Here are 100 books that Circus fans have personally recommended if you like
Circus.
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I’ve always been fascinated by how we remember the past and why some things get written into histories and other things don’t. I realized that Nothing happens all the time but no one has thought to ask how we remember it. Once I started looking for how Nothing was being remembered, I found it all around me. Books I read as a kid, movies I’d seen, songs I’d heard – these were my sources. So when I started working, Nothing got done (yes, I love puns!).
I haven’t recovered yet from the way Hartman recovers the lives of young Black women through historical photographs. The images were made to rob these women of their individuality, make them fit “types,” letting them say Nothing about themselves.
But Hartman writes like she’s talking to them, and they’re wonderful. She messes with categories used by authorities who thought they “knew” these women by their transgressions. I was utterly transfixed by how she imagined these women’s lives and loves in the ordinary stairways and back alleys they called home.
The photos are gorgeous. You could talk about them for days and still have more to think about—like how when it comes to women being framed for doing something wrong, maybe Nothing has changed.
Beautifully written and deeply researched, Wayward Lives, Beautiful Experiments examines the revolution of black intimate life that unfolded in Philadelphia and New York at the beginning of the twentieth century. In wrestling with the question of what a free life is, many young black women created forms of intimacy and kinship indifferent to the dictates of respectability and outside the bounds of law. They cleaved to and cast off lovers, exchanged sex to subsist, and revised the meaning of marriage. Longing and desire fueled their experiments in how to live. They refused to labor like slaves or to accept degrading…
How might we live and write otherwise? I am preoccupied by this question, and am fairly certain that at minimum we have to start by imagining it. As a culture worker and writer I hope my projects and experiments do just this. There is so much to reinvent, and so much that interconnects us. I am inspired by the ways the authors of these books take on their times and passions, and tell stories in ways I find unexpected. Their abilities to integrate divergent avenues of thought, deep research, and truly weird characters and circumstances has lit my imagination and I hope it does yours as well!
All of Solnit’s writings have been an inspiration but this book’s oscillations between the intimacy of her relationship with her dying mother, the poignant degradation of apricots, and the many little-known and fascinating histories that she miraculously weaves into a truly magical book. Solnit has a way of offering hope in the darkness of some of life’s most challenging times, by swinging from details of her own life to those of others she knows or has studied. It’s a remarkable read as it takes you along on the nimble journey of her mind and heart.
From the author of Orwell's Roses, a personal, lyrical narrative about storytelling and empathy-a fitting companion to Solnit's A Field Guide to Getting Lost
Finalist for the National Book Critics Circle Award
In this exquisitely written book by the author of A Paradise Built in Hell, Rebecca Solnit explores the ways we make our lives out of stories, and how we are connected by empathy, by narrative, by imagination. In the course of unpacking some of her own stories-of her mother and her decline from memory loss, of a trip to Iceland, of an illness-Solnit revisits fairytales and entertains other…
How might we live and write otherwise? I am preoccupied by this question, and am fairly certain that at minimum we have to start by imagining it. As a culture worker and writer I hope my projects and experiments do just this. There is so much to reinvent, and so much that interconnects us. I am inspired by the ways the authors of these books take on their times and passions, and tell stories in ways I find unexpected. Their abilities to integrate divergent avenues of thought, deep research, and truly weird characters and circumstances has lit my imagination and I hope it does yours as well!
Two of Sarduy’s most extraordinary writings from the 1970s, these twin works chart a territory of radical transformation. In the first part of the book, Cobra makes their gender transition with the support of a slew of unusual characters who also shape-shift via the mysterious and violent rites of a motorcycle gang and a group of Tantric Buddhist lamas. Metamorphosis continues in the second half of the book, wherein a Cuban-Chinese cook reincarnates as the Buddha, in the midst of the Cuban revolution. The wild tales create a distinctive space for being otherwise.
The late Severo Sarduy was one of the most outrageous and baroque of the Latin American Boom writers of the sixties and seventies, and here bound back to back are his two finest creations. Cobra (1972) recounts the tale of a transvestite named Cobra, star of the Lyrical Theater of the Dolls, whose obsession is to transform his/her body. She is assisted in her metamorphosis by the Madam and Pup, Cobra's dwarfish double. They too change shape, through the violent ceremonies of a motorcycle gang, into a sect of Tibetan lamas seeking to revive Tantric Buddhism.
How might we live and write otherwise? I am preoccupied by this question, and am fairly certain that at minimum we have to start by imagining it. As a culture worker and writer I hope my projects and experiments do just this. There is so much to reinvent, and so much that interconnects us. I am inspired by the ways the authors of these books take on their times and passions, and tell stories in ways I find unexpected. Their abilities to integrate divergent avenues of thought, deep research, and truly weird characters and circumstances has lit my imagination and I hope it does yours as well!
I love this book. Dionne Brand conveys what it means to write through a crystalline web of ideas, poetry, and philosophy. Her profound, evocative, and real tale of imagined conversations between a poet and the clerk charged with dealing with their output is simultaneously familiar and fantastical. I got lost in the beauty of language only to be jolted into the realities of the world as it exists in all its beauty and awfulness.
On a lonely wharf a clerk in an ink-blue coat inspects bales and bales of paper that hold a poet’s accumulated left-hand pages—the unwritten, the withheld, the unexpressed, the withdrawn, the restrained, the word-shard. In The Blue Clerk renowned poet Dionne Brand stages a conversation and an argument between the poet and the Blue Clerk, who is the keeper of the poet’s pages. In their dialogues—which take shape as a series of haunting prose poems—the poet and the clerk invoke a host of writers, philosophers, and artists, from Jacob Lawrence, Lola Kiepja, and Walter Benjamin to John Coltrane, Josephine Turalba,…
I’ve been a voracious reader my entire life, but it wasn’t until a few years ago that I discovered romance. How many times had I turned up my nose at those ridiculous books with half-naked men on the cover? Countless. Little did I know the absolute joy those books held inside. I love to read and write romance, especially stories with strong heroines and deliciously squishy-inside heroes. Not to mention all the amazing queer stories out there proving that love is love. These aren’t your grandmother’s bodice-rippers (I mean, they are a little bit, but only in the best ways). The genre is constantly growing, and I’m always eager to find new converts like me!
Looking for another historical romance that flies in the face of tradition? The Perfect Crimes of Marian Hayes begins with the title character murdering her husband, the duke. Right from the start Marian takes her destiny into her own hands. Needing a little help from the highwayman, Rob, doesn’t make Marian weak. In fact it’s her strength (and prickliness) that Rob loves the most. Watching these two learn to lean on each other is perfection. This book is number two in a duology. It can be read as a stand-alone but the story makes a bit more sense if you read The Queer Principles of Kit Webb first.
Cat Sebastian returns to Georgian London with a stunning tale of a reluctant criminal and the thief who cannot help but love her.
Marian Hayes, the Duchess of Clare, just shot her husband. Of course, the evil, murderous man deserved what was coming to him, but now she must flee to the countryside. Unfortunately, the only person she can ask for help is the charismatic criminal who is blackmailing her—and who she may have left tied up a few hours before…
A highwayman, con artist, and all-around cheerful villain, Rob Brooks is no stranger to the wrong side of the…
I am a historian and author, passionate about how the past influences current ideas and perceptions. While reading for my Ph.D. in Historical Theory, I started to realise that it is not the past that influences us, but we that actually create it. The books in the list came up at different points in my life and research and made me think and rethink the concept of historical knowledge, how we acquire it, how we narrate it, and what we retain from it.
You don’t often come across a history of the Holocaust given from the perpetrator’s perspective. Both a masterful historical novel and a marvellous piece of literary historiography,it's a hard book to put down.
Following SS Officer Max Aue through all the horrors of the Second World War and the Holocaust, the book provokes you to think in contradictory terms about the events narrated.
A journey through the inevitability and impossibility of empathy, this book reflects on what is considered good and evil and how we can judge what happened in the past.
“Simply astounding. . . . The Kindly Ones is unmistakably the work of a profoundly gifted writer.” — Time
A literary prize-winner that has been an explosive bestseller all over the world, Jonathan Littell’s The Kindly Ones has been called “a brilliant Holocaust novel. . . a world-class masterpiece of astonishing brutality, originality, and force,” (Michael Korda, The Daily Beast). Destined to join the pantheon of classic epics of war such as Tolstoy’s War and Peace and Vasily Grossman’s Life and Fate, The Kindly Ones offers a profound and gripping experience of the horrors of World War II and the…
I’m often asked: “Are you a musician? You mustbe, in order to write so beautifully and convincingly, through the eyes of a musician!” Actually, I’m what’s known as a “serious amateur”—which means that I study the piano “seriously” but not professionally, purely for the love of it. In fact, my understanding of the piano deepened tremendously as I worked on this book, as if my protagonist required that of me, in order to bring her to life the way she needed. The piano has become more and more vital to me, as a writer, because it allows me to explore and express in ways that don’t depend on words.
In The Lost Concerto a woman has set aside her career as a classical pianist, for deeply personal reasons—then finds herself not only reclaiming her music, but also finding answers to a past mystery as well as new connections in the present. Both novels are about loss, love, and the power of music to lift and heal us. What makes The Lost Concerto especially appealing is its cross-genre blend of suspense, intrigue, stolen art, and the journey from vengeance to courage. You won’t be able to put it down!
FINALIST: 2016 International Book Award – Mystery/Suspense Category
A woman and her young son flee to a convent on a remote island off the Breton coast of France. Generations of seafarers have named the place Ile de la Brume, or Fog Island. In a chapel high on a cliff, a tragic death occurs and a terrified child vanishes into the mist.
The child’s godmother, Maggie O’Shea, haunted by the violent deaths of her husband and best friend, has withdrawn from her life as a classical pianist. But…
My abiding interest is in how people find meaning in their lives in a post-church, secular world, and what happens when they fail. I have concluded that life needs to be seen as an arc leading to significant end; it needs to be experienced as a coherent story. The vital role of culture here is in providing archetypal stories, usually from a long time ago, but ones constantly retold and brought up to date, which provides background shapes to identify with, armatures as it were. I've explored these challenges in a series of books: Ego and Soul, The Western Dreaming, The Existential Jesus, and soon to appear, The Saviour Syndrome.
In Henry James’ masterpiece from 1901, Lambert Strether, aged 55, is a Boston Puritan who hasn’t lived. He travels to Paris on an ambassadorial mission.
From the moment of arrival in Paris he is beguiled and intrigued, but unclear what to do. He proceeds to meander through gilded French drawing rooms in which high aesthetic taste of both manner and décor presides. This quiet and modest outsider eventually fills out into the man who runs the show.
Strether has discovered what to know, who to choose, and when to move. Everything depends on it. The method must be learnt in the thick of lived life along the way.
Here is evidence of the existence of a god within, a wisdom of soul with a coherent vision of what matters, one that slyly directs the focus of the person walking confusedly in the world, leading them to move with discrimination.
The original American in Paris. This dark comedy, seen as one of the masterpieces of James's final period, has all the elements of great writing, brilliant plot and gorgeous setting- An Edwardian gentleman from the States arrives in seedy and sophisticated Paris to rescue his wayward future step son. But his innocent American background has not prepared him for such seduction... Beautiful hardback gift edition of this collectable classic.
This complex tale of self-discovery -- considered by the author to be his best work -- traces the path of an aging idealist, Lambert Strether. Arriving in Paris with the intention…
Looking at this list, I think it reveals that I am fundamentally a nosy person. I love reading other people’s diaries and letters and getting the inside story of a person’s life. And I’m also fascinated by how people present themselves to the world. Giving presentations is one way to show ‘who you are,’ so perhaps it's not surprising that I now work with people to help them tell their stories, share their ideas, and be the best they can be in front of an audience. Many people say they ‘hate’ presenting, and my mission is to help them overcome that.
I love David Sedaris’s writing. He is so observant and has a brilliant ear for dialogue. I’ve read his diaries, which are some of the source material for this book of essays. The title refers to him learning French whilst living in Paris.
His attempts to read his essays to the class are often met with contempt by his French teacher, who barely disguises her scorn at his efforts. But, respect for David’s work ethic–he often spent the whole day on his French homework, so determined was he to crack the language. Another life lesson: there are no shortcuts–you have to put the work in.
A new collection from David Sedaris is cause for jubilation. His recent move to Paris has inspired hilarious pieces, including Me Talk Pretty One Day, about his attempts to learn French. His family is another inspiration. You Cant Kill the Rooster is a portrait of his brother who talks incessant hip-hop slang to his bewildered father. And no one hones a finer fury in response to such modern annoyances as restaurant meals presented in ludicrous towers and cashiers with 6-inch fingernails. Compared by The New Yorker to Twain and Hawthorne, Sedaris has become one of our best-loved authors. Sedaris is…
Growing up in a small town and realizing I was gay, I saw nothing but dread ahead of me. In graduate school, I came across a one-sentence description of Margaret Anderson as a “lesbian anarchist.” I knew I was home. My book is the first full-length biography of Anderson and her partner, Jane Heap. They went through a lot of crap–they were tried for publishing Joyce’s masterpiece Ulysses–but above all, they were witty rebels, strong women, and proud and out.
Like Anderson, Gertrude Stein had a sense of humor about gay Paree. Who else would write someone else’s autobiography?
I love her tone of detached amusement when describing the artistic titans of the Lost Generation. If you don’t get it, try the recipe for Alice B. Toklas brownies.
