Here are 88 books that Your Life Has Been Delayed fans have personally recommended if you like
Your Life Has Been Delayed.
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I grew up with a fascination for space and things that fly. I always wanted to be an astronaut. That didn’t exactly pan out (I have bad eyesight and I hate to run), but I was able to turn that passion into a career as an aerospace engineer. I’ve also been drawn to Young Adult books because they're able to take a seemingly mundane concept and twist it on its head. I start my stories with the question of ‘what if’? What if we could access infinite knowledge in the blink of an eye, but everything we did was constantly monitored? That is the basis for my YA sci-fi Tracker220 and my love of the genre.
Wes and Stella have bonded online over their favorite sci-fi show that was tragically cancelled after the first season ended on a cliffhanger. Something I, as a huge sci-fi fan, sympathize with. Wes draws amazing fan art, while Stella writes fanfic and deals with the mansplaining of what a real sci-fi fan is. Wes and Stella agree to meet in person to uncover their identities at the local comic con.
The Twist? In real life, they hate each other, to the point of a prank war and are both competing to be valedictorian.
Shipped is You’ve Got Mail at comic con. It’s a love letter to fandom and played to my sci-fi-loving heart.
Can two IRL enemies find their happily ever after online?
Stella Greene and Wesley Clarke are Gene Connolly Memorial High School's biggest rivals. While the two have been battling it out for top student, it's a race to the bottom when it comes to snide comments and pulling the dirtiest prank. For years, Stella and Wes have been the villain in each other's story, and now it's all-out war.
And there is no bigger battle than the one for valedictorian, and more specifically, the coveted valedictorian scholarship.
But Stella and Wes have more in common than they think. Both are…
I'm a queer guy who loves speculative fiction. That hasn't been easy. The Disney villains of my childhood were all some kind of horrible LGBTQIAP+ stereotype (Ursula from The Little Mermaidliterally modeled after a drag queen. Gaston, the muscle queen. Jafar, the effeminate manipulator...the list goes on and on). I recently watched the first season of Vox slack-jawed: the only queer representation was an effeminate, over-weight, makeup-ed, middle-aged queen lusting after a much younger straight character. Like many writers in the last few years, I'm trying to re-imagine speculative fiction with an array of LGBTQIAP+ characters in my upcoming contemporary epic fantasy YA book These Precious Stones.
This is one of those books where you’re like – the premise couldn’t possibly be as good as the execution. And yet it is. The dystopic world in which Sid has to take the punishment for all of Knox’s behavior is so rich and dark and delicious it resonates as a class critique of our own world without even having to try. It’s a knock-out debut, and I can’t wait to jump into London’s Black Wings Beating, whichis next on my Kindle.
Knox was born into one of the City's wealthiest families. A Patron, he has everything a boy could possibly want -the latest tech, the coolest clothes, and a Proxy to take all his punishments. When Knox breaks a vase, Syd is beaten. When Knox plays a practical joke, Syd is forced to haul rocks. And when Knox crashes a car, killing one of his friends, Syd is branded and sentenced to death. Syd is a Proxy. His life is not his own. Then again, neither is Knox's. Son to a master manipulator, Knox and Syd have more in common than…
I grew up with a fascination for space and things that fly. I always wanted to be an astronaut. That didn’t exactly pan out (I have bad eyesight and I hate to run), but I was able to turn that passion into a career as an aerospace engineer. I’ve also been drawn to Young Adult books because they're able to take a seemingly mundane concept and twist it on its head. I start my stories with the question of ‘what if’? What if we could access infinite knowledge in the blink of an eye, but everything we did was constantly monitored? That is the basis for my YA sci-fi Tracker220 and my love of the genre.
In a world with superpowers, two abilities mean you’re a Super and none means you’re Normal.
The Twist? Merrin Grey has a single power, meaning she’s half a Super called a One. And when she’s forced to transfer to a normal high school she meets Elias who is also a One. When they combine their powers, they can fly!
One is a love letter to superheroes and comics and plays with the idea of what makes someone a superhero vs a less than. I loved all the sci-fi tropes stood on their heads in this book. And Merrin and Elias are the cutest. This was one of the first indie-published novels I read. It showed me the art of possible, and how fantastic the world of indie publishing is.
When having two powers makes you a Super and having none makes you a Normal, having only one makes you a sad half-superpowered freak. It makes you a One. Sixteen-year-old Merrin Grey would love to be able to fly – too bad all she can do is hover. If she could just land an internship at the Biotech Hub, she might finally figure out how to fix herself. She busts her butt in AP Chem and salivates over the Hub’s research on the manifestation of superpowers, all in hopes of boosting her chances. Then she meets Elias VanDyne, another One,…
I’m a teacher who has mainly taught the eighth grade. When I read short stories and books aloud to my students, I pay attention to when I feel their interest waning and when they’re completely enthralled. Books are so much more action-driven than they used to be and there is often not a lot of description of setting and appearances. I can tell that my students lose interest in scenes that describe a room, for example, in careful detail. They want to hear about what the characters are saying and doing. They also like to feel like they’re being let in on secrets.
This book is an awesome locked-room thriller about six teens who are invited to a dinner and find themselves trapped in a room with a bomb, a syringe filled with poison, and a note with instructions that they have to decide who among them to kill within the next hour or they’ll all be murdered.
There’s something about close-proximity thrillers that gets me every single time. As a person who is definitely not a big fan of enclosed spaces in real life, these types of books have me breathless.
A thrilling debut, reminiscent of new fan favorites like One of Us Is Lying and the beloved classics by Agatha Christie, that will leave readers guessing until the explosive ending.
"Welcome to dinner, and again, congratulations on being selected. Now you must do the selecting."
What do the queen bee, star athlete, valedictorian, stoner, loner, and music geek all have in common? They were all invited to a scholarship dinner, only to discover it's a trap. Someone has locked them into a room with a bomb, a syringe filled with poison, and a note saying they have an hour to…
I've always been obsessed with time travel, which transcends science fiction and offers ways to experience and reinterpret history, explore philosophical ideas, comment on the past, and imagine the future. I love the possibilities for humor and character development and plot twists across every genre and audience. One feature of all of the books I’ve chosen for this list is that they’re about contemporary young people and grounded in real lives, and time travel happens in all sorts of ways: through magical, mysterious forces, an app, tap shoes, a diary, a rideshare vehicle. I’m less interested in imaginary worlds and more fascinated by the way time travel can shed light on our own times.
It may be obvious by now that I’m drawn to stories about complex characters, stories that aren’t afraid to be both humorous and gut wrenching.
Fourteen-year-old Nephele is another protagonist whose voice is immediately endearing, refreshing, and compelling. She’s an outsider, a brilliant math and science nerd who struggles to adjust socially to high school.
She invents a time travel app in order to relive her freshman year and do it right—but instead she becomes stuck in a time loop for ten years, encountering characters and surprises that help her to overcome her loneliness and find herself.
I love it that this book celebrates a smart, quirky character as she learns to look more deeply into her life and navigate her world.
When Nephele has a terrible freshman year, she does the only logical thing for a math prodigy like herself: she invents a time travel app so she can go back and do it again (and again, and again) in this funny love story, Groundhog Day for the iPhone generation.
Fourteen-year-old Nephele used to have friends. Well, she had a friend. That friend made the adjustment to high school easily, leaving Nephele behind in the process. And as Nephele looks ahead, all she can see is three very lonely years.
Nephele is also a whip-smart lover of math and science, so…
I love historical fiction because it’s the next best thing to the invention of time travel. Books can immerse you in a time and a place in a way that comics and movies can only gesture at. For books likeNever SleepI even make sure to cook the foods my characters are eating, to make sure the era is evoked for the readers in all five sense.I love fantasy and science fiction as the next person, but the idea of transporting people to times and placesthat actually happened, to the best of my skill as a dramatist and researcher, is a challenge I find irresistible as an author.
This is cheating a little bit because it’s about a modern-day American boy who gets whisked back to Shakespeare’s time and befriends the playwright as a young man.
Our young actor has to figure out why he’s been sent back to this time and escape before a terrible plague wipes out much of London. I bought this book at the Globe Theatre gift shop (!) on an overseas trip on the basis of Susan Cooper’s name alone.
She wrote The Dark Is Rising Seriesand this is a thrilling modern classic by her.
I lay very still, with all my senses telling me that I had gone mad. The plague? Nobody's had the plague for centuries . . .
Nathan Field, a talented young actor, arrives at the newly rebuilt Globe Theatre in London to play Puck in A Midsummer Night's Dream. As rehearsals begin, eerie echoes of the past begin to haunt Nat, and he falls sick with a mysterious sickness.
When he wakes, Nat finds himself in 1599, an actor at the original Globe - and his co-star is none other than the King of Shadows himself: William Shakespeare.
I’m pretty sure I’m about to die in space. And I just turned twelve and a half.
Blast off with the four winners of the StellarKid Project on a trip to the International Space Station and then to the Gateway outpost orbiting the Moon! It’s a dream come true until…
I began my own writing journey in 2007. I skipped many HS classes just to stay home and read. I want to know the ending of a story. I want happy ending. Life is hard, but when I have the ability to write the stories I write with the ending that so many are deprived of, at least I know I can find it in a book of my own choosing. That is my love of romance.
Back to romance! This is a time travel story about a woman who is keeping something vital from her family.
She’s the middle child and suffers from that insecurity of not quite having found her place. She is seriously depressed. But the moon, an eclipse, timing, the house she’s in… all play a part in this excellent tale that brings the medieval times front and center.
The author really delivers a knock-out punch to the gut and hope really is lost until this hero comes to his senses. But when he does… well, suffice it to say, you won’t be disappointed.
On New Year’s Eve, she tumbles 700 years back in time--and into the bed of a darkly dangerous knight.
Sir Gaston de Varennes wanted a docile bride who would fit into his plans for vengeance and justice, but a trick of time finds him married to a thoroughly modern American lady who turns his castle, his life, and his heart upside down. Will her desperate secret tear them apart after only a few bittersweet weeks of stolen passion—or will they conquer mistrust, treachery, and time itself to discover a love that spans the centuries?
I was born and raised in Mississippi, where ink and river mud run through our veins in equal measure. My parents were readers, and thus, I followed in their footsteps. Before long, I was reading their library choices and mine and still running out of books before it was time to visit again. From the moment I laid eyes on Elizabeth Peters’ Amelia Peabody series, I was hooked on historical mysteries. It took me forty years of life to realize I had stories of my own to share. I now live in Oxford, England, with my husband, two daughters, three cats, and lots of shadowy corners for inspiration.
I am fairly convinced that Grace Burrowes is a time traveler, for I have never seen a modern author get period-specific language so right. Unlike all the other books on my list, the Lady Violet series does not include any murders.
Instead, Lady Violet’s penchant for solving “puzzles” made for a nice break from the more macabre. I got lost in the twisty details and adored the Agatha Christie-style reveal at the end of the book.
I have read SF, starting with the classic Jules Verne, since I was a young teenager. Soon I discovered Bradbury, Asimov, Clarke, Ellison, Zelazny, Dick, all of whom lit up my mind with wondrous and sometimes dangerous visions of possible futures. During the COVID shutdown period, when our university went to online instruction, my wife convinced me to try my hand at writing in my favorite genre. Previously I had written a textbook, How Films Tell Stories (listed here at Shepherd), but never any fiction, so I wrote Temporal Gambit, a time-travel adventure combined with themes of first contact, artificial intelligence, and alternate history. I then followed it with a sequel. I hope you enjoy.
Bradbury remains my favorite author of all time, and this collection of short stories contains some of his best work, including my favorite time travel tale, “A Sound of Thunder.”
Imagine an avid hunter given the opportunity to stalk the king of prehistoric beasts, the monstrous T-Rex. Then imagine that things don’t go exactly as planned. The world will never be the same.
I’ve always looked at the world with a sense of wonder. As a child, I was drawn to the magical and the fantastical, but a budding fascination with the scientific method eventually led me to discover the beauty and wonder of the natural world. I assumed science fiction would scratch that itch, but too many genre novels left me feeling empty, like they were missing something essential—what it feels like to be human. Novels that combine a wonder of the world with an intimate concern for character hit just the right spot for me. Maybe they will for you as well.
This book is a literary novel set in part on the Moon. That’s not a sentence you’ll read often, which is a big part of why I love this novel—it’s not what I expected, even though there’s a big hint in the title.
Like many readers, my introduction to Emily St. John Mandel was her post-apocalyptic novel Station Eleven. In that story, the most interesting characters aren’t concerned with simple survival…if they are going to fight to live, they want a culture worth fighting for. When I picked this book up, I deliberately chose not to read the story summary and was completely caught off guard by how the novel unfolded. Typically, stories questioning time and our perception of reality do so by sending the protagonist on a dangerous quest looking for answers.
Like all my favorite novels, the scope is intimate and vast in this one. The story…
NEW YORK TIMES BESTSELLER • The award-winning, best-selling author of Station Eleven and The Glass Hotel returns with a novel of art, time travel, love, and plague that takes the reader from Vancouver Island in 1912 to a dark colony on the moon five hundred years later, unfurling a story of humanity across centuries and space.
One of the Best Books of the Year: The New York Times, NPR, GoodReads
“One of [Mandel’s] finest novels and one of her most satisfying forays into the arena of speculative fiction yet.” —The New York Times
