Fans pick 92 books like The Steel Bonnets

Witch Wood tells the story of a high-minded, ardent and scholarly young Presbyterian minister, David Sempill, who is called to a benighted Tweeddale parish in 1645 at the time of the War of Three Kingdoms, and how his desire to root out covert witchcraft amongst some of his most ‘devout’ parishioners at a time of civil war and plague leads to tragedy and exile. The Marquis of Montrose, on whose biography John Buchan was working at the same time, has a walk-on part in the story. John Buchan considered this his best work of fiction, and I agree.

 I love this as something quite different – essentially a close encounter with the Border by bicycle. He knows his history, writes well, and brings it all down to ground level, and conveys the lasting atmosphere (lovely, bleak, ruinous, enduring) of these Debatable Lands. A fine piece of historical travel writing by a deeply knowledgeable and astute writer. Makes you want to go and experience for yourself – if you do, take this book in your pannier (preferably waterproof).

This is an enthralling adventure story that drags the reader across the rugged mountains, glens, and cities of 18th-century Scotland as the hero seeks to recover his stolen inheritance.

The story gallops along with vivid descriptions that transport the reader back to a time when loyalty and honour were really cherished. The character development, as David Balfour and Alan Breck risk all amongst the failed Jacobite uprising, is exceptional. This is another timeless classic that transports the reader to another age.

I love the interplay of real characters and real events with the underlying story, a technique that I use fully in my novels; it adds depth, veracity, and interest. Stevenson’s prose is also exceptional, creating images that make this a compelling and memorable adventure story.

So it is not a novel, but might as well be for its twists, turns, and transformations. Edinburgh in 1572 was a small town of some 3,000 families, so my real-life narrator William Fowler would know and meet one of its most notable citizens, Preacher John Knox of Haddington, along with his young and socially aristocratic second wife (the latter attribute was more a matter of gossip and criticism than the thirty-seven years age gap), and witnessed him being helped up into the pulpit at St Giles to give his congregation a last good talking to. This is the most recent (drawing on a major new cache of letters), and highly readable, life of the man who pushed Scotland towards a Presbyterian Calvinist form of Protestantism – crucially distinct from that evolving in England under the Auld Hag aka Elizabeth I. He is revealed as a much more complex and… show more.

Who doesn’t love a hero who fights his attraction and love for a woman until it’s almost too late?

Annabelle requires a husband before she turns twenty-five in just four weeks. A marriage of convenience is all she needs in order to keep her beloved home. When her aunt enlists the help of Quinn who caused Annabelle’s fall from grace six years prior, Annabelle is furious but goes along with the plan albeit reluctantly.

As Quinn sends suitor after suitor away, the time grows short and she still doesn’t have a potential husband outside of Sir Harold who only wants the money that comes with her land. When Quinn finally realizes what he might lose, it could be just a moment too late. A swoon-worthy book everyone should read.

This book is not just about Scotland, despite the title. It is a very rich and imaginative study that is both helped and hindered by its remit being modern Scotland, which was never a single political or cultural entity in the early Middle Ages. That means the author has to look at several distinct groups: the English of Northumbria, the Britons of Strathclyde in the southwest, and the Vikings of the north and west, as well as the ‘Scots’ themselves of central Scotland (whose collective identity as Scots was taking shape at this time). All of this is done with insight, imagination, and command of the complicated sources. It is a lesson in how wide-ranging histories of Britain should be written.

Ian Rankin’s Rebus is a superb creation. We are in the modern era of the flawed investigator. Rebus is a brilliant detective but fails to gain promotion because of his refusal to obey authority. This culminates in Rebus being sent to the Scottish Police College for retraining after throwing a cup of tea at his Chief Superintendent. It is all too plausible, but he is really working undercover to investigate some senior officers suspected of a crime. 

They are assigned to investigate a murder, about which Rebus already knows too much. This is vintage Rebus, where his keen detective instincts put him in personal danger, and his unorthodox past comes back to haunt him.

His newly-promoted side-kick, Siobhan Clarke, provides a great foil, taking on a murder involving Rebus’s arch-enemy.

This magnificent book made me realize perhaps more than any other by a Scottish female writer that the lives of working-class Scottish women are unique, important, and worth writing/reading about.

The book tells the story of Joy, a woman whose mental health is slowly crumbling before our eyes. Galloway masterfully tells this story in the first person so that we are right inside Joy’s mind. We discover a background of abuse and recent bereavement, leading to issues with alcohol abuse and anorexia.

That should all make for a depressing read, and it is of course heart-breaking at times but it is also ultimately about one woman’s search for what it takes ‘to keep breathing’. Utterly spellbinding writing from one of Scotland’s greatest writers. 

In The Sterkarm Handshake, the device for time travel is simply a tube; not magical, but scientific, down which modern ruthless developers travel back to 16th century Scotland. Here they meet with equally ruthless highlanders. The scientists are planning to plunder Scotland’s resources (the 16th-century locals have been plundering roundabout for years), and of course, the modern developers run into problems. As in all books of this genre, the characters who travel through time may want to fit in or may choose to reject what the past has to offer. 

The heroine, like similar time-travellers, falls in love with a long-dead character and here, there’s also the possibility of the 16th century Scots coming up the tube to 20th century England – a good twist. There are also some very satisfying links between past and present, moments where you smile and think, Ah, how clever!

Neil Munro’s Scottish tales, especially the Para Handy stories, were very popular in his lifetime, but I prefer his historical novels. In my opinion, the best is The New Road. The title refers to the military road into the Highlands, made in the 1730s by General Wade, which was a major reason why the Highlanders were defeated, since it enabled the army to bring artillery to bear at the Battle of Culloden in April 1746. But the road also brought the possibility of greater prosperity, through trade, to the benighted Highlands. Munro came from Inverary in Argyll, and so does the hero in this thriller, who sets out to find the killer of his Jacobite father years before, during the uprising in support of Bonnie Prince Charlie’s father, James. It is an exciting story but with underlying serious themes, for example about progress and change in traditional societies.