Here are 87 books that Climbers fans have personally recommended if you like
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I still remember the day I discovered the family atlas (I must have about five; it then lived in my room, and my dad was probably irked, but too kind and encouraging to show it). Since then, I have been mesmerized by maps. How lucky I am to turn an early passion into a focus of research and teaching (I am a Classicist and Historian of Ancient Science). My publications include studies of narrative maps in Greco-Roman literature (they too were mesmerized by maps). You can find maps in the most unexpected places!
2500 years ago, Pytheas, a clever Greek explorer, figured out latitude.
While there has always been a concept of longitude, it proved impossible to pinpoint, until... Sobel and Andrewes engagingly unravel the cipher of longitude that was cracked by the plucky John Harrison (he created the right tool, a clock that kept accurate time at sea: why is this important? Read the book!).
Convinced that the solution could only be astronomical, the scientific community was not amused. It was a dramatic conflict between the skeptical Board of Longitude (probably also jealous) and the skilled workaday carpenter-turned-clockmaker whose solution to navigation’s oldest puzzle was banausic.
In the end, our hero, the underdog, prevails (even if it took 250 years for Harrison to receive the respect he so richly deserved and earned).
The Illustrated Longitude recounts in words and images the epic quest to solve the greatest scientific problem of the eighteenth and three prior centuries: determining how a captain could pinpoint his ship's location at sea. All too often throughout the ages of exploration, voyages ended in disaster when crew and cargo were either lost at sea or destroyed upon the rocks of an unexpected landfall. Thousands of lives and the fortunes of nations hung on a resolution to the longitude problem. To encourage a solution, governments established prizes for anyone whose method or device proved successful. The largest reward of…
I’m the sort of writer who constantly asks “what kind of story could I set here?” A quiet copse, a busy mall, a shabby wedding venue, all locations have their own stories to tell in addition to those of the characters who inhabit them. Stories work best when the location is the pivot around which everything else happens. This is doubly true for secondary world fantasy because, when you’re creatinga world, you don’t just tease the story out of its locations—you can weave it into the fabric of the place. Which is how I created the world of Queen Of Clouds, down to its very motes.
The setting of this masterful story is contemporary London, but one dominated by water: rain, rivers, canal boats, ponds. As the novel progresses, the characters’ only partially successful attempts to connect feel hampered by the decreasing definition of the boundaries between land and water. A sense of hopeless inevitability pervades every page, that in the world of this drowning London something has changed. Something irreversible.
'A mesmerising, mysterious book . . . Haunting. Worrying. Beautiful' Russell T. Davis
'Brilliantly unsettling' Olivia Laing
'A magificent book' Neil Gaiman
'An extraordinary experience' William Gibson
Winner of the Goldsmiths Prize 2020, this is fiction that pushes the boundaries of the novel form.
Shaw had a breakdown, but he's getting himself back together. He has a single room, a job on a decaying London barge, and an on-off affair with a doctor's daughter called Victoria, who claims to have seen her first corpse at age thirteen.…
Although I’m from New Zealand, Europe has been home for a lot of my adult life, and that has included a lot of time in North Yorkshire. It always seems to me that there’s potential for magic around every corner, in the deep sinkholes and high fells of the Dales, or the cobbled charm of the York Shambles and the loom of the Abbey over Whitby harbour. So I do feel that the fact so many stories are set in London is a waste of so many delightfully different settings, and I make a point of hunting out as many alternatives as I can. I hope you enjoy this selection!
In the depths of the Cotswolds, Andy Caplet is a small-town journalist with a disastrous career (and life). Until, that is, the mysterious Inspector Hobbes offers him a spare room and the chance to follow along on some investigations. The only problem being, none of the cases are exactly the usual sort of crime, and Inspector Hobbes is not a usual inspector. Or a usual human. These stories are just fun, goofy escapism, caught somewhere between cosy mystery and urban fantasy, and they’re pure entertainment. Andy can be a bit annoying, but Inspector Hobbes is delightful.
A reporter with nothing to lose. An inspector with something to hide. The Cotswolds’ newest odd couple is on the case…
Of all the journalists at his small-town paper, Andy Caplet is far and away the worst. At least he has a job. But when his latest expose on the strange and scandalous Inspector Hobbes backfires, Andy is left broke and homeless. The inspector’s offer of a spare room for a few days (or months) seems like the only option…
Andy agrees to accompany the inspector to investigate a sudden surge in crime and soon finds himself immersed in a…
I didn’t know anything about Victorian history before I started writing the Arrowood books. The idea for the character of William Arrowood came as I was reading a Sherlock Holmes story. It occurred to me that if I was a private detective working in London at the same time, I’d probably be jealous, resentful, and perhaps a little bitter about his success and fame. That was the basis of Arrowood. I started to write a few pages and then realized I needed to learn a lot about the history. Since then, I’ve read hundreds of books on the topic, pored over newspapers in the British Library, and visited countless museums.
This is another book written by a journalist. The stories in it are about the working class and destitute life in London at the end of the nineteenth century. Not only do they portray intimate relationships, prostitution, crime, and alcohol abuse, but they also give a sense of the life stories of the people who lived in these communities.
This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.
I am an Oxford local historian, and the only Oxford guide endorsed by the Lewis Carroll Society. I have helped shape Oxford’s annual Alice’s Day since the first one in 2007, and have participated in French, Dutch, Canadian, Brazilian and British TV and radio documentaries, most notably for BBC 2 and BBC Radio 4. My interest is mainly the many Oxford realities which are hidden away within the apparent fantasy of the ‘Alice’ books, an angle which has enabled me to lecture on this internationally famous topic as far away as Assam in India. Subsequently, my appreciation of Carroll’s versatility as a mathematician, photographer, inventor, diarist, and letter writer has grown steadily over the years.
Actually, it is ten books, covering 1855 to 1897 (with a reconstruction of the missing journals of April 1858 to May 1862 – their disappearance being the cause of countless conspiracy theories!). These diaries are the principal source of practically every piece of Lewis Carroll/Alice analysis that has ever been published, and provide a uniquely revealing chronology of the genesis of one of the world’s classic works of literature. These volumes mean that the enigmatic genius of Lewis Carroll is not the sole preserve of academics or historians; through them, he becomes accessible to us all. Transcribed and fully indexed by Edward Wakeling, a renowned world expert, whose extraordinarily detailed and insightful bibliographical and contextual notes provide an unparalleled insight into Victorian Oxford (London, Surrey, Yorkshire, Sussex, and more).
I am the oldest of six children – all girls! I used to make up imaginary worlds for my little sisters. We’d steal clothes from Mum and Dad for dressing up; we’d pull all the cushions off the sofa to make a show; we even used to put ribbons on the poor dog. Nowadays I write books with magic and fairy tales and adventure. I write for the child inside me; the child that loved an exciting, fantastical story. I have written over 50 books for children from picture book to middle grade, and I still love inventing imaginary worlds.
This book is beautifully written, with a classic feel. It’s set in wartime England and draws on old green magic and folklore, as well as the power of belief. The Midnight Guardians is a quest story, full of enchantment and warmth. Col’s three imaginary friends come to life to help him race across a snowy English landscape to save his sister. It’s a glorious book with excitement and danger as well as humour and heart.
SHORTLISTED FOR THE COSTA CHILDREN'S BOOK AWARD 2021
WATERSTONES CHILDREN'S BOOK OF THE MONTH
HIVE CHILDREN'S BOOK OF THE MONTH
TOPPSTA CHILDREN'S BOOK OF THE MONTH
Sometimes at the darkest hour, hope shines the brightest...
When Col's childhood imaginary friends come to life, he discovers a world where myths and legends are real. Accompanied by his guardians - a six-foot tiger, a badger in a waistcoat and a miniature knight - Col must race to Blitz-bombed London to save his sister.
But there are darker forces at work, even than the Nazi bombings. Soon Col is pursued by the terrifying…
Before I started to focus on writing, I was a performer: an actor, a magician, and an escapologist. I’ve learnt a great deal about how to construct a story for an audience. I’m excited by the layers of a good narrative—by what makes it work. In my own life I’m always looking for the details: reflections in a puddle, the interactions of strangers, lost items left behind. My book is all about stopping in the middle of this overwhelming world to notice the everyday moments and to celebrate them. I often find that there is magic there, hidden in plain sight.
I was born in a fishing village in Yorkshire and although I live in the city now, I always feel the pull of the sea. This book is a memoir set in Orkney and London. It is about the writer’s struggle with addiction and her recovery – partly through reconnecting to the natural landscape again. Amy’s prose is clean and bright. She constructs sentences with no fat on them. Her descriptions are sharply accurate. I really related to her need to get away from London to find her way back to health. London life is intense and although I love it here, it is a constantly demanding city. Reading this novel reinforced my desire to look at things closely, notice them anew, and to remember to go and visit the sea, whenever I can.
After a decade of heavy partying and hard drinking in London, Amy Liptrot returns home to Orkney, a remote island off the north of Scotland. The Outrun maps Amy's inspiring recovery as she walks along windy coasts, swims in icy Atlantic waters, tracks Orkney's wildlife, and reconnects with her parents, revisiting and rediscovering the place that shaped her.
A Guardian Best Nonfiction Book of 2016 Sunday Times Top Ten Bestseller New Statesman Book of the Year
Warner is a multi-disciplinary artist who began with object theatre – writing, designing and building characters, and performing. Now, history writing is his primary focus, having written two books for 14 years, and still counting, writes a monthly blog, combining words and images to tell stories of early Snohomish.
Rebecca Stott sets her adventure story in the Roman ruins of early London around 500 AD, and is included in this collection because Stott is, in a sense, creating the first draft of history where none exists with this admirable tale.
It’s of two sisters, Isla and Blue, whose father dies and they must deliver the Sword he forged to the client, King Osric. Listening to the story transported me to the sister’s side as they overcome one obstacle after another. Found myself listening in a dream state — an extraordinary listen that called me to make the exception to include this book in my list.
On the author's website I wanted to learn more about the title and clicked on the tab "Mysterious Black Soil". Reading the entry, I was entranced all over again by this amazing tale. Briefly, when the Romans abandoned Londinium, around 420 AD, the mile-wide…
A “superb” (The Guardian) novel about two sisters fighting for survival in Dark Ages Britain that weaves “a dazzling blend of history and fantasy” (BuzzFeed)
“Rich in history and folklore . . . Stott is astute on the use of stories to control others and maintain power. . . . Female defiance blazes through as her women reclaim this brutal period from the men.”—The Telegraph
The year is 500 AD. Sisters Isla and Blue live in the shadows of the Ghost City, the abandoned ruins of the once-glorious mile-wide Roman settlement Londinium on the bank of the River Thames. But…
My debut novel, Where Ivy Dares to Grow, inherently explores many kinds of grief through the lens of a gothic novel; the grief of losing one’s sense of self to mental illness, of family estrangement, of relationships that have run their course, of illness in loved ones, of beloved places no longer being the beautiful things we remember them as. While this was not something I did consciously while writing, the gothic genre simply seemed to be a natural fit to investigate mourning in so many untraditional senses, using a sentient home and timeslips as metaphors for the way that grief can seem to shift the world and swallow one whole.
This modern gothic follows Ivy Radcliffe as she suddenly inherits an estate house in England, during the tail end of World War I.
Throughout this story grief is explored very intimately through Ivy mourning the loss of her brother to the war, but also the way that the communal grief of the war affects individuals and shapes English society and how it functions.
Without giving away too many spoilers, memory places a huge, multilayered role in the story, and of course we see the way that grief and memory are connected, both through the way Ivy remembers her lost brother and characters mourning the way life once was before the war and, ultimately, will never be again.
"Weaves a spell of darkness that’s mysterious and magical, and binds it with a knot of deathless love." —New York Times bestselling author Susanna Kearsley on A Lullaby for Witches
In post–World War I England, a young woman inherits a mysterious library and must untangle its powerful secrets…
With the stroke of a pen, twenty-three-year-old Ivy Radcliffe becomes Lady Hayworth, owner of a sprawling estate on the Yorkshire moors. Ivy has never heard of Blackwood Abbey, or of the ancient bloodline from which she’s descended. With nothing to keep her in London since losing her brother in the Great War,…
I write about aloneness and individuals, what it takes to connect to family and community, and how to hang on to the people we hold dear. This means I think a lot about points of view and personal perception. We often wonder: Have I got this right? Did they get my meaning? Does everybody feel this? And more often than not, everybody does. These interpretations are both personal and universal at the same time. We all fear loss; we all have to be brave to hold onto people we love and principles we value.
I've just discovered Fae Urban Fantasy and I'm absolutely hooked. I love this world and this writing partnership sparkles like endless glitter showers of fairy dust. I connected with student Noelle like a sister, and – you guessed it – by a quirk of fate, she finds herself in the land of the fae, and they are Bad People. Well, they're not all bad, but they can be every bit as mean and spiteful as mortals, even though they look pretty. I've read both books and I believe there's a third one coming out. Again, it's about being brave, confronting your problems, and holding on to people you love. I can't wait to see how the story turns out.
Abducted by a cruel Fae. Condemned to fight, or die. "My heart is still racing...an adrenaline filled gem." "Purchased this book on the off chance and so glad I did."
All college student Noelle Fidelis wants is a chance to be normal. To blend in at a party, without the crippling social anxieties that come from a history of abuse and insecurity. Instead, a chance encounter with a dark-alley creep turns into a terrifying prison sentence, after she's abducted by a royal Fae and condemned to fight against other supernatural inmates in a battle for survival. Her only allies are…
