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In The Sterkarm Handshake, the device for time travel is simply a tube; not magical, but scientific, down which modern ruthless developers travel back to 16th century Scotland. Here they meet with equally ruthless highlanders. The scientists are planning to plunder Scotland’s resources (the 16th-century locals have been plundering roundabout for years), and of course, the modern developers run into problems. As in all books of this genre, the characters who travel through time may want to fit in or may choose to reject what the past has to offer. 

The heroine, like similar time-travellers, falls in love with a long-dead character and here, there’s also the possibility of the 16th century Scots coming up the tube to 20th century England – a good twist. There are also some very satisfying links between past and present, moments where you smile and think, Ah, how clever!

The murder of Henry Stewart, Lord Darnley, has baffled historians and authors for centuries, yet the queen’s consort is often a minor figure in the greater tragedy/romance of Mary. While writing my own book, I was eager to know more about the ill-fated lang lad other than the results of his self-centred scheming conspiracies–David Rizzio’s assassination, his own murder at Kirk o Field, and ultimately Mary’s downfall. And so it was refreshing to read this excellent biography which gives Darnley centre stage. By recreating his childhood and family background, particularly around his ambitious mother, Margaret Douglas, Countess of Lennox, Caroline Bingham offers a fascinating portrait of this flawed character who stole the queen’s heart and then broke it. 

At times her account made me feel sorry for this gullible pawn in the Game of Queens.

Complex, clever, and cunning Gruoch is fighting for her survival and the crown of the ancient kingdom of Scotland–and she isn’t going to let anything or anyone get in her way.

She has no one to look out for her, so she must take on the world herself, and no matter what was thrown at her, she kept on, as single-minded as ever–and I kept cheering her for that, despite her villainy.

This is a timeless volume of classic Scottish folktales. Judy Paterson has wisely chosen a diverse and enthralling selection of folk stories from Scotland.

Her writing style is superb for children aged 7 plus. She blends her literary skills with an intimate knowledge of Children's literacy needs. They are sensitively chosen stories, nothing overtly scary, but some are supernatural enough for bed covers to be pulled up if needed.

Children will adore the beautiful pictures and the carefully crafted attention to detail within each tale. I particularly loved her tender descriptions of horses. I recommend this book to anyone (children and adults) who want to enjoy Scottish folklore and folktales.

Read this book, and you will be initiated into the Celtic world of myths, giants, kelpies, fairies, and supernatural creatures.

A Trocchi renaissance, including a film of Young Adam starring A-Listers Ewan McGregor, Tilda Swinton, and Emily Mortimer, added to a growing reappraisal of Trocchi as a great Scottish writer, his reputation having been tarnished, fairly or unfairly, with drug use, indolence, and writer’s block.

Young Adam is a Scots crime novel the way James Hogg’s The Private Memoirs and Confessions of a Justified Sinner is a high-jinx picaresque, which is to say only technically, and on the understanding that Hogg and Trocchi sit head, shoulders and in fact a full body length above these genres. But moment of madness there is, and arrest, trial, judgment, and condemnation. But the twist is that Trocchi’s own judgment and condemnation of society is what matters.

I received this as a prize at school when I was fifteen and passages like this spoke to me: “...you wanted the words they'd known and used, forgotten in the far‑off youngness of their lives, Scots words to tell to your heart, how they wrung it and held it.” My Ayrshire community spoke Scots so it was life changing to read this message by an author from a different time and a different place who was  intensely relevant to my own situation. Being discouraged or even punished for speaking Scots in school, led us to learn English pretty quickly and this bi-lingual tension gave us an advantage learning other languages like French and German which I studied at University. But I will always be grateful to Sunset Song for making me aware of how important the Scots language was to our identity as Scots: “And the next minute that passed… show more.

Although Finding Fraser features an older character, Emma, her youthful quirks and adventure are relatable to a younger audience. The travel to Scotland in search of Jamie Fraser (a character from a popular series) makes this book a dose of fun. I like the adventure and mishaps along the way due to being in unfamiliar territory. The friendships and relationships bring about both the good and worst of Emma’s behavior. It’s a nice balance for this chic-lit. 

It takes real guts to prove all the naysayers wrong, and become a hero.

Raassay is a remote Scottish island, site of the Rona lighthouse, which Calum MacLeod tended full time until 1967 when he was 56, and the lighthouse was semi-automated.  As the only man living in northern Raasay, he had some more time on his hands.

To bring more people to the area, he decided to build a road, nearly two miles long, using just a pick, a shovel, a wheelbarrow, multiple pairs of wellington boots, and his bare hands.  It took him ten years. Today on Calum’s Road or “Rathad Chaluim” (in Gaelic) drivers are in awe of one man’s determination to do what he believed was needed, despite the cost.

Tom English has produced a series of oral histories (latterly with Peter Burns) which any fan would be advised to read.

The Grudge tells the story of Scotland v England 1990, a game for the Five Nations title that stood for so much more: politics, nationalism, class warfare. It’s a glorious re-telling of an epic game, an upset Scotland win. But I love it for its portrayal of respect between players, of warriors bound by the violent game they play, of friendships across the lines of battle.

Brian Moore emerges a hero: the fearsome “Pitbull” of the England pack, yet a man who fronted up and went drinking with Scots after a crushing defeat. That, to me, is the true spirit of rugby, and the brotherhood it inspires.

By the author of the wonderfully wicked Flashman novels, this is simply the best book I know on the Reivers (Rustlers) of the Scottish-English Borderlands C14-16th. I referred to it often when constructing Rose Nicolson and Fair Helen. As with Flashman, it depicts resourceful, desperate men and women, trying to survive and prosper amid the shambles of History – in this case, the ungovernable Borderlands. Finely researched, vivid and balanced, Fraser brings to life the extraordinary people of Borders myth and history. Imagine a Wild West that lasted some 300 years of horse and cattle rustling, kidnap and ransom, protection rackets (the words gang and blackmail - black meal or black rent - come from the reivers exploits), with some great narrative poetry and jokes grim or hilarious. A Borderer himself, Fraser gets the romance and the less romantic necessities that governed these intensely-lived, skillful, precarious lives.