Here are 100 books that A New and Glorious Life fans have personally recommended if you like
A New and Glorious Life.
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When I was a kid, I looked forward to Fridays. Not just because it was the end of a school week, but because that’s when the TV Guide arrived with the morning newspaper. While I ate my cereal, I’d circle the movies I wanted to watch the following week. If they were late-late movies, I’d set my alarm and get up and watch them alone in the living room (with the sound turned way down). I was also an avid reader, and it wasn’t long before I started pairing my reading and my viewing. I still do that, with a special interest in short stories and their film adaptations.
What I find striking about this story is that Faulkner’s depiction of Abner Snopes—the barn burner—is so uncompromising. He’s an angry, disaffected man who, when he can’t find his footing in society, reacts with violence. The reader is given no reason to sympathize with him, just asked to understand that he has a code: Integrity through vengeance. If that’s hard to understand—(it is for me)—that is, I think, the point.For a story published in 1939 about Mississippi in the late 1800s, it feels dishearteningly relevant.
The 1958 film adaptation,The Long, Hot Summer, chops this story up and tosses it in with a few other Faulkner works. It’s far less edgy, but it stars Paul Newman.
Early on, I identified with American short story writers Bernard Malamud and Flannery O’Connor. Though firmly ensconced in the American canon, neither had a fear of allowing the comic or fantastic to play important roles in stories with serious spiritual values. I enjoyed fabulous writers as well, the wildness of Nikolai Gogol, the magic of Ray Bradbury, the comic impulses of Mark Twain. I came across Dune and read it several times. Since those days, I have taken in many stories that do not stick to representations of reality, discovering writers all over the world with the same fascinations. I can’t keep myself from trying to join them.
The Elephant Vanishes includes two of my favorite stories by any contemporary writer.
Set in the forested vicinity of a factory that makes elephants, “The Dancing Dwarf” follows the adventures of a marvelous dwarf who once danced for the king, alas, now pursued by soldiers of the revolution. The other side of the spectrum, “The Last Lawn of the Afternoon” partakes of the fantastic only by osmosis. The care this teenage boy takes mowing and trimming his assigned lawns feels so real it reminds me of myself.
This range keeps the reader slightly off balance and full of expectation, which might not be so exciting if we weren’t in the hands of one of the finest practitioners of the craft anywhere in the world.
A dizzying short story collection that displays Murakami's genius for uncovering the surreal in the everyday, the extraordinary within the ordinary
*Featuring the story 'Barn Burning', the inspiration behind the Palme d'Or nominated film Burning*
When a man's favourite elephant vanishes, the balance of his whole life is subtly upset. A couple's midnight hunger pangs drive them to hold up a McDonald's. A woman finds she is irresistible to a small green monster that burrows through her front garden. An insomniac wife wakes up in a twilight world of semi-consciousness in which anything seems possible - even death.
When I was a kid, I looked forward to Fridays. Not just because it was the end of a school week, but because that’s when the TV Guide arrived with the morning newspaper. While I ate my cereal, I’d circle the movies I wanted to watch the following week. If they were late-late movies, I’d set my alarm and get up and watch them alone in the living room (with the sound turned way down). I was also an avid reader, and it wasn’t long before I started pairing my reading and my viewing. I still do that, with a special interest in short stories and their film adaptations.
Lately I’ve been thinking a lot about this story. It’s set in Yalta, a resort town located on the Crimean Peninsula—territory that has been caught up in the Russian/Ukrainian war. Chekhov, who suffered from tuberculosis, had a home there, where he wrote much of his last and best work, including this—his most famous—story. It’s a simple tale about normal people—lovers who are married to others—and thus bucked the Russian trend of big societal themes. Chekhov’s political leanings changed so often, he said, that the “absence of lengthy verbiage of a political-social-economic nature” became the first of his six principles for a good story. (The others: objectivity, truthfulness, brevity, originality, and compassion.) Still, lately I’ve been wondering what this story would be like if Chekhov were writing it today.
If any writer can be said to have invented the modern short story, it is Anton Chekhov. It is not just that Chekhov democratized this art form; more than that, he changed the thrust of short fiction from relating to revealing. And what marvelous and unbearable things are revealed in these Forty Stories. The abashed happiness of a woman in the presence of the husband who abandoned her years before. The obsequious terror of the official who accidentally sneezes on a general. The poignant astonishment of an aging Don Juan overtaken by love. Spanning the entirety of Chekhov's career and…
When I was a kid, I looked forward to Fridays. Not just because it was the end of a school week, but because that’s when the TV Guide arrived with the morning newspaper. While I ate my cereal, I’d circle the movies I wanted to watch the following week. If they were late-late movies, I’d set my alarm and get up and watch them alone in the living room (with the sound turned way down). I was also an avid reader, and it wasn’t long before I started pairing my reading and my viewing. I still do that, with a special interest in short stories and their film adaptations.
The story is a classic, of course, but what I find poignant is that famed director John Huston, adventurer and rabblerouser, chose this quiet story to adapt as his final film (The Dead), and did so, while dying, with the help of his son (screenplay) and daughter (leading role). It’s an extraordinarily faithful adaptation, even, and especially, in its slowness. (Each time I read the story, I wonder—even though I know the answer—Where is this going?)
Joyce Carol Oates, less faithfully, reimagined the story in Marriages and Infidelities, keeping the title, but replacing Irish melancholy with American anxiety, while hewing—with Easter eggs along the way for careful readers—to its theme of intimacy and its limitations. All three versions are exquisitely sad and beautiful.
A shocking confession from his wife prompts Gabriel to reconsider what he knows and understands of his wife and their shared past, whether it is better to die young, and what will be remembered of him when he is gone.
Critically acclaimed author James Joyce’s Dubliners is a collection of short stories depicting middle class life in Dublin in the early twentieth century. First published in 1914, the stories draw on themes relevant to the time such as nationalism and Ireland’s national identity, and cement Joyce’s reputation for brutally honest and revealing depictions of everyday Irish life. At the heart…
I am a professor of English and Visual Culture at St. John’s University in New York. My research in recent years has focused on reexamining the fate of modernist art in Hitler’s Germany. I have chosen five books that have shaped our understanding of Nazi art and have new resonance with the present resurgence of fascism and authoritarian governments around the world.
Rich in illustrations, ambitious in scope, and still relevant despite having been written in the pre-perestroika Soviet Union, Golomstock makes his four-way comparison accessible and convincing by insisting that “totalitarian art,” a distinct genre with its own aesthetics and style, organization, and ideology, emerged with the rise of the four regimes indicated in the title of his book.
In the Soviet Union, and later in Maoist China, theories of mass artistic appeal were used to promote the Revolution both at home and abroad. In Nazi Germany and Fascist Italy they asserted the putative grandeur of the epoch. All too often, art that served the Revolution became "total realism," and always it became a slave to the state and the cult of personality, and ultimately one more weapon in the arsenal of oppression. Igor Golomstock gives a detailed appraisal of the forms that define totalitarian art and illustrates his text with more than two hundred examples of its paintings,…
As a scholar, I take pleasure in developing novel interpretations and arguments and persuading colleagues and readers of their merits. Over the past two decades, I’ve advanced a new macroeconomic narrative for the United States. In earlier publications, I argued that the Depression years were the most technologically progressive of the twentieth century. Behind the backdrop of double-digit unemployment, potential output grew rapidly, an increase that helped enable the country to produce prodigious amounts of WWII armaments. It also, I maintain, established most of the supply side foundations for the golden age (1948-73). The conventional wisdom tends instead to credit U.S. postwar economic dominance to experience manufacturing military durables.
This is a classic book on economic mobilization for the Second World War.
The range of Milward’s scholarship is impressive, he has thought deeply about important questions, and he is not afraid to take positions on controversial issues.
It’s relatively weaker on U.S. mobilization, accepting much of the received wisdom, and acknowledges the scarcity of available materials for the Soviet Union and Italy at the time he wrote. But it is useful in putting the U.S. effort in context, and particularly helpful in providing comparative details on the British and German efforts.
I am Professor of Classics at George Mason University. I learned about ancient Romans and Greeks in my native Germany, when I attended a humanist high school, possibly the oldest in the country. (It was founded during the reign of Charlemagne, as the eastern half of the Roman Empire was still flourishing.) My mother once informed me that I betrayed my passion for stories long before I could read because I enthusiastically used to tear pages out of books. In my teens I became fascinated with stories told in moving images. I have been a bibliophile and, em, cinemaniac ever since and have pursued both my obsessions in my publications.
Solomon’s gargantuan tome is a labor of love, offering a comprehensive tribute to General Lew Wallace’s epic historical novelBen-Hur: A Tale of the Christ, from 1880.
Solomon traces its genesis, composition (during which Wallace, previously not a devout believer, saw the light), publication, and sensational worldwide impact in all manner of modern media, which even included Ben-His and Ben-Hers towels.
After stage adaptations with thrilling on-stage chariot races, the cinema took over. The appropriately big MGM production of 1959 can boast what was for decades believed to be the most spectacular action sequence ever filmed. In a nod to contemporary politics, an Arab sheik puts a Star of David on Ben-Hur just before the race. And the film’s Romans closely resemble Nazis—not for the first or last time.
Ben-Hur was the first literary blockbuster to generate multiple and hugely profitable adaptations, highlighted by the 1959 film that won a record-setting 11 Oscars. General Lew Wallace's book was spun off into dozens of popular publications and media productions, becoming a veritable commercial brand name that earned tens of millions of dollars.
Ben-Hur: The Original Blockbuster surveys the Ben-Hur phenomenon's unprecedented range and extraordinary endurance: various editions, spin-off publications, stage productions, movies, comic books, radio plays, and retail products were successfully marketed and sold from the 1880s and throughout the twentieth century. Today Ben-Hur Live is touring Europe and Asia,…
I'm the product of a man who married more times than I like to admit to strangers and even family. We moved all the time. Those two elements in my life led me to run out the door immediately upon release from sorting my belongings from their thoroughly packed boxes. I made friends at once with everyone I came across. Who knew how long we’d live there? Over the years, I acquired deep friendships from around the U.S. and often daydreamed of them all being in the same place at once and loving the solidarity. It never happened, but it's a theme that runs through me. It’s what I like to write about.
I stumbled upon this book. Thank goodness for that stumble.
So many outcasts trying to survive in a world not only rarely giving them notice, but when it does, it is in an active effort to destroy the poor devils.
As they find each other, and in some cases, redefine each other, they build new friendships and rebuild old ones, all in an effort to become who each was meant to be and do so as a family built from the challenges bent on destroying loyalty and love.
It is as much an adventure against the world as a journey to the self.
'Fantasy as it ought to be written' George R.R. Martin
Tom Badgerlock has been living peaceably in the manor house at Withywoods with his beloved wife Molly these many years, the estate a reward to his family for loyal service to the crown.
But behind the facade of respectable middle-age lies a turbulent and violent past. For Tom Badgerlock is actually FitzChivalry Farseer, bastard scion of the Farseer line, convicted user of Beast-magic, and assassin. A man who has risked much for his king and lost more...
On a shelf in his den sits a triptych carved in memory stone…
Growing up in an eccentric, liberal family, as a member of the Church of England, under the shadow of the British Government’s homophobic Section 28, the messages I received were distinctly mixed. If I’d heard the word ‘bisexual’ before the age of twenty my life might have been very different. And to this day, the most common assumption is that one can’t be simultaneously queer and Christian. As I’ve discovered, and as these books show, that isn’t true – and moving beyond that assumption reveals new and fascinating horizons.
Set in a London congregation at the height of the AIDS crisis, this is a powerful novel that packs a lot into one Easter weekend. Its ingenious triptych structure underlines the fact that there’s often more going on than a superficial understanding of either faith or sexuality would like to believe. The oldest book on this list by a couple of decades, this is one of the first novels to engage seriously with what it means to be queer in an institution that prefers to ignore that fact, and it was both a challenge and a comfort in my own coming-out years.
David Satter is a leading commentator on Russia and the former Soviet Union. He is the author of five books on Russia and the creator of a documentary film on the fall of the Soviet Union. He has been affiliated with the Hudson Institute and the John Hopkins University School of Advanced International Studies. He is presently a member of the academic advisory board of the Victims of Communism Memorial Foundation.
Vladimir Voinovich was probably the greatest Russian satirical writer since Gogol. After the fall of the U.S.S.R., he was asked if it was still possible to write satire in Russia. He insisted that it was. “The Soviet Union was a giant mental hospital but it was organized,” he explained. “Now, the inmates have been told that they can do whatever they want. So Russia is funnier than ever.”
In this novel, published in 1986, Voinovich demonstrated his stunning ability to divine the future. He described a new Russian regime dominated by state security and based not on Marxism-Leninism but on the teachings of the Orthodox Church. Like Russia today, the regime of his novel tells its citizens that they are surrounded by “three rings of hostility.” The first is the former Soviet republics; the second, the former Soviet satellites, the third, the West – the former “capitalist enemy.” This makes…
In this satire that pokes fun at the future of communism, socialist life, and the Kremlin, an exiled Soviet writer enters a time warp and lands in Moscow in the year 2042.
