100 books like Patch Work

This is a rare and poignant insight into a man’s needlecraft and it was a delight to read. Julia Blackburn sets out on a mission to rediscover the neglected embroideries and forgotten story of the Norfolk fisherman, John Craske, (1881-1943). Her research leads her to many dead ends and unexpected encounters and, along the way, she experiences and shares her own story of loss. I love this book because it takes me into the world of the sea captured in the fishing folk Blackburn meets and introduces me to Craske’s mesmerising embroideries made under tragic circumstances.

This is a brilliantly researched book which allowed me to accompany Sofi Thanhauser as she travelled across continents to unearth the origin and the fate of fabric production.  It made me realise the terrible damage done to our environment and to communities through colonialisation, exploitation, industrialisation, and our throw-away economy. Tracking how craft is being replaced with slave labour, how traditions are being eroded, and local economies destroyed in the pursuit of cheaper and greater textile production, Worn is not a comfortable read, but it is, for me, a reminder of the human cost involved in most of what I wear. 

I read this book in the early 1980s when it was first published and it changed my view of sewing and made me understand its cultural importance and how its value has been diminished over the centuries. It is a seminal landmark feminist book, the first to ever explore why sewing is perceived as just women’s work. Parker debates the nature of women’s embroidery through time, the dutiful and the radical, the artistic and the unacknowledged and if it hadn’t been for this book I would never have become fascinated about people who sew not simply to decorate clothes or their homes but to campaign, celebrate, conserve their stories and make their mark.    

I am a very poor knitter and admire those who can knit up a jumper that is not embarrassing to wear. Esther Rutter is an expert and enthusiastic knitter and, in this book, she travels through Britain setting up her own challenges to knit something that echoes the traditions of the places she visits. There is a jumper from Fife in Scotland and a crocheted bikini its borders, Viking socks, and a Welsh cap: each one requiring hours of toil, each one accompanied by frustration and setbacks as stitches are dropped, the yarn snags and patterns are misread. As she journeys and knits, Rutter reveals the history of knitting, wool, and patterns place by place. I loved her perseverance, I relished her discoveries and I learnt enough about the knitter’s craft through time and today to make me want to get out my own knitting needs. 

Turkey Claus is part of the Turkey Trouble series and my favorite of the set. Turkey’s attempts to disguise himself in order to see Santa are clever and fun, and his facial expressions are animated and spot on. Turkey’s Mrs. Claus costume is the best, and the earrings are a hoot! I love clever wordplay, and Turkey Claus is filled with some of the best – “Ho Ho Hold it” “Wait a merry minute!” and “Snow way!” Santa’s Village, the trees, and décor add to the Christmas spirit, and the humor makes it fun to read. 

And spoiler alert – count me in for pizza on Christmas!

"The statements we make just by getting dressed in the morning." This book about fashion and dress codes, and how they interconnect with gender, sexuality, and class, is lively and thought-provoking. My own study of the women who appear in Greek vase paintings led me to look more closely at women’s relationship with their clothing. In particular their handling of shoes became a source of fascination, and in my current research I’m focussing on narratives around female footwear. In the book, Brydon’s chapter "Sensible Shoes" has been an inspiration. Stilettos, for example, are seen as being entirely ambiguous in their significance, items which can both empower and disable the wearer. Like the knife they are named after, they are double-edged. 

So you wish to paint your lips red like ancient Chinese women but are worried about confusing your Tang from your Ming. Get your make-up right with this manual. This succinct and wonderfully illustrated book is a treasure for lovers of Chinese fashion history or historical novelists like myself who may not be fluent in mandarin and depend on English publications. Creating vivid descriptions of concubines or Ming court characters is made easy when you can visualise exactly how people dressed or painted their faces during the different periods of China’s long history, including the Ming dynasty. I loved this book as it informed me about hairstyles, make-up, shoes, hats, clothing, and even the different insignias embroidered on eunuch clothing depending on their rank. With attention to variations across ethnicities and insights on historical and social changes, this book is a must-have.  

Turkey has a problem. Thanksgiving is on the way. Maybe if Turkey wears a disguise, the farmer won't recognize him. He'll make the farmer think he's one of the horses. Great idea–until Cow figures it out. So, Turkey disguises himself as a cow. Another great idea—until Pig figures it out. Finally, Turkey comes up with the perfect disguise. This story made me laugh out loud, and I'm sure it will have the same effect on young readers. Funny illustrations by Lee Harper add to the silliness.

This book poses the question "what if" with its twists and turns of life pivoting on others’ decisions and the secrets they keep.

I love how the chapters are titled as random objects like "Small vase, handmade by unknown Warwickshire potter, 1974" or "Cut fragments of surgical thread, in small transparent case, dated July 1983." It reminds me of scavenging in charity shops and coming across an item with a personal history, like an old box of postcards with a stranger’s handwriting or a black and white wedding photograph from the 1950s.

As an adoptee (and writer), I am always looking for tenuous links where they might/might not exist. I guess I have a soft spot for nostalgia and the ‘never quite knowing’ that comes from a life lived without the full story.

I loved comedian Bob Monkhouse's frankness as his autobiography revealed not only his often hilarious life story, but also the very painful personal tragedies he experienced.

When he was nine years old he fell in his garden and broke his leg, causing him to scream in agony. His mother ran out to him, but smacked him round the head and told him: “Quiet, Robert! What will the neighbours think?”

Fortunately, Bob showed kindness and love to his own son Gary who suffered from cerebral palsy, which meant part of his brain was permanently damaged and he was unable to control his limbs or speak.

Yet Bob made me—and the nation—laugh with his stand-up comedy routines, film roles, and amusing anecdotes.