-term effects on the survivors including the cycle of abuse in families.
It itemises therapeutic approaches and how people can be helped. It explores ways in which people can be helped to reconnect with their own identity and find themselves again after the terrible period of trauma.
Counselling Survivors of Domestic Abuse explains how counsellors can facilitate recovery from domestic abuse within a secure, supportive therapeutic relationship.
There has been growing awareness in recent years of the impact and consequences of domestic abuse, especially the relationship between domestic abuse and mental health. To appreciate the nature of trauma caused by domestic abuse, professionals need to understand its complex nature and the psychobiological impact of repeated exposure to control and terror. This book examines the therapeutic techniques and specific challenges, such as secondary traumatic stress, faced by professionals when working with survivors of domestic abuse. The author stresses…
I am a writer who has written an assortment of over a hundred and seventy different articles, poems, and books. I worked for thirty five years as a psychologist and my late wife, Rosie Larner, was a social worker and lecturer. We have both dealt with cases of domestic abuse and have recognised the extent of the problem worldwide and the misery that it causes. We offer these tales under the pen-name of Rosy Stewart to show the diversity of the problems and to bring hope to the sufferers with the hope of resolution of each case to reach a wider audience.
This is certainly a gripping tale as it gets going.
I was impressed by how it realistically shows abuse of children and abuse of women in different families in two different story threads that are tied together dramatically as a thriller. It is told from two points of view: Celia a mother who works in Citizen’s Advice, and Lucie the little girl she befriends.
It begins as a normal domestic scene with the two characters meeting by chance, but soon it develops into a thriller where Celia is suddenly hijacking at knifepoint whilst going about her business. It shows another aspect of violence against women where they can be suddenly assaulted by strangers.
My future hangs in the balance. They’re questioning both of us and every word I say matters. I need to be careful – it’s my word against his, and I can’t afford to lose…
Thirteen years ago. Teenager Lucie babysits our little son Henry. She’s like the daughter I never had. And she believes we’re the perfect family – just me, my husband and Henry.
But Lucie doesn’t really know what’s happening behind closed doors. Until one night, she sees something so awful she leaves. And my family is never the same again…
I am a writer and a sociologist of money. I am passionate about money, relationships, and family violence, because I know from my research that talking about money opens up intimate conversations about the way people see themselves, their aspirations and hopes. Sometimes through hearing other people’s stories I have found mine. I realised while researching family violence that I too had suffered economic abuse. For me too economic abuse was ‘hidden in plain sight’. One of the most meaningful things for me is to help women and men overcome family violence and empower themselves to live with freedom.
Evan Stark’s book introduced me to the concept of ‘coercive control’.
It is a continued and malevolent pattern of domination and entrapment that makes family violence a human rights crime. He also noted that the perpetrator, often a man, uses gendered stereotypes to control the woman, to convince her that it is she who is at fault.
Evan Stark’s insights helped me connect the gendered cultural practices of money with family violence. When these cultural ways of dealing with money were used for entrapment and abuse, money as a medium of care became a medium of coercive control.
Despite its great achievements, the domestic violence revolution is stalled, Evan Stark argues, a provocative conclusion he documents by showing that interventions have failed to improve women's long-term safety in relationships or to hold perpetrators accountable. Stark traces this failure to a startling paradox, that the singular focus on violence against women masks an even more devastating reality. In millions of abusive relationships, men use a largely unidentified form of subjugation that more closely resembles kidnapping or indentured servitude than assault. He calls this pattern "coercive control". Drawing on sources that range from FBI statistics and film to dozens of…
I am a writer and a sociologist of money. I am passionate about money, relationships, and family violence, because I know from my research that talking about money opens up intimate conversations about the way people see themselves, their aspirations and hopes. Sometimes through hearing other people’s stories I have found mine. I realised while researching family violence that I too had suffered economic abuse. For me too economic abuse was ‘hidden in plain sight’. One of the most meaningful things for me is to help women and men overcome family violence and empower themselves to live with freedom.
Nicola Sharp-Jeff’s book makes a great contribution by linking research on economic abuse to policy and practice.
She has been able to use her research to set up an important organisation, Surviving Economic Abuse, to help raise awareness of economic abuse, influence law and policy and work with industry and government to address and prevent family violence.
I recognise the book’s value because I know how difficult it is to draw on research to suggest ways forward for policymakers and industry. This is a necessary step for all researchers if they want to prevent family violence and empower women.
Despite being recognised by victim-survivors as a tactic used by abusers, economic abuse has received little attention in research, policy, or practice. Written by an internationally recognised expert on economic abuse, this powerful book provides a crucial validation of the lived experience of victim-survivors, and highlights the urgent need to develop effective responses to the issue.
Breaking fresh ground, Understanding and Responding to Economic Abuse exposes the many ways in which abusers seek to control their intimate partners through economic resources and reinforces the importance of holding abusers accountable for their behaviour. Whilst the focus of this book is on…
I am a writer and a sociologist of money. I am passionate about money, relationships, and family violence, because I know from my research that talking about money opens up intimate conversations about the way people see themselves, their aspirations and hopes. Sometimes through hearing other people’s stories I have found mine. I realised while researching family violence that I too had suffered economic abuse. For me too economic abuse was ‘hidden in plain sight’. One of the most meaningful things for me is to help women and men overcome family violence and empower themselves to live with freedom.
Mills’ description of the sociological imagination has become central to the way I think.
He writes of the importance of linking personal troubles to social issues, of moving from the deeply personal to the impersonal, and of linking biography and history.
The sociological imagination is at the heart of my research on domestic economic abuse. It links the stories of personal devastation to the global social issue of family violence. The personal gets transformed to policy and legal issues of the criminalisation of coercive control.
C. Wright Mills is best remembered for his highly acclaimed work The Sociological Imagination, in which he set forth his views on how social science should be pursued. Hailed upon publication as a cogent and hard-hitting critique, The Sociological Imagination took issue with the ascendant schools of sociology in the United States, calling for a humanist sociology connecting the social, personal, and historical dimensions of our lives. The sociological imagination Mills calls for is a sociological vision, a way of looking at the world that can see links between the apparently private problems of the individual and important social issues.…
I am a writer and a sociologist of money. I am passionate about money, relationships, and family violence, because I know from my research that talking about money opens up intimate conversations about the way people see themselves, their aspirations and hopes. Sometimes through hearing other people’s stories I have found mine. I realised while researching family violence that I too had suffered economic abuse. For me too economic abuse was ‘hidden in plain sight’. One of the most meaningful things for me is to help women and men overcome family violence and empower themselves to live with freedom.
Viviana Zelizer opened the world of money and relationships for me. I read her when I was doing my doctoral thesis on money, banking, and Anglo-Celtic consumers in Australia.
Her basic tenet is that money is a social phenomenon. Money shapes and is shaped by social relationships and cultural values. Viviana’s work helped transform my thesis about banking to that of money and marriage.
It was my first step to becoming a sociologist of money and discovering how researching money opens the whole field of human relationships.
A dollar is a dollar--or so most of us believe. Indeed, it is part of the ideology of our time that money is a single, impersonal instrument that impoverishes social life by reducing relations to cold, hard cash. After all, it's just money. Or is it? Distinguished social scientist and prize-winning author Viviana Zelizer argues against this conventional wisdom. She shows how people have invented their own forms of currency, earmarking money in ways that baffle market theorists, incorporating funds into webs of friendship and family relations, and otherwise varying the process by which spending and saving takes place. Zelizer…
I marvel at the resilience, tenacity, and optimism with which survivors and their advocates confront sexual violence. As a scholar of life writing, I find the “me too” movement to offer a fascinating case study of how survivors broke through default narratives of women’s unreliability and “he said/she said” to be heard by a massive global audience. By telling their own stories as “we said,” they tapped into a new collective credibility. Each of my recommended books helps us to understand “me too” as a powerful episode in a long struggle for survivor justice.
In trauma studies, Judith Herman is the GOAT. Truth and Repair follows up Herman’s landmark book Trauma and Recovery and cements her contribution to the study of sexual violence, healing, and justice.
Although The Body Keeps the Score became a surprise pandemic bestseller, it is Truth and Repair that updates trauma theory and clinical practice for the #MeToo era. Herman argues that justice is part of the healing process for individuals and communities.
Her feminist perspective on the real-world factors that enable sexual abuse is clear eyed and her prescription for how to connect healing and justice is ultimately hopeful.
Novelist, poet and scriptwriter. My interest in young narrators stems from a desire to effectively capture the voices of children in my novels. Creative writing PhD studies with the University of South Wales encouraged me to research different strategies and techniques used by published authors and to experiment with them in my writing. The String Games my debut novel was the result of this academic and creative journey. Further novels continue to include young voices in a starring role as I get inside the heads of a range of characters. After a stint as a university lecturer, I dabbled in fiction for children and through a collaboration with illustrator Fiona Zechmeister, Pandemonium a children’s picture book was published in 2020.
Billy’s family gets caught up in the care system when the six-year-old narrator is smacked by his father. An only child surrounded by adults, Billy emulates the talk of others but mishears and repeats language incorrectly with hilarious results. Malapropism sees Billy using the word copulating instead of cooperating, he loves sayings but transcribes them incorrectly giving us a different cuttlefish rather than a different kettle of fish. Through Billy’s voice, readers are securely within the mind of a child. Extended periods of internal monologue and interrupted using an em dash to indicate speech. Questions directly to the reader add to the sense of intimacy created in this fine novel.
A boy runs across a busy road. His father smacks him. A passer-by intervenes ...
When Billy Wright runs across a busy road, his world is altered irreversibly, even though he doesn't realise it at the time. Because a passer-by has stopped to watch the scene. She has seen Billy's father catch up with him and smack him. Within an hour she has informed social services, plunging the family into a living nightmare which begins with a social worker's visit and escalates through a series of misunderstandings until the family is threatened to its core. What I Did is a…
