Fans pick 63 books like A Streetcar Named Desire

This book explores the universal themes of ignorance and political dictatorship. It shows how the Taliban conspired against the protagonist to harm him and destroy books. The Sultan, the protagonist, who stands for knowledge, is crushed by the Taliban and imprisoned because he is a distributor of books. 

The Sultan embodies the pursuit and dissemination of knowledge, perhaps as a teacher, librarian, or simply someone who believes in the power of education and free thought. His imprisonment by the Taliban underscores the conflict between enlightenment and oppression, as the Taliban seeks to suppress ideas and control the population through fear and ignorance.

My love for the book likely stems from the emotional impact of Sultan's plight, as I witness the injustice of a man being punished for his commitment to something as fundamental and noble as sharing knowledge. The narrative explores themes of resistance, resilience, and the enduring power of… show more.

Okay, technically, this is not a book. But it is the greatest work in the English language. When I do public speaking, I like to say my ” favorite mystery is Scandinavian.” Everyone nods. “There’s a questionable murder to begin, then a suicide, an attempted kidnapping, and a big fight when the two main characters die.” People nod again. “It’s called Hamlet. Have you ever heard of it?” And everyone laughs. 

I then ask the question: what is the difference between a mystery and a thriller? I believe in a mystery the protagonist is ahead of the reader. (Think classic detective novels such as The Big Sleep). But in a thriller, the audience is ahead of the protagonist. (Think a movie such as Wait Until Dark). In Hamlet, we have both. The first half is a mystery. Was his father really murdered? But in the crucial midpoint,… show more.

This book employs a bit of reverse psychology. The other four books I've recommended delve into emotional conspiracies; this book, on the contrary, shows the consequences of emotions in both positive and negative ways, and how they will be tamed and adjusted. It gives an analytical account of how untamed emotion creates chaos inside the minds of human beings. 

The book features narratives that shed light on the emotion of envy, demonstrating how it operates in individuals' lives and the detrimental effects it can have. By delving into these stories, readers gain insight into the complexities of envy and its potential to breed negative outcomes such as resentment, bitterness, and even destructive behavior. Through these narratives, readers may learn to recognize envy in themselves and others, leading to greater self-awareness and the ability to navigate this emotion more effectively.

Beyond just focusing on envy, the book contains various stories that… show more.

We all know the title. It’s become a record-breaking musical phenomenon. The book is a phenomenon in itself. It was a voyage I took for a few spellbound weeks, and I read it in a stone house in a small village in the South of France. It is a book of great sympathy and grace. 

Victor Hugo’s heart is large—at least measured by this story of an escaped prisoner who tries to do good with his life but is pursued relentlessly by a police officer, Javert. I found with this book, as the great writers always show me, that character is all. Hugo drew me into the struggles and losses of his people so ably and memorably that I still think of them years later. 

This was an unforgettable series that captured so much of the heart. The characters were incredibly real with the main characters playing an integral part throughout the series. All seven books are worthy of your time. It’s emotionally crafty and gut-wrenching at times with a powerful message weaved into the story. 

Widowed. Rants, Raves and Randoms is a great read for widows and widowers, but really anyone that had a loss or knows of someone that has. It's excellently written, easy to read, and thoroughly engaging but mostly will make your heart smile. A beautifully told, heartbreaking love story, but mostly it will leave you with optimism and lingering warmth. It gives one hope that brighter days are ahead and love survives, even in death.

I was initially reluctant to read a novel about Nazi Germany, but I’m so glad I did. Shattuck introduces us to three women—Marianne, Benita, and Ania. Each has a uniquely compelling story, and I came to care about them all. These characters brought me a new understanding of how German women dealt with the Nazi era and its terrible aftermath. And importantly, Shattuck brings compassion to the three women, each of whom was striving to find a way through a treacherous and sometimes soul-warping period. Ultimately, the author leaves us with insights into our own often frightening times.

After a lifetime of dutiful marriage, the newly widowed Lady Slane shocks her family by striking out on her own, moving from London to a suburban cottage where she will live alone and please herself (for once!). Her decision rumbles through her grown children’s lives and inspires one of her great-granddaughters to pursue an independent life herself.

I love that this book focuses on an older woman (Lady Slane is 88 years old), proving that it’s never too late to live life on your own terms. And in Deborah, her great-granddaughter, we get a glimpse of the new sort of woman who was really making her presence felt in this period: young women exploring their independence and living very different lives from their parents and grandparents.

I found this novel about a young, widowed mother living through Bangladesh’s 1971 Liberation War both eye-opening and deeply touching. Having recently moved to Bangladesh myself, I welcomed the chance to learn more about my host country’s history while at the same time being transported into the fictional lives of Rehana and her two adolescent children, Maya and Sohail.

Tahmima Anam’s expert storytelling and razor-sharp observation made me feel as if I were right there with the characters, facing the same impossible choices but also experiencing the same unexpected moments of passion and beauty. 

Abigail Thomas likes to say that she didn’t know what she was doing when she set out to write Safekeeping. Memories returned and she wrote them down. Sometimes she wrote of herself in first person. Sometimes in second. Sometimes in third. Sometimes she wrote of apple cake, and of people she loved, and of unsustainable loss. No one remembers their entire life in systematic order. Few lives conform to outlines. That is why Thomas needed to invent the shape of her memoir in essays—to arrange all of its idiosyncratic pieces into an utterly compelling idiosyncratic whole.