I grew up living in a housing co-op on Vancouver Island, BC. While not technically a commune, it did have some of the hallmarks. There were gangs of partially clothed kids roaming wild. There were a bunch of idealistic adults who had dreams of shared land stewardship and, well, shared everything. The housing project succeeded in many ways (it still exists today) and, it failed in other ways (over the years there were many fractures in the community). I’ve always been fascinated by attempts at communal living. I suppose my obsession with cult life is just an extension of this. It is my life imagined one step further.
This novel tells the story of one person, Astrid, who grows up in a dysfunctional failed utopian commune in British Columbia, Canada.
The story of Astrid is told from multiple points of view. Each character paints a different picture of this child-who-becomes-a-woman, at different stages in her life. But what I like most about this book is its exploration of the aftermath of growing up in a failed utopian commune.
How does a person carry this ejected-from-Eden baggage with them over a lifespan? Is it possible to overcome it and fit into “normal” society again? The answers to these questions might surprise you.
I am a former white-collar crime federal prosecutor and California state court judge turned policymaker and author. Though I started in law, I joined the Department of Homeland Security mid-career where I ended up with an assignment that no one wanted: create the department’s first-ever climate adaptation plan. That experience showed me that climate change is a mounting risk affecting everything. I then joined President Barack Obama’s climate team in the White House, where I crafted policy to address catastrophic risks, including climate change and biological threats. Since then, I have become an author, media pundit, and frequent podcast guest, using my voice to call for action on climate.
Climate fiction, or “cli-fi” as it is now known, lets readers imagine the world about which scientists are warning, a world where climate-fueled extremes upend humanity’s everyday existence. This book tells the story of a Midwestern math whiz who studies “worst-case scenarios” for a living. When one of those scenarios collides with his own life, action, adventure, and love follow.
New York City, the near future: Mitchell Zukor works on the cutting edge of corporate irresponsibility, and business is booming. A gifted mathematician, he spends his days in Manhattan calculating worst-case scenarios for FutureWorld, a consulting firm that indemnifies corporations against potential disasters. As Mitchell immerses himself in the mathematics of catastrophe, he exchanges letters with Elsa Bruner - a college crush with an apocalyptic secret of her own - and becomes obsessed by a culture's fears. When his predictions culminate in a nightmarish crescendo, Mitchell realizes he is uniquely prepared to profit from the disaster. But at what cost?
Simon has been a student and historian of ancient Rome for most of his life, and has authored one non-fiction work and numerous historical novels set in the era, a number of them set in the ancient city itself. He has spent time in Rome over the decades, hunting down traces of the ancient city and studying architecture and finds, ever deepening his understanding of the place, how it worked, what it looked like, and its place in the world. Rome is the core of three decades of research for Simon.
This French book is quite simply the best reconstruction of Rome in the age of Constantine you could hope for. If you read French or are happy to translate it, the sections about each area of the city are informative and interesting, accompanied by beautiful photographs, but even if you speak no French and have no intention of reading it, this book is still worthwhile. Between these sections, the book is filled with large, fold-out maps of reconstructed Rome, including every known building and right down to the alleyways, lovingly depicted. I have used it as a source for every book I’ve set in Rome now for the better part of a decade. An invaluable source and lovely work.
Rome l'éternelle, la magnifique, a été dessinée quartier par quartier, rue par rue, bâtiment par bâtiment, fenêtre par fenêtre, par le stakhanoviste Gilles Chaillet sur un magnifique et somptueux plan la reconstituant au 4ème siècle de notre ère. Un travail de titan de plus de 5000 heures de réalisation, de 3000 heures de mise en couleurs et quasiment toute une vie de recherche et de documentation pour arriver enfin, et avec jubilation, au bout de cette oeuvre sans commune mesure. Dans la Rome des Césars vous est présenté sous deux versions : un port-folio limité à 1000 exemplaires montrant le…
I write historical fiction set in medieval Italy, in that lesser-known territory somewhere between ancient Rome and the Renaissance. I’m fascinated by the period before the Medici, before Michelangelo, sometimes even before Dante. The seeds of the Renaissance are hidden in that turbulent time, and I love to hunt for them. I also like to write about marginalized people—the obscure, unfamous, forgotten folk plucked from the footnotes. I’m happy to introduce some of the excellent history books that help me do that. These five books are specific to Florence, the city of my heart.
It’s impossible to understand the turbulence that frequently swept over Florence in those years without some sense of what the magnate class was all about: its pride and its violence, its lawlessness, its emphasis on knighthood, and its private military forces. Lansing shows how the magnate class evolved as a distinctive culture, becoming powerful and disruptive to the city’s peace well beyond even what its considerable economic clout would suggest. She places a lot of emphasis on the role of women among the magnates, even though women could never be full members of the lineage, since they married into other lineages. Lively and readable, with lots of stories of interesting individuals.
In the 1290s a new guild-based Florentine government placed a group of noble families under severe legal restraints, on the grounds that they were both the most powerful and the most violent and disruptive element in the city. In this colorful portrayal of civic life in medieval Florence, Carol Lansing explores the patrilineal structure and function of these urban families, known as "magnates." She shows how they emerged as a class defined not by specific economic interests but by a distinctive culture. During the earlier period of weaker civic institutions, these families built their power by sharing among themselves crucial…
Witchcraft as a mystical tradition is the purpose of my life. All of the craft, rituals, and spells revolve around the core concept of connecting to the divine and exploring consciousness, and that has been the purpose of my writing, teaching, and community work. While there are lots of things focused upon the “how” of Witchcraft, I like to reflect on the why and I am always seeking the philosophy, art, and poetry that can take me deeper into the mystical experience of life.
This was probably one of the first books to specifically connect Witchcraft and Shamanism in a practical way for me. Witchcraft Today Book Three edited by Chas S. Clifton opened the door, but Johnson told you how to deftly step through it. Previously called The North Star Road, he linked stellar knowledge of European Paganism with its spirit worker roots and gave you very practical and meaningful ways to commune with the powers and understand more deeply the Witch’s sabbat, the wild hunt and the journey of life after death. Huge influence on my work.
An inspiring guide for those who seek to reclaim the ways and the lore of their ancestors, this text uncovers the spiritual experience at the core of shamanism.
Having first discovered the mystery of ancient Egypt as a small child via my father’s war-time souvenirs, this interest grew over the years until it became a serious magical under-taking, culminating in Initiation into the magical order of the Temple of Khem. I became Principal tutor of the Order in 1998 and publishedLiber Ægyptius: The Book of Egyptian Magic in the same year. I continue to teach the Egyptian Mystery Tradition to those willing to submit themselves to the exacting discipline needed to enter the priesthood, and remain a member of the Egypt Exploration Society to keep up-to-date with the current archaeological discoveries in Egypt.
Because of the complexity of the Egyptian pantheon, it is necessary to have a good ‘Who’s Who’ to hand that gives us all the behind-the-scenes scandal and gossip, as well as the genealogy. No one, expert or layman, who reads this book will look at the strange figures of the Egyptian gods in quite the same light again, thanks to The Meekses-Dimitri (Universite de Provence) and Christine (Sorbonne) - who enable us to enter this strange world by observing the daily routines of these divine beings! I have several A-Zs of the Egyptian gods but none can compare with this one…
This is the first English translation of a highly appealing volume originally published in French in 1993. Informed by a sense of wonderment at divine doings, it treats the ancient Egyptian gods as if they were an ethnic group that captured the fancy of ethnologists or sociologists.The book begins with a discussion of the gods' community as a society unto itself. The authors describe the structures of the society of the gods and some of the conflicts that frequently upset it, with individual gods acting to protect their own positions in an established hierarchy and struggling to gain power over…
I grew up living in a housing co-op on Vancouver Island, BC. While not technically a commune, it did have some of the hallmarks. There were gangs of partially clothed kids roaming wild. There were a bunch of idealistic adults who had dreams of shared land stewardship and, well, shared everything. The housing project succeeded in many ways (it still exists today) and, it failed in other ways (over the years there were many fractures in the community). I’ve always been fascinated by attempts at communal living. I suppose my obsession with cult life is just an extension of this. It is my life imagined one step further.
This book is about a young mother who takes her two daughters to Marrakech, Morocco in the 1960s so she can study Sufism, which, although not technically a “cult” does seem rather cult-like when described from the point of view of a five-year-old child who is watching her mother do strange ritual spinning to try to annihilate her ego.
You might remember the 1998 movie adaptation of this book starring Kate Winslet, but I think the book is better because of its dreamy, almost other-worldly descriptions of street life in Marrakech. This gem of a book is steeped in childlike wonder and longing and it will be over far too soon.
I was working installing solar panels in rural Maine when I first had the idea to write a climate crisis novel. I grew up in the woods of New England, and have always loved nature, but I was feeling pretty despondent about global warming. I started to wonder: what would it feel like to be part of a mass mobilization installing solar, wind, and so on, to save the planet? Those were the seeds of the novel. When I’m not writing, I’m a fourth grade teacher. I worry about the planet my students will inherit, and if I’m doing enough to make that world as hopeful as possible.
This is a one-of-a-kind novel by two authors who are also members of “Team Utopia.”
The entire novel is told from “interviews” of people who participated in the complete revolution across our planet, from the liberation of Palestine to the foundation of the New York City Commune. While not exclusively a climate novel, the book depicts the total transformation of society and the economy over the largest hurdles that we face today, of which the climate crisis plays an oversized role.
I was super excited to find this book because it depicts not only the “utopia” that exists in the near future, but shows how people fought and organized to build that utopia. I tried to do the same thing with my book, offering a sort of utopian blueprint for my wildest dreams.
By the middle of the twenty-first century, war, famine, economic collapse, and climate catastrophe had toppled the world's governments. In the 2050s, the insurrections reached the nerve center of global capitalism-New York City. This book, a collection of interviews with the people who made the revolution, was published to mark the twentieth anniversary of the New York Commune, a radically new social order forged in the ashes of capitalist collapse.
Here is the insurrection in the words of the people who made it, a cast as diverse as the city itself. Nurses, sex workers, antifascist militants, and survivors of all…
Alle C. Hall lived in Asia, traveled there extensively, and speaks what she calls, “clunky Japanese.” She lives in Seattle with a family whose love astounds her. She is proud of a note from The Kavanagh Sisters, Joyce, June, and Paula, founders of Ireland’s Count Me In! Survivors of Sexual Abuse Standing Together for Change, who write: “Alle may never know how many people she will help with this novel. Her ability to portray the hidden damage of the crime of sexual abuse shows that every decision a survivor makes is born out of deep self-hatred. Her storytelling is a frontal attack on those lies.”
This memoir is not merely the tale of a woman—married, a mother—who ditches her family to follow the abusive guru, the Bhagwan Shree Rajneesh. That alone would have made for quite thesaga. Instead, that woman’s daughter tells her own story, the one about the child abandoned again and again, as her mother can’t find the whatever-it-takes to leave the cult behind her. Ronit Plank writes without an ounce of self-pity. She lets the data speak for itself.
Plant also goes into her relationship with her father, who played such a critical role in the neglect, showing the very real effect on a child of emotional abuse through negligence.
As a trauma survivor, I didn’t find the memoir triggering. Plank hits a great balance between necessary detail and consideration for her reader.
Ronit was six years old when her mother left her and her four year old sister for India to follow a cult guru. Bhagwan Shree Rajneesh, whose commune was responsible for the largest biological attack on U.S. soil, preached that children were hindrances and encouraged sterilizations among his followers. Luckily Ronit's father, who'd left the family the previous year, stepped up and brought the girls to live with him first in Newark, New Jersey, and later in Flushing, Queens. On the surface, his nurturing was the balm Ronit sought, but she soon paid a second emotional…
I’m a historian specialising in the French Revolution at the University of Glasgow. During my doctorate, my now wife and I stayed in Ménilmontant in the 20th arrondissement. There grew a knowledge and love of Paris that have never diminished. As part of my research, I explore the places and spaces where events unfolded, trying to understand how these sites have since changed and been overwritten with new meanings and historical memories: I have the worn-out boots to show for it. I’m currently writing a book on Paris in the Belle Époque, from the completion of the Eiffel Tower in 1889 to the outbreak of the First World War.
At first sight, the title evokes a certain Gallic hauteur, but it does not take long to see that this is simply a foretaste of the rich exploration of the myths of Paris – how the great city has been depicted, imagined, and perceived over time. This is the story of Paris as the capital of modernity, art, fashion, revolution, sex, pleasure, science, and crime. With writers, artists, poets, and visitors as witnesses, and lavishly illustrated, this is a colourful meander through the myths and illusions that have shaped the many images of Paris.
Whatever the actual realities beneath these multiple faces, asks Higonnet at one point, ‘who could, in our culturally unanchored world, imagine life without this city?’
In an original and evocative journey through modern Paris from the mid-eighteenth century to World War II, Patrice Higonnet offers a delightful cultural portrait of a multifaceted, continually changing city. He explores Paris as the capital of revolution, science, empire, literature, and art, describing such incarnations as Belle Epoque Paris, the Commune, the surrealists' city, and Paris as viewed through American eyes. He also evokes the more visceral Paris of alienation, crime, material excess, and sensual pleasure.
