95 books like Billy Lynn's Long Halftime Walk

I am a historian and journalist. I lived in Italy for over twenty years, immersing myself in the culture of that country—in every form. I decided to write Calcio after becoming aware of the centrality of football to Italian culture and politics, and around the time of the rise of a football entrepreneur to political power—Silvio Berlusconi. The book took me three years, led me to visit numerous cities, stadiums, and regions, and interview dozens of journalists, experts, and players. It was a love letter and a warning—dedicated to ‘my father who loves football, and my son, who hates it.'

Like all of us, I was raised on promises, and now I’ve veered off to another perspective. I love football. I played in high school, college, and for a brief time, in the NFL (didn’t make the final roster!) Philosophy has been a life-long pursuit, but I didn’t find what I was looking for: the truth. Except for the existentialists, most of it is a mere history of how mankind thought. But philosophy has taught me how to examine the essence of important issues. That’s why I wrote a book about tribalism, because to me, tribalism is the strongest dynamic in humanity and morality is subordinate to tribalism.

Like all of us, I was raised on promises, and now I’ve veered off to another perspective. I love football. I played in high school, college, and for a brief time, in the NFL (didn’t make the final roster!) Philosophy has been a life-long pursuit, but I didn’t find what I was looking for: the truth. Except for the existentialists, most of it is a mere history of how mankind thought. But philosophy has taught me how to examine the essence of important issues. That’s why I wrote a book about tribalism, because to me, tribalism is the strongest dynamic in humanity and morality is subordinate to tribalism.

Like all of us, I was raised on promises, and now I’ve veered off to another perspective. I love football. I played in high school, college, and for a brief time, in the NFL (didn’t make the final roster!) Philosophy has been a life-long pursuit, but I didn’t find what I was looking for: the truth. Except for the existentialists, most of it is a mere history of how mankind thought. But philosophy has taught me how to examine the essence of important issues. That’s why I wrote a book about tribalism, because to me, tribalism is the strongest dynamic in humanity and morality is subordinate to tribalism.

I firmly live by the saying, “Where we are in life is a direct reflection of the choices we’ve made, or failed to make.” The theme of choice and consequence has not just been a way of living but the very trope in all my novels. The beauty in showing the process of making a choice, for my characters, in their stories, brings them to life. It forces the reader to step inside that decision tree, to analyze and predict the outcome despite the unknown. We are continuously propelled into the unknown and we make choices based on the notion of understanding what those choices will mean.

I’m driven to understand the lives and mentalities of poor workers at the time of the Industrial Revolution. It’s a subject on which a great has been written but I’ve always been surprised that, in a British context, the subject of hunger has been largely ignored. The great joy of being a historical scholar is that freedom to follow your nose in the archive, to trust your instinct, and to uncover untold stories of the forgotten. Their experiences of hunger might relate to a now seemingly distant world, but such hunger histories are also amazingly prescient in our new age of food banks and famines. 

I read the books in my list decades before I started writing air war stories. My first novel was a sci-fi space opera about hot starpilots flying from what I called “spacecraft carriers” in an interstellar war. Over the years I’ve flown sailplanes, power planes, and logged time in the SNJ and the DC-3. Since I was never there, flying high-performance airplanes in combat, I try to read all the histories and memoirs and pilot’s manuals I can get my hands on, and study pictures of the people, time, place, and airplanes I’m writing about. 

I love humorous tales with quirky characters who find themselves in bizarre situations, especially in foreign countries. This mirrors my own experience of the world! After Brown University, I found myself teaching rowdy Egyptian girls; I resided in a converted classroom in Istanbul; and I was tamed by an eighty-year-old Spanish nun at a girls’ school in Tokyo. In my late thirties, I dropped my anchor in Lattakia, Syria, only to be tailed by the Syrian secret police. Like the character in my novel, Confessions of a Knight Errant, I returned to Cairo from Almeria, Spain where I was on a writers’ residency on January 28th, the Friday of Rage, of the Egyptian uprising, 2011. 

I am working and lecturing on experimental aerodynamics since decades and started flying hang gliders and powered aircraft long ago. And the older I got, the more I became fascinated by daring adventures with historical content, especially related to the history of flight and the early aeronautical pioneers. But the most I was fascinated by Otto Lilienthal, the man who worked systematically towards flight before and finally succeeded flying with nothing else than willow wood, fabric, and steel wires, materials that existed already long before. Inspired by his attitude and courage I started investigating and flying museum made authentic replicas in California to prove their flying qualities a second time.

I’m Australian and there’s a big place in my heart for Australian-set stories. I read mostly for escapism, but there’s a deeper connection with tales from my own backyard. I’ve also always loved speculative fiction – everything from epic and paranormal fantasy to space opera and dystopian thrillers – and I’m excited when my favourite genres and setting come together. My day job is in local government. I’ve seen how government decisions can impact the trajectory of a society, and I’m particularly drawn to stories that explore that theme. I’m the author of five speculative fiction novels with Australian settings: the four novels in The Rephaim series (supernatural fantasy) and The Undercurrent (slightly futuristic/pre-apocalyptic).