Here are 58 books that Blaze fans have personally recommended if you like
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You’ve got to root for the underdog, right? And there’s no bigger underdog than fictional villains. While real-life criminals are doing very nicely, thank you very much, in fiction, the bad guy is screwed from the start. What could be more relatable than knowing on a bone-deep, existential level that you’ve already lost? And what could be more heroic than stepping out onto the field of play knowing that no matter how hard you play, you’re still going down? Keep your flawed anti-heroes; they’re just too chicken to go over to the losing side. I’ll cheer for the doomed bad guy every single time.
Everyone loves a bastard, and Pinkie, the hero of Brighton Rock, is such an awful bastard. He doesn’t like his friends, hates his girlfriend, and is driven by a pathetically brittle ego that can never be satisfied. But it’s the fact he’s so hopelessly trapped in the prison of his own angry, petty horizons that makes me love him. I love a doomed character.
When an author can make you know, it’s all going to end badly and still make you hope it won’t? That’s magic. I love it when I’m reading books that I can feel playing with my emotions but I’m enjoying it so much I don’t care. Pinkie is a bastard, and he sort of knows it, when it comes to the crunch, and he goes out like a coward, I can’t help but wish he’d managed to pull it off.
Pinkie Brown, a neurotic teenage gangster wielding a razor blade and a bottle of sulfuric acid, commits a brutal murder - but it does not go unnoticed. Rose, a naive young waitress at a rundown cafe, has the unwitting power to destroy his crucial alibi, and Ida Arnold, a woman bursting with easy certainties about what is right and wrong, has made it her mission to bring about justice and redemption.
Set among the seaside amusements and dilapidated boarding houses of Brighton's pre-war underworld, Brighton Rock by Graham Greene is both a gritty thriller and a study of a soul…
I have been writing for many years, and my main preference is political thrillers with criminal overtones. I first became interested in politics when I worked at several political conferences in the 60’s and 70’s. I have been involved in several criminal cases, including my own, and within my family, I have a nephew in the police force. For many years I have had the opportunity to mix with the upper tiers of society as well as the criminal classes and this has given me great insight into creating my characters and plots.
I love reading a thriller with a complex plot that has me trying to figure out who did what, where and when, and what or who may be connected in the main or subplot.
This was one of those books I had to read twice, not because I didn’t “get it” but because I admired the way Chandler weaved his characters around, like the actors in a Whitehall farce play. This is a book I kept turning back a few pages to keep up with the who, where, and when. Fantastic read.
Raymond Chandler's first three novels, published here in one volume, established his reputation as an unsurpassed master of hard-boiled detective fiction.
The Big Sleep, Chandler's first novel, introduces Philip Marlowe, a private detective inhabiting the seamy side of Los Angeles in the 1930s, as he takes on a case involving a paralysed California millionaire, two psychotic daughters, blackmail and murder.
In Farewell, My Lovely, Marlowe deals with the gambling circuit, a murder he stumbles upon, and three very beautiful but potentially deadly women.
In The High Window, Marlowe searches the California underworld for a priceless gold coin and finds himself…
It’s all my father-in-law’s fault. Before I ran into him, I was a card-carrying “literary” high-brow. Shoot, I was reading Faulkner’s “The Bear” in high school and thought I would be the next generation Steinbeck if I ever got around to writing novels. But one weekend, while visiting my wife’s folks, I found myself with nothing to read—a problem solved by my father-in-law’s complete collection of Richard Stark novels. Those books knocked me head-over-heels, which is why when I did get around to writing novels, the first six were hard-edged crime fiction.
This book grabbed me by the throat and threw me into a world I could literally feel spinning around me—a world in which good intentions don’t mean squat and random chance frequently outperforms the most carefully crafted of plans. Block always hits his target, but this one broke my heart along the way.
Nobody knows better than Matthew Scudder how far down a person can sink in this city. A young prostitute named Kim knew it also—and she wanted out. Maybe Kim didn't deserve the life fate had dealt her. She surely didn't deserve her death. The alcoholic ex-cop turned p.i. was supposed to protect her, but someone slashed her to ribbons on a crumbling New York City waterfront pier. Now finding Kim's killer will be Scudder's penance. But there are lethal secrets hiding in the slain hooker's past that are far dirtier than her trade. And there are many ways of dying…
The Valor of Valhalla series by Martin Kearns is a pulse-pounding dark urban fantasy trilogy that fuses the raw power of Norse mythology with the grit of modern warfare. Set in a world where ancient gods and mythical creatures clash with secret military organizations and rogue heroes, the series follows a band of unseeming heroes who are bound to an ancient prophecy. As they navigate a dangerous web of deceit, sacrifice, and violent combat, they must confront not only their own demons but also the growing threat of Ragnarök—the Norse apocalypse.
At its heart, The Valor of Valhalla blends high-stakes…
In a battle between two ancient evils, can one naïve young man become the last hope against powerful creatures of legend?
David Dolan thinks he's already got the world figured out. But when a collapsed bridge plunges him into the icy Hudson, he's pulled deep into the deadly realm that exists between life and death. And with his earthly form trapped in a coma, he's vulnerable to the horde of demons hell-bent on his utter destruction.
Traversing the road to the afterlife, David seeks the wisdom and skills he needs to fight the demonic forces reigning havoc on his allies…
I created Hard Case Crime 20 years ago to revive the look, feel, and storytelling style of the great paperback crime novels of the 1940s and 50s: slender, high-velocity tales with irresistible premises, crackling dialogue, and powerful emotions, all presented behind gorgeous painted covers in the classic pulp style. Since then, I’ve had the opportunity to publish Stephen King, Joyce Carol Oates, Ray Bradbury, James M. Cain, Erle Stanley Gardner, Mickey Spillane, Brian De Palma, Ed McBain, and many more extraordinary authors.
Malamud isn’t thought of as a crime writer, but this story of a robber who goes to work for the man he robbed as a kind of silent penance is very much a story of crime and punishment, of sin and redemption, and it directly inspired one of my own stories about a killer who winds up working for the mother of the man he killed.
A sad and troubling book, this book is about how even good intentions can lead to bad outcomes and how atonement might never be enough but is still necessary.
The Assistant, Bernard Malamud's second novel, originally published in 1957, is the story of Morris Bober, a grocer in postwar Brooklyn, who "wants better" for himself and his family. First two robbers appear and hold him up; then things take a turn for the better when broken-nosed Frank Alpine becomes his assistant. But there are complications: Frank, whose reaction to Jews is ambivalent, falls in love with Helen Bober; at the same time he begins to steal from the store.
Like Malamud's best stories, this novel unerringly evokes an immigrant world of cramped circumstances and great expectations. Malamud defined the…
A missing child is every parent’s worst nightmare. Emotionally driven, tense, full of despair and hope, these stories captivate me. When I decided to include a cold case mystery of a toddler’s disappearance in my debut novel, I dove deep into both true crime and fictional novels on the subject. These books represent a range of gripping mysteries about not only finding missing children, but the scrutiny and heartache their mothers face. I hope you find these stories as absorbing, powerful, and suspenseful as I do!
This book is haunting, and different from other missing child stories in that the child returns home early in the story.
And Then She Was Gone is about the healing journey of the victim and family, with a captivating mystery at its core. It’s intensely emotional, thought-provoking, and deeply believable. The changing points of view are well done, and each character stands on their own.
Eleven-year-old Lauren O'Neil vanished one sunny afternoon as she walked home from school. Six years later, her parents Rachel and Dan still tirelessly scour their Oregon hometown and beyond, always believing Lauren will be found. Then one day, the call comes.
Lauren has been rescued from a secluded farm mere miles away, and her abductor has confessed. Yet her return is nothing like Rachel imagined. Though the revelations about what Lauren endured are shocking, most heartbreaking of all is to see the bright-eyed, assertive daughter she knew transformed into a wary, polite stranger.
I was always addicted to the true crime shows on late at night; the real stories of good and evil in everyday life, around every corner. I was fascinated by why people do the things they do. It wasn’t always about the nature of crime itself, but how we get through it and overcome it, and survive it, and ultimately how it changes us… And what the power of love and hate can lead you to do, or to become. I now write about the harrowing and horrifying possibilities that could await any of us.And give you knowledge and food for thought that may help you, if hell finds you.
This was a fun and thrilling read about an intricate kidnapping plot. A seemingly perfect crime with the picture-perfect family; ‘Picture Perfect’, is only ever for the picture.
It taught me that even if the odds are stacked against you, you are not captive to your circumstance. This was a psychological and active fight for survival, not only for one’s own survival but for those whom you love.
Will Jennings, his wife and little girl are a happy American family, living in Mississippi. Hickey is a conman and kidnapper. He targets his victims very carefully and takes great pains to make sure no one is ever hurt. He has yet to kill. All his victims have come up with the money and the authorities have never been involved. His perfect record is down to two things: One, he always stays with the parents or person with the money. Two, he never asks for more than they can afford. But when he tries to rip Will's family apart, he…
I love young adult fiction. I especially love it when female characters face their fears and fight for what’s right. And if they’re not afraid to run headfirst into a battle, even better. I think it’s incredibly important for young women to have access to books that break free of female stereotypes. None of the heroines in these books are waiting for someone to save them. They’re in the thick of it, confronting their demons, and maybe slaying a few, too! My PhD explored power and belonging in YA fiction, and I’ve written and presented on the importance of strong female characters. Here’s to girl power!
In the Dark Spaces is a stunning YA novel breathed into life by its main character, Tamara, a heroine who grabbed my heart from the first lines and didn’t let go.
Tamara loves her family above everything else. And when she’s separated from them in a universe torn apart by war, she must draw on all her strength and smarts to survive. Her gift for languages and ability to adapt gives her an advantage when she’s captured by the enemy. But she’s also forced to do things that terrify her and break her heart. I love Tamara’s unique voice, and the way it expresses the deep bonds that tie us to friends and family made my heart sing. She’s truly a heroine that embodies the fighting spirit.
The latest winner of the Ampersand Prize is a genre-smashing hostage drama about 14-year-old Tamara, who's faced with an impossible choice when she falls for her kidnappers.
Yet this is no ordinary kidnapping. Tamara has been living on a star freighter in deep space, and her kidnappers are terrifying Crowpeople - the only aliens humanity has ever encountered. No-one has ever survived a Crowpeople attack, until now - and Tamara must use everything she has just to stay alive.
But survival always comes at a price, and there's no handbook for this hostage crisis. As Tamara comes to know the…
“I didn’t like the characters.” “I couldn’t relate.” Whenever I hear someone bring up the matter of “likability” a single thought roars through my head: How ‘likable’ do you really think you are? A main purpose of fiction is to illuminate those nasty thoughts we all have but are rarely willing to admit. A book should be intimate, uncomfortably so, just as to actually occupy another person’s mind and body would be. It also seems to me “the characters” referenced by these kinds of critiques are always women. We expect fictional men to shock us and to struggle with their own desires; why should we expect women to only charm?
I was working as a nanny in New York City when I discovered this wild novel, and I consumed it in short order. Marie, fresh from prison, is hired out of pity to watch a high school friend’s daughter. “The situation would’ve been humiliating had Marie any ambition in life. Fortunately, Marie was not in any way ambitious.” Marie is instead selfish, culpable, hungry, and smitten—first with her friend’s life, then her friend’s husband, and most dangerously, her friend’s daughter. Dermansky’s novel could easily slip into thriller territory, and while it is as fast-paced and compulsively readable, instead we discover unpredictably that Bad Marie is really a love story.
"Bad Marie" is the story of Marie, tall, voluptuous, beautiful, thirty years old, and fresh from six years in prison for being an accessory to murder and armed robbery. The only job Marie can get on the outside is as a nanny for her childhood friend Ellen Kendall, an upwardly mobile Manhattan executive whose mother employed Marie's mother as a housekeeper. After Marie moves in with Ellen, Ellen's angelic baby Caitlin, and Ellen's husband, a very attractive French novelist named Benoit Doniel, things get complicated, and almost before she knows what she's doing, Marie has absconded to Paris with both…
I so love thrillers because they delve into that area of ourselves that can be ‘safely’ afraid and give you that adrenaline rush that nature taught us is fight or flight. Thrillers teach us lessons, too, about people and the psychology of the most dangerous ones in our society. Through reading into this genre, I learned a lot about life before I even lived it, and I learned to recognize the less wholesome traits that humanity can have. What’s fascinating to me most is exploring those dark sides of the human psyche in order to make comparisons on what is right or wrong with some people’s behavior.
This was the very first thriller book I read, and it terrified me. I was 11 years old when I picked this book up and delved into the world of Fred (who calls himself Ferdinand) and his kidnap victim, Miranda. Approaching this from a young mind, I saw something of romance in the obsessive tale, but that romance soon revealed itself to be a terrifying story of abduction, stalking, and murder.
Why do I still love this book? Maybe it was the first time I realized I wanted to be a writer. But it was stunningly written, provocative, and left me thinking about the characters. It is a classic that should always be in print.
The Collector (1963) is disturbing, engrossing, unforgettable -- the story of an obsessive young man and the girl he kidnaps and holds prisoner in his cellar.
Since my stepfather disappeared in 1982, disappearance has been my obsession. In writing Disequilibria, I read everything I could on missing persons. By now, I might be the chief authority on Missingness! – that is, on disappearance as a theoretical construct. I’m especially interested in how, across different sensibilities (in fiction, nonfiction, and poetry, but also law, social science, journalism, philosophy, history, and media studies), we can compose a shared language and create shared understanding. My larger goal is to discover creative and redemptive ways of responding to loss, grief, and trauma; to find how disappearance in all its forms creates a framework for understanding what it means to be human.
Aimee Baker’s Doe is a diptych: poems in the first section focus on missing women, while those in the second section reimagine the lives of unidentified women.
Baker creates recurrent, multiple patterns of imagery that celebrate the beauty and dignity of each woman – in argument, essentially, with the ways true crime sometimes exploits and objectifies victims’ lives. At the same time, Doe is about North America as a captivating space of the imagination: the poet creates a geography by turns intimate and vast, familiar and strange, beautiful and terrible.
The finely-crafted textures of the poems in Doe, as well as the apparent dedication to investigation and research in the work overall, make for a rare combination.
Winner of the 2018 Eugene Paul Nassar Poetry Prize
Doe began as author Aimée Baker's attempt to understand and process the news coverage of a single unidentified woman whose body was thrown from a car leaving Phoenix, Arizona. It soon grew into a seven-year-long project with the goal to document, mourn, and witness the stories of missing and unidentified women in the United States.
