100 books like Turkey Trouble

I am the author of many books for young readers, ranging from picture books to YA novels and novellas. Where did this book come from? After Scholastic published My Zombie Valentine, it did so well, they asked me to write another "funny/scary" title for Christmas, so I wrote The Vampire Who Came for Christmas. Then they asked me to write another holiday book for the next year, and this time, they gave me a title: Home for the Howlidays. Then, they asked me to write one more funny/scary story, but this time, for Thanksgiving. And again, they gave me the title: Fangsgiving. The books have become known as the Holiday Monster Series.

My idea for a book about Thanksgiving was born in the aftermath of the terrorist attacks of September 11, 2001. I was in downtown Manhattan that awful morning on my way to my office at the Wall Street Journal, directly across from the World Trade Center. I stood on the street and watched the towers fall. Two months later, as Thanksgiving approached, I found myself reading William Bradford’s first-person account of the First Thanksgiving. I wanted to learn more about this little kernel of history and how it grew into a cherished national holiday. I wrote several articles for the Journal about the holiday. Writing a book was the logical next step. 

I am the author of many books for young readers, ranging from picture books to YA novels and novellas. Where did this book come from? After Scholastic published My Zombie Valentine, it did so well, they asked me to write another "funny/scary" title for Christmas, so I wrote The Vampire Who Came for Christmas. Then they asked me to write another holiday book for the next year, and this time, they gave me a title: Home for the Howlidays. Then, they asked me to write one more funny/scary story, but this time, for Thanksgiving. And again, they gave me the title: Fangsgiving. The books have become known as the Holiday Monster Series.

I am the author of many books for young readers, ranging from picture books to YA novels and novellas. Where did this book come from? After Scholastic published My Zombie Valentine, it did so well, they asked me to write another "funny/scary" title for Christmas, so I wrote The Vampire Who Came for Christmas. Then they asked me to write another holiday book for the next year, and this time, they gave me a title: Home for the Howlidays. Then, they asked me to write one more funny/scary story, but this time, for Thanksgiving. And again, they gave me the title: Fangsgiving. The books have become known as the Holiday Monster Series.

I never knew Turkeys had so much personality—that is until I lived with a family high in the Andes Mountains of Peru, and met their turkey Pavito. When they scraped leftovers into a trough for their dogs, Pavito would come running too (certain that he was just “one of the dogs”). He would chase me around the courtyard or sit nearby making strange gurgling noises. He became the star character in my books. As a teacher and mother of 5, I have seen which picture books young readers respond to best—those they connect to, laugh at, remember, and which hold their attention. 

I fell deeply in love with books as a child, wrote oodles of stories growing up, majored in English literature, and built a writing career in advertising and TV. But my deep love of children’s books never faded. Somewhere in my 30s, I had an epiphany sitting on the couch one day: I clearly saw that writing children’s books was what I wanted to build my life around. It took a lot of time and effort to accomplish that, but with the aid of a helpful hamster named Humphrey – and his friend Og - I found my happy place, and I hope I never, ever “grow up.”

I grew up on a small farm, expecting to return to it after college, but I was inspired by books and by a teacher to focus instead on alleviating hunger and poverty problems in developing countries and two years working with the rural poor in Colombia in the Peace Corps helped me understand the need to attack these problems at both the household and policy levels. I taught courses and wrote on agricultural development issues at Virginia Tech for forty years and managed agricultural projects in Africa, Asia, and Latin America. I am passionate about improving food security and human health and treating people with respect regardless of their circumstances.

My seven novels all celebrate the natural world—while, I hope, telling a good story. Nature has always been my solace and delight. I’ve also had the honor of developing and directing an MFA in Nature Writing at Western Colorado University, one of the few nationwide programs to focus on cutting-edge environmental writing. While I mainly write novels, I’m the author of two nonfiction books and one play and the editor of three environmental anthologies. When not writing or teaching, I can be found sauntering around the West, especially in my home state of Colorado. I love travel and adventuring, and I like looking at birds, stars, clouds, and sea glass. 

History and historical fiction are my abiding passions, and as a child of the Missouri Ozarks, I’ve always been drawn to depictions of Midwestern and rural life in particular. I have studied 19th-century utopian communities for many years and have always been fascinated by the powerful appeal of such communities, and the internal dynamics that always seem to arise within them. My novel series follows the rise and decline of one such community, using it as a microcosm for American culture in general. What might seem like a byway of American history is to me a powerful source of insight.

Growing up, if I wasn’t good at something right away, I’d quit. I didn’t want to embarrass myself in front of others. Because of that, I never experienced how great it felt to overcome obstacles, to succeed at something hard—until I played football. Girls Who Persevere is an important topic to me because so often, girls are treated as if they’re inferior or incapable. It’s ingrained in them that they shouldn’t try certain things (like football!), and if they fail at first, it must mean they can’t do it. I think it’s important to see strong girls doing big things, even when they’re hard. These books show just that.