Fans pick 100 books like Writing Without Bullshit

Ok, you caught me. I recommended the first edition of this book in a previous list. But this, my friends, is the second edition which, as the cover art indicates, is 10% funnier than the first.

Ann’s work is a testament to the power of honing your unique voice in a way that makes your work easy to identify, clearly differentiated, and dang near impossible to recreate well. Now that we’re battling it out against generative AI, not just other writers, this book serves as both an instructional guide and a case study on developing a distinct voice, in and of itself. 

Have you ever found that you unintentionally offended someone with an innocuous message? Or perhaps no one responds to your emails, even when you think they should.

We lose so much meaning and context when we interact online rather than in person. In a world of virtual and hybrid work, it’s not enough to write well. We must also master the non-verbal signals that accompany our words. This book is an essential guide to mastering the subtle ins and outs of writing emails, messages, texts, social media posts, and more.

Erin Lebacqz is an experienced business writing teacher, and her practical and practiced bent shows in this book. It offers solid advice for clear and effective writing, covering topics like word choice, sentence structure, and more. The numerous examples will serve people new on the job as well as those who simply want to sharpen their skills and tighten their prose.

Even as someone who writes about writing, I found fresh approaches and ideas in this book. For example, Lebacqz suggests that as writers, we should act like “hosts” for our readers. I love that. 

Why include a book about humor in a business writing list? Because it can make a major impact on the business environment. This book shares research about how humor influences behavior, affects negotiations, and strengthens bonds. That’s all relevant to the workplace!

You’ll find advice here that might inspire you to infuse a little levity into your emails. And, as you might expect, the book itself is entertaining to read.

When people think about software engineering they mostly think about programming, but that’s not where a project starts. It starts with requirements.

(Really it sometimes starts with company politics, bickering, excuses, and backstabbing, but requirements gathering is often the official start.)

A good set of requirements keeps developers pulling in the same direction; a bad one can make the team inefficient, cause endless arguments, set developers against each other, and make the project feel like Lord of the Flies. I’ve seen projects scrapped and restarted from scratch or even canceled due to poor documentation.

Every software developer should know at least a little about writing so they can produce clear requirements and documentation.

This book isn’t specifically about writing documentation (which is something of an art in itself), but it can help you learn how to make your business writing more effective. This book won’t turn you into Shakespeare,… show more.

David Ogilvy said, “Drayton Bird knows more about direct marketing than anyone in the world,” and you can see why he said it in this book.

At some point in your marketing you need to get your potential customers to become paying customers. To actually part with their hard-earned cash. This book is a masterclass on how to do that in print – either on your website or in letters, adverts, brochures, or flyers. Bird’s writing has that amazing quality of charm, of being able to get you to buy without feeling you’ve been sold to. The book shows you how to get something similar yourself and is chock full of examples to learn from.

How do we decipher mundane truth from sophisticated deception? Who holds the gaze and who is the protagonist if they’re not readily revealed? Vulpius, a popular actor in a dubious era, develops an obsession with an unknown spectator, who he believes comes only to see him. The reader watches his life slowly unravel because Vulpius can never seem to capture the woman watching. Capriolo draws the reader into the insanity and narcissism of obsession, revealing how it can make perfect sense to the afflicted. I loved this book because of the strangeness of the extreme passive voice, probably because it's translated from Italian to English. Also, there is a complete lack of dialogue. I loved Capriolo’s masterful teasing of the reader, revealing just enough to keep you coming back, wondering just what’s going to happen to Vulpius. Will he survive, or will he destroy himself in the end? 

This book is old, like early 1900s. It was first drafted by William Strunk, Jr., who distributed a version to his students at Columbia University in 1919. E.B. White (author of Charlotte’s Web) modernized it in the ’50s. It went on to sell millions of copies and become one of the most influential guides to English. Why the history lesson? Because it’s remarkable how relevant it remains in 2022. It can feel dusty and literary, but it offers nuggets of wisdom like “omit needless words” that influence writers like me today. I shamelessly ripped off the concept of “elements” for my book. The “little book” is short—the fourth edition is 42 pages—but mighty. It deserves a spot on your physical or virtual bookshelf.    

I loved this book, as it describes one of the biggest problems of our day and age: that we are both superconnected and no longer connected at all. By that, I mean that we are constantly digitally stimulated.

We are in touch with friends, colleagues, and strangers, but because of that, we are too tired to truly connect to the important people around us and even with ourselves.

I found incredibly compelling the argument of how important humility and the willingness to admit what we don’t know are to democratic, liberal thought.

That we have become a society that rarely listens to ideas that challenge our own or that disrupt what we think we know to be true–is hugely dangerous. 

As Lynch explores, more information has not led to greater certainty or confidence in the answers we find. What we are experiencing is not only a crisis of truth, but one of trust.