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I have always loved fairy tales, myths, and fantasy, having developed a vivid imagination during childhood because we lived far from friends. When I began studying French, I discovered a love for medieval legends such as Tristan et Yseult. During trips to France, I explored troglodyte caves of the Loire Valley and prehistoric grottos, such as La Grotte de Lascaux. The more I researched legends and myths, the more my fantasy world of paranormal romance and shapeshifting warriors evolved.
This story is a retelling of a fairy tale of six brothers who transform
into swans due to an evil enchantment. Their sister Sorcha, the Daughter of the
Forest, painfully weaves shirts from starwort nettle to break the spell and
save them. Filled with romance, otherworldly elements of medieval Celtic
legends such as fairy folk and magic spells, this novel is a powerful testament
to love and loyalty.
I have always loved legends and fairy tales and felt totally immersed in this magic world of Marillier’s Celtic forest.
Sorcha, the seventh child and only daughter of Lord Colum, faces the difficult task of having to save her family from its enemies, who have bewitched her father and six older brothers while forcing her to choose between the life she has always known and a special love.
I have always loved fairy tales, myths, and fantasy, having developed a vivid imagination during childhood because we lived far from friends. When I began studying French, I discovered a love for medieval legends such as Tristan et Yseult. During trips to France, I explored troglodyte caves of the Loire Valley and prehistoric grottos, such as La Grotte de Lascaux. The more I researched legends and myths, the more my fantasy world of paranormal romance and shapeshifting warriors evolved.
I loved how otherworldly mates Rhys and Feyre formed a fierce alliance with the winged Illyrian warriors of the Night Court. A fiery novel of passion, power, politics, and pain—all wrapped up in a sizzling, steamy, paranormal romance filled with fantasy and Fae!
To me, the passion between Rhys and Feyre is very much like The Phantom of the Opera, which I adored. Rhys is dark, mysterious, and dangerously seductive, like the Phantom. And Feyre, like Christine Daaé, is irresistibly drawn to the fiercely loyal man within the terrifying beast.
The epic third novel in the #1 New York Times bestselling Court of Thorns and Roses series by Sarah J. Maas.
Feyre has returned to the Spring Court, determined to gather information on Tamlin's actions and learn what she can about the invading king threatening to bring her land to its knees. But to do so she must play a deadly game of deceit. One slip could bring doom not only for Feyre, but for everything-and everyone-she holds dear.
As war bears down upon them all, Feyre endeavors to take her place amongst the High Fae of the land, balancing…
I have always loved fairy tales, myths, and fantasy, having developed a vivid imagination during childhood because we lived far from friends. When I began studying French, I discovered a love for medieval legends such as Tristan et Yseult. During trips to France, I explored troglodyte caves of the Loire Valley and prehistoric grottos, such as La Grotte de Lascaux. The more I researched legends and myths, the more my fantasy world of paranormal romance and shapeshifting warriors evolved.
In this dark fantasy, King Nikolai Lantsov harbors a demon that transforms him into a winged monster. The female general Zoya Nazyalensky—the woman he passionately loves but resists because of the evil which lurks inside him—helps the stricken monarch control the destructive beast and hide his ugly secret from the unsuspecting kingdom.
I loved how King Nikolai struggled with the monster within, finally accepting it as the darker half of his own soul and a source of immense strength for him as king. I also loved how the monster--a most unlikely romantic hero—knew Zoya and protected her, like Nikolai himself.
See the Grishaverse come to life on screen with Shadow and Bone, now a Netflix series.
Enter the Grishaverse with the instant #1 New York Times-bestseller King of Scars by Leigh Bardugo, the first book in the King of Scars Duology.
"[Bardugo] touches on religion, class, family, love — all organically, all effortlessly, all cloaked in the weight of a post-war reckoning with the cost (literal and figurative) of surviving the events that shape both people and nations." —NPR
"The story exists at an intersection of past and future selves, and in the dawning understanding…
I have always loved fairy tales, myths, and fantasy, having developed a vivid imagination during childhood because we lived far from friends. When I began studying French, I discovered a love for medieval legends such as Tristan et Yseult. During trips to France, I explored troglodyte caves of the Loire Valley and prehistoric grottos, such as La Grotte de Lascaux. The more I researched legends and myths, the more my fantasy world of paranormal romance and shapeshifting warriors evolved.
Magnar is the Leader of the Wolves of Clan Sutherland, a band of
shapeshifting warriors who fight to defend their kingdom in the Orkney Isles of
medieval Scotland. This tale of the sizzling paranormal romance between Magnar
and Elspeth is filled with Fae magic, Celtic legend, and men who transform into
fierce, savage wolves.
I love chivalrous tales of knights defending their Lady, and shapeshifting warriors who struggle to tame the beast within. A fiery, passionate, and intense romance with an unlikely hero, just like the French Romanticism that I adore!
Known as the Barbarian, Magnar MacAlpin is a fierce ruler for those under his command. As leader of the Wolves of Clan Sutherland, his loyalty and obedience lies with Scotland. However, the king's last demand is not something Magnar will tolerate. After Elspeth Gunn's brother the Chieftain of Castle Steinn is murdered, she flees with her nephew, and finds safety amongst a band of men who are rumored to be part wolf. When the king forces her to wed a heathen Northman, she fears losing her heart and soul not only to the man, but the beast as well. In…
I have been writing formally since I started my first book in high school. Even then, I was writing with dual POVs. Having multiple perspectives throughout my stories has been essential to all my books. I believe it adds so much more than a single POV can, and I love the process of it. You must decide what each of the characters’ motivations, and defining characteristics are and relate them back to the story. My most recent novel, below, has four POVs, each of which is as important as the others.
Serpent and Dove is a story about a witch, Lou Le Blanc, who is forced to marry a witch hunter, Reid Diggory. I loved this book because it does a good job of showing the relationship between these two polar opposite characters. But it also shows how even people I thought could never have anything in common can find things that tie them together.
The use of dual POVs in this story is a great way to see both sides of the war between witches and witch hunters so that I could understand why things are the way they are and the methods used to keep things that way.
New York Times Bestseller * Indiebound Bestseller * An Amazon Best Book of 2019 * B&N's YA Book Club Pick
"A brilliant debut, full of everything I love: a sparkling and fully realized heroine, an intricate and deadly system of magic, and a searing romance that kept me reading long into the night. Serpent & Dove is an absolute gem of a book." -Sarah J. Maas, #1 New York Times bestselling author of A Court of Thorns and Roses series
Bound as one, to love, honor, or burn. Book one of a stunning fantasy trilogy, this tale of witchcraft and…
As a Scottish born Australian writer I grew up reading tales from Celtic and Norse mythology and always wanted them to be fact. With a passion for history, including tales of lost civilizations, and with a deeply rooted love of story, I have spent decades exploring how myth and story intertwine. Where do our stories come from? I have fantasized for many hours about what it would be like if there was an older magical world beneath ours. My first novel, The Lost Soul, began when I asked myself one question: What if myth was true?
Anne Bishop weaves European myth and historical witch-hunting into a fantastical tale of Fae, Witches, and those without magic. All three books in this series are unputdownable. So real is the imagery and the variety of characters, each with their own blend of magic and relationship to the natural world, that no matter how dark the tale gets, I can’t stop reading.
Tir Alainn blends the natural, spiritual and physical world of myth into a grassroots world with characters that live and die for what they believe. With a strong moral core to the story, the richness of myth brings the inhabitants of Tir Alainn to life. An enchanting dark fantasy trilogy that is a must-read.
The first novel in New York Times bestselling author Anne Bishop's Tir Alainn Trilogy.
The youngest in a long line of witches, Ari senses that things are changing—changing for the worse. For generations, her kin have tended the Old Places, keeping the land safe and fertile. But with the Summer Moon, the mood of her neighbors has soured. And Ari is no longer safe.
The Fae have long ignored what occurs in the mortal world, passing through on their shadowy roads only long enough to amuse themselves. But the roads are slowly disappearing, leaving the Fae Clans isolated and alone.…
I love writing and illustrating all sorts of children's stories. The only thing my stories have in common is that none of their heroes eat meat, drink milk, or take part in the egg and spoon race. I write the kind of stories I want to read. I don't want to read about sex or violence. And I don't want to read foul language. I want something meaningful, something with a concluding note of optimism. Consequently, well-written children's stories often appeal to me. In fact, I've come to the conclusion that these are not just children's stories, they're good stories that anyone can enjoy.
This book is gripping. From the first sentence I was hooked as the autistic heroine showed me what life is like when no one understands you. When no one thinks like you. And when almost everyone underestimates you. I have learned so much from this book and am grateful for it. I love Addie. I love how empathetic she is as she campaigns for a memorial for the accused witches executed by her village centuries earlier. And I love her passion for sharks and her desire for them to live free and natural lives. I am certain that she would not visit aquariums because she knows how cruel captivity is. She is a bright, brave soul and I highly recommend that you read her story.
Perfect for readers of Song for a Whale and Counting by 7s, a neurodivergent girl campaigns for a memorial when she learns that her small Scottish town used to burn witches simply because they were different.
"A must-read for students and adults alike." -School Library Journal, Starred Review
Ever since Ms. Murphy told us about the witch trials that happened centuries ago right here in Juniper, I can’t stop thinking about them. Those people weren’t magic. They were like me. Different like me.
I’m autistic. I see things that others do not. I hear sounds that they can ignore. And…
I am a historian of early modern Europe, with a research focus on Spain and Italy. I first encountered archival documents from the Spanish Inquisition during research for my first book: I was already a fan of religious history but quickly became a fan of studying the law. I am fascinated by the ways in which people between the 1500s and 1700s used the legal systems at their disposal to recapture honor and pursue enemies. I am always on the lookout for ways in which religious prescriptions from centralized authorities did not match what was happening on the ground with ordinary, usually illiterate people.
For the last twenty-five years, historians have been convinced that witch suspects drew on their personal histories as they confessed to being the Devil’s disciples.
Kounine flips that presumption on its head by asking how the processes of interrogations and torture might actually create a self-identity of being a witch, a category that was more flexible and nuanced than we might have expected.
Imagining the Witch explores emotions, gender, and selfhood through the lens of witch-trials in early modern Germany. Witch-trials were clearly a gendered phenomenon, but witchcraft was not a uniquely female crime. While women constituted approximately three quarters of those tried for witchcraft in the Holy Roman Empire, a significant minority were men. Witchcraft was also a crime of unbridled passion: it centred on the notion that one person's emotions could have tangible and deadly physical consequences. Yet it is also true that not all suspicions of witchcraft led to a formal accusation, and not all witch-trials led to the stake.…
I’m a historian who wants to know: Why did people burn other people at the stake for what we think was an impossible crime? It seems so unjust; indeed it was unjust. I mention Amnesty International in my book; as well as being a professional historian, I’ve been writing letters for Amnesty for many years, trying to rectify injustice. Yet witch-hunting made sense to the perpetrators; they weren’t simply ‘wicked’ or ‘crazed’ or ‘ignorant’. We need to understand them on many levels, from the most erudite demonology, all the way down to psychological processes by which we identify enemies. The five books I’ve chosen move gradually downwards, in order, from the highest to the deepest level.
As well as the village witch, we have what might be called the ‘folkloric witch’, and other folkloric traditions.
When interrogators asked witchcraft suspects about the Devil, the answers sometimes surprised them. They uncovered beliefs about nature spirits, practices of magical healing and divination, and visionary experience of otherworlds.
Some of this material fed into ideas about the witches’ sabbat, but these beliefs, practices, and visions were not necessarily about ‘witchcraft’ at all. Ronald Hutton’s ambitious book surveys these beliefs, practices, and visions.
He ranges far back into the ancient history of Europe – and adjacent regions, exploring traditions of ceremonial magic from ancient Egypt. If the idea of the witch is frightening, it is partly because of the folklore brought together in this book.
Why have societies all across the world feared witchcraft? This book delves deeply into its context, beliefs, and origins in Europe's history
"Traces the idea of witches far beyond the Salem witch trials to beliefs and attitudes about witches around the world throughout history."-Los Angeles Times
The witch came to prominence-and often a painful death-in early modern Europe, yet her origins are much more geographically diverse and historically deep. In this landmark book, Ronald Hutton traces witchcraft from the ancient world to the early-modern stake.
This book sets the notorious European witch trials in the widest and deepest possible perspective…
I am the Centennial Professor of history at Vanderbilt University. I have been reading and teaching about witchcraft and the occult for over thirty years. This is a topic that never fails to engage people of all backgrounds and has generated a plethora of books, some good, many not. I look for authors who understand the passions, psychology, and experiences of both accusers and supposed witches, while also exploring what it is about certain societies that leads to such claims being taken seriously, often with fatal results. The books I picked vividly convey the reality of the witch craze, while also asking some probing questions about persecutions in general.
The fascinating and moving story of the famous astronomer’s reluctant defense of his obstreperous mother, where not just his reputation but her life are at stake. We get an in-depth sense of how the combination of local animosities and popular superstitions gradually gather momentum over time until some tipping point brings them into the legal arena. I especially liked Rublack’s sympathetic portrayal of a famous scholar struggling with his own origins and sense of familial duty. A personal, family story, as early modern witchcraft cases often were.
Johannes Kepler (1571-1630) was one of the most admired astronomers who ever lived and a key figure in the scientific revolution. A defender of Copernicuss sun-centred universe, he famously discovered that planets move in ellipses, and defined the three laws of planetary motion. Perhaps less well known is that in 1615, when Kepler was at the height of his career, his widowed mother Katharina was accused of witchcraft. The proceedings led to a criminal trial that lasted six years, with Kepler conducting his mother's defence.
In The Astronomer and the Witch, Ulinka Rublack pieces together the tale of this extraordinary…
