Here are 53 books that A Hunger Artist and Other Stories fans have personally recommended if you like
A Hunger Artist and Other Stories.
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I’ve always loved books about outsiders and stories that make you palpably feel what others do. In real life and fiction, the characters that interest me most are often outsiders. Because characters on the outside of social groups and norms are often isolated and lonely, there is something so powerful about works that can bring you inside their experience and relate what their inner life is like. Interiority is the great strength of literature, and stories that convey the inner architecture of outsiders have always attracted me. I love books that make me feel deeply connected and that linger in my subconscious long after I’ve read them.
This book haunted me for days after I finished reading it. I felt like someone I loved had died. Few works of art have stuck with me the way O’Connnor’s book did. Its main characters—Hazel Motes and Enoch Emery—are the epitome of outsiders. I grew up in a religious family in Kentucky, so I can understand Motes’ struggle with faith. The way that Motes and Emery are so severely separated from the rest of humanity is affecting them.
The book caused me to passionately take their side, rooting for them and their cause, sharing in their anger towards the rest of mankind. This book had such a powerful emotional impact and influence on me, leaving me with a palpable feeling of hopelessness and catharsis over several weeks—unlike I’ve experienced with any other work of art.
Wise Blood, Flannery O'Connor's first novel, is the story of Hazel Motes who, released from the armed services, returns to the evangelical Deep South. There he begins a private battle against the religiosity of the community and in particular against Asa Hawkes, the 'blind' preacher, and his degenerate fifteen-year-old daughter. In desperation Hazel founds his own religion, 'The Church without Christ', and this extraordinary narrative moves towards its savage and macabre resolution.
'A literary talent that has about it the uniqueness of greatness.' Sunday Telegraph
'No other major American writer of our century has constructed a fictional world so energetically…
I’ve always loved books about outsiders and stories that make you palpably feel what others do. In real life and fiction, the characters that interest me most are often outsiders. Because characters on the outside of social groups and norms are often isolated and lonely, there is something so powerful about works that can bring you inside their experience and relate what their inner life is like. Interiority is the great strength of literature, and stories that convey the inner architecture of outsiders have always attracted me. I love books that make me feel deeply connected and that linger in my subconscious long after I’ve read them.
I love this book because it puts me inside the heartbreaking experience of a singular character named Francis Phelan—a homeless man from Albany, New York—as he wrestles with his past and journeys home after a long, self-imposed absence. By the time Ironweed begins, Francis has been homeless for many years and is haunted by his past.
I love how the main character is a mystery, yet the author uses interiority to place the reader inside his experience. Ghosts of the past become palpable to Francis, and he struggles to make his way back home while struggling to survive the hardscrabble existence of the homeless. This book unravels the mystery of its main character and employs striking, beautiful, and direct prose. This book haunted me.
Winner of The Pulitzer Prize and the National Book Critics Circle Award for Fiction
In this Pulitzer Prize-winning novel, the third in Kennedy's Albany cycle, Francis Phelan, ex-ballplayer, part-time gravedigger, and full-time bum with the gift of gab, has hit bottom. Years earlier he'd left Albany after he dropped his infant son accidentally, and the boy died. Now, in 1938, Francis is back in town, roaming the old familiar streets with his hobo pal, Helen, trying to make peace with the ghosts of the past and present.
I’ve always loved books about outsiders and stories that make you palpably feel what others do. In real life and fiction, the characters that interest me most are often outsiders. Because characters on the outside of social groups and norms are often isolated and lonely, there is something so powerful about works that can bring you inside their experience and relate what their inner life is like. Interiority is the great strength of literature, and stories that convey the inner architecture of outsiders have always attracted me. I love books that make me feel deeply connected and that linger in my subconscious long after I’ve read them.
I was immediately drawn into this slim book about small-time boxers in Stockton, California, trying to find some measure of respect. The sentences are terse and beautiful and contain all the desperation and struggle of small lives lived in obscure places.
Billy Tully, an older boxer, tries to restart his flailing boxing career as the novice boxer Ernie Munger is just beginning. Doubt, alcoholism, failure, rejection, hopelessness, and disintegration beset the path of both main characters, and they may share parallel fates.
There should be more books with characters like this because, as Thoreau noted, most men do “lead quiet lives of desperation,” and no book captures and expresses how this feels—in both style and substance—as precisely as Fat City. It is a beautifully written book, and the reality of the characters’ lives broke my heart.
'A pitch-perfect account of boxing, blue-collar bewilderment and the battle of the sexes' San Francisco Chronicle
A major cult film directed by John Huston
Stockton, California: a town of dark bars and lunchrooms, cheap hotels and farm labourers scratching a living. When two men meet in the Lido Gym - the ex-boxer Billy Tully and the novice Ernie Munger - their brief sparring session sets a fateful story in motion, initiating young Munger into the "company of men" and luring Tully back into training.
Fat City is a vivid novel of defiance and struggle, of the potent…
What happens when you’re face-to-face with a truth that shakes you? Do you accept it, or pretend it was never there?
Award-winning author Mark A. Rayner smudges the lines between realist and fabulist, literary and speculative in this collection of stories that examines this question—what Homer called passing through The…
I’ve always loved books about outsiders and stories that make you palpably feel what others do. In real life and fiction, the characters that interest me most are often outsiders. Because characters on the outside of social groups and norms are often isolated and lonely, there is something so powerful about works that can bring you inside their experience and relate what their inner life is like. Interiority is the great strength of literature, and stories that convey the inner architecture of outsiders have always attracted me. I love books that make me feel deeply connected and that linger in my subconscious long after I’ve read them.
The characters and stories in this book carved out a permanent place in my inner life. It took me a long time to read the book because I wanted to savor each sentence. I have rarely found a book that combined such an emotional impact, compulsive readability, and such striking, polished sentences.
Every story has the raw, ringing truth of felt experience, and this experience worked its way into my consciousness like a dream or memory. There is a universal quality of aloneness and separateness among all of Pancake’s characters. The Appalachian settings in this book are as symbolic, arresting, and affecting as the characters. Character and setting are inseparable, both bearing an emotional weight and haunting quality that is rarely found in even the best literature. There is no other book like this.
A collection of short stories that memorably capture American life in rural Appalachia by Breece D'J Pancake, the brilliant writer praised by Joyce Carol Oates as "a young writer of such extraordinary gifts that one is tempted to compare his debut to Hemingway's."
Breece D'J Pancake cut short a promising career when he took his own life at the age twenty-six. Published posthumously, this is a collection of stories that depict the world of Pancake's native rural West Virginia with astonishing power and grace.
"Breece D'J Pancake's is an exceptional voice: gritty, mordant, invested with the texture of stroked reality,…
I taught at Yale for 33 years and I hold advanced degrees from the Sorbonne. I am interested in literature as lessons for life, but I am mostly a passionate letter writer, especially to the great authors who have marked me. They are never really dead. I carry them around with me.
I selected the category of Offbeat Memoirs because I have written one. I also have an Italian alter-ego, Donatella de Poitiers, who authors a blog in which she muses about how a lifelong Francophile could have forsaken la Belle France for la dolce vita in the Umbrian countryside, where the food and fresh air are way better than the roads.
I consider the author my French Writing Partner; I have been her translator. Our mutual love for Franz Kafka brought us together. Her book draws on Kafka’s letters to the women he could never bring himself to marry. Jacqueline and I feel that, in our shared devotion to Kafka, we perhaps understand him better than the women he left behind. He may have had a hard time finding his own soulmate, but in our case, he turned out to be quite the matchmaker.
Kafka was an attractive, slender, and elegant man--something of a dandy, who captivated his friends and knew how to charm women. He seemed to have had four important love affairs: Felice, Julie, Milena, and Dora. All of them lived far away, in Berlin or Vienna, and perhaps that's one of the reasons that he loved them: he chose long-distance relationships so he could have the pleasure of writing to them, without the burden of having to live with them. He was engaged to all four women, and four times he avoided marriage. At the end of each love affair, he…
Hello. My name is Mike Russell. I write books (novels, short story collections and novellas) and make visual art (mostly paintings, occasionally sculptures). I love art and books that are surreal and magical because that is the way life seems to me, and I love art and books that are mind-expanding because we need to expand our minds to perceive just how surreal and magical life is. My books have been described as strange fiction, weird fiction, surrealism, magic realism, fantasy fiction… but I just like to call them Strange Books.
I love stories that are many things at the same time. They can open a person up to a wider perspective, a greater awareness; that’s the kind of story I love to write. Kafka’s stories can be considered as absurd allegory, as surreal evocations of mystery and magic, as psychological study, as satire, as dark comedy… as all of these and more at once. Many of Kafka’s stories were considered by the author to be unfinished but to me they seem complete. Kafka famously tried to ‘finish’ all of his stories once and for all by instructing his friend to destroy them after his death. Thankfully, he was prevented from adding that final full stop.
This collection of new translations brings together the small proportion of Kafka's works that he thought worthy of publication. It includes Metamorphosis, his most famous work, an exploration of horrific transformation and alienation; Meditation, a collection of his earlier studies; The Judgement, written in a single night of frenzied creativity; The Stoker, the first chapter of a novel set in America and a fascinating occasional piece, The Aeroplanes at Brescia, Kafka's eyewitness account of an air display in 1909. Together, these stories reveal the breadth of Kafka's literary vision and the extraordinary imaginative depth of his thought.
On the planet of the Sentient Cities, City of Mann is by all accounts an ordinary city. Leaving his home for Epicurea where he gets his first job as an intern at CitiCorp, life as a grown up City could not be any better. But as the questions of existence…
I can’t remember a time I haven’t been drawn to and fascinated by the link between absurdity/humor and horror. Both genres involve setups and payoffs. The tension built up needs to be released in either a gasp or a laugh. In my own writing, I try to make myself giggle in joy at the ridiculousness of a situation and then recoil at the underlying horror that anchors it to the real world. It’s a balance I constantly try to reach and that I personally find is a joy to read.
I read somewhere that Franz Kafka would laugh so loud when writing his stories that he woke up his neighbors. I’m not sure if that’s true, but I get it. It’s not what is commonly thought of when someone talks about Kafka’s stories. I mean, his name has come to mean a certain style. “Kafkaesque” is used to describe stories that are absurd, nightmarish, offensive, and heavy with bureaucratic pretentiousness and deceit.
Where is the humor? Oh, it’s there. I think sometimes readers get caught up in the horror and bizarreness of it all that they miss the subtle, absurdist, dark, and very dry humor dripping in all these stories in this collection.
THE TRIAL; THE CASTLE; AMERICA- Both Joseph K in THE TRIAL and K in THE CASTLE are victims of anonymous governing forces beyond their control. Both are atomised, estranged and rootless citizens deceived by authoritarian power. Whereas Joseph K is relentlessly hunted down for a crime that remains nameless, K ceaselessly attempts to enter the castle and so belong somewhere. Together these novels may be read as powerful allegories of totalitarian government in whatever guise it appears today. In AMERICA Karl Rossmann is 'packed off to America by his parents' to experience Oedipal and cultural isolation. Here, ordinary immigrants are…
My passion for stories began while I was still in elementary school. I was an avid reader, taking the tram to the library whenever I could. I read biographies, short stories, comic books, and novels of all kinds. In college I studied comparative literature focusing on novels of the 19th and 20th century in English and Spanish. I met many authors and was inspired to write my own stories. Eventually, this led to screenwriting as a career and then teaching and writing about screenwriting. I never abandoned my love of novels, publishing one of my first novels as a magazine for which I sold advertising to pay for printing.
Kafka’s stories pulled me right in from the first line to the last. His way of writing about the absurdities of life, of the numbing bureaucracy of government, and of life itself helped explain my feelings about my own world.
I have read and re-read his stories and marveled at his understanding of the challenges that society presents to the individual. His suffering is the suffering of the human race. I have often found myself in “Kafkaest” situations. Having read Kafka, they’re easier to deal with.
'When Gregor Samsa woke one morning from uneasy dreams, he found himself transformed into some kind of monstrous vermin.'
With a bewildering blend of the everyday and the fantastical, Kafka thus begins his most famous short story, The Metamorphosis. A commercial traveller is unexpectedly freed from his dreary job by his inexplicable transformation into an insect, which drastically alters his relationship with his family. Kafka considered publishing it with two of the stories included here in a volume to be called Punishments. The Judgement also concerns family tensions, when a power struggle between father and son ends with the father…
With my 64 works of fiction I have tried passionately to give expressions for and to dive into the complexity of love relationships in both historical and present contexts, especially as in Land of Shadows in the view of pounding conflicts presented to fictive or historical persons, having thereby always respect for documentary research added to my own personal experiences. Also the Greek myths have been a guide for my writing, as in the case of Land of Shadows, the myth of Orpheus and Eurydice, reflecting old insights of mankind. Being now with my novels and plays represented in 41 countries, I see this as a sign of readers 'round the globe sharing my passion.
These letters of Franz Kafka to his Czech translator Milena are not formally a novel but in its essence the love novel, none of his novels were. He wrote them 1920-1923, being ill with tuberculosis as he was visiting different sanatoriums in Germany and Czechoslovakia and she was living in Vienna in an unhappy marriage. As they only saw each other shortly three times it forms a love by letters story of burning love transforming itself into misunderstandings and conflict. Their value lies in the genial Kafka’s trying and succeeding in communicating something incommunicable about how it is to be in love accounting totally honestly for his vast complexity of emotions from the utmost passion and longing to the state of fear of being rejected. A great inspiration to me for my novel in writing about Kafka.
Kafka first made the acquaintance of Milena Jesenska in 1920 when she was translating his early short prose into Czech, and their relationship quickly developed into a deep attachment. Such was his feeling for her that Kafka showed her his diaries and, in doing so, laid bare his heart and his conscience.
Milena, for her part, was passionate and intrepid, cool and intelligent in her decisions but reckless when her emotions were involved. Kafka once described her as living her life 'so intensely down to such depths'. If she did suffer through him, it was part of her great appetite…
I have always been drawn to the weird, fantastic, supernatural, and unexplained. Whether it’s film or TV (The Twilight Zone, the X-files, Ingmar Bergman) or gothic and speculative literature, I become mesmerized by the mysteries involved. I have written 10 books (poetry and fiction). Of the fiction, most is either speculative, as in magical realism, or somewhat gothic in nature. My newest novel, due out in 2025, is pure gothic and takes place in a haunted abbey inhabited by ghosts and the devil himself. And yet, behind it all is an exploration of human faith and frailty and a search for answers about our beliefs.
Franz Kafka is best known for this book, though he has written many others, including The Trial. The novel explores social and political topics through the use of the fantastic, in this case, a man who wakes up one morning and finds he has turned into a gigantic cockroach.
I am drawn to books that explore things in ways that have not been explored before and books that make one think. I read this one in college; it has stuck with me and influenced me through my writing career.
“When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin.”
With this startling, bizarre, yet surprisingly funny first sentence, Kafka begins his masterpiece, The Metamorphosis. It is the story of a young man who, transformed overnight into a giant beetlelike insect, becomes an object of disgrace to his family, an outsider in his own home, a quintessentially alienated man. A harrowing—though absurdly comic—meditation on human feelings of inadequacy, guilt, and isolation, The Metamorphosis has taken its place as one of the most widely read and influential works of twentieth-century…