100 books like All the Feels

It took me months to pick up Carry On after it initially caught my eye on the bookshelf. It was everything I could have wanted.

It is a less problematic Harry Potter, if Harry and Draco ended up getting together. It shows a really authentic representation of unrequited queer love and recognizing one’s own queer identity. It is character-driven, but also full of fun magic adventure. I love a book that knows how to give you exactly what you want.

The main thing I loved was Leigh Bardugo’s writing. She has a way of being elegant yet succinct with her writing which makes it easier for me to get lost in the intricate world she creates. And what a world she creates!

I fell in love with all the characters in this book. They had deep flaws and the vulnerability made me love them so much – it made them so real. There’s a powerful female lead in Nina, a passionate, voluptuous grisha (type of witch) who loves food, making her immediately relatable. The plot had me hooked and I didn’t want the book to end.

This is my first ever Quozy, a sub-genre Rob Osler defines as a queer cozy mystery. For decades, cozy mysteries have brought to mind curious little old ladies or deeply thoughtful straight men with droopy mustaches. Devil’s Chew Toy spins that trope, giving us Hayden McCall, a guy who isn’t as interested in solving a mystery as he is in finding the dude he almost had a perfect date with. As for the strait-laced assistant…that person doesn’t exist here. Hayden teams up with the missing man’s dog plus his larger-larger-than-life lesbian BFFs, making the book hilarious, heart-warming, and profoundly satisfying. This is one of the finest-written books I’ve ever read, and it provides a bonus tour of Seattle’s greatest neighborhoods. I can’t wait for more Hayden and company.

Contains: LGBTQI+ main characters

I picked this book because what can be more subversive than a main character who wants to send a child to hell for Christmas? In Krampus and the Kolaches, JD Douwes sets Krampus in the middle of Seattle for a holiday singing contest that goes off the rails when he sets his sights on a rotten little boy and accidentally meets a far-from-typical love interest. Khalie is a snarky young woman who is somewhere short of bright and kind, but you find yourself rooting for her anyway. This book is just fun. I’ve rarely read two less likely main characters/love interests, yet I found it all worked so delightfully. I am a sucker for holiday romance, and this once checked all the boxes for me but did it in a way that was fresh and far different from the norm.

Contains: atypical main characters/Krampus

April Whittier is a professional by day, and a fan fiction queen by night. Unbeknownst to her, her best online friend is the star of TV’s biggest show (think Game Of Thrones) who agrees with her about everything the show is doing wrong. Now, due to some harsh online trolls criticizing her weight, she’s going out on a date with him.

I love how different Spoiler Alert is from the others on my list that were written a decade – or two – earlier. The body-positivity mindset is refreshing and so much more emotionally healthy than the fat-duckling-to-thin-swan take. (As much as I enjoy those, too.) April has issues, yes, but never any doubt that she’s as worthy to date a huge star as any size 4. And in fact, questions whether he is worthy of her!

To read about the life of Diahann Carroll, a true diva, sets the record straight on her beauty and humanity. Her many marriages, a tribute to her daddy issues, and her support of civil rights show the true sides of a diva. She was political, she was insecure, she failed, and she succeeded. That is a life well lived. Diahann as a mother, by her own account, had a mixed track record. But, she clearly was a good enough mother and grandmother. 

Reading this, I felt like I was in a room with Poehler and lucky to be there. I dug this so. It’s genuinely funny, historical, and outrageous, with photos. It offers sound life advice and intel on The Business without a heavy hand at name-dropping (but enough to get one salivating).

I appreciate its length, considering she was doing so much when she wrote it, and I do believe she wrote it, unlike so many celeb books. Plus, I adore improvisational comedy, frequently referenced. I won’t spoil anything; I just highly recommend it. 

If you’ve watched the recent Netflix series about Tembi Locke and her Sicilian chef husband, you only know half the story. Locke’s memoir, beautifully told, concentrates on (spoiler alert) her healing after her husband’s death. Recently widowed, she traveled to her husband’s tiny Sicilian village to inter his ashes. Although in many ways she dreaded going to Sicily (and her mother-in-law’s house) she is drawn to a simpler way of life from the one she has in Los Angeles. For several succeeding summers she and her daughter return to her husband’s hometown in which little has changed for centuries. Except for the local priest from Africa, they are the only people of color. Locke’s journey is one from despair and exasperation to healing and appreciation.

Manzano played Maria for more than 40 years on Sesame Street, but this isn’t a book about that show. A sort of next-gen, nonfiction companion to Dominicana, it tells the story of Manzano’s hard-knock childhood in the South Bronx, and how her gifts as an actor and storyteller propelled her out of a rough neighborhood and troubled home (her father physically abused her mother.) Manzano doesn’t paper over the anger she felt and still feels about the systemic forces that ghettoized Hispanic kids like her. But she succeeds in offering hope and modeling Nuyorican success to latter-day versions of her young self.

I saw the film Once Upon A Time In Hollywood before reading the book. And I loved the film, one of Tarantino’s best, where – as in Inglourious Basterds – he uses fictional characters to create a world in which factual characters might exist, to the extent that the reality of the script and the reality of real life become inevitably intertwined, in ways in which reality can be distorted to a better end. This playing of fantasy and reality and the myths (the Once Upon A Time…) that storytelling can distort, is ably rendered by this book which I understand Tarantino wrote after the film was finished. There’s greater expansion on the back stories of the stuntman and his double, and less around the Manson murders, but for a film buff the book is a delight in which Tarantino’s fascination for cinema shines through, and therefore is well worth… show more.