Here are 100 books that Burning Chrome fans have personally recommended if you like
Burning Chrome.
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When I look at the challenges our world faces, I find myself imagining how things could be better. For years, I've been captivated by the solutions that could bring about a better future. Through science fiction, especially in the books on this list, I seek out visions of better societies and ideas that could help shape a more hopeful world.
I think this book is a masterful work that offers insights into the human experience. Through its richly imagined worlds and characters, the story invites readers to ponder timeless questions about society, relationships, individuality, and the pursuit of a better world.
I liked exploring the two worlds in the story, one a society where individual achievement is overshadowed by the collective good, and another was a portrayal of capitalism with hierarchy and stark social divisions. The protagonist finds himself alienated from both worlds, unable to reconcile his ideals with the realities he encounters.
I liked the way the story confronts fundamental questions about the nature of society and the individual's place within it.
One of the very best must-read novels of all time - with a new introduction by Roddy Doyle
'A well told tale signifying a good deal; one to be read again and again' THE TIMES
'The book I wish I had written ... It's so far away from my own imagination, I'd love to sit at my desk one day and discover that I could think and write like Ursula Le Guin' Roddy Doyle
'Le Guin is a writer of phenomenal power' OBSERVER
The Principle of Simultaneity is a scientific breakthrough which will revolutionize interstellar civilization by making possible instantaneous…
I have a congenital heart disease in which I go into spontaneous cardiac arrest, and I am now 1% bionic (I have an ICD—defibrillator and pacemaker—implanted). Ever since waking up from that surgery, I’ve changed my perspective on what it means to live in the Venn Diagram overlap of “human” and “machine.” My heart—an organ at the heart of so many metaphors about love and emotion—is not like everyone else’s. It is connected to a battery to keep me alive. I write about what it means to be human to better understand myself.
As a librarian, I loved how books were deemed a threat in this work. Through fear-mongering and keeping people distracted by technology, people are imprisoned by ignorance without access to books. I particularly enjoyed the symbolism in the robotic murder dog—it can hunt down anyone and can find you anywhere.
Living under that level of technological threat searches for what it means to be human that much harder—but vital. But my favorite idea is that the knowledge we carry collectively has the power to save our humanity.
The hauntingly prophetic classic novel set in a not-too-distant future where books are burned by a special task force of firemen.
Over 1 million copies sold in the UK.
Guy Montag is a fireman. His job is to burn books, which are forbidden, being the source of all discord and unhappiness. Even so, Montag is unhappy; there is discord in his marriage. Are books hidden in his house? The Mechanical Hound of the Fire Department, armed with a lethal hypodermic, escorted by helicopters, is ready to track down those dissidents who defy society to preserve and read books.
I’m an MK, aka missionary’s kid, who ended up with more questions than answers about this thing called life. I nearly became an astrophysicist but chose finance as the safe bet, which led me to investing in over 150 early-stage tech startups. Along the way, I met and worked with people all over the world. Each with fascinating ideas about how and why we ended up on this waterlogged rock we call home. They say science fiction is the genre of philosophy, and I hope you agree if you get a chance to check out these fantastic books.
Multidimensional books tend to focus on either the existence of higher and lower dimensions, or on parallel universes. The Dark Forest(book 3), like my novel, is one of very few that take the string theory approach rather than show parallel universes.
The Three-Body Problemis an epic three-novel series that takes you from the cultural revolution in the ’60s, all the way to…well, the end. There’s a lot of cryogenic freezing to get the main character through time.
The final theme of the series, introduced in The Dark Forest, is the unfolding and collapsing of dimensions. In the first book, a radio telescope operator finds out that we aren’t alone. A battle with the alien species ensues, including a scene in the Panama Canal that convinced me to spend a few days visiting the modern marvel. It’s well worth the 1500+ pages.
Read the award-winning, critically acclaimed, multi-million-copy-selling science-fiction phenomenon - soon to be a Netflix Original Series from the creators of Game of Thrones.
Imagine the universe as a forest, patrolled by numberless and nameless predators. In this forest, stealth is survival - any civilisation that reveals its location is prey.
Earth has. Now the predators are coming.
Crossing light years, the Trisolarians will reach Earth in four centuries' time. But the sophons, their extra-dimensional agents and saboteurs, are already here. Only the individual human mind remains immune to their influence.
This is the motivation for the Wallfacer Project, a last-ditch…
A fractured mind or a global conspiracy? Uncovering the truth can be hell when nobody believes you… and you can’t even trust yourself.
"A fantastic science fiction thriller with a sincere and important message.”—Kirkus Reviews.
“A breathtaking, deeply dark alternate-history Earth with complex characters, layered worldbuilding, and twist after twist after twist.”—Julianna Caro, Reedsy Discovery.
Broken Mirror is the first volume in a queer psychological science fiction saga that looks at the stigma of mental illness and the hellish distrust and alienation that goes with it.
Broken Mirror: the start of a smart, complex, and imaginative cyberpunk alternate history saga. Literary science fiction from a fresh, young voice.
In a skewed mirror universe, a mentally ill young man searches for his grandfather’s killer.
Someone killed Jefferson Eastmore. His grandson Victor is sure of it, but no one believes him.
Diagnosed with mirror resonance syndrome and shunned by Semiautonomous California society, Victor suffers from hyperempathy, blank outs, and sensory overload. Jefferson devoted his life to researching mental illness and curing Broken Mirrors like Victor through genetic engineering, but now that he’s gone, Victor must walk a narrow…
Growing up, I was exposed to the same influences as most other SF writers of my generation – Clarke, Heinlein, and Asimov. But I was also exposed to the more nuanced, more psychologically realistic work of writers like Harlan Ellison, Norman Spinrad, Ursula K. LeGuin, and J.G. Ballard, none of whom shared the unquestioning techno-utopianism of an earlier generation of writers. They taught me not to automatically respect power or authority, and to always question ideas that might otherwise be taken for granted. It’s an approach that’s carried over into my own writing ever since.
Pohl drew heavily on his experience as an advertising copywriter in this, perhaps his most famous novel co-written with C.M. Kornbluth. Although not directly set on a colonized world, it’s easily one of the darkest takes on the subject as the protagonist, a ‘star-class copysmith’ is given the job of selling people on the idea of emigrating to Venus…while carefully avoiding the reality of Venus being barely, if at all, habitable, with nothing to promise but a harsh existence and generations of toil before the planet can be fully terraformed.
In a vastly overpopulated near-future world, businesses have taken the place of governments and now hold all political power. States exist merely to ensure the survival of huge transnational corporations. Advertising has become hugely aggressive and boasts some of the world's most powerful executives.
Through advertising, the public is constantly deluded into thinking that all the products on the market improve the quality of life. However, the most basic elements are incredibly scarce, including water and fuel.
The planet Venus has just been visited and judged fit for human settlement, despite its inhospitable surface and climate; colonists would have to…
The stars aligned to ignite my passion for magic-realism romance after a few things had happened. 1) I got heavily into the idea of the multiverse and alternate realities in high school, having been inspired by my physics teacher. 2) I read and fell in love with The Time Traveler’s Wife (see list!). 3) I binge-watched the incredible sci-fi show Fringe, which deals with parallel universes and time jumps. 4) I decided to write my first multiverse romance, inspired by all the above factors and more besides. Since then, I’ve focused most of my reading on romantic novels, with those that share a magic realism twist being auto-reads—of course!
I loved everything about this book: the dreamy New York co-op apartment setting, the relatable main female character Clementine (a book publicist!), the lovable main male character Iwan (a chef!), and the fact that they lived seven years apart. I found it had the perfect balance of witty banter, romantic yearning, depth of feeling, and a sense of place. It also deals with tougher issues, such as grief in Clementine’s loss of her beloved aunt and a sense of self in Clementine’s search for her future path and the aunt’s own background.
And, like every true romance novel should have, that incandescently happy ending! This is my favorite book I’ve read so far this year.
"A gorgeous love story from one of the finest romance writers out there." —Carley Fortune, New York Times bestselling author of Every Summer After
A Most Anticipated Book by Entertainment Weekly ∙ Harper's Bazaar ∙ PopSugar ∙ Real Simple ∙ BookRiot ∙ and more!
An overworked book publicist with a perfectly planned future hits a snag when she falls in love with her temporary roommate…only to discover he lives seven years in the past, in this witty and wise new novel from the New York Times bestselling author of The Dead Romantics.
I grew up in a family that was focused on people, poetry, and politics. My parents both worked with children with disabilities in Massachusetts and my mother ran a daycare center in our house. As a reader, student, poet, and then editor, I’ve drawn on those experiences and expectations, and have searched through books looking for their echoes. Since 2007, I've edited books at Yale University Press where I'm currently Senior Executive Editor. I have a BA from Cornell University and an MFA in Creative Writing from the Iowa Writers’ Workshop. I've also worked in various publishing roles at ICM, Continuum, and Harvard University Press.
First published in 1958, this is one of Hannah Arendt’s most influential books and in it she attempts to define the human condition in the aftermath of World War II, developing her concept “natality.”
It’s a challenging book that I’ve wrestled with and argued with and never forgotten. It includes some of her most powerful and frequently cited passages about birth. Lately, I’ve been returning to its opening pages, in which she discusses the launch of Sputnik into space.
She saw this launch not as an exciting technological breakthrough, but as a fateful repudiation of our earthly existence, an existence that was defined by birth with possibilities and limitations.
The past year has seen a resurgence of interest in the political thinker Hannah Arendt, "the theorist of beginnings," whose work probes the logics underlying unexpected transformations-from totalitarianism to revolution.
A work of striking originality, The Human Condition is in many respects more relevant now than when it first appeared in 1958. In her study of the state of modern humanity, Hannah Arendt considers humankind from the perspective of the actions of which it is capable. The problems Arendt identified then-diminishing human agency and political freedom, the paradox that as human powers increase through technological and humanistic inquiry, we are…
A Seattle-based author, I have written eight books, including When the Red Gates Opened: A Memoir of China’s Reawakening, about the eight years I spent as Business Week’s reporter covering China, 1982-1990. In it, I give readers an inside look at China’s transformation from Maoism to modernity. A fluent speaker of Mandarin, I have traveled widely in China for over forty years and befriended Chinese people at many levels of society, leading me to a strong belief in the importance of direct cross-cultural communication and deepened mutual understanding.
Frankly, it makes me squirm to recommend this book, but it’s a topic we Americans need to understand better. Under Xi Jinping, China has expanded its use of surveillance cameras and begun a “social credit” system to track people who are—and aren’t—following the rules. Kai Strittmatter, who reported from China for a leading German newspaper for more than a decade, relies on strong research and concludes that China is Orwellian. And yet, most Chinese citizens I know do not feel watched and oppressed. I’m eager to get back to China to judge for myself.
Named a Notable Work of Nonfiction of 2020 by the Washington Post
As heard on NPR's Fresh Air, We Have Been Harmonized, by award-winning correspondent Kai Strittmatter, offers a groundbreaking look, based on decades of research, at how China created the most terrifying surveillance state in history.
China’s new drive for repression is being underpinned by unprecedented advances in technology: facial and voice recognition, GPS tracking, supercomputer databases, intercepted cell phone conversations, the monitoring of app use, and millions of high-resolution security cameras make it nearly impossible for a Chinese citizen to hide anything from authorities. Commercial transactions, including food…
I’m a systems thinker (Senior Fellow at an environmental think tank, author of 14 books and hundreds of essays) who’s addicted to trying to understand the world. After a few decades, the following is my state of understanding. Power is everywhere and determines everything in our lives. Whether due to the physical power of energy channeled through technology, or the social power of organizations and money, we’re enabled or disabled daily. During the last century, fossil-fueled humanity has overpowered planetary systems, as evidenced by climate change, species extinctions, and resource depletion. Few think critically about power. Unless we start doing so, we may be inviting the ultimate disempowerment—extinction.
Over the last two centuries, human per capita energy usage has grown 800 percent, while the population has also grown to the same degree. Life has changed profoundly due to our adoption of fossil fuels—but puzzlingly few people are curious to understand energy’s role in society and history. Smil fills the void to overflowing with this detailed account of how people have harvested energy from their environments, and how doing so has changed the ways they live.
A comprehensive account of how energy has shaped society throughout history, from pre-agricultural foraging societies through today's fossil fuel–driven civilization.
"I wait for new Smil books the way some people wait for the next 'Star Wars' movie. In his latest book, Energy and Civilization: A History, he goes deep and broad to explain how innovations in humans' ability to turn energy into heat, light, and motion have been a driving force behind our cultural and economic progress over the past 10,000 years. —Bill Gates, Gates Notes, Best Books of the Year
Energy is the only universal currency; it is necessary…
During my life, I’ve been told that I was not a true engineer, not a true banker, not a true CEO, not a true entrepreneur, not a true teacher… But one day an executive told me: “I want to work with you because you’re not a true consultant.” I then realized it is was a privilege not to be a true something! I like to call myself a corporate philosopher. Fellow of the BCG Henderson Institute, and co-founder of Cartoonbase, I split my time between the worlds of academia and business. I have published several other books on various subjects such as language, mathematics, humor, or fallacies.
Lee covers and connects two of my favorite topics, creativity, and technology. From the facts and truths of technology to the role models play in creativity (looking at how early philosophers suggested modeling thought), he argues that computers are not universal machines and that their power comes from their partnership with humans.
How humans and technology evolve together in a creative partnership.
In this book, Edward Ashford Lee makes a bold claim: that the creators of digital technology have an unsurpassed medium for creativity. Technology has advanced to the point where progress seems limited not by physical constraints but the human imagination. Writing for both literate technologists and numerate humanists, Lee makes a case for engineering—creating technology—as a deeply intellectual and fundamentally creative process. Explaining why digital technology has been so transformative and so liberating, Lee argues that the real power of technology stems from its partnership with humans.
I’m a historian with a strong science background who paid my way through college and grad school as a network engineer and Perl programmer. My most recent work, like Nation of Deadbeats and my new book Oceans of Grain, are international financial histories of the world that look at the world through the lens of commodities, international trade, and labor.
Felix Gilman’s The Half-Made World is a brilliant steampunk allegory about what philosopher Jürgen Habermas calls the colonization of the life-world for a faithless utilitarian reason. Gilman imagines a war that pits defenders of wonder, magic, and voodoo against soulless drones seeking gain through environmental degradation. This is a common enough trope in science fiction but what brings it to another level is Gilman’s personification of wonder and magic in a sleazy, violent anti-hero who is frequently possessed by demons. Gilman embodies the colonizers of the world as monstrous, dragon-like railway engines who order men around using telegrams. The innocent reader who will decide the fate of the world is a brilliant, female doctor who is trying to cure herself of her opium addiction. Gilman’s understanding of the rhythm of nineteenth-century language is amazing. His characters each have unique voices and his beautiful prose suggests that Gilman has spent years…
The world is still only half-made. Between the wild shores of uncreation, and the ancient lands of the East lies the vast expanse of the West---young, chaotic, magnificent, war-torn.
Thirty years ago, the Red Republic fought to remake the West---fought gloriously, and failed. The world that now exists has been carved out amid a war between two rival factions: the Line, enslaving the world with industry, and the Gun, a cult of terror and violence. The Republic is now history, and the last of its generals sits forgotten and nameless in a madhouse on the edge of creation. But locked…
