Fans pick 87 books like Lewis Carroll's Diaries

A teasingly insightful glimpse of the Victorian Oxford of Lewis Carroll and Alice Liddell, the two protagonists – and yet they aren’t! Yes, there is an Oxford University don with a penchant for photography, and yes his favourite subject is a ten-year-old local girl, and yes the text is scattered with subtle Wonderland and Looking-Glass references, but this is otherwise a quite different, very cleverly contrived, story. Structured as the inner thoughts of the main characters, After Such Kindness engagingly explores the dilemmas posed by the unusual friendship between a mature clergyman bachelor – Arnold convincingly captures Carroll’s playful sense of humour – and an inquisitive and trusting young girl, while sustaining a lurking sense of foreboding through to a thought-provoking finale.

This fictional interpretation of the creation of Alice’s Adventures is seen from the viewpoint of a constant, yet largely unremarked, fixture during these critical years: the Liddell family governess, Mary Prickett. The Oxford context of the time is convincingly depicted, and some of the burning issues of the day – Darwinism and Nonconformism, for instance – are interwoven with the more immediate tensions within the Liddell household, interpreted by an author who has more right than anyone to comment because Tait is the great-granddaughter of the real Alice herself. To sustain the pace she condenses the real events of 1857 to 1863 into a single fictionalised year, drawing on many well-known facts and suppositions – including Carroll’s rumoured amorous interest in Miss Prickett – and some lesser known details from her own family’s archives.

Although this guide to the many English towns and cities associated with Charles Dodgson, the author of Alice, is now more than 20 years old, it remains the most accessible and comprehensive Carrollian guide for the literary tourist. Lovett, a former President of the Lewis Carroll Society of North America, provides admirably clear directions accompanied by over 200 illustrations and photographs, many coming from his own extensive collection. To quote from the cover text, Lovett takes the reader ‘from the tiny Cheshire village of Dodgson’s birth to the Surrey hillside that provides his final resting place … on a journey through Victorian Britain like no other’. True enough, and in between come locations in, most importantly, Yorkshire, Rugby, Oxford, London, the Isle of Wight, and Eastbourne.

Mention the name ‘Lewis Carroll’ and most people will immediately think of the two Alice books. Very few would equate the name to Charles Dodgson, the photographer. This, however, is the aspect of the multi-talented Oxford don which Gernsheim, a professional photographer himself, appraised in his 1949 first edition for the very first time, concluding that Dodgson was ‘the most outstanding photographer of children in the nineteenth century. Many of the black and white plates substantiate this claim, but equally, Dodgson’s mastery of this new invention enabled him to meet and photograph (sometimes uniquely) numerous famous writers and artists, as well as many Oxford contemporaries. As an aside, Edward Wakeling’s 2015 Catalogue Raisonné is a comprehensive listing of every one of Dodgson’s hundreds of known photographs.

I was born in a fishing village in Yorkshire and although I live in the city now, I always feel the pull of the sea. This book is a memoir set in Orkney and London. It is about the writer’s struggle with addiction and her recovery – partly through reconnecting to the natural landscape again. Amy’s prose is clean and bright. She constructs sentences with no fat on them. Her descriptions are sharply accurate. I really related to her need to get away from London to find her way back to health. London life is intense and although I love it here, it is a constantly demanding city. Reading this novel reinforced my desire to look at things closely, notice them anew, and to remember to go and visit the sea, whenever I can. 

This is often overlooked by readers of Dickens. I think the term “sketches” is important here at a point where Dickens was still experimenting with his art and particularly his characters which were always going to be his greatest strength. Sketches by Boz is a collection of fascinatingly detailed insights into London life intertwined in episodes (or scenes) as Dickens terms it through a richly caricatured study of a set of interesting lives of the working classes, in a way that only Dickens has ever been able to do. The “sketches” had, prior to this, been serialized in weekly installments (the soap operas of the day). Dickens had experienced sufficient highs and lows of social mobility in his own life to fully qualify his portrayals. "The Tuggses at Ramsgate" is perhaps for me the most memorable but the whole volume is bursting with energetic individuality and character. I have… show more.

I really loved the way this book told the story of London across the Victorian era. I often call London my spiritual home, and books about the city always capture my attention. Each chapter covers a separate topic, such as the Middle Class, Buildings, Amusements, etc., with interesting stories for each one.

I love the book as it is the sort I can pick up if I only have a few minutes to read.

Listed as a ‘gas lamp’ fantasy, and me being a pre-Victorian/Victorian era London fan, I had to grab this one. It had a fresh twist on the mad scientist’s experiment went wrong, creating a superhero and a supervillain. I found that exciting. I loved how the main character (the hero) struggled to learn his abilities and limitations, all the while not knowing who the villain was or what he was up to. I enjoyed this master class on how to put your main character through the wringer. And the twist ending surprised me. Great stuff. 

I love all of Sarah Waters’ works, but Fingersmith ranks among my most obsessively adored books of all time. I find it a near-perfect interweaving of meticulously researched historical fiction—penned with Dickensian flair and grace—and compulsively page-turning thriller, marked by brilliant and utterly unforeseeable plot twists that will leave you slack-jawed.

It somehow manages to be wickedly funny, poignantly tragic, powerfully feminist, and gratifyingly steamy all at once. I also loved the Korean film adaptation of it, The Handmaiden, which not only embraces Fingersmith’s anti-patriarchal themes but ingeniously weaves anti-colonialist elements into the by setting it in Japan-occupied Korea in the 1930s.  

This book was recommended to me by a friend who knew I liked books set in the Victorian era. However, at the time, I had not read any books set in a music hall and certainly not a mystery. This book takes the reader deep into the underbelly of Victorian London and introduces a whole cast of eerie characters as well as some wonderful characters with hearts of gold.

The descriptions of the places our heroine is forced to visit are so exquisitely drawn that I could literally taste, smell, hear and see everything. The charm of Kitty and her friends gives a welcome reprieve from the darker aspects of the novel, yet it is those aspects that thrill the most!