Here are 100 books that A Most Precious Gift fans have personally recommended if you like
A Most Precious Gift.
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For me, writing fiction is a way of tackling issues of fate and identity through storytelling. I believe we’re each the result of an intersection between personality and history and I’m interested in the way our time and place impacts us and creates a backdrop for our lives. My first novel, The Wayward Moon, is historical fiction set in the 9th-century Middle East. My second novel follows a Jewish family back six generations to Belarus. But no matter what period I’m writing about, the most important thing is always to tell a good story.
I really admire how this book traces two lines of a tumultuous family history through a series of short stories.
Opening in Ghana 250 years ago, the book follows two trajectories: one family branch that is kidnapped into slavery in America, and a second that remains in Africa while collaborating with slave traders.
This is a brave book that is not afraid to pose difficult questions, but in doing so, it opens a clear-eyed perspective on the way that history shapes us.
Effia and Esi: two sisters with two very different destinies. One sold into slavery; one a slave trader's wife. The consequences of their fate reverberate through the generations that follow. Taking us from the Gold Coast of Africa to the cotton-picking plantations of Mississippi; from the missionary schools of Ghana to the dive bars of Harlem, spanning three continents and seven generations, Yaa Gyasi has written a miraculous novel - the intimate, gripping story of a brilliantly vivid cast of characters and through their lives the very story of America itself.…
I have been drawn to stories where I see aspects of myself in the characters since I was an adolescent and found comfort in the pages of Judy Blume's Are You There God? It's Me, Margaret. As a Black woman, I find validation and encouragement in novels where other Black women navigate life's obstacles to reach the desires of their hearts. It makes my life feel more manageable, knowing that I am not alone in the face of fear, loneliness, and self-doubt or more challenging social issues like racism, sexism, and classism. These stories give me hope and insight as I journey toward living life to its fullest.
Though I felt too raw after George Floyd’s death in the summer of 2020 to read about the shattered dreams of an enslaved woman, there was something about Pheby Brown’s story that I found intriguing.
I had spent the last few weeks reading various novels about wives. Enslaved at birth, Pheby is promised her freedom on her 18th birthday but instead is forced to become the mistress to the jailer at a place where slaves are broken, tortured, and sold every day.
I loved how Phebe’s ability to create these beautiful designs with her sewing enabled her to protect her heart and those she loved. I was inspired by her strength and perseverance in the face of the brutality of slavery.
A Best Book of the Year by NPR and Christian Science Monitor
Called “wholly engrossing” by New York Times bestselling author Kathleen Grissom, this “fully immersive” (Lisa Wingate, #1 bestselling author of Before We Were Yours) story follows an enslaved woman forced to barter love and freedom while living in the most infamous slave jail in Virginia.
Born on a plantation in Charles City, Virginia, Pheby Delores Brown has lived a relatively sheltered life. Shielded by her mother’s position as the estate’s medicine woman and cherished by the Master’s sister, she is set apart from the others on the plantation,…
I am a writer who loves to create stories across cultures and time periods. Writing a historical romance novel involves a lot of reading about the history and the times. After reading a few historical novels, I started toying with the idea of writing one. I loved a slave is my second historical romance novel and I have started work on two more. Being transported into the time period gives me a lot of excitement and I hope you enjoy the books on my list as much as I have! I have a master’s in liberal arts and an MFA in Creative Writing.
This book shares a most harrowing and detailed story of a young slave girl, who had been bought by a much older master. The ordeals she went through and her struggles with her status created in me a lot of empathy. However, questions of justice versus mercy are raised in such a way that I was left speechless by the time I was done reading.
Illuminating the moral dilemmas that lie at the heart of a slaveholding society, this book tells the story of a young slave who was sexually exploited by her master and ultimately executed for his murder.
Celia was only fourteen years old when she was acquired by John Newsom, an aging widower and one of the most prosperous and respected citizens of Callaway County, Missouri. The pattern of sexual abuse that would mark their entire relationship began almost immediately. After purchasing Celia in a neighboring county, Newsom raped her on the journey back to his farm. He then established her in…
I am a writer who loves to create stories across cultures and time periods. Writing a historical romance novel involves a lot of reading about the history and the times. After reading a few historical novels, I started toying with the idea of writing one. I loved a slave is my second historical romance novel and I have started work on two more. Being transported into the time period gives me a lot of excitement and I hope you enjoy the books on my list as much as I have! I have a master’s in liberal arts and an MFA in Creative Writing.
I have a serious weakness for forbidden love, star-crossed lovers, and impossible relationships and this book gives it in all its ramifications. The story is gripping, the characters drew me in instantly and I could feel all the emotions they had so clearly, I could feel all the goosebumps. Writing about it brings on all the emotions all over again. A must-read!
An Instant New York Times bestseller / An Oprah’s Book Club Pick
In the spirit of The Known World and The Underground Railroad, an award-winning “miraculous debut” (Washington Post) about the unlikely bond between two freedmen who are brothers and the Georgia farmer whose alliance will alter their lives, and his, forever
In the waning days of the Civil War, brothers Prentiss and Landry—freed by the Emancipation Proclamation—seek refuge on the homestead of George Walker and his wife, Isabelle. The Walkers, wracked by the loss of their only son to the war, hire the brothers to work their farm, hoping…
I care about social justice, equality, and history, as well as beauty and art. As an African-American woman who was raised working class and who understands how history informs the present, I have fallen in love with the depiction of history in poetry and prose. Not all of my writing has something to do with race or gender or class, but all of my writing is about justice in some way. I want to get to the good of people.
It’s a beautiful book, from the cover to the notes. It’s a neo-slave narrative that follows various enslaved, then freed people. Through this book, I learned how poetry collections can be explorations of history based on fact.
Like any good collection, reading one poem compels you forward, but each poem can stand on its own. She is a master of form. For instance, her persona poetry is powerful. The first poem in the book, “The Trapper’s Boast,” devoid of empathy, shows the business of slavery from an undesirable point of view.
But what is moving is the ability to fall in love and to care even in the worst conditions, as well as the will to live and strive towards freedom in spite of any threats.
I started writing neo-slave narrative poems about a woman escaping slavery. I imagined that the poems I was writing, like Suck on the Marrow…
Suck on the Marrow is a historical narrative, revolving around six main characters and set in mid-19th century Virginia and Philadelphia. The book traces the experiences of fugitive slaves, kidnapped Northern-born blacks, and free people of color, exploring the interdependence between plantation life and life in Northern and Southern American towns and illuminating the connections between the successes and difficulties of a wide range of Americans, free and slave, black and white, Northern and Southern. This neo-slave narrative treats the truths of lives touched by slavery with…
Nearly 200 years passed between the first English settlements and the American Revolution. Yet Americans today have a static view of women’s lives during that long period. I have now published four books on the subject of early American women, and I have barely scratched the surface. My works—Liberty’s Daughters was the first I wrote, though the last chronologically—are the results of many years of investigating the earliest settlers in New England and the Chesapeake, accused witches, and politically active women on both sides of the Atlantic. And I intend to keep researching and to write more on this fascinating topic!
A path-breaking study of Black and White women in seventeenth- and early eighteenth-century Virginia, this book shows what can be learned about the origins of slavery in the Chesapeake region from a focus on women--free, enslaved, and indentured alike. Life on early Chesapeake tobacco plantations was very different from the image of “classic,” semi-mythic nineteenth-century cotton plantations familiar to Americans today. Living conditions were crude, especially in the early settlements, and the demands of tobacco cultivation differed greatly from cotton production. Brown shows how all the women in early Virginia were critical to the colony’s development.
Kathleen Brown examines the origins of racism and slavery in British North America from the perspective of gender. Both a basic social relationship and a model for other social hierarchies, gender helped determine the construction of racial categories and the institution of slavery in Virginia. But the rise of racial slavery also transformed gender relations, including ideals of masculinity. In response to the presence of Indians, the shortage of labor, and the insecurity of social rank, Virginia's colonial government tried to reinforce its authority by regulating the labor and sexuality of English servants and by making legal distinctions between English…
I love the mysteriousness of the past. Learning dates or the importance of battles does not yield understanding. Skillfully written historical fiction can make a reader live history—in a twelfth-century abbey or nursing in WWI. The characters I find the most gripping are outsiders: a Black man always in danger of capture and slavery, and investigating the murders of the marginalized; a monk, once a crusader, who sees human frailties clearly; or a Victorian lady, restless under the constraints of her time, who marries beneath her. Why murder mysteries? Because, although murder is forbidden in almost every culture and every religion, we still kill each other.
Benjamin January is a rarity in New Orleans 1830s; a free Black man. He is free because his mother is a place, the mistress of a wealthy white planter. Ben is educated and smart, but the casual racism of the times means he makes a living as a musician instead of a surgeon.
Despite his papers, he is always afraid of being kidnapped and sold into slavery, and that fear casts a shadow over his life.
When a beautiful quadroon is murdered, and no one cares, Ben’s sense of justice inspires him to investigate, despite risking his own freedom.
I love the exotic setting and reread every few years. I marvel at the way Hambly threads the mystery through this unusual culture.
This lush and haunting novel tells of a city steeped in decadent pleasures and of a man, proud and defiant, caught in a web of murder and betrayal.
It is 1833. In the midst of Mardi Gras, Benjamin January, a Creole physician and music teacher, is playing piano at the Salle d'Orléans when the evening's festivities are interrupted--by murder.
The ravishing Angelique Crozat, a notorious octoroon who travels in the city's finest company, has been strangled to death. With the authorities reluctant to become involved, Ben begins his own inquiry, which will take him through the seamy haunts of riverboatmen…
I am an American novelist and a lifelong, enthusiastic student of American history. To me, history is people. In addition to first-hand accounts and biographies, one of the best ways to understand those people is historical fiction. For the last two decades, I’ve lived in the Southern United States, surrounded by the legacy of slavery, America’s “peculiar institution” that claimed an unequivocal evil was a positive good. Because both the enslaved and their enslavers were human beings, the ways that evil manifested were as complex as each individual—as were the ways people maintained their humanity. These are a few of the novels on the subject that blew me away.
Escaping slavery doesn’t make you a saint. Even Frederick Douglass, one of the world’s most famous former slaves, one of history’s greatest writers, orators, and human rights activists, had feet of clay. His wife Anna was a free Black woman who helped him escape bondage and bore him five children. Yet Frederick cheated on her in a decades-long affair with a White German woman—who is somehow equally sympathetic here. I finished this novel loving all three of these flawed, complex characters, all of whom were real people. Rhodes’s psychological insight leaves me in awe.
WINNER OF THE 2003 PEN OAKLAND JOSEPHINE MILES AWARD FOR OUTSTANDING WRITING AND THE BLACK CAUCUS OF THE ALA LITERARY AWARD Frederick Douglass, the great African-American abolitionist, was a man who cherished freedom in life and in love. In this ambitious work of historical fiction, Douglass' passions come vividly to life in the form of two women: Anna Murray Douglass and Ottilie Assing. Douglass' Women is an imaginative rendering of these two women -- one black, the other white -- in Douglass' life. Anna, his wife, was a free woman of color who helped Douglass escape as a slave. She…
When I decided to familiarize myself with eighteenth-century authors of African descent by editing their writings, I didn’t anticipate becoming their biographer. In annotating their writings, I quickly became intrigued and challenged by trying to complete the biographical equivalent of jigsaw puzzles, ones which often lack borders, as well as many pieces. How does one recover, or at least credibly speculate about, what’s missing? Even the pieces one has may be from unreliable sources. But the thrill of the hunt for, and the joy of discovering, as many pieces as possible make the challenge rewarding. My recommendations demonstrate ways others have also met the biographical challenge.
Equiano’s autobiography fascinated me when I stumbled upon a paperback edition of it in a local bookstore nearly thirty years ago.
A bestseller during Equiano’s lifetime, hisInteresting Narrativeis appreciated as a work of enduring historical and literary value. The odyssey he recounts takes him from enslavement as a child in Africa to becoming a leading figure in the struggle to abolish the transatlantic slave trade.
Along the way, he serves in the British Royal Navy, gains his freedom, participates in a scientific expedition to the Arctic, has a religious conversion, observes various kinds of slavery in North and Central America, England, Europe, and the Middle East before agreeing to help administer settling in Africa formerly enslaved poor Blacks who had joined the British forces during the American Revolution.
The Interesting Narrative of the Life of Olaudah Equiano, Or Gustavus Vassa, The African, first published in 1789, is the autobiography of Olaudah Equiano. The narrative is argued to be a variety of styles, such as a slavery narrative, travel narrative, and spiritual narrative. The book describes Equiano's time spent in enslavement, and documents his attempts at becoming an independent man through his study of the Bible, and his eventual success in gaining his own freedom and in business thereafter.
The Interesting Narrative of the Life of Olaudah Equiano was one of the first widely read slave narratives. Eight editions…
As an archaeologist, anthropologist, and historian who has worked on both the East Coast (Flowerdew Hundred and Jamestown, Virginia) and West Coast (San Diego, California) of the U.S. and dug sites from the 17th, 18th, 19th, and 20th centuries, I am passionate about how archaeology can serve to offer new insights for marginalized peoples in American history. I specialize in exposing how narrow thinking, revisionism, and myth-making warp local histories and turn them into fabrications of the present.
Laura Murphy uses nearly forty survivor narratives from around the world to demonstrate that slavery is not a heinous phenomenon of the past, but of the present as well. Her work is essential to students of American history; it ensures that slavery is never presented as merely a crime of the past or only as a despicable practice isolated to one geographic region.
Slavery is not a crime confined to the far reaches of history. It is an injustice that continues to entrap twenty-seven million people across the globe. Laura Murphy offers close to forty survivor narratives from Cambodia, Ghana, Lebanon, Macedonia, Mexico, Russia, Thailand, Ukraine, and the United States, detailing the horrors of a system that forces people to work without pay and against their will, under the threat of violence, with little or no means of escape. Representing a variety of circumstances in diverse contexts, these survivors are the Frederick Douglasses, Sojourner Truths, and Olaudah Equianos of our time, testifying to…
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