Here are 100 books that Wolf-Boy fans have personally recommended if you like
Wolf-Boy.
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As a writer, I’ve always been drawn to exploring the teenage experience. Maybe that’s because my experiences in high school and college were rife with the highest of highs and the lowest of lows—everything was intensely beautiful and painful at once. That tension played a major role in my self-discovery process, and story-wise, it makes for a compelling character. But in a lot of literature, I find the depiction of teenage characters to be either sensationalized or infantilizing, melodramatic, or unconvincingly flat. When writing my own adolescent subjects in The Wayside, I turned often toward the rich, complex characters in the stories here.
Along with Anthropology of an American Girl, this is one of the books that made me want to become a writer. More specifically, it opened my eyes to what a writer can do with a teenage subject.
The story follows a prep-school student, Lee, but Sittenfeld handles her experience with all the nuance of “adult” subjects. I also admire how Sittenfeld captures the labyrinthine social politics of an elite boarding school and comments on class and race hierarchies without ever feeling didactic.
I think people mistake this book as YA—I certainly did when I first picked it up as a thirteen-year-old—but don’t be fooled by that candy-colored ribbon belt on the cover. This is as complex a novel as they come.
An insightful, achingly funny coming-of-age story as well as a brilliant dissection of class, race, and gender in a hothouse of adolescent angst and ambition.
Lee Fiora is an intelligent, observant fourteen-year-old when her father drops her off in front of her dorm at the prestigious Ault School in Massachusetts. She leaves her animated, affectionate family in South Bend, Indiana, at least in part because of the boarding school’s glossy brochure, in which boys in sweaters chat in front of old brick buildings, girls in kilts hold lacrosse sticks on pristinely mown athletic fields, and everyone sings hymns in chapel.…
I grew up as a closeted homosexual in a fundamentalist Christian home, enduring nearly two decades in a crisis of faith. Sermons frequently warned of damnation for my natural inclinations, pushing me to fast, pray, and achieve to resist temptation. This crisis gradually resolved over the eight years I spent writing Playing by the Book, the first coming-out novel to win a National IPPY Medal in religious fiction. Although I don’t consider myself a spiritual writer, I am drawn to stories that explore existential struggles and triumphs, including those related to a crisis of faith—much like the characters in the novels on this list.
I loved this book for its fantastical portrayal of a Pacific voyage that mirrors the internal conflicts many of us face. Like Pi, who embraced multiple faiths during his ordeal, I searched for answers to reconcile my faith and sexuality across various denominations, religions, and philosophies.
Pi’s story as he journeys across the Pacific, a tiger in tow, allowed me to reflect on the moments when I felt alone, wrestling with my faith in the face of an overwhelming challenge, given my fundamentalist upbringing.
After the sinking of a cargo ship, a solitary lifeboat remains bobbing on the wild blue Pacific. The only survivors from the wreck are a sixteen-year-old boy named Pi, a hyena, a wounded zebra, an orangutan—and a 450-pound Royal Bengal tiger.
Soon the tiger has dispatched all but Pi Patel, whose fear, knowledge, and cunning allow him to coexist with the tiger, Richard Parker, for 227 days while lost at sea. When they finally reach the coast of Mexico, Richard Parker flees to the jungle, never to be seen again. The Japanese authorities who interrogate Pi refuse to believe his…
As a troubled teen who wasn’t raised in a traditional family environment, I had always gravitated toward books with transformative characters—underdogs who were lost or lost their way by accident and on purpose.
The genre never mattered to me as much as my ability to relate to struggling protagonists who needed to escape their situation or environment, regardless of what they had to do, right or wrong. Love them or loathe them, I learned something from each of them. I hope you enjoy their journeys as much as I have.
As a bad boy protagonist, I’ve always loathed Gene Forrester and love to loathe him. He starts as a quiet, intellectual student whose best friend and roommate is charming, self-confident, athletic, and a daredevil without being arrogant. Gene even seems to admire his roommate for having all those qualities until we learn the truth. He resents him.
Like Gene, there were times in my life when playing wingman to a vastly more popular friend could be frustrating, doubly so when they made terrible decisions. Yet, Gene’s journey to the heart of darkness helps put things in perspective. There is no better warning against envy and jealousy than the one immortalized by John Knowles.
'A novel that made such a deep impression on me at sixteen that I can still conjure the atmosphere in my fifties: of yearning, infatuation mingled indistinguishably with envy, and remorse' Lionel Shriver
An American coming-of-age tale during a period when the entire country was losing its innocence to the second world war.
Set at a boys' boarding school in New England during the early years of World War II, A Separate Peace is a harrowing and luminous parable of the dark side of adolescence. Gene is a lonely, introverted intellectual.…
I’ve written some dozen books. After publishing the first 10, I realized I love to write about young people just finding out who they are and what’s important to them. I love to look back at that impressionable age and watch it unfold. So my last two books were YA—one set at a Quaker prep school and the other set in a dystopian city-state where teenage boys could be killed when they turn eighteen, and teenage girls could be used for sexual exploitation and discarded as easily as old milk cartons. Those troubled, tumultuous, anything-can-happen hovering adulthood years from about fifteen to twenty-one fascinate me and inspire my writing.
Where to start? I’d read The Secret History and found it mesmerizing, but I loved this book more. It was more personal, and I couldn’t get enough of it.
I loved the premise and the relationships between the characters, even though they were completely flawed. I bought into everything they did and thought and wondered what I would have done in the same circumstances and conditions. The writing is extraordinary, and anyone who loves to read prose that sings will adore this book as I did.
Winner of the Pulitzer Prize for Fiction 2014 Aged thirteen, Theo Decker, son of a devoted mother and a reckless, largely absent father, survives an accident that otherwise tears his life apart. Alone and rudderless in New York, he is taken in by the family of a wealthy friend. He is tormented by an unbearable longing for his mother, and down the years clings to the thing that most reminds him of her: a small, strangely captivating painting that ultimately draws him into the criminal underworld. As he grows up, Theo learns to glide between the drawing rooms of the…
I grew up a closeted gay in a very straight world. I enjoy reading both true and fictional stories about how others grew up and came out. I decided to write about coming-out and coming-of-age because this mixture of topics just didn’t exist when I was a teen. The books that I have listed here are ones that I feel capture both the realism of what is, what we wished had been, and the hope of what could be—a world where "coming out" wouldn’t be necessary.
I loved the mixture of third and first person that this story is told in. The main character Dillon is both fun, sad, and imminently well-drawn. His harrowing dash from Perth to Sydney, his relationships with Amy, Pastor Pete, wonderful Dixie, and Stephen, and his sheer will to be his authentic self, had me both scared and happy for him.
I loved the mixture of coming-out and coming-of-age with some thriller elements thrown in, not something that I see a lot of in coming-of-age novels.
A teenager's quest for freedom leads him on the streets and into the path of a local serial killer.
15-year-old Dillon is on the run.
Until recently he enjoyed friends, family, and the safe confines of a religious cult. But when a confession ignites the wrath of his church Dillon escapes ... and he's about to discover a vast world beyond the private walls of his former life.
Once in Sydney he faces a bustling city full of dreams and nightmares. Desperate to survive, Dillon is lured to the red-light district where strangers pay for pretty boys.
As someone half-Japanese who grew up in Austria, I've spent the last few years making sense of my relationship to my mother’s homeland. My mother spoke Japanese to us children from an early age, and we spent many childhood summers with our grandparents in Okayama. Because of this, my mother's home feels intimate and familiar to me. But it is also distant and foreign, and it is precisely this unknown, the seemingly exotic and mysterious, that I hope to approach through reading. For me, Japan is a kind of poetic space I set my characters in. In my last three books Japan was both the setting and the secret protagonist.
It doesn’t happen often, but it does happen sometimes: you start a book only to find you simply can’t put it down. This was the case for me with Lonely Castle in the Mirror, a coming-of-age story.
At first glance the book seems like an entertainment novel with a fantasy element. Six teenagers slip through their respective bedroom mirrors and find themselves in a surreal castle with a mission to complete. Only at second glance does it become clear what this book is really about.
It is about loneliness and friendship, and about the painful process of growing up. None of the teenagers are really any good at forming relationships. And yet: by taking the risk and accepting commitments, the sense of responsibility within them grows, and they surpass themselves.
A magical parable. And who actually says that good literature can’t also be entertaining? It’s ideal when both happen at…
For fans of BEFORE THE COFFEE GETS COLD, fairy tale and magic are weaved together in sparse language that belies a flooring emotional punch.
'Strange and beautiful. Imagine the offspring of The Wind-up Bird Chronicle with The Virgin Suicides' GUARDIAN 'Genuinely affecting. A story of empathy, collaboration and sharing truths' FINANCIAL TIMES
Translated by Philip Gabriel, a translator of Murakami _______________________________
Would you share your deepest secrets to save a friend?
In a tranquil neighbourhood of Tokyo, seven teenagers wake to find their bedroom mirrors are shining.
At a single touch, they are pulled from their lonely lives to a…
I grew up a closeted gay in a very straight world. I enjoy reading both true and fictional stories about how others grew up and came out. I decided to write about coming-out and coming-of-age because this mixture of topics just didn’t exist when I was a teen. The books that I have listed here are ones that I feel capture both the realism of what is, what we wished had been, and the hope of what could be—a world where "coming out" wouldn’t be necessary.
Love gone wrong. I grew to really care about Lars (Conner... somewhat), and I turned the pages because why the love had gone wrong was a mystery until late in the novel. I thought Lars’ pining away over a boy he cared about but hadn’t talked to in three years was compelling, especially in an age where we are encouraged to "move on" or "get over it."
I loved this story and plan to read it again soon!
Science, Shakespeare, and superheroes come together in this heartwarming tale of friendship, love, and second chances
This Valentine's Day, sixteen-year-old Lars Lofgren is crabby. Everyone is in love and reminding him he isn't. Things proceed from bad to worse when Connor Perry, Lars's former best friend and first crush who hasn't spoken with him in three years, starts dating social media star Jaden-Dominic Choi.
Joining an illustrious cast of characters for a school production of Shakespeare's Twelfth Night, the former friends suddenly find themselves back in the same social circle, but it's a complicated affair as Lars can't seem to…
I am the author of the DI Winter Meadows series. I love reading and writing crime fiction, especially books set in rural locations. I live in South Wales where I go hiking mountains, exploring caves, and discovering waterfalls. I take inspiration from these remote areas and close-knit communities to create the settings, characters, and plots for my books.
This book kept me turning the pages well into the night.
The Rev Jack Brooks moves to a new parish for a fresh start with her teenage daughter but they have barely unpacked when strange things begin to happen.
The book is well-paced with clever use of local superstitions which gives the story a supernatural feel. There is a looming threat to the main protagonist which builds the unease till the explosive end.
The darkly compelling new novel from the Sunday Times bestselling author of The Chalk Man, The Taking of Annie Thorne and The Other People, soon to be a major TV series
'Hypnotic and horrifying . . . Without doubt her best yet, The Burning Girls left me sleeping with the lights on' CHRIS WHITAKER, bestselling author of Waterstones Thriller of the Month We Begin at the End
'A gothic, spine-tingling roller-coaster of a story . . . CJ Tudor is a master of horror' C.J. COOKE, author of The Nesting ______
I'm a contemporary romance writer with two novels: No Hard Feelings and Crushing, stories about complex, messy women making mistakes and learning from them. As I work on my third novel, I'm remembering how hard it is to write when you're in a reading rut. Sometimes every book I pick up is disappointing, and reading feels like a chore, and I risk losing momentum. Sometimes I need something familiar to get back on track and remember why I love my job. These books feel like a long exhale. I can come to them with an overloaded brain, bad moods and doubt and discontent, and turn the last page restored.
What comfort library would be complete without Emily Henry?
I’ll read anything she writes, but Poppy and Alex’s love story is the stuff of my dreams. Friends to lovers, split timelines, and more yearning than I know what to do with Seamlessly blending humour and heart and set between Palm Springs, New York, Italy, and somewhere in the sedate American midwest, You and Me on Vacation was the antidote to my mid-lockdown claustrophobia.
I like to read my fluff on the treadmill – it keeps my brain more occupied than music or podcasts, so I’m less likely to remember how much I hate working out – and it was so delicious I found myself looking forward to time at the gym. A true feat.
Two friends. Ten trips. Their last chance to fall in love...
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'One of my favourite authors' Colleen Hoover, It Ends With Us 'A gorgeous romance' Beth O'Leary, The No-Show 'Loveable characters, hilarious wit and steamy sexual chemistry' Laura Jane Williams, Our Stop
*Also known as People We Meet On Vacation*
12 YEARS AGO: Poppy and Alex meet. They hate each other, and are pretty confident they'll never speak again.
11 YEARS AGO: They're forced to share a ride home from college and by the end of it a friendship is formed. And a pact: every year, one vacation together.…
The heights of American literature are crowded with coming-of-age tales like Huckleberry Finn and Catcher and the Rye. It’s probably because for us, as Americans, figuring out what it means to be American is something that isn’t as clear as what it means to be from another country with thousands of years of existence behind it. Yet, the stories I was given rarely had people who looked like me (Asian) or lived lives that weren’t solely defined as being “foreign.” These books tell coming-of-age stories in different ways that I wish I had read when I was coming up to broaden my own mind with what was possible.
Waylaid is a bawdy coming-of-age novel about a Chinese American teenage boy working in his parents’ seedy motel – a vibrating bed kind of place – in New Jersey.
He broods about how to lose his virginity. He learns about the adult world from the patrons: Johns, sex workers, the families kicked out of their homes, and the rest of the down and out of American life. I gravitated to Waylaid because it isn’t wholesome yet doesn’t fall into the spirals of toxicity of a Bukowski poem.
It speaks to how sex is used to distract us from the working-class problems all around us, many of which our young are well aware of, but still holds onto this little flame of hope that even in such dark and down-and-out spots, we can find light.
Waylaid is the story of a Chinese American boy who struggles to grow up in the grip of an overcharged sexual environment. With a daily routine that involves renting out rooms to johns and hookers at his parents' sleazy hotel, the narrator loses his grip on concepts of friendship, family and childhood. As he pursues his all-consuming quest to lose his virginity, issues of race, class and sex cripple his sense of self-worth. It is a story told with a Gen-X-style bleak humor that doesn't pander to conventional notions of immigrant narrative. Waylaid doesn't cut a wide swath through Asian…
