58 books like Are You Awake?

The ‘zombie apocalypse’ scenario has been used for years by risk management professionals to make the examination of possible societal breakdowns more fun and/or interesting.

By focusing on a hazard people know, like hurricanes or wildfires, audiences come to the discussion with pre-existing biases and, in many cases, first-hand experience. This forces the communicator to counter such bias before getting to key messages.

There’s never been an actual zombie apocalypse (nor is there likely to ever be one…), which means the zombie scenario adequately ‘levels the field’. It forces audiences to think beyond their go-to assumptions and introduces levels of uncertainty and unknown that are typical of major disasters.

This book, written without obvious heroes and heroines, in a documentary style, makes a perfect proxy for a disaster exercise scenario. I also believe it does a great job illustrating how different forms of governance result in different response strategies, which… show more.

You know why this maddening, captivating book is on this list. Where else would you find it? Where could your chapter-by-fragmentary-chapter search have brought you but to this repository of titles?

Perhaps you will discover a deeper meaning waiting for you in these linked disconnections. You offer Ludmilla a glass of wine. The story awaits.

Robin Jarvis scared the living snot out of me as a kid and when I reread his books as an adult…. Same thing happens.

The Deptford Mice trilogy is a wonderfully scary series, with characters you love and root for and completely forget that they’re smaller than a baby potato. He is a brilliant storyteller and I recommend all his books to you if you’re over nine years old.

(Says the person who gifted them to an eight-year-old and caused nightmares.)

Now look, Stephen hardly needs the bump in sales but I do love this book.

I read it in one sitting one night as a kid and was engrossed. I read it for too young for the adult themes, but I feel like that is an official stage of most peoples’ adolescence and should be in textbooks. 

This is a very modern take on the office thriller, because the office in question is a feminist take on work-share facilities like WeWork. It’s an exclusive, women-only coworking space launched by celebrity entrepreneur Eleanor Walsh. Millennial women are dying to be accepted—at least until Eleanor herself is found dead. This is a fun, glitzy book full of beautiful young women making their stilettoed way in the world. It’s Emily in Paris, set in New York, Sex and the City, for millennials, but with enough murder and mayhem to keep the thrills coming.

I fell in love with Kate Shugak as soon as I met her on the page.

Kate's an Aleutian private investigator who lives with Mutt, her half-wolf, half-husky, on a 160-acreage homestead in Alaska. Do you know why Kate carries a scar from ear to ear? Do you know why Kate and Mutt's nearest other neighbors are a grizzly bear and a moose, and why they like it that way?

If so, you probably know how everyone turns to Kate for justice and that this very first book won an Edgar Award. Maybe you, like me, have read all 26 books in this series. High five.

The quest to endure and overcome against seemingly impossible odds is a strong theme with The Highway. I liked that and also that the characters came alive from the first page.

The main character Cassie Dewell’s interaction with those around her keeps you guessing as to whether she is smart or flaky. As a rookie investigator in a rural sheriff’s department beset with corruption she has her work cut out to survive. The stressed interplay of her family and work life ramps up tension when she gets on the trail of a serial killer, snatching his victims from highways and truck stops. The plot is compelling and you hold your breath as you leaf through each page. If page-turning crime thrillers are your thing, I recommend The Highway.

Unlike most police procedurals, where the action starts with a crime, Missing, Presumed’s first chapter gives us a glimpse of the main character, detective sergeant Manon Bradshaw, on a disastrous blind date. You know from the get-go you are in the hands of a talented writer who will introduce you to complex, flawed, but relatable characters, not just a plot of twists and turns. This novel is the first in a standalone series featuring DS Manon Bradshaw, and all three novels are equally compelling in both the crimes that need solving and the way in which Manon and her team must overcome their personal flaws and missteps to crack the case. Manon is a curmudgeonly train wreck, but she possesses a big heart, making her an endearing and enduring character. Sadly, Susie Steiner passed away this year after a battle with brain cancer.   

I love good writing, and I love the escapism provided by detective and spy thrillers. Choosing between so many quality authors: Le Carré, Dexter, James, Rankin, Nesbo, etc. is almost impossible and completely unfair. However, the series of Wallander novels by Mankell is one of my favourites. I have chosen the final book in the series – but obviously you should start with the first! As with most detective stories, Mankell’s hero has a messy life, his father doesn’t understand him (and vice-versa), his wife has left him, he has a hit & miss relationship with his only daughter, but in this novel you can feel that Wallander’s life is slowly, but perceptibly, unravelling. The key events that are the focus of this tale become more and more apparently contradictory and complex and at times the tension is almost palpable. It must be difficult for novelists to draw a close… show more.

The effect of Scandinavian crime writing has been far-reaching and, to my mind, one aspect that has helped its growth has been the addition of psychological aspects in the characters and—in a very particular sense—the response to this from the reader. I feel I’ve learned more of this deeper level from the writings of Adler-Olsen, particularly his Department Q novels with their lead, Detective Carl Mørck (a deeply flawed man, although written without a cliché in sight). Adler-Olsen has said the reader must have the opportunity to create their own images from his not-very detailed descriptions, which he calls the “missing voice”, and his light, but masterful creation of Carl Mørck succeeds in this, making the Department Q novels a ‘must’ for any reader.