Here are 100 books that So Many Ways to Begin fans have personally recommended if you like
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I was adopted as a baby, so I have first-hand experience of the emotions and challenges this presents. I am passionate about shining light on this often misunderstood and complex family trauma through my writing. My memoir Blood and Blood, an emotive exploration of the search for my birth relatives, was shortlisted for the Mslexia Prize. My research extends to fiction and non-fiction, where the psychological effects of adoption are referenced or highlighted. I am always keen to chat with fellow care-experienced people. I hope you find the books on this list helpful.
One thing about being adopted is you have an in-built radar to seek out others who are too. I read Jeanette Winterson’s first novel, Oranges Are Not The Only Fruit when I was a teenager, and since then, I have been in awe of her as a writer and her ability to eloquently describe her personal experience as an adoptee.
This book is her autobiography, and there were occasions while reading it that I had to stop and cry. Finally, someone else had written about what I had kept holed up inside me. Her final chapter, "The Wound," speaks so profoundly to me as an adopted adult. It is honest, sharp, and fierce.
The shocking, heart-breaking - and often very funny - true story behind Oranges Are Not the Only Fruit.
In 1985 Jeanette Winterson's first novel, Oranges Are Not the Only Fruit, was published. It was Jeanette's version of the story of a terraced house in Accrington, an adopted child, and the thwarted giantess Mrs Winterson. It was a cover story, a painful past written over and repainted. It was a story of survival.
This book is that story's the silent twin. It is full of hurt and humour and a fierce love of life. It is about the pursuit of happiness,…
I am a survivor. Whether flaming engines on a plane, a hurricane, or breast cancer, I have made many unusual journeys. The way I see it, I am also a writer, and God keeps giving me material for my adventure novels. Of course, I’m also a reader and could fill this page with more than five recommendations. Hopefully, you’ll want to read one of these awesome books. I guarantee they will make you escape reality.
Rarely have I opted to read a book twice, but the love story between Catherine and Heathcliff is so well written and so emotionally charged it drew me in and made me forget I was alone and single. Of course, I had to re-read it.
The first time I read this book was in school, but later, when I dreamed of having a true love, or learning about true love, this book seemed to be the case study of the type of love I was searching for. I knew in my heart, that someday, something similar could possibly be mine.
One of the great novels of the nineteenth century, Emily Bronte's haunting tale of passion and greed remains unsurpassed in its depiction of destructive love. Her tragically short life is brilliantly imagined in the major new movie, Emily, starring Emma Mackey in the title role.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition of Wuthering Heights features an afterword by David Pinching.
One wild, snowy night on the Yorkshire moors, a gentleman asks…
I was adopted as a baby, so I have first-hand experience of the emotions and challenges this presents. I am passionate about shining light on this often misunderstood and complex family trauma through my writing. My memoir Blood and Blood, an emotive exploration of the search for my birth relatives, was shortlisted for the Mslexia Prize. My research extends to fiction and non-fiction, where the psychological effects of adoption are referenced or highlighted. I am always keen to chat with fellow care-experienced people. I hope you find the books on this list helpful.
I consider this the adoptee's "bible," and it has been described like this by others for good reason. It is not an easy read, but like most well-researched non-fiction, it offers a brutal truth that somehow heals.
Reading this book was like going through therapy. The way it lays out the experience of family through the eyes of the adoption triad is not for the faint-hearted. I love this book because very few books address the trauma of adoption so directly through psychological research and offer ways of empowerment to help heal a misunderstood or unacknowledged life experience for many.
The Primal Wound is a seminal work which revolutionizes the way we think about adoption. It describes and clarifies the effects of separating babies from their birth mothers as a primal loss which affects the relationships of the adopted person throughout life.. It is a book about pre-and perinatal psychology, attachment, bonding, and loss. It gives adoptees, whose pain has long been unacknowledged or misunderstood, validation for their feelings, as well as explanations for their behavior. It lists the coping mechanisms which adoptees use to be able to attach and live in a family to whom they are not related…
I was adopted as a baby, so I have first-hand experience of the emotions and challenges this presents. I am passionate about shining light on this often misunderstood and complex family trauma through my writing. My memoir Blood and Blood, an emotive exploration of the search for my birth relatives, was shortlisted for the Mslexia Prize. My research extends to fiction and non-fiction, where the psychological effects of adoption are referenced or highlighted. I am always keen to chat with fellow care-experienced people. I hope you find the books on this list helpful.
If you haven’t already, READ ERIC LAROCCA NOW! I have devoured all his published work, and this one was so bleak, subversive, gothic, and intense… in fact, I’m sure a whole dictionary would never completely describe how it made me feel.
He has a way of slicing through the viscera and injecting words into your bloodstream. Whenever I read any of his stories, I feel inspired as a horror writer to up my game and insert more gore into my own writing. Yet, he makes it look incredibly easy, almost as if he is writing poetry using his own bodily fluids. Perhaps he does!? Proceed with care…
"When you're given a gift, something else gets taken away."
A precocious young girl with an unusual imagination is sent on an odyssey into the depths of depravity. After her father dies violently, young Mara is surprised to find her mother welcoming a new guest into their home, claiming that he will protect them from the world of devastation and destruction outside their door.
A grotesque and thrilling dark fantasy, We Can Never Leave This Place is a harrowing portrait of inherited grief and familial trauma.
"We Can Never Leave This Place is the apocalyptic 21st century Grimm's fairy tale…
I’m an Australian USA Today bestselling romance author who writes contemporary romance and uses the pen name Alyssa James to write medieval romance. I think the makeover trope resonates with me because although I’m no beauty queen now, I was definitely an ugly duckling in my teens. For reasons best known to him, my father insisted on close-cropped hair, and financial circumstances dictated out-of-style hand-me-down clothing. After university, I found my own style, but it wasn’t until I was accepted as an international flight attendant that I believed that I couldn’t be all that ugly if Qantas employed me!
Eloisa James has long been one of my favourite authors, and I love her witty stories in the Regency romance genre, as well as her friends-to-lovers and second-chance tropes in this story.
The hero, James, had always cared about the heroine, Theodora, who is known in London society as The Ugly Duchess. She wasn’t ugly–just “mannish” and dressed by her mother in a way that didn’t capitalize on her looks.
I liked the fact that she grew in herself and that her transition wasn’t instant. I also loved that James didn’t fall in love with her simply because of her looks but because of her capabilities and her growth in personal confidence.
'Nothing gets me to a bookstore faster than Eloisa James' - Julia Quinn
How can she dare to imagine he loves her... when all London calls her The Ugly Duchess?
Theodora Saxby is the last woman anyone expects the gorgeous James Ryburn, heir to the Duchy of Ashbrook, to marry. But after a romantic proposal before the prince himself, even practical Theo finds herself convinced of her soon-to-be duke's passion. Still, the tabloids give the marriage six months.
Theo would have given it a lifetime . . . until she discovers that James desires not her heart, and certainly not…
I have sewn since I was a child, taught by my mother to keep me out of mischief. From having the best-dressed dolls in the neighbourhood I graduated to making my own, sometimes outlandish, forms of fashion and then became a banner maker and community textile artist. Sewing is in my DNA and I love the tactile, rhythmic soothe of it. But I have long been curious about how, in the many books are published about needlework, very few ever mention why people sew. This is what fascinates me, the stories of sewing, because it is through its purpose that we discover the spirit that lies within it.
This is a surprisingly gentle memoir by the curator of fashion at the V & A Museum in London. She uses her own wardrobe to unfold the story of her own life. In exquisite prose she traces how, whether homemade or haute couture, what we wear catches significant moments in our lives and archives personal memories. It made me think of my own clothes in a different way and understand why I couldn’t throw out those that remind me of people I love and my own joyful or sad events.
'I am overwhelmed by this book. It is an absolute masterpiece. A book of such beauty and profundity, of such poetry in its emotion and observation ... I found my sense of life transformed by her writing as I often find it transformed after the exhibition of a great artist' LAURA CUMMING
Claire Wilcox has been a curator of fashion at the Victoria and Albert Museum for most of her working life. In Patch Work, she steps into the archive of memory, deftly stitching together her dedicated study of fashion with the story of…
My father died when I was a young child, and so my uncle became the nearest I had to a father figure. He was a trade unionist and strongly committed to social justice. I was so enamoured by the compassion he showed towards socially disadvantaged people and the struggles they encounter through no fault of their own that I became an advocate for social justice from an early age. That passion for fairness and inclusion has stayed with me throughout my career and therefore figures strongly in my writings and, over the years, in my teaching, training, and consultancy work.
Olusoga’s television work has been very well received. He has a great talent for explaining complex and sensitive matters in a way that encourages critical thought rather than defensiveness. This book shows that he is equally capable when expressing his ideas in writing.
My own work around anti-racism has been based on highlighting the subtle and often hidden ways in which racism operates, and this book’s emphasis on the invisibility of black people and their achievements in conventional approaches to history fits perfectly with my approach.
Just as Criado Perez addresses sexism in powerful but non-confrontational ways that avoid provoking self-protective responses, Olusoga does much the same for tackling racism. This man’s work is a major asset in terms of promoting social justice.
'[A] comprehensive and important history of black Britain . . . Written with a wonderful clarity of style and with great force and passion.' - Kwasi Kwarteng, Sunday Times
In this vital re-examination of a shared history, historian and broadcaster David Olusoga tells the rich and revealing story of the long relationship between the British Isles and the people of Africa and the Caribbean.
This edition, fully revised and updated, features a new chapter encompassing the Windrush scandal and the Black Lives Matter protests of 2020, events which put black British history at the centre of urgent national debate. Black…
I'm an ‘expert’ when it comes to books because I've been ‘reading’ books since before I could talk – even at two years old, holding the books upside down, but somehow still immersed. I presume all of you are experts, too. Your love of books has brought you to this site. Books became my escape when the world seemed too large and too cruel to cope with. But what makes me even more of an expert, was my dedication to books….that two-year-old loved books so much he would tear out pages and eat them, he would stuff pieces in his nose….Grossed out? Well, what can I tell ya’, I was dedicated lol.
This book is slim as a Hanzo knife and its sentences cut just as precisely.
It comes in at a scant 72-page read, so those of us trying to fit in a great read between all our other obligations should take a look at this scathing look at the microaggressions endured in a male-dominated corporate environment.
This book gets into the mind of a Black British woman; overqualified, impeccably educated, and yet still somehow made to feel inadequate through multiple tiny attacks on her character and her competence. Her white, well-to-do fiancé wants to marry her, and this marriage could be a way to lessen the impact of the toxic masculine environment surrounding her, but our nameless protagonist can’t be sure if there is true love in the union or if it is just a rebellious addition to her fiancé’s heretofore bland pedigree.
SHORTLISTED FOR THE BOOKS ARE MY BAG FICTION AWARD 2021
SHORTLISTED FOR THE BETTY TRASK PRIZE 2022
LONGLISTED FOR THE DESMOND ELLIOTT PRIZE 2022
'Diamond-sharp, timely and urgent' Observer, Best Debuts of 2021
'Subtle, elegant, scorching' Vogue
'Virtuosic, exquisite, achingly unique' Guardian
'I'm full of the hope, on reading it, that this is the kind of book that doesn't just mark the moment things change, but also makes that change possible' Ali Smith
'Exquisite, daring, utterly captivating. A stunning new writer' Bernardine Evaristo
I grew up in historic old houses. They were haunted too. (Think things that went bump in the night and were rife with the unexplained.) My imagination didn’t stand a chance and caught on fire. Later, I chose history as a career path with research as the job—which is really just solving mysteries. My fiction writing naturally extended from these beginnings and remains heavily influenced by the past. A bonus to the mix is the Celtic storytelling DNA coursing through my veins. I read and write stories that blend the mysterious with the historic and am especially inspired by all things gothic. I'm the author of The Spinster’s Fortune and Campbell’s Boy.
This book was so much fun. It rolls in so many nuances from historic gothic reads while adding its own special takes in clever ways. It brought back fond memories of so many other writers and books for me as I was reading it. It is clearly influenced by many of the greats. But it also stands on its own two feet with rich and layered language and detail. The twist near the end is crafty and pulls it all together. Paulette Kennedy knows what she is doing!
Some houses hold secrets that are meant to be kept forever...
When Eliza Sullivan inherits an estate from a recently deceased aunt, she leaves behind a grievous and guilt-ridden past in New Orleans for rural England and a fresh start. Eliza arrives at her new home and finds herself falling for the mysterious lord of Havenwood, Malcolm Winfield. Despite the sinister rumors that surround him, Eliza is drawn to his melancholy charm and his crumbling, once-beautiful mansion. With enough love, she thinks, both man and manor could be repaired.
Not long into their marriage, Eliza fears that she should have…
Being an immigrant from India, a culture that places family values above all else, I am drawn to books that explore family conflicts, secrets, and the triumph of love against all odds. When an author incorporates these themes into a mystery, the book becomes more than a simple formulaic whodunnit story that educates me about the complexities of our lives.
Threat of exposure of a scandalous affair takes Lynley and his sidekick Havers from London into the countryside, where they reveal how a hidden past and the mistaken identity of a father by his son, led to murder. I love it for the writing style – George's later books became too big for me – the characters she creates with such clarity and passion, who are put into situations that threaten their lives, reputation, and ideals.
As the editor of a popular left-wing tabloid, Dennis Luxford has made a career out of scandal. But this time the scoop involves his own daughter. To save the life of his child, Luxford must expose the girl's mother - Eve Bowen, now Under Secretary of State for the Home Office. And Eve refuses to involve the police, convinced that Charlotte's disappearance is just one more shabby tabloid ploy.
Only when events take an unbearable turn is New Scotland Yard brought in, in the guise of Inspector Thomas Lynley and his partner, Barbara Havers. And as their investigations move from…
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