Here are 100 books that Blackbird Fly fans have personally recommended if you like
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In fifth grade, I chose to play the clarinet. After a lot of cracked reeds and squeaky notes, I switched to choir. I still love to sing! I love books that explore young people’s first experiences with music, whether it’s as a star or as a way to express one’s true self. Music takes many forms, and for me, that includes the arrangement of sounds in a sentence. When I write for young people, I look for the musicality of words, how they flow, and how variety can make a story pop. Try reading aloud your own work or a favorite book and listen to the rhythm of language.
My last choice is about a musical girl who finds a very different kind of “instrument” to play!
Twelve-year-old Emmy just moved from Wisconsin to San Francisco for her dad’s big break as a pianist. Emmy wants to be a musician, too, but can’t find the right instrument to play (I can relate!).
Notes and classical terms are in her head, but not her fingers in this novel-in-verse. Instead of music as an elective, Emmy ends up in computer science and makes friends with a quiet girl named Abigail.
Emmy learns java script, and the reader learns along with her. In the end, Emmy finds a way to make her own kind of music through computer coding.
In this innovative middle grade novel, coding and music take center stage as new girl Emmy tries to find her place in a new school. Perfect for fans of the Girls Who Code series and The Crossover.
In a new city, at a new school, twelve-year-old Emmy has never felt more out of tune.
Things start to look up when she takes her first coding class, unexpectedly connecting with the material—and Abigail, a new friend—through a shared language: music. But when Emmy gets bad news about their computer teacher, and finds out Abigail isn’t being entirely honest about their friendship,…
In fifth grade, I chose to play the clarinet. After a lot of cracked reeds and squeaky notes, I switched to choir. I still love to sing! I love books that explore young people’s first experiences with music, whether it’s as a star or as a way to express one’s true self. Music takes many forms, and for me, that includes the arrangement of sounds in a sentence. When I write for young people, I look for the musicality of words, how they flow, and how variety can make a story pop. Try reading aloud your own work or a favorite book and listen to the rhythm of language.
If you’ve ever heard drumrolls and rhythms in your head, this story is for you.
Set during a recession, Sam and her family are experiencing hard times. But sixth grader Sam has a dream to play drums, and she’s gutsy enough to lie and mow lawns to pay for lessons and save for her own drum set someday.
Her worries about friends, cuts to the school’s music program, and her parents fighting over money mean that drumming is the only thing that’s saving Sam.
Through sheer determination and lots of practice, this girl who everyone said would never be good finally plays like the star drummer she is.
“This book is the song of my middle-school heart.” —Michelle Schusterman, author of the I Heart Band! series Sam knows she wants to be a drummer. But she doesn’t know how to afford a drum kit, or why budget cuts end her school’s music program, or why her parents argue so much, or even how to explain her dream to other people. But drums sound all the time in Sam’s head, and she’d do just about anything to play them out loud—even lie to her family if she has to. Will the cost of chasing her dream be too high?…
In fifth grade, I chose to play the clarinet. After a lot of cracked reeds and squeaky notes, I switched to choir. I still love to sing! I love books that explore young people’s first experiences with music, whether it’s as a star or as a way to express one’s true self. Music takes many forms, and for me, that includes the arrangement of sounds in a sentence. When I write for young people, I look for the musicality of words, how they flow, and how variety can make a story pop. Try reading aloud your own work or a favorite book and listen to the rhythm of language.
When you have a stunning gospel-singing voice that nobody expects, what would you do?
This is a sweet story about ten-year-old Cadence whose mother left her when she was little; as a result, her father and the whole community babies her and calls her Mouse.
She embodies that label by never speaking up for what she wants (like a small birthday party) and by never singing with her full voice. When a new church music director invites students to audition, Cadence uploads a video of herself singing to the wrong website—and it goes viral.
When her friend asks her to pretend that she’s the “gospel girl,” Cadence finally decides to claim her talent and sing.
For ten-year-old Cadence Jolly, birthdays are a constant reminder of all that has changed since her mother skipped town with dreams of becoming a star. Cadence inherited that musical soul, she can't deny it, but otherwise she couldn't be more different - she's shy as can be.
She did make a promise last year that she would try to break out of her shell, just a little. And she prayed that she'd get the courage to do it. As her eleventh birthday draws near, she realizes time is running out. And when a secret recording of her singing leaks and…
In fifth grade, I chose to play the clarinet. After a lot of cracked reeds and squeaky notes, I switched to choir. I still love to sing! I love books that explore young people’s first experiences with music, whether it’s as a star or as a way to express one’s true self. Music takes many forms, and for me, that includes the arrangement of sounds in a sentence. When I write for young people, I look for the musicality of words, how they flow, and how variety can make a story pop. Try reading aloud your own work or a favorite book and listen to the rhythm of language.
Sometimes, a beautiful voice can be expressed through the spoken word rather than in song.
This is a lovely story about Amina, a twelve-year-old Pakistan American with perfect pitch. Amina’s best friend urges her to sign up for a solo, but Amina prefers to accompany on the piano.
I love that Hena Khan builds Amina’s acceptance of who she is! Uncle’s melodious reading of the Quran changes Amina’s attitude, and she and her brother agree to participate in a statewide Quran recitation competition.
But when their Islamic Center is vandalized, the community rallies, and Amina finds the courage to recite the opening verses at the competition.
It isn’t perfect, but what she wins is a new self-confidence to sing.
"For inspiring empathy in young readers, you can't get better than this book." -R. J. Palacio, author of #1 New York Timesbestseller Wonder
"Amina's anxieties are entirely relatable, but it's her sweet-hearted nature that makes her such a winning protagonist." -Entertainment Weekly
A Pakistani-American Muslim girl struggles to stay true to her family's vibrant culture while simultaneously blending in at school after tragedy strikes her community in this "compassionate, timely novel" (Booklist, starred review) from the award-winning author of It's Ramadan, Curious George and Golden Domes and Silver Lanterns.
I am not a rock star but I do play a mean (computer) keyboard. My debut picture book, How to Be a Rock Star, was inspired by my musical children and our endless hours jamming as a family band. I was always on the lookout for books to inspire my little rock star, and because they were hard to come by, I wrote one! These books will inspire your budding musician, or just help you embrace a spirit of creative play in any way they want to rock.
Rock stars don’t love following rules, so you can imagine that starting kindergarten is a problem. Lupe arrives wearing sunglasses and ready to use her pencils as drum sticks. I love that this book celebrates a girl who wants to rock without cramping her style. Lupe may have to learn to follow rules and be a good friend, but any doubts about her stardom are quickly dismissed.
When a sassy drummer starts kindergarten, the rules of school cramp her style. What’s a young rock star to do?
When Lupe Lopez struts through the doors of Hector P. Garcia Elementary in sunglasses with two taped-up Number 2 pencils—drumsticks, of course—poking from her pocket, her confidence is off the charts. All day, Lupe drums on desks, tables, and chairs while Ms. Quintanilla reminds her of school rules. Lupe has her own rules: 1) Don’t listen to anyone. 2) Make lots of noise. ¡Rataplán! 3) Have fans, not friends. But with her new teacher less than starstruck, and fans hard…
I have written poetry since I was a little boy. Rhyme came naturally to me, and I found it to be a world to escape to. This led me to songwriting and touring in bands, and it grew into my vocation as a jingle writer in Australia. Eventually, I wrote the jingle that won the World’s Best Jingle award in Hollywood, and this, in part, inspired me to move to New York City from Australia. The other driving force was getting my first book, How To Steal From Banks—an autobiography—published in America. Writing and rhyming are deeply embedded in my soul and cells.
I love an underdog story. Overcoming adversity against all odds.
Ricky is a rockstar. Plus, I’ve been a rocker all my life, playing in bands all over the world, so when it comes to rock n roll, I clearly identify. I like the subtle use of color in the illustrations in this book, as it gives the rhyming verse a little room to shine.
Ricky, the Rock that Couldn’t Roll also points loosely to overcoming a disability and gently navigates the emotion of living with such a burden.
These rocks can really roll! Well, most of them, anyway...
Get ready to meet a new rock group! From zippy, little pebbles to big strong boulders, the rocks get together to play and roll around their favorite hill, only to find that one of their friends, Ricky, can't roll with them. Unlike all of the others, who are all round, Ricky can't roll because he's flat on one side.
Except for poor Ricky, who quietly sat. You see, Rick couldn't roll, because one side was flat.
His friends didn't get it, "Come Roll!" they would chant. So Ricky tried, but…
Since I was a child I have viewed the world differently. I dreamed of magical worlds, and I always was curious to find answers to questions that were hard to find. When I began to question a local legend about the Lady in White, I had to know more. I spent countless days researching to find anything about this mystery lady. Unfortunately, I never did find out who the Lady in White was, but I did find information on every one of her so-called victims. With a handful of real-life events, and a lot of imagination, my Lady in White series was born.
This story brought me back in time to 1899. It didn’t take long for me to gather emotional ties with the main character, Serafina.
She had a very hard childhood that any parent would wish they could protect their child from. I was soon thrown into magic and mystery, suspense, and intrigue. I love that this book shows that we are not all created or grow up the same way, but our differences when used together will only make us stronger.
This book had me on the edge of my seat guessing what could possibly happen next!
A brave and unusual girl named Serafina lives secretly in the basement of the grand Biltmore Estate amidst the splendor of the Gilded Age. Serafina's pa, the estate's maintenance man, has warned her to keep herself hidden from the fancy folk who live on the floors above, but when children at the estate start disappearing, Serafina and her friend Braeden Vanderbilt must work together to solve a dark and dangerous mystery. This page-turning thriller from Disney-Hyperion is a #1 New York Times Bestseller, has been on the bestsellers list for more than 50 weeks, and is already being taught in…
Stuart Coupe is an Australian music journalist, author, band manager, promoter, publicist, and music label founder. He's best known for his work as a rock writer with Roadrunner, RAM (Rock Australia Magazine), The Sun Herald, and Dolly magazine; the music labels, GREEN Records and Laughing Outlaw; and the author of books including The Promoters, Gudinski, Paul Kelly and Roadies. Coupe is a former manager of the Australian bands the Hoodoo Gurus and Paul Kelly and is currently a presenter on Sydney radio stations 2SER and FBi Radio. He's also known for his writing as a reviewer of crime fiction for the Sydney Morning Herald and for founding the Australian crime fiction magazine, Mean Streets.
The subtitle tells you all you really need to know. Kreutzmann was a founding member of the Grateful Dead and there for the whole long, strange trip and – to date – the only band member to pen an insider’s account of exactly what it’s like to be a member of The Grateful Dead. He tells a good story and if the Grateful Dead loom as large in your life as they do mine – well, just image a memoir written by Ringo Starr or Charlie Watts. Drummers sit there doing their stuff – and they see everything.
The Grateful Dead are perhaps the most legendary American rock band of all time. For thirty years, beginning in the hippie scene of San Francisco in 1965, they were a musical institution, the original jam band that broke new ground in so many ways. Bill Kreutzmann, one of their founding members and drummer for every one of their over 2,300 concerts, has written an unflinching and wild account of playing in the greatest improvisational band of all time. Everything a rock music fan would expect is here, but what sets this apart is Bill's incredible life of adventure that was…
I am an educator, author and Jimi Hendrix Historian who has been studying Jimi Hendrix for over 20 years, with a concentration on promoting him to the youth and people of color. One of my prime objectives is to ensure that Jimi's ENTIRE legacy is covered and given the proper respect. Once you incorporate my two books on Jimi (Nobody Cages Me, and Jimi Hendrix Black Legacy) and my forthcoming documentary into the research that already exists on Jimi, only then, can you get a fuller picture of the complexities of Jimi Hendrix. I had to sift through many books, magazine articles, and a wide variety of multi-media to try to get a grasp on the REAL Jimi Hendrix. I started seeing holes in what was being presented, so I decided to talk to people that were there. Many of these people didn’t appear extensively in these source documents. This list is just a start. In order to TRULY understand the genius of Jimi Hendrix, you must dig a lot deeper.
Some people consider this the second serious biography about Jimi Hendrix after David Henderson’s bio. Charles Cross had a great budget and the benefit of being based in Seattle. Since it was published in 2006, it also had the huge advantage of a treasure trove of updated information, culled from decades of numerous people doing research on Hendrix, who had a huge renaissance in the late ’90s, when his family won the rights back to his catalog. This Jimi bio was just a tune-up for his more successful bio on another Seattle Rock legend, Kurt Kobain, which was entitled, Heavier Than Heaven.
'Charles R. Cross has got as close to the truth as anyone yet in his exhaustive and ground-breaking account of the life of the greatest guitarist in the history of rock.' Observer
'Meticulously researched' Mojo
Jimi Hendrix continues to fascinate, and sell huge quantities of albums, even 35 years after his death. Quite apart from his influence on musicians and fans, a large part of the appeal of his sensational life story lies in the thrill of the era whose values he came to stand for. The Sixties still exert a massive pull over pop culture and this is genuinely…
My new book, I Saw Satan at the 7-Eleven, is among other things, a love letter to heavy metal. I am a lifelong music obsessive: a record collector, concertgoer, maker of mixtapes, sewer of patch jackets. When I’m not writing or reading I’m playing guitar with the amp turned all the way up. And I have the tinnitus to prove it. Some of the books on this list are about metal, others are simply imbued with its rebellious dionysian spirit. But every damn one of them goes to 11, I can assure you of that. Enjoy!
If you don’t know Poppoff, you should. He’s a genial Canuck Youtuber who also happens to be the world’s most prolific music reviewer.
An inveterate headbanger with an unquenchable thirst for loudness. In this—the book for which he’ll surely be remembered—Poppoff turns his eye on the whole prehistory of heavy metal, breaking the music down into component parts, and tracing those components backwards through time.
From psychedelia to early rock n roll, blues, jazz, classical music, all the way back to the Vikings, the Ancient Greeks, and the Battle of Jericho in 1250 BC. If there’s a better researched, more thorough, or more sweeping book about loud music on the planet Earth, I ain’t aware of it.
It's one of the great debates in musicology and the answer is as complicated as it is hotly contested. Popoff's Who Invented Heavy Metal? provides the most detailed, well argued, reasonable, ridiculously complete, and most lively and readable telling of the early history of heavy metal yet, arming the argumentative headbanger with all the facts and figures one needs on hand to win those bar room bets around this provocative question. Ultimately, Who Invented Heavy Metal? aims to be a book that doesn't limit itself to heavy metal fans. The book provides wide instructional scope of teachable moments through unfolding,…
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