Here are 100 books that We Can Never Leave This Place fans have personally recommended if you like
We Can Never Leave This Place.
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I was adopted as a baby, so I have first-hand experience of the emotions and challenges this presents. I am passionate about shining light on this often misunderstood and complex family trauma through my writing. My memoir Blood and Blood, an emotive exploration of the search for my birth relatives, was shortlisted for the Mslexia Prize. My research extends to fiction and non-fiction, where the psychological effects of adoption are referenced or highlighted. I am always keen to chat with fellow care-experienced people. I hope you find the books on this list helpful.
One thing about being adopted is you have an in-built radar to seek out others who are too. I read Jeanette Winterson’s first novel, Oranges Are Not The Only Fruit when I was a teenager, and since then, I have been in awe of her as a writer and her ability to eloquently describe her personal experience as an adoptee.
This book is her autobiography, and there were occasions while reading it that I had to stop and cry. Finally, someone else had written about what I had kept holed up inside me. Her final chapter, "The Wound," speaks so profoundly to me as an adopted adult. It is honest, sharp, and fierce.
The shocking, heart-breaking - and often very funny - true story behind Oranges Are Not the Only Fruit.
In 1985 Jeanette Winterson's first novel, Oranges Are Not the Only Fruit, was published. It was Jeanette's version of the story of a terraced house in Accrington, an adopted child, and the thwarted giantess Mrs Winterson. It was a cover story, a painful past written over and repainted. It was a story of survival.
This book is that story's the silent twin. It is full of hurt and humour and a fierce love of life. It is about the pursuit of happiness,…
From early adolescence through my career as an English professor, I was deeply drawn to romance and romantic fiction as a form of pleasure, comfort, and hope. My new book is personal and intimate, not scholarly. Weaving together my expertise in the subject of romance fiction with the story of passionate love in my own life, my book Loveland: A Memoir of Romance and Fiction is about the experiences I've had, inside the culture of romance in which women are immersed. I have a view of passion that is not a conventional one as I trace a way forward for myself, and perhaps others as well.
Emily Bronte wrote one novel in her short life, but what an amazing novel it is. The anti-heroes Heathcliff (rough, bitter, and rude from early mistreatment) and his childhood beloved, Catherine (spoiled and willful), are unique in fiction, and when they go head-to-head, there’s no stopping them. But Bronte doesn’t make it easy to understand them.
Heathcliff obsessively pursues Catherine after she’s married, but what she feels for him has been debated by many scholars, such as myself–some say it’s not sexual, but I disagree. The scene where they finally kiss and cling to each other while she is eight months pregnant with her husband’s child, right before her death, was extremely shocking to the Victorian public. It was so powerful that it scared me when I first read it at age 14.
One of the great novels of the nineteenth century, Emily Bronte's haunting tale of passion and greed remains unsurpassed in its depiction of destructive love. Her tragically short life is brilliantly imagined in the major new movie, Emily, starring Emma Mackey in the title role.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition of Wuthering Heights features an afterword by David Pinching.
One wild, snowy night on the Yorkshire moors, a gentleman asks…
After I was sent for a breast biopsy in 2008, my twin sister and I began the very real work of researching our closed adoption. My health, my sister’s, and our collective six children depended upon it. For nearly five decades, I had placed my adoption in an internal lockbox, one I had promised myself I would get to “one day.” At 48, that day had finally come. Concurrent with my search, I absorbed many of the books I mention here. These works became foundational in how I came to view my adoption, and they provided the support I needed during the search and reunion process.
When I finished Verrier’s work–long considered a classic in adoption literature–I felt understood in a deep and powerful way. The author affirmed the feelings of confusion, sadness, and loss that I have often experienced when considering the adoption of my twin sister and me. Because we had been raised in a loving adoptive family, I had not considered our adoption as a trauma.
But of course, any time a meaningful bond is ruptured or abruptly severed, trauma is the result. I also found validity in Verrier’s position that adoption and the subsequent loss of knowledge and contact with birth mothers impact an adoptee’s future relationships.
The Primal Wound is a seminal work which revolutionizes the way we think about adoption. It describes and clarifies the effects of separating babies from their birth mothers as a primal loss which affects the relationships of the adopted person throughout life.. It is a book about pre-and perinatal psychology, attachment, bonding, and loss. It gives adoptees, whose pain has long been unacknowledged or misunderstood, validation for their feelings, as well as explanations for their behavior. It lists the coping mechanisms which adoptees use to be able to attach and live in a family to whom they are not related…
It’s Seb’s last day working in Turkey, but his friend Oz has been cursed. Superstition turns to terror as the effects of the ancient malediction spill over, and the lives of Oz and his family hang in the balance. Can Seb find the answers to remove the hex before it’s…
I was adopted as a baby, so I have first-hand experience of the emotions and challenges this presents. I am passionate about shining light on this often misunderstood and complex family trauma through my writing. My memoir Blood and Blood, an emotive exploration of the search for my birth relatives, was shortlisted for the Mslexia Prize. My research extends to fiction and non-fiction, where the psychological effects of adoption are referenced or highlighted. I am always keen to chat with fellow care-experienced people. I hope you find the books on this list helpful.
This book poses the question "what if" with its twists and turns of life pivoting on others’ decisions and the secrets they keep.
I love how the chapters are titled as random objects like "Small vase, handmade by unknown Warwickshire potter, 1974" or "Cut fragments of surgical thread, in small transparent case, dated July 1983." It reminds me of scavenging in charity shops and coming across an item with a personal history, like an old box of postcards with a stranger’s handwriting or a black and white wedding photograph from the 1950s.
As an adoptee (and writer), I am always looking for tenuous links where they might/might not exist. I guess I have a soft spot for nostalgia and the ‘never quite knowing’ that comes from a life lived without the full story.
As far as I can remember, I have been obsessed with death! Maybe it’s because my mom, who died four years ago at the age of 86, was a Holocaust survivor. Anyway, what I’ve noticed is that all kids' stories deal with death. Think, for instance, of how Harry Potter is an orphan. Or how so many characters in fairy tales have a parent who is dead. I think dealing with death – talking about it openly --- helps us live our lives in a more meaningful way. For my own novel, Planet Grief, I did a ton of researcher and befriended an amazing grief counselor named Dawn Cruchet. You can look her up on the web and learn about her too. Dawn taught me that there is no one, correct way to grieve, that grief is a life-changing journey.
Because I love how this book combines crazy humour and deep feeling. Because I am friends with the author I know that this book comes from somewhere deeply personal in his life – Silberberg’s mom died when he was a kid. This book needs to be read by anyone coping with the death of a loved one. Like all great books for kids, it’s for adults too!
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author picked
Milo
as one of their favorite books, and they share
why you should read it.
This book is for kids age
9,
10,
11, and
12.
What is this book about?
Loveable thirteen-year-old geek Milo Cruikshank finds reasons for frustration at every turn, from the annoying habits of his neighbors to his futile efforts to get Summer Goodman to realize his existence. The truth is, ever since Milo’s mother died, nothing has gone right. Now instead of the kitchen being full of music, his whole house has been filled with Fog. Nothing’s the same. Not his Dad. Not his sister. And definitely not him. Milo achieves a rare and easy balance of poignancy and awkward, natural humor, making it deeply accessible—this is the kind of book that can change lives.
I was not intentionally set out to write books for children, but I was inspired to do so after struggling to face the challenges brought on by my illness—multiple brain tumors and surgeries. Creating messages through stories for children facing such hardship as a life-threatening illness, at times even brought me the reason I needed to keep fighting for my health and for my life.
The book explains that death is a natural element of life and explains it in a comprehensible and easy way. It will be a good read for those who believe only in that which they see. The book also explains the importance of having someone to talk to after someone dies and dealing with the emotions.
I would suggest this book to young readers and families who do not believe in a Higher Power or do not know whether they believe it or not.
This reassuring picture book explores the difficult issue of death for young children. Children's feelings and questions about this sensitive subject are looked at in a simple but realistic way. This book helps them to understand their loss and come to terms with it.
Notes for parents and teachers at the back of the book provide valuable advice for how to share this book with your child or class.
Written by a trained psychotherapist, journalist and parent, and illustrated by an experienced children's book artist, this is part of an acclaimed and successful series of picture-book non-fiction for Early Years.…
In 1939, on a remote Pacific island, botanical researcher Irene Greer plunged off a waterfall to her death, leaving behind a legacy shrouded in secrets. Her great-niece Julia, a struggling journalist recovering from a divorce, seeks answers decades later.
Tasked with retrieving Dr. Greer’s discovery–a flower that could have world-changing…
I was born and grew up in India and I’ve always been fascinated by elephants. When I wrote The Problem with Being Slightly Heroic, it felt natural to have Mini, the elephant, become part of its world. She’s not the main character, yet her presence raises questions about the place of these amazing animals in our world and in our hearts. I picked five titles in which elephants are secondary characters, raising similar questions for readers about who these extraordinary creatures are and why we should care. Curiously, I couldn’t find a single novel featuring African elephants.
Linda’s a graduate of the MFA program in Writing for Children and Young Adults, Vermont College of Fine Arts, where I’ve taught since 2006. I love it when my reading mind seems to make a conversation out of the books I’ve read. For me, this novel seemed to be speaking to all the other books on this list—through the large, tender presence of the elephant, Queenie Grace, especially in the chapters written in her first-person voice; the growing affection between the child, Lily, and the elephant; the shifting family dynamics, so that blame and guilt give way to communication and empathy; all kinds of chains and ways to loosen them and be free. I even found a surprising little nugget of historical information in the author’s note.
A poignant middle grade animal story from talented author Linda Oatman High that will appeal to fans of Katherine Applegate’s The One and Only Ivan. In this heartwarming novel, a girl and an elephant face the same devastating loss—and slowly realize that they share the same powerful love.
Twelve-year-old Lily Pruitt loves her grandparents, but she doesn’t love the circus—and the circus is their life. She’s perfectly happy to stay with her father, away from her neglectful mother and her grandfather’s beloved elephant, Queenie Grace.
Then Grandpa Bill dies, and both Lily and Queenie Grace are devastated. When Lily travels…
Rachel is a heart-minded professional specializing in current and relevant approaches in support of individuals and workplaces following a loss or trauma. She is a best-selling author, seasoned keynote speaker, and business consultant. She began her career serving in management of Fortune 500 companies, overcoming her own adversity following the sudden death of her husband while raising a 2-year-old. She was immediately confronted with the see-saw created when personal and professional trajectories collide, giving her the opportunity to provide invaluable insights about loss. Her books include best-selling Living with Loss One Day at a Time, Finding Peace, and Grief in the Workplace: A Comprehensive Guide for Being Prepared.
This is an inspiring book of hope after loss. Michele provides readers with current and relevant ideas on how to integrate the love of your past with the pain of the present to find joy in the future. She shares her personal journey with great vulnerability, emphasizing the self-doubt that occurs while navigating the endless decisions that arise following the loss of a partner. As you read Michele's candid personal stories you will find her words relatable, sharing tears with her as well as great laughter. It is uplifting, practical, and written in a very caring way.
A Life-Affirming Process That Provides Transformative Support
No one who lives and loves will be immune from grief and trauma. While this suffering is universal, living through a devastating event often leaves people feeling alone and even alienated. Michele Neff Hernandez experienced this when her thirty-nine-year-old husband died after being hit by a car while riding his bicycle. Her most transformative realization was that grief changes us. There is no going back or bucking up. Life is now different.
In Different after You, Michele presents easy-to-digest steps based on her work with thousands of widowed people and her innovative grief…
I’ve always been in love with the idea of love. I didn’t know what that feeling was like for a long time–not being in love myself–so I grew attached to fictionalised worlds that brought those ideas to life. I’ve always been the person who smiles at a meet-cute or feels that warm, fuzzy feeling inside when the couple you’ve been rooting for the last two hundred pages finally kisses. I want them to know how exciting it can be to feel loved and experience that through the creation of stories. This is why romance is, and likely always will be, a huge thematic influence on all forms of my work.
I remember how engrossed I was when I first read this story.
This is yet another inspiration for the plot of my own story. It’s another story that explores how characters faced with grief can come together, connecting through the loss in their lives.
I’ve always been fond of broken characters who help repair each other. In Letters to the Lost, the characters begin writing anonymous letters to each other about recurring issues in their lives. There is something quite heartwarming about the way others can help you heal. I think it’s a beautiful story, something I wish I could say I’d written.
In this romantic novel perfect for fans of Nicola Yoon, New York Times bestselling author Brigid Kemmerer will have you wondering . . . can you fall in love with someone you've never met?
Juliet is drowning in grief after her mother's death.
Declan is trying to escape the demons of his past.
Leaving handwritten letters on her mother's grave is the only way Juliet can process her loss. When Declan finds a letter and answers it anonymously, they continue writing back and forth, not knowing who is on the other side. Juliet is instantly intrigued by this stranger who…
On Draakensky Windmill Estate, magick and mystery rule. Sketch artist Charlotte Knight is hired to live on the estate while illustrating poetry under the direction of the reclusive spinster, and wind witch, Jaa Morland—who believes in ghosts. Charlotte quickly encounters the voice…
Nancy Bo Flood earned her Ph.D. in Experimental Psychology and Child Development at the University of Minnesota and has authored a variety of award-winning books. Walking Grandma Home came from her own experience as a child, as a counselor, and as a daughter. She has lived and taught on the Pacific island of Saipan, where she worked with teachers and parents to create resources and programs for students with disabilities, and for the past twenty years, she has taught in the Navajo Nation. With Native educators, she co-founded an early-literacy nonprofit, Read at Home, which encourages parents to read regularly with their children.
In the delightful book, a granddaughter enjoys many fun activities with her grandmother, especially dancing like a leaf. Grandmother begins to change in many ways, especially physically and with her memory. And then “Grandmother’s bed is empty.” The child grieves but slowly feels comfort and even joy as she celebrates the many activities she had shared with her grandmother.
As her grandmother's health declines, a young girl begins to lovingly take the lead in their cosy shared autumn traditions. Poetic prose paired with evocative illustrations by Mexican illustrator Claudia Navarro make for a beautiful celebration of life and a gentle introduction to the death of a loved one.
