Here are 100 books that Totalitarian Art fans have personally recommended if you like
Totalitarian Art.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
My interest in this topic began because of a trip to a museum in 2008. I noticed that a painting had been removed from view and a small piece of paper was hanging on the wall where the painting had been. The paper explained that this piece was involved in a court case revolving around whether or not it had been stolen from its Jewish owner by the Nazis during World War II. Nazi cultural appropriation, looting, suppression, and destruction turned out to be one of the most fascinating stories of the entire war. The research for my historical novel took several years, but it allowed me to write a book based on the facts.
The Faustian Bargain is all about the art world inside Germany in the 1930s and 1940s. Petropoulos chronicles the artists, art dealers, art professors, art journalists, and many others who were forced to live under Hitler’s cultural rules, which forbade modernist art of any kind. Some profited from this arrangement, others subtly fought against it. This is an inside look at a culture choked and suppressed by its own leadership.
Nazi art looting has been the subject of enormous international attention in recent years, and the topic of two history bestsellers, Hector Feliciano's The Lost Museum and Lynn Nicholas's The Rape of Europa. But such books leave us wondering: What made thoughtful, educated, artistic men and women decide to put their talents in the service of a brutal and inhuman regime? This question is the starting point for The Faustian Bargain, Jonathan Petropoulos's study of the key figures in the art world of Nazi Germany. Petropoulos follows the careers of these prominent individuals who like Faust, that German archetype, chose…
I am a professor of English and Visual Culture at St. John’s University in New York. My research in recent years has focused on reexamining the fate of modernist art in Hitler’s Germany. I have chosen five books that have shaped our understanding of Nazi art and have new resonance with the present resurgence of fascism and authoritarian governments around the world.
This is one of the most influential studies of cultural politics in Nazi Germany which takes as its focus the bureaucracy Joseph Goebbels charged with integrating pre-National Socialist artists and their organizations into the new cultural and political order. Noteworthy, of course, throughout Steinweis’s masterpiece of institutional reconstruction, is the revelation that National Socialist aesthetic preferences were not novel but represented the appropriation of the prevailing conservative taste dominant in the late Weimar Republic.
From 1933 to 1945, the Reich Chamber of Culture exercised a profound influence over hundreds of thousands of German artists and entertainers. Alan Steinweis focuses on the fields of music, theatre and the visual arts in this study of Nazi cultural administration, examining a complex pattern of interaction among leading Nazi figures, German cultural functionaries, ordinary artists, and consumers of culture. Steinweis gives special attention to Nazi efforts to purge the arts of Jews and other so-called undesirables.
I am a professor of English and Visual Culture at St. John’s University in New York. My research in recent years has focused on reexamining the fate of modernist art in Hitler’s Germany. I have chosen five books that have shaped our understanding of Nazi art and have new resonance with the present resurgence of fascism and authoritarian governments around the world.
A superb English translation has transformed Michaud’s Un Art de L’Éternité into a classic study of the ultimate purpose of Nazi aesthetics: to convert depictions of present reality in Hitler’s Germany into enduring images of National Socialism’s aspiration to generate aesthetic values that would last an eternity. In addition, Michaud argues persuasively how art was central to Nazi ideology.
The Cult of Art in Nazi Germany presents a new interpretation of National Socialism, arguing that art in the Third Reich was not simply an instrument of the regime, but actually became a source of the racist politics upon which its ideology was founded. Through the myth of the "Aryan race," a race pronounced superior because it alone creates culture, Nazism asserted art as the sole raison d'etre of a regime defined by Hitler as the "dictatorship of genius." Michaud shows the important link between the religious nature of Nazi art and the political movement, revealing that in Nazi Germany…
As a graduate student during the late 1970s, my mentor, Martin Jay, generously introduced me to two members of the Frankfurt School: Herbert Marcuse and Leo Lowenthal. These memorable personal encounters inspired me to write a dissertation on Walter Benjamin, who was closely allied with the Frankfurt School. The completed dissertation, Walter Benjamin: An Aesthetic of Redemption, became the first book on Benjamin in English and is still in print. The Frankfurt School thinkers published a series of pioneering socio-psychological treatises on political authoritarianism: The Authoritarian Personality, Prophets of Deceit, and One-Dimensional Man. These studies continue to provide an indispensable conceptual framework for understanding the contemporary reemergence of fascist political forms.
When I first read Herf’s book during the 1990s, it totally transformed my understanding of National Socialism’s attitude toward technology and modernity.
Prior to its publication, Nazism was commonly perceived asanti-modernandanti-technological: as aspiring toward a vaguely defined pre-modern, martial-communitarian dystopia. Conversely, Herf shows that Nazism concertedly sought to integrate technological modernity within the movement’s militaristic, pan-German ideological framework. Here, the effusive expression employed by Goebbels to describe Nazism’s hypertrophic pro-technological enthusiasms, “steely romanticism,” says it all!
In this respect, Ernst Jünger’s allegorical glorification of totalitarian militarism in The Worker (Der Arbeiter) was paradigmatic.
In a unique application of critical theory to the study of the role of ideology in politics, Jeffrey Herf explores the paradox inherent in the German fascists' rejection of the rationalism of the Enlightenment while fully embracing modern technology. He documents evidence of a cultural tradition he calls 'reactionary modernism' found in the writings of German engineers and of the major intellectuals of the. Weimar right: Ernst Juenger, Oswald Spengler, Werner Sombart, Hans Freyer, Carl Schmitt, and Martin Heidegger. The book shows how German nationalism and later National Socialism created what Joseph Goebbels, Hitler's propaganda minister, called the 'steel-like romanticism…
Shirley Jackson award-winner Kaaron Warren published her first short story in 1993 and has had fiction in print every year since. She was recently given the Peter McNamara Lifetime Achievement Award and was Guest of Honour at World Fantasy 2018, Stokercon 2019 and Geysercon 2019. She has also been Guest of Honour at Conflux in Canberra and Genrecon in Brisbane.
She has published five multi-award winning novels (Slights, Walking the Tree, Mistification, The Grief Hole and Tide of Stone) and seven short story collections, including the multi-award winning Through Splintered Walls. Her most recent short story collection is A Primer to Kaaron Warren from Dark Moon Books. Her most recent novella, Into Bones Like Oil (Meerkat Press), was shortlisted for a Shirley Jackson Award and the Bram Stoker Award, winning the Aurealis Award. Her stories have appeared in both Ellen Datlow’s and Paula Guran’s Year’s Best anthologies.
I
really love this book and could write an entire short story collection inspired
by it. It’s the first time I heard about the Amber Room, one of those things
that once you know about it, you are obsessed. The authors lead us into caves,
through basements, across borders, as they track down the pathways of stolen
treasures. The book tells us about the provenance of missing artworks, and what
it means to have that space on the wall.
All
of these books have an element of ‘the missing wall’ about them and perhaps
that’s one of the things that fascinates me the most about the subject.
Sometimes what isn’t there is more meaningful than what is.
Just as Nazi Germany appropriated works of art - paintings, sculptures and antiques - from all over Europe in 1939 and 1940, so the Soviet army set up "trophy brigades" to transport the same works of art, and many more, to Moscow and Leningrad in 1945. This book by two Russian art historians sets out to reveal how they did this and what happened to these works of art. With the end of the Soviet Union, many of these stolen works are now likely to go on display in Russia or be returned to their rightful owners in Europe. This…
When I was a young man reading my first books about the Second World War I was struck by the dimensions of Germany’s war in the East. Battles at El Alamein, Monte Cassino, and Normandy were familiar to me, but suddenly there emerged dozens of new battlefields in the East, most dwarfing the Anglo-American experience of the war, which I’d never heard of. My curiosity drove my reading and, as the saying goes, the more I knew, the more questions I had. Thirty years on, and ten books under my belt, has not yet satisfied that curiosity, but at least, thanks to Shepherd, I can share some of it.
Admittedly, this is neither a cheap book nor a light read (it has 1,364 pages), but it remains a landmark work that no serious scholar of Operation Barbarossa can afford to ignore. As volume 4 of the semi-official German history of the war it concerns mainly German plans, operations, and occupation policies, although some sections do deal with Soviet responses as well as the early contributions of German allies to the invasion. It is the work of six German historians with generally even quality throughout, although the military chapters by Klink and Hoffmann are now somewhat dated. Overall, a work of superb scholarship.
Nine months after the beginning of the Second World War, German dominance over much of Europe seemed assured. Hitler not only stood on the pinnacle of his popularity in Germany but more than ever his ideological fixations and political calculations determined German war policy. This volume, the fourth in the acclaimed Germany and the Second World War series, examines the thinking behind the decision to go to war with the Soviet Union which was to prove the undoing of the German war effort. The authors examine in revealing detail the military and political policies behind the attack on the Soviet…
Following my PhD at King’s College, Cambridge I was invited by the School of History at Queen Mary, University of London to serve as an Honorary Research Fellow. This enabled me to focus fully on 15 years of research into previously untapped archives and interviews with more than twenty-five politicians and jurists active in the process of the African human rights charter. By coincidence, thirty-five years or so ago, in an earlier incarnation, I was also responsible for editing the first public debt prospectus for the African Development Bank in Abidjan.
A really interesting book that focuses on three periods in US history to demonstrate that conceptions of rights are determined by time and place.
That conceptions and uses of rights language are responses to specific political questions of the day, questions looking for a political answer, rather than, as human rights advocates are inclined to assume, a manifestation of a continuum of a single human rights tradition stretching back several thousand years.
Richard A. Primus examines three crucial periods in American history (the late eighteenth century, the civil war and the 1950s and 1960s) in order to demonstrate how the conceptions of rights prevailing at each of these times grew out of reactions to contemporary social and political crises. His innovative approach sees rights language as grounded more in opposition to concrete social and political practices, than in the universalistic paradigms presented by many political philosophers. This study demonstrates the potency of the language of rights throughout American history, and looks for the first time at the impact of modern totalitarianism (in…
Jeremy Black is a prolific lecturer and writer, the author of over 100 books. Many concern aspects of eighteenth-century British, European, and American political, diplomatic and military history but he has also published on the history of the press, cartography, warfare, culture, and on the nature and uses of history itself.
The Eastern Front has not always attracted the most readable scholarship, while two of the major works by British writers are by those who cannot read Russian. Hill is a welcome relief. His scholarship is impeccable and his book is readable. An important contribution.
In a definitive new account of the Soviet Union at war, Alexander Hill charts the development, successes and failures of the Red Army from the industrialisation of the Soviet Union in the late 1920s through to the end of the Great Patriotic War in May 1945. Setting military strategy and operations within a broader context that includes national mobilisation on a staggering scale, the book presents a comprehensive account of the origins and course of the war from the perspective of this key Allied power. Drawing on the latest archival research and a wealth of eyewitness testimony, Hill portrays the…
My work since the 1970s has focused on the major political struggles of the day as they impact U.S. democracy and provide challenges for understanding and action. As a professional philosopher, I focused on ways that history, philosophy, and theory provide key tools for the interpretation and critique of salient issues. I've written books on U.S. politics and the media, the Gulf War and Iraq War, 9/11 and the War on Terror, and am particularly interested in the interaction between Russia, the U.S., and Europe; hence, the rise of Putin in Russia, the New Cold War, and the 2020s conflict in Ukraine and the response of Western democracies.
Plokhy’s engaging and well-documented study provides an excellent overview of the entire history of Ukraine and the repeated story of invasion, war, and occupation by its neighbors Poland and especially Russia. In particular, it provides sharp analyses of the complex relations between Ukraine and Russia from the time of its Czars through Stalin, the post-Stalinist Kremlin leadership, and Putin, providing contemporary readers penetrating insights into the current invasion of Ukraine by Russia. The book depicts in dramatic detail and narrative the century-long struggles of Ukraine for sovereignty, its century-long oppression by its neighbors, the terrible mass starvation and murder it suffered from both the Soviet Union and Nazi Germany in World War II, and its eventual independence—threatened by Russia in the 21st century through the present. In the contemporary context, Plotky’s text provides an illuminating understanding of Ukraine and its conflicted and often tragic history.
Ukraine is currently embroiled in a tense fight with Russia to preserve its territorial integrity and political independence. But today's conflict is only the latest in a long history of battles over Ukraine's territory and its existence as a sovereign nation. As the award-winning historian Serhii Plokhy argues in The Gates of Europe , we must examine Ukraine's past in order to understand its present and future.Situated between Central Europe, Russia, and the Middle East, Ukraine was shaped by the empires that used it as a strategic gateway between East and West,from the Roman and Ottoman empires to the Third…
I was born in 1957 in Finland. I completed my military service in the Kainuu Brigade, graduating as a reserve officer. Later, I worked in the field of voluntary national defense as a spokesperson and editor-in-chief of a reservist magazine, and participated in numerous refresher exercises around the North Karelia region.I also wandered a lot in the wilderness of Kainuu, where my father lived. I was attracted by the peace of nature, and all my free time with my wife was spent in the wilderness in our own hideaway. As I walked the terrain, I couldn't help but notice the scars of the Winter War. Soon, I became seriously interested in past events.
With its stronghold, this book reminds me of the horrors of the Winter War, the heavy battles, and painful losses experienced by Finns. The price of freedom was terrible.
It also affects me very strongly, as well as the rest of us younger representatives of the next generation, who today get to live in peace in a democratic and free legal state without the dictatorship of Russia's tyranny.
I warmly recommend that all readers familiarize themselves with the book's content. This emphasized to me even more the importance of freedom. Whatever it is, it's always something worth fighting for, regardless of which country you live in.
This fascinating millitary history tells the intriguing tale of the bitter and attritional Winter War between the USSR and Finland in the midst of World War II.
On 30 November 1939, Soviet bombers unloaded their bombs on Helsinki, the capital of Finland. Stalin's ultimatum, demanding the cession of huge tracts of territory as a buffer zone against Nazi Germany, had been rejected by the Finnish government, and now a small Baltic republic was at war with the giant Soviet military machine.
But this forgotten war, fought under brutal, sub-arctic conditions, often with great heroism on both sides, proved one of…
