Here are 94 books that Afro Puffs Are the Antennae of the Universe fans have personally recommended if you like
Afro Puffs Are the Antennae of the Universe.
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I’ve lived in Detroit for nearly 15 years, where I built my house with my own two hands out of the shell of one I purchased for $500. A longtime journalist, I grew up in a small town in the countryside of Michigan. When I moved to Detroit after college people told me I was throwing my life away, but I looked at it as a moral decision, as “staying home” when it seemed like most other people were leaving. I’m glad I did—it offered me a look into a world more strange and beautiful than I could have imagined, potentially even a vision into a brave new future. I hope this world comes across in A $500 House in Detroit, and I hope we can make it last.
Love him or hate him, it’s undeniable that LeDuff is a tremendously charismatic writer. A Pulitzer Prize winner, a breathtaking reporter, and a denizen of Detroit for decades, this is one of the most compellingly written books on Detroit ever.
This book has a Mustang eight-cylinder engine on it, and I hoovered this up over just a couple of hours. If you want a barn-burning page-turner of a tale, showcasing Detroit as its most broken and beautiful, this is the one for you.
An explosive expose of America's lost prosperity by Pulitzer Prize -winning journalist Charlie LeDuff
"One cannot read Mr. LeDuff's amalgam of memoir and reportage and not be shaken by the cold eye he casts on hard truths . . . A little gonzo, a little gumshoe, some gawker, some good-Samaritan-it is hard to ignore reporting like Mr. LeDuff's." -The Wall Street Journal
"Pultizer-Prize-winning journalist LeDuff . . . writes with honesty and compassion about a city that's destroying itself-and breaking his heart." -Publishers Weekly (starred review)
"A book full of both literary grace and hard-won world-weariness." -Kirkus
I’m a sociologist who studies American family life. About 20 years ago, I began to see signs of the weakening of family life (such as more single-parent families) among high-school educated Americans. These are the people we often call the “working class.” It seemed likely that this weakening reflected the decline of factory jobs as globalization and automation have proceeded. So I decided to learn as much as I could about the rise and decline of working-class families. The books I am recommending help us to understand what happened in the past and what’s happening now.
How and when did all this start? Historian Thomas Sugrue shows that the peak of industrial employment in cities such as Detroit, the focus of this book, occurred in the 1940s. Then as hundreds of thousands of industrial jobs were lost in Detroit (and millions elsewhere in the US), the position of the urban working class deteriorated. This decline was an important source of the “urban crisis” that started in the 1960s.
Once America's "arsenal of democracy," Detroit is now the symbol of the American urban crisis. In this reappraisal of America's racial and economic inequalities, Thomas Sugrue asks why Detroit and other industrial cities have become the sites of persistent racialized poverty. He challenges the conventional wisdom that urban decline is the product of the social programs and racial fissures of the 1960s. Weaving together the history of workplaces, unions, civil rights groups, political organizations, and real estate agencies, Sugrue finds the roots of today's urban poverty in a hidden history of racial violence, discrimination, and deindustrialization that reshaped the American…
I’ve lived in Detroit for nearly 15 years, where I built my house with my own two hands out of the shell of one I purchased for $500. A longtime journalist, I grew up in a small town in the countryside of Michigan. When I moved to Detroit after college people told me I was throwing my life away, but I looked at it as a moral decision, as “staying home” when it seemed like most other people were leaving. I’m glad I did—it offered me a look into a world more strange and beautiful than I could have imagined, potentially even a vision into a brave new future. I hope this world comes across in A $500 House in Detroit, and I hope we can make it last.
This book looks toward the future. A friend, leader, and hero to many in Detroit including myself, Grace Lee Boggs is one of the most important philosophers of the 20th and 21st centuries. However, this book is far from the stuffy philosophy you might remember from PHYL 101. Rather, it’s a road map to a better, brighter future, and a new way to live.
A resident of Detroit for almost 80 years, Boggs once wrote, “The most radical thing I ever did was to stay put.” Her thinking and activism underlie almost anything truly transformational happening in Detroit today, and this book will leave you with more hope than a dog looking at the thanksgiving dinner table.
A world dominated by America and driven by cheap oil, easy credit, and conspicuous consumption is unraveling before our eyes. In this powerful, deeply humanistic book, Grace Lee Boggs, a legendary figure in the struggle for justice in America, shrewdly assesses the current crisis - political, economical, and environmental - and shows how to create the radical social change we need to confront new realities. A vibrant, inspirational force, Boggs has participated in all of the twentieth century's major social movements - for civil rights, women's rights, workers' rights, and more. She draws from seven decades of activist experience, and…
I’ve lived in Detroit for nearly 15 years, where I built my house with my own two hands out of the shell of one I purchased for $500. A longtime journalist, I grew up in a small town in the countryside of Michigan. When I moved to Detroit after college people told me I was throwing my life away, but I looked at it as a moral decision, as “staying home” when it seemed like most other people were leaving. I’m glad I did—it offered me a look into a world more strange and beautiful than I could have imagined, potentially even a vision into a brave new future. I hope this world comes across in A $500 House in Detroit, and I hope we can make it last.
Perhaps from the outside Detroit might look like a humorless place. A native of the city, Foley shows us just how untrue that is. Boys follows three Black gay millennial men looking for love, friendship, and professional success in the Motor City, with a narrative both hilarious and touching.
Published by Belt Publishing, a relatively new publisher focusing on the Rust Belt, Boys gives readers an inside view of the city and Black culture that can be radically different from the ones often portrayed in the media. This book can take you to a world much more beautiful and strange.
This hilarious, touching debut novel by Aaron Foley, author of How to Live in Detroit Without Being a Jackass, follows three Black gay millennial men looking for love, friendship, and professional success in the Motor City.
Suddenly jobless and single after a devastating layoff and a breakup with his cheating ex, advertising copywriter Dominick Gibson flees his life in Hell's Kitchen to try and get back on track in his hometown of Detroit. He’s got one objective — exit the shallow dating pool ASAP and get married by thirty-five — and the deadline’s approaching fast.
Long before I earned a degree in psychology, I was fascinated by human relationships and motivations. Since reading novels is an excellent way to delve into the minds of a variety of people, the library became my second home. I well remember my first binge-read—Nancy Drew. I devoured the entire series sitting under a catalpa tree in my grandfather’s backyard. So it’s probably not surprising that I’m now the author of 60+ novels in the romantic suspense and contemporary romance genres—none of which include sex, swear words, or gratuitous violence. Because as suspense superstar Mary Higgins Clark once said, you don’t need any of those to tell a compelling story.
A powerful, riveting, and unputdownable tale of three women from different eras (Civil War to present) that frames the issue of race relations within the context of family relationships, making the subject immensely relatable and deeply touching. Bartels spins this masterful tale with a deft touch and a caring heart to create a stunning debut. Because the characters were so vivid and the emotions so real, this book opened my eyes in new ways to an issue that remains a hot button in today’s society.
A 2020 Michigan Notable Book 2020 WFWA Star Award Winner 2019 Christy Award finalist
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"In this powerful first novel . . . Bartels successfully weaves American history into a deeply moving story of heartbreak, long-held secrets, and the bonds of family."--Publishers Weekly, Starred Review
"A forbidden interracial marriage, an escaped slave, an expectant mother waiting for her Union soldier to return--all of these stories are deftly told by Bartels, as she explores the hard realities of racism and its many faces during various eras of American history. . . .Compelling characters make this winning debut also appealing for fans…
I've been a fan of Tamora Pierce for nearly as long as I've been writing—well over twenty years. She's been an enormous inspiration throughout my authorship. Her books have accompanied me through many travels, waited in my bag during classes and life events, and I've given them as gifts to other people. Finding books and authors for a more adult audience, which possess that same essence—strong characters, magic, found family, adventure, a touch of romance, and some historical or mythological influence—is a fantastic hunt. I hope you enjoy these. I'm going to look for some more!
I can practically hear you protest this choice… But, Christina, that's urbanfantasy! Trust me, it's got what you're looking for. Mythologically inspired dragons, cats, spirits, magic, powerful motives, a diverse cast… I love the audacity Rachel Aaron displayed in making her main character a dynamic pacifist. Also, the DFZ is a great lesson in how to make a location into a character. This series traveled with me through one of the most difficult years of my life, and Julius helped me keep my focus while Marcy and Ghost reminded me it was okay to bend the rules. Go check it out!
As the smallest dragon in the Heartstriker clan, Julius survives by a simple code: keep quiet, don’t cause trouble, and stay out of the way of bigger dragons. But this meek behavior doesn't fly in a family of ambitious magical predators, and his mother, Bethesda the Heartstriker, has finally reached the end of her patience.
Now, sealed in human form and banished to the DFZ--a vertical metropolis built on the ruins of Old Detroit--Julius has one month to prove he can be a ruthless dragon or kiss his true shape goodbye forever. But in a city of modern mages and…
Having heard Celtic legends as a kid made me want to either become a leprechaun or a goddess with the power to remake the world’s worst parts. Although I didn’t achieve either, I write about both, as well as other quirky people who march to the rhythm of delightfully offbeat drummers. I so adore eccentric people and jaunty environments, I’ve built a career out of writing them. That has allowed me to capture the sassy voice of the daughter of madcap Hollywood stars, the outrageous garments worn by a cheerfully fake psychic, and the journey of a brokenhearted chef who can’t quote an adage normally to save her life.
I’ve loved mysteries since Nancy Drew led me into a life of crime. Mixing in magic adds such zing to the mystery puzzle.
I especially enjoyed the charming Abby Cooper: Psychic Eye. A series of misadventures with a guy cause Abby to become entangled with the local PD, which allows her to bring some pretty bad guys to justice. I love Abby’s engaging voice and her spirited outlook. Especially appealing is that she believes herself to be different from others, someone who doesn’t fit in. Yet she also sees herself as shockingly normal compared to the oddballs who come to her for readings. Yet Abby finds humor in the irony of her situation.
If you like your magic mixed with mysteries, you’ll find this book fun.
Abby Cooper is a P.I., psychic intuitive. But her insight failed her when she didn't foresee the death of one of her clients-or that the lead investigator for the case is the gorgeous blind date she just met. Now, with the police suspicious of her abilities and a killer on the loose, Abby's future looks more uncertain than ever.
I am a British crime writer and am the winner of the CWA Debut Dagger and have been longlisted for the CWA Gold Dagger. I have been reading crime thrillers for most of my life and while I love reading about cops and detectives, I seem to have a special liking for amateur detectives, criminals with good hearts, and ex-cons. In my own novels, two crime thrillers set in west London, my main character, Zaq Khan, is an ex-con who gets caught up in dangerous situations and, along with his best friend, tries to get out of them alive. The books I’ve recommended have all inspired and influenced what I write.
Elmore Leonard was the first crime author I ever read, and his books are what got me hooked on the genre.
Like many of his characters, Jack Foley, despite being a criminal, in this case a bank robber, is just so much fun to spend time with and read about.
The book starts with Foley escaping from prison only to find himself bundled into the trunk of a car with a female US marshal. What follows is a cat-and-mouse, cops and robbers tale, as only Elmore Leonard could have written it.
Fabulous characters, amazing situations, and some of the coolest dialogue in all of fiction. The film was great, but the book is even better.
Read it and you’ll want to read everything else he ever wrote.
OUT OF SIGHT was made into the highly-acclaimed movie starring George Clooney and Jennifer Lopez.
Jack Foley was busting out of Florida's Glades Prison when he ran head-on into Karen Sisco with a shotgun. Suddenly the world-class gentleman felon was sharing a cramped car trunk with a disarmed federal marshal - whose Chanel suit cost more than the take from Foley's last bank job - and the chemistry was working overtime. Here's a lady Jack could fall for in a big way, if she weren't a dedicated representative of the law that he breaks for a living. And as soon…
I have always been both a nature lover and committed urbanite, and those twin passions have shaped my approach to history. My very first published writing (when I was ten years old) was an essay about a willow tree in an urban park I loved in Minneapolis, MN. Now, as a historian, I have written about guerrilla gardening in the shadow of the Berlin wall, forestry outside Detroit, and working-class foraging practices in the nineteenth century. My interest in urban nature remains not just academic, but personal. On weekends, you’ll find me mapping native and invasive species with my ten-year-old son along the River Rouge in Dearborn, MI.
Nature takes on different meanings in the landscape of the post-industrial city. On a city block in the middle of a shrinking city, the return of green space can signify abandonment, disinvestment, and decay instead of healing, flourishing, or balance. Cialdella brings much needed nuance and historical context to the place of nature in postindustrial Detroit, providing a wider range of stories about the ways in which gardens and green, from the wide expanse of Belle Isle to urban potato patches and backyard sunflowers, have helped connect communities to the city and each other. Nature in the city doesn’t replace people; it helps them flourish.
Motor City Green is a history of green spaces in metropolitan Detroit from the late nineteenth- to early twenty-first century. The book focuses primarily on the history of gardens and parks in the city of Detroit and its suburbs in southeast Michigan. Cialdella argues Detroit residents used green space to address problems created by the city's industrial rise and decline, and racial segregation and economic inequality. As the city's social landscape became increasingly uncontrollable, Detroiters turned to parks, gardens, yards, and other outdoor spaces to relieve the negative social and environmental consequences of industrial capitalism. Motor City Green looks to…
I had the passion to write Necessary Deeds because: 1) as someone who'd spent 20+ years writing novels, dealing with untrustworthy literary agents, and book-doctoring other writers’ novels in order to pay rent, I'd come to know betrayal (“best friend” writers who stole drafts of mine and called them their own, novelists who backstabbed me after I helped them land agents and book contracts, and so on); 2) like many people who lived through the drug-and-alcohol-laced Eighties, I had a long relationship with someone that ended because they cheated on me. So I never doubted that, as I wrote Necessary Deeds, my heart knew well what motivated its characters.
How can I not include an Elmore Leonard title in a list of favorite novels about murder and matters of the heart?
Of course, no compliment by me of Mr. Leonard will be anywhere in the vicinity of new, but I will add to the heap of praise of the man that in this particular novel of his, the snappiness of the dialogue, the overall wit, and the surprising nature of the twists and turns will always strike me as ideals to strive for as I write my own noir.
