The most recommended books about jinn

Nahri is a con artist with dreams of becoming a doctor, if only she can ever make enough money to get out of Cairo. When a con goes terribly wrong, she realizes the magic that she’s always scoffed at is real–and deadly. The only way to get the target off her back is to get to Daevabad, the City of Brass.  

I have loved Egypt since I was a small girl, and Chakraborty’s mystical world of djinn encapsulates everything I ever wanted from an Egyptian-inspired story. There is magic, intrigue, and absolutely incredible religious inclusion and diversity. There’s a little slow-burn romance too, to top it off. While the story starts in a real-world Cairo, it quickly heads towards the fantastical setting of Daevabad.

The description opens with “When the snarky Glory St. Pierre,” so I’m all over it right there. A. Star is an author I’ve read a lot of, and she cultivates both snark and take-no-crap female leads…with a frequent dash of hot hero. Where can you go wrong with that? This series is a sort of cross between urban and epic fantasy, following a modern girl who stumbles into a Djinn and ends up entangled in his world, with danger, suspense, and all the snark you can handle along the way.

This book introduced a whole new way of travel and history writing for me. It beautifully merges the experiences of the author, his interactions with people, and the history of the city he is engaged with. I loved how he used everyday conversations and experiences to link it back to historical moments and told a chronological story of an amazing city. The book is important to me because it also taught me that travel writing can happen within one’s home and one’s own city. One doesn’t need to travel hundreds of miles, in a foreign country, to engage in travel writing. It helped me conceptualize travel writing in a new way.

Mafi weaves her story with such poetry and lyricism that it’s impossible not to pause for a moment and take stock of how expertly a character or setting is introduced every couple of chapters. The romance here is a slow, aching burn, but the pay-off is certainly worth it. Inspired by lush Persian mythology, the chance meeting between Alizeh, a magical Jinn masquerading as a lower servant, and Prince Kamran, the king’s grandson, makes for a compelling forbidden romance that anchors the wider plot of political intrigue and betrayal, which is in some ways reminiscent of Game of Thrones.

This book is about a single lady, in an old house, living alone after a recent breakup. Being in a similar situation, it caught my attention and held it. All of a sudden, the strong female lead was battling the fae queen, helping nymphs through rivers, and transforming into a deer while battling addiction! Her best friends were a brownie and a djinn, she worked for a witch, her handyman was a Norse God, and her ex was a literal incubus. I learned a lot from reading this one, but it also got me to lookup more legends independently. Like the one about William Duffy and Janet Bird.

There is a fine line between silly and slapstick. This book manages to stay just barely on the good side of that line. Basically, we have two kids with genies being chased by bad guys. The danger motivates the kids to make wishes. The wishes are unlimited, but so are the consequences. Little wishes have little consequences while a big enough wish comes with death. Reading about the kids being forced to hop up and down, clap their hands and make weird noises as a result of the wishes is highly entertaining. But there are also a lot of openings for serious discussion as the kids try to negotiate smaller wishes to achieve similar results.  Which consequences would you accept?  

This book was so much fun. Quintessential urban fantasy—a supernatural world overlaying the real world, with a fantastic jumble of supernatural characters, including fae, shifters, vampires, genies, and more. There’s mystery and romance and fae politics and magic, and it was an absolute blast to uncover the world and get to know the characters. The main character is part-genie, but has a curse put on her so she can only use a little of her magic. She is framed for a crime, so she has to figure out what is really going on. One of my favorite aspects was that it was pretty mild when it came to the sensual elements, so while it had plenty of romantic tension, there was more plot than sex, which I prefer. 

The story of two mystical creatures stuck in 1899 New York who have to make their own way in the world.  Despite their different natures, they become unlikely friends and have to work together to survive. 

While I enjoyed the perspective of both supernatural beings in this book, I found the golem especially engaging. Through her eyes, the reader gets an amazingly detailed view of turn-of-the-century New York as well as the intricacies of human behavior. 

The jinni faces different challenges—he’s lost a chunk of his memory—but he also has to adapt to life among people. Wrapped in a rich tapestry of historical details, the story walks us through their processes of acclimating to human society and facing the dangers of their pasts.

Five years before Iran’s 1979 Islamic Revolution, Kahn traveled to northwest Iran to study the Kurdish language and teach English. Because Kurdish was outlawed at that time, she endured much suspicion and endless stonewalling before finally being welcomed into Kurdish homes. The result is this moving and groundbreaking work that in a sense paved the way for other travelogues about Kurdistan, including my own. Kahn writes beautifully about the Kurdish women she meets, the difficulties of understanding another culture, and the constant threats of living under SAVAK (then Iran’s secret police).

This is possibly the best known book on my list, yet it took me a long time to discover it.

This is a thriller-style adventure that follows Nathaniel, a young magician’s apprentice on a quest for revenge, who summons Bartimaeus, an all-powerful djinni. Nathaniel (unwittingly) and Bartimaeus (unwillingly) get caught up in a tangled plot of magic-fueled mayhem in which they have to work together to survive.

Bartimaeus’ sarcastic observations and side tangents add an element of humor that keep it from staying dark and somber, while also highlighting the underlying threads of slavery and social injustice in this fantasy world.