I am a historian and author, passionate about how the past influences current ideas and perceptions. While reading for my Ph.D. in Historical Theory, I started to realise that it is not the past that influences us, but we that actually create it. The books in the list came up at different points in my life and research and made me think and rethink the concept of historical knowledge, how we acquire it, how we narrate it, and what we retain from it.
I wrote...
How to Write About the Holocaust: The Postmodern Theory of History in Praxis
What is history, and what do we need historical knowledge for? In my first book, I examine the qualities of historiography and propose ways to make it accessible, fun, and credible. My analysis of postmodernism is a dive into the literary features of historical writing. I highlight the importance of narrative building and evaluate positively the existence of multiple perspectives for the same events.
In an era of conflict, during which history is used to justify invasions and wars, I show that even a topic as challenging and traumatic as the Holocaust can profit from a literary tone which attempts to make it approachable and graspable without undermining its seriousness and importance.
When I first read this book as a history student, it just blew my mind.
Keith Jenkins is an expert at criticizing the roots of historiography in the clearest but also most hilarious way. I learned so much about understanding historical texts and was excited by Jenkin’s urge to move historical thinking beyond narratives of good and evil.
Main lesson learned: Don’t take things too seriously, especially if they already happened!
"Why bother with history? Keith Jenkins has an answer. He helps us re-think the "end of history", as signalled by postmodernity. Readers may disagree with him, but he never fails to provoke debate about the future of the past."
Joanna Bourke, Professor of History, Birkbeck College
Keith Jenkins' work on historical theory is renowned; this collection presents the essential elements of his work over the last fifteen years.
Here we see Jenkins address the difficult and complex question of defining the limits of history. The collection draws together the key pieces of his work in one handy volume, encompassing the…
This book is a classic, and I wish I had read it even earlier than I did.
One of the most prominent historians of the 20th century, E.H. Carr, delves into the intricacies of exploring the past. He articulates the significance of interpreting personal memories, discusses how historical ideas are constructed, and examines the impact of a historian's personality on the history they write. These complicated ideas are given in a calm tone and a simple way.
A total must-read for people interested in history!
'Not only our most distinguished historian but also one of the most valuable contributors to historical theory' Spectator
In answering the question, 'what is history?', E. H. Carr's acclaimed and influential bestseller shows that the facts of history are simply those which the historian selects for scrutiny. His fluent and hugely wide-ranging account of the nature of history and the role of the historian argues that all history is to some degree subjective, written by individuals who are above all people of their own time.
'Lively and controversial, full of wit and humour, E. H. Carr's What Is History? played…
It’s a tough nut to crack, but totally worth it when you finally read it.
Although I write historical texts myself, I hadn’t considered how these texts are structured and mediated by historians. H. White showed me and many others that writing a historical text does not differ in form from writing a literary one.
Through a thoroughly structured argument, the book is a trip in the history of historiography and a careful analysis of the most important people who formed the way we look at our past today. Definitely one of the most influential theoretical texts of the last century.
In White's view, beyond the surface level of the historical text, there is a deep structural, or latent, content that is generally poetic and specifically linguistic in nature. This deeper content - the metahistorical element - indicates what an "appropriate" historical explanation should be.
This book is a treasury of significant but unknown historical information. Even if you are well-read on the Cold War, the global perspective which the book gives will change what you think you know.
Structuring his argument chronologically and thematically, O. Westad makes the most comprehensive case for the Cold War’s impact on the Global South. I learned more about the modern history of Africa and East Asia and their subsequent decolonization and state-building than in any other book.
I also appreciated how the author does not take an ideological stance for the USA or the USSR but allows the readers to explore the political argumentation that arose in decisive historical moments.
The Cold War shaped the world we live in today - its politics, economics, and military affairs. This book shows how the globalization of the Cold War during the last century created the foundations for most of the key conflicts we see today, including the War on Terror. It focuses on how the Third World policies of the two twentieth-century superpowers - the United States and the Soviet Union - gave rise to resentments and resistance that in the end helped topple one superpower and still seriously challenge the other. Ranging from China to Indonesia, Iran, Ethiopia, Angola, Cuba, and…
You don’t often come across a history of the Holocaust given from the perpetrator’s perspective. Both a masterful historical novel and a marvellous piece of literary historiography,it's a hard book to put down.
Following SS Officer Max Aue through all the horrors of the Second World War and the Holocaust, the book provokes you to think in contradictory terms about the events narrated.
A journey through the inevitability and impossibility of empathy, this book reflects on what is considered good and evil and how we can judge what happened in the past.
“Simply astounding. . . . The Kindly Ones is unmistakably the work of a profoundly gifted writer.” — Time
A literary prize-winner that has been an explosive bestseller all over the world, Jonathan Littell’s The Kindly Ones has been called “a brilliant Holocaust novel. . . a world-class masterpiece of astonishing brutality, originality, and force,” (Michael Korda, The Daily Beast). Destined to join the pantheon of classic epics of war such as Tolstoy’s War and Peace and Vasily Grossman’s Life and Fate, The Kindly Ones offers a profound and gripping experience of the horrors of World War II and the…
I became fascinated with 16th-century and 17th-century Europe after reading Don Quixote many years ago. Since then, every novel or nonfiction book about that era has felt both ancient and contemporary. I’m always struck by how much our environment has changed—transportation, communication, housing, government—but also how little we as people have changed when it comes to ambition, love, grief, and greed. I doubled down my reading on that time period when I researched my novel, Dulcinea. Many people read in the eras of the Renaissance, World War II, or ancient Greece, so I’m hoping to introduce them to the Baroque Age.
Dolça Llull Prat, a wealthy Barcelona woman, is only 15 when she falls in love with an impoverished poet-solder. Theirs is a forbidden relationship, one that overcomes many obstacles until the fledgling writer renders her as the lowly Dulcinea in his bestseller.
By doing so, he unwittingly exposes his muse to gossip. But when Dolça receives his deathbed note asking to see her, she races across Spain with the intention of unburdening herself of an old secret.
On the journey, she encounters bandits, the Inquisition, illness, and the choices she's made. At its heart, Dulcinea is about how we betray the people we love, what happens when we succumb to convention, and why we squander the few chances we get to change our lives.
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