100 books like Arabian Nights and Days

I admired the creativity and originality of this epic novel. Brink has yoked the harsh political reality of South Africa with the frame of the One Hundred and One Nights. 

On the eve of cataclysmic change in nineties South Africa, a young South African émigré, Kristien, who lives in London, has been summoned back to her grandmother’s deathbed. In between the tense atmosphere before impending elections in post-apartheid South Africa, the ancient Ouma tells her granddaughter the history of all of the women in their Afrikaans family, blending fable, African folktale, and actual fact. One relative even turns into a tree! Once Ouma finishes her last story, there is one more tragedy which hits very close to home.

I loved the wide sweep of this novel, which reminded me somewhat of Faulkner, that traces the literal Calvinism and fierce militarism of the first Afrikaans settlers to South Africa—and… show more.

This was a wonderful novel that gave me a sense of how cruel the Spanish occupation was in New Mexico in the 1600s. I loved how Anaya adapted Spanish folktales throughout the novel.

The Spanish treatment of indigenous people can be compared to any occupier, even in present times. The main character in the novel is the Governor of New Mexico and his difficulties governing Pueblo Indians and other indigenous tribes who reject the Spanish occupation and the religious beliefs of the Catholic Church. He is a sympathetic character who has just lost his wife and is lonely.

A group of Pueblo Indians are arrested for plotting a rebellion against the Spanish—the punishment is usually harsh: either death or enslavement. One of the conspirators is a fifteen-year-old girl named Serafina, who speaks Spanish well and is a gifted storyteller. She makes a wager with the governor to tell him a… show more.

I loved this quirky, surreal novel, which is set in Cairo during the time of the Mamluks. Alternating between dreams and fables, the novel also takes us on a tour of Cairo. He uses the mock diary of a traveler for every section of old Cairo, but then diverges into the individual stories of characters in the city. 

Balian, a British pilgrim who has come to visit St. Catherine’s Monastery in Sinai, is really a spy sent by European powers to scout out the power of the Mamluk force, as well as the political intentions of the Sultan. Soon over his head, he finds himself meeting a variety of flamboyant characters. An Italian spy, Giancristoforo, is soon arrested and disappears into state custody. Balian has bizarre dreams at night, but even during the daytime he can’t distinguish between dream and reality.

Arabian Nightmare is a book which has hung around… show more.

This is a fun, playful novel that completely breaks all of the boundaries—time, gender, country, and fact—not surprising from Salman Rushdie! It is a dizzying ride, going from the Ferris wheel, to bumper cars, to the house of mirrors in a theme park.

Rather than relying so much on the strict frame narrative, Rushdie experiments with the idea of characters who are overtaken by “the jinn”—a wild, irrational impulse that perverts existing norms. It is Dunyazad, Shahrazad’s sister who marries Ibn Rushd, the great philosopher who was marginalized in 1195 by the Caliph. Rushdie tells the stories of all of Dunyazad or Dunia’s descendants, as well as the eternal war between Ibn Rushd and Al-Ghazali, eight hundred years beyond the grave. A fan of the wacky and weird, Rushdie outdoes himself with the characters in this story.

After a super-storm, the line between humans and the jinns blurs… show more.

A complex magic realist novel. Two Muslim Indians are on a highjacked plane that explodes over the English Channel. As they fall into the sea, Bollywood superstar Gibreel Farishta, turns into the Archangel Gabriel, while Saladin Chamcha, a voiceover artist, metamorphoses into the Devil. They struggle with their new identities, with rivalry, with life in Britain, and in Gibreel’s case, with mental illness. Like all Rushdie’s work, it is a post-colonial perspective on the metropolis and the identity crises of the ex-colonised. There are long dream sequences about an Arabian prophet called Mahmoud—who resembles the founder of Islam. The Ayatollah Khomeini sentenced Rushdie to death for blasphemy for this. This all sounds deep and portentous—and it is—but it’s also unfailingly funny and original. And brave. An inspiration. 

I first read this book more than fifty years ago, before I began to teach and write about German history for a living. I knew the great nineteenth-century novels of adultery, like Madame Bovary and Anna Karenina, but didn’t think there was a German counterpart worth mentioning in the same breath. But there is, and this is it!

I love the psychological insight Fontane brings to portraying his characters, especially the youthful and headstrong title character, Effi, and the sharply etched social relations and stifling moral codes of the time.

Another incidental pleasure of the book, for me, is the way it moves back and forth between the countryside and the city, the old and the new. All this, and a ghost story sub-plot.

I loved this book because it made me cry with its emotional impact. It opened my eyes to the mistreatment of Native Americans and the Spanish/Mexican inhabitants of southern California when the territory was annexed by the United States after the Spanish-American War. 

This is the love story between the mixed-race orphan girl, Ramona, and Alessandro, the head of the Native American sheep shearers. When they fall in love, knowing her aunt, who took her in and owns the rancho, will never let her marry a Native American, they elope. But Alessandro’s tribe is soon driven off their land by American settlers flooding the area, and he and Ramona are thrown into poverty as they travel from locale to locale, desperately trying to find a place to call home. 

I am recommending George Eliot’s novel (published in parts 1871-72) because I believe it is as good as any of the great Russian novels and probably the best novel written in English. Eliot (real name Mary Ann Evans) was herself a revolutionary person. In 19th century England, she worked as an independent woman, lived with a married man (she eventually married him), and later married a man a lot younger than herself. Her novel is set in the early part of the 19th century when the aftereffects of the French Revolution were strongly felt in England, and there was even fear of revolution among the English aristocracy. The 1832 parliamentary reforms gave political power to the new middle class, and change was underway. Middlemarch is a fictional town, where the banker, mayor, and other middle-class professionals are rising in influence.

At the center of the novel is a medical doctor… show more.

Many could argue that picking the most mind-bending Philip K. Dick book is an impossible task. His imagination spawned some of the best science fiction books of his era, which inspired several groundbreaking films (Bladerunner, Total Recall, Minority Report, etc.) I agree: it’s impossible to pick one.

But I love this book because it explores an intriguing idea from drug-induced psychosis—that of cross-chatter, or the notion that the brain’s two hemispheres can keep secrets from each other. The story follows the hapless Bob Arctor, an undercover narcotics agent trying to spy on himself and his junkie friends who are addicted to the mysterious Substance D. 

Dick conjures a mesmeric psychedelic tale, at turns hilarious, unnerving, and a poignant farewell to real-life addict friends who died too soon.  

Anyone who’s ever taken drugs (or drunk an energy drink) will know that the high always comes at a price: you are not being given new energy; you are just borrowing tomorrow’s energy, and you will pay for it later. 

This book tells the story of a man who lives a life of hedonistic depravity but sails through it all, apparently untouched by experience, his face as young and innocent-looking as ever. But all his guilt and fear show up on the face of the portrait of himself that he keeps in his attic. I can’t think of a more perfect example of the novel-as-metaphor.