Here are 100 books that Company of Liars fans have personally recommended if you like
Company of Liars.
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I grew up in South Wales, where ghost stories are cherished. As a child, I spent many a winter evening telling spooky tales with my mum and my sisters, sitting before the fire. We would record them on tape (I am that old) complete with homemade sound effects, then play them back to listen to. I loved the combined fear and excitement these stories instilled in me. My father also loved to read horror and scary fiction, which had some influence on what I chose to read as I grew older. For someone who always loved to write, I think publishing in this genre is simply a natural extension of all that.
First of all, the title. Intriguing, original, enigmatic. That is what first drew me to this book. I had to find out more about it.
This book is much more in the style of traditional ghost stories, which I love. A spooky, desolate setting in an old house with a long history. I love the build-up of suspense, the remote location adding to the sense of isolation and helplessness, everything cold, chilly.
The ghostly happenings, whilst perhaps not original, are very well done, which is just fine with me. Traditional ghost stories are meant to have certain elements that are standard, just as fantasy stories must have certain magical aspects. As far as ghost stories are concerned, as long as they make the hair on the back of my neck stand on end, I’m happy. This book does that extremely well, I thought. Absolutely dripping with spooky atmosphere.
An eerie and compelling ghost story set on the dark wilds of the Yorkshire moors. For fans of The Witchfinder's Sister and The Silent Companions, this gothic tale will weave its way into your imagination and chill you to the bone.
'Spine-tingling... the scariest ghost story I have read in a long time' Barbara Erskine
'A wonderful, macabre evocation of a lost way of life' The Times
'Like something from Emily Bronte's nightmares' Andrew Taylor, author of The Ashes of London
Maybe you've heard tales about Scarcross Hall, the house on the old coffin…
I’m Catherine Cavendish – writer of Gothic and ghostly horror stories. I lived in a haunted house. It didn’t scare me because our ghost seemed to go out of her way to make us welcome. Elsewhere in the building was a different matter. This was occupied by a social club and in one room in particular, an entity targeted lone females, taking delight in poking and shoving them. Since we left there, I wonder about our friendly ghost. Does she continue to watch over her old home? As for the malevolent spirit – one encounter was quite enough for me! My experiences left me fascinated by the power of buildings to absorb its ghosts.
Eel Marsh House. The name itself sets you up for something dark, sinister, cold, lonely, and hide-under-the-bedcovers scary.
The way Susan Hill handles her brand of horror has always fascinated and grabbed me. She sets her Gothic and ghostly stories – which are mostly novella length – in an indeterminate timeline which has been called ‘Hill-time’ and this all adds to the mystery and ethereal darkness.
The Woman in Black is her most famous (writing in this genre) and has all the ingredients you want. An isolated house with such a macabre back story it’s no wonder it is so deeply haunted, a desolate fog-ridden landscape, the hapless and grieving solicitor who stays there in order to sort out the legal affairs of the late owner.
Add all this to the tragic legend that has the locals fearful and wary and it’s classic stuff – but no less gripping when…
The classic ghost story from the author of The Mist in the Mirror: a chilling tale about a menacing spectre haunting a small English town.
Arthur Kipps is an up-and-coming London solicitor who is sent to Crythin Gifford—a faraway town in the windswept salt marshes beyond Nine Lives Causeway—to attend the funeral and settle the affairs of a client, Mrs. Alice Drablow of Eel Marsh House. Mrs. Drablow’s house stands at the end of the causeway, wreathed in fog and mystery, but Kipps is unaware of the tragic secrets that lie hidden behind its sheltered windows. The routine business trip…
While attending college, I lived in a haunted house. This was before all the ghost-hunting shows and YouTube, so I didn’t know what I was seeing at night. During the year and a half of these experiences, I saw two distinct shadow figures and had other people living in the front of the house, as well as my roommate, confirm they, too, had seen and heard things that were unexplainable. This began my interest in the paranormal. After graduation, I became a law enforcement officer and have been a Police Detective for the last 21 years. I have explored haunted locations and seen spirits and other unexplainable things.
A family tragedy leads a young family to seek an old home in a peaceful seaside village in the UK. There is a reason the house is vacant… it’s haunted. I was chilled reading this book. James Herbert is a master of suspense and does a great job of tying past events to the present.
I enjoyed how the spirits of the past interacted with the current homeowners. It was scary and believable!
The Caleighs have had a terrible year... They need time and space, while they await the news they dread. Gabe has brought his wife, Eve, and daughters, Loren and Cally, down to Devon, to the peaceful seaside village of Hollow Bay. He can work and Eve and the kids can have some peace and quiet and perhaps they can try, as a family, to come to terms with what's happened to them...
Crickley Hall is an unusually large house on the outskirts of the village at the bottom of Devil's Cleave, a massive tree-lined gorge - the stuff of local…
I grew up in South Wales, where ghost stories are cherished. As a child, I spent many a winter evening telling spooky tales with my mum and my sisters, sitting before the fire. We would record them on tape (I am that old) complete with homemade sound effects, then play them back to listen to. I loved the combined fear and excitement these stories instilled in me. My father also loved to read horror and scary fiction, which had some influence on what I chose to read as I grew older. For someone who always loved to write, I think publishing in this genre is simply a natural extension of all that.
This is another ghost story told in the traditional vein. However, it is not set within the bounds of some old building but in an entire mountain village, populated by more than one ghost.
I think this is a gentle, rather beautiful read. The cold surroundings are depicted so well, it is easy to envisage them in your own mind. We begin to get to the heart of the story when Freddie crashes his car one snowy night. Circumstances mean he has no choice but to accept the hospitality of an elderly couple and spend the night under their roof. While staying with them, the tragic, ancient history of the place begins to show itself to Freddie, drawing him irrevocably into its story.
Yes, it is somewhat predictable, but I find that almost comforting. There may not be any huge surprises or great reveals, yet the way in which the…
From the New York Times bestselling author of Sepulchre and Labyrinth-a compelling story of love, ghosts and remembrance.
World War I robbed England and France of an entire generation of friends, lovers and futures. In Freddie Watson's case, the battlefields took his beloved brother and, at times, his peace of mind. In the winter of 1928, still seeking some kind of resolution, Freddie is travelling through the beautiful but forbidding French Pyrenees. During a snowstorm, his car spins off the mountain road. Freezing and dazed, he stumbles through the woods, emerging in a tiny village, where he finds an inn…
As writers, one of the things that most commonly unites us is how quickly we are able to point to our favourite teacher from school—almost always our literature teacher. These people instilled in us a love of reading, and encouraged us to explore and hone the craft of writing. I’m always drawn to, and fascinated by, the idea of how certain individuals can impact our lives, this butterfly effect of personal connection. Sometimes these relationships can have very complex dynamics; other times these mentors won’t even know the impact they have had on us. In this list, I have selected five works that I have read recently and which I think examine these relationships masterfully.
One of the most masterfully-wrought novels I’ve had the pleasure to read.
Here we follow a bitter, veteran knight, Thomas, wounded at the Battle of Crecy and divested of his landholdings, as he leaves behind a life of brigandage in order to deliver a young oddball girl to Avignon.
All the while France descends into chaos, not just because of the bubonic plague, but because the forces of heaven and hell are locked in a battle for the fate of humankind. Freighted with pathos and lyrical in its allegory, this is a novel that will both inspire and terrify you.
His extraordinary debut, Those Across the River, was hailed as “genre-bending Southern horror” (California Literary Review), “graceful [and] horrific” (Patricia Briggs). Now Christopher Buehlman invites readers into an even darker age—one of temptation and corruption, of war in heaven, and of hell on earth… And Lucifer said: “Let us rise against Him now in all our numbers, and pull the walls of heaven down…” The year is 1348. Thomas, a disgraced knight, has found a young girl alone in a dead Norman village. An orphan of the Black Death, and an almost unnerving picture of innocence, she tells Thomas that…
I love history, and it infuses most of my fiction. Since I first picked up a book, I’ve never stopped learning about the past. Now, I listen to college courses and podcasts and read books both popular and academic. Sometimes this is for my writing or personal travel, but those things are often just excuses for the fun of immersion in a subject. I particularly enjoy reading and writing alternate/secret history because it merges creative imagination with factual scholarship. But I’m picky about the use of history in all media—factual sloppiness bumps me out of a story as quickly as bad physics drives a scientist from an SF movie.
Robinson’s book is alternate history on the boldest scale, covering hundreds of years after a very dramatic change indeed: around the year 1400, 99% of Europeans have been killed by a double whammy of plagues, leaving the rest of the world’s story to go on without them.
Such a saga in other hands might be too far removed from the human, character-driven level to be enjoyable, but Robinson has a clever solution to that problem—reincarnation. The main characters are reborn again and again, for the most part lacking memories of their past lives, but identifiable by the initial letter/sound of their names (e.g., there’s a “K” character).
An emotionally moving view of humans struggling to meet the challenges of their times to build a better world.
With the incomparable vision and breathtaking detail that brought his now-classic Marstrilogy to vivid life, bestselling author KIM STANLEY ROBINSON boldly imagines an alternate history of the last seven hundred years. In his grandest work yet, the acclaimed storyteller constructs a world vastly different from the one we know....
The Years of Rice and Salt
It is the fourteenth century and one of the most apocalyptic events in human history is set to occur–the coming of the Black Death. History teaches us that a third of Europe’s population was destroyed. But what if? What if the plague killed 99 percent…
I am a strong, independent woman (*snaps fingers through the air*), yet I adore a soul-sucking romance. Many might think this is a contradiction, but it’s not! A woman can be both loving and stubborn…both enamored by her partner yet still strong enough to speak up for herself. Sadly, I think historical fiction often defaults to portraying dependent and subjugated women, and this isn’t necessarily wrong—in fact, it’s probably more accurate. However, when I’m getting lost in the magic of a novel, I want to experience the all-consuming love without sacrificing the resiliency and independence of the women involved, and these books spin stories where both outcomes are possible!
There is so much going on in this book in terms of plot, drama, and relationships, but why I especially love it is because Caris, one of the protagonists, breaks the mold of the typical powerless medieval woman. When the Black Plague comes to Kingsbridge, Caris is the only one who uses observation and common sense to realize that the disease spreads by contact. In a world that revolves around religion and superstition, this doesn’t go over well. Though forced to sacrifice the love of her life, and put on trial as a witch, Caris sticks to her guns and enacts the medical policies she knows will save lives. Eventually, she gains the townspeople’s trust, ultimately ascending into a position of power within the town. Get it, girl!
On the day after Halloween, in the year 1327, four children slip away from the cathedral city of Kingsbridge. They are a thief, a bully, a boy genius and a girl who wants to be a doctor. In the forest they see two men killed. As adults, their lives will be braided together by ambition, love, greed and revenge. They will see prosperity and famine, plague and war. One boy will travel the world but come home in the end; the other will be a powerful, corrupt nobleman. One girl will defy the might of the medieval church; the other…
I founded Critical Metaphor Analysis, an approach that has become well known in English language studies. My books Corpus Approaches to Critical Metaphor Analysis, Politicians and Rhetoric: The persuasive power of metaphor, and Analysing Political Speeches have over 5,000 citations. I am also ranked first on Google Scholar on political rhetoric. I have always tried (though not always successfully) to write in an accessible style to reach out to audiences beyond academia. As well as lecturing, I assist in the training of Westminster speechwriters. I love languages and speak French, Spanish, Moroccan Arabic, and Malay with varying degrees of incompetence; I have rediscovered the pleasure of watercolour painting.
I found this a fascinating account of the origins and history of quarantine, stretching from medieval times right up to the Covid-19 pandemic, the authors take us on a tour of the many different forms that quarantine has taken in different parts of the world. Quarantine is about finding out what may be hidden within the body but this book reveals much about the different cultural and historical settings where quarantine has been employed. The book helped me understand why the responses to Covid-19 were so diverse in spite of the fact that governments were dealing with the same illness.
'Manaugh and Twilley shed illuminating light on a phenomenon that seems utterly of the present moment.' Financial Times' Best Books of the Year
'Startlingly timely, authoritatively researched, and electrifyingly written.' Steve Silberman, author of NeuroTribes: The Legacy of Autism and the Future of Neurodiversity
Quarantine has shaped our world, yet it remains both feared and misunderstood. It is our most powerful response to uncertainty, but it operates through an assumption of guilt: in quarantine, we are considered infectious until proven safe. An unusually poetic metaphor for moral and mythic ills, quarantine means waiting to see if something hidden inside of…
I have always been fascinated by the history of medicine, particularly the more macabre details. While researching my family lineage, I became especially interested in medieval medicine and the lives of English monarchs. I was honored to be asked to write a book on medicine in the middle ages, and I dove into the research head first. I have been lucky enough to write for several other publications, and I have self-published on Amazon. I enjoy writing historical fiction and my novel, Sleeping with the Impaler, was a book I truly enjoyed writing. I hope the books I recommended spark your interest as they will stay with me forever.
The Great Mortality was a key tool in my research for my book. John covered the Black Death in every country it devastated, such as England, Italy, and France. He touches on the effect the Black Death had on the church and the great lengths that were taken to protect the pope. He goes into morbid detail about the plague, and you get a real understanding of what these people went through. I can not recommend this book enough.
“Powerful, rich with details, moving, humane, and full of important lessons for an age when weapons of mass destruction are loose among us.” — Richard Rhodes, Pulitzer Prize-winning author of The Making of the Atomic Bomb
The Great Plague is one of the most compelling events in human history—even more so now, when the notion of plague has never loomed larger as a contemporary public concern.
The plague that devastated Asia and Europe in the 14th century has been of never-ending interest to both scholarly and general readers. Many books on the plague rely on statistics to tell the story:…
I’ve loved the countryside ever since I was a child. Every year we used to stay for a week or two on a beautiful farm hidden away in a hollow of the Leicestershire wolds. I was fascinated by the wildlife and history – the old cottages and churches, local traditions and place names. It’s no accident I became a rural historian! I’m captivated by the strange power of landscape to affect us, subtly weaving itself into our sense of being, and have devoted much of my adult life to trying to understand this. I hope you find the books on the list as rewarding as I have!
This has to be the most original and influential book ever written on landscape history – indeed it’s only a slight exaggeration to say that Hoskins invented landscape history.
He shows us that beneath the lineaments of ordinary, everyday landscapes, a fascinating past can be discerned. A few bumps and hollows in a grassy field can indicate the site of a vanished medieval village; a double line of hedgerows might signify the boundary of an Anglo-Saxon estate. With this book in hand, we can all become landscape historians!
Most of all, I love Hoskins’s distinctive voice, eloquent and passionate in defence of the landscapes he cherishes, deploring the violence inflicted on them and those who lived in them by the ruthless forces of industrialization and modernity.
Deals with the historical evolution of the English landscape as we know it. It dispels the popular belief that the pattern of the land is a result of 18th-century enclosures and attributes it instead to a much longer evolution. This book traces the chronological development of the English landscape from pre-Roman days to the eve of the Black Death, onwards to the Industrial Revolution and up to the present day. With the help of photographs and charts, Professor Hopkins discusses the origins of Devonshire hedge-banks and lanes, the ruined churches in Norfolk and lost villages in Lincolnshire, Somerset's marshland ditches,…
