Here are 100 books that A Day No Pigs Would Die fans have personally recommended if you like
A Day No Pigs Would Die.
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I have been writing fiction since an early age, and I naturally create central female characters that I hope are warm, funny, and in some way flawed. Modules of my university degree dealt with psychology and sociology, and I automatically studied other people to inspire elements of my character. Lee Child is quoted as saying readers remember characters more than the plot, so when compiling my list, I recalled five female leads that have made me laugh, cringe, and relate to in equal measure. I hope you enjoy them as much as I do!
I’ve never read a book as quickly as I read this one. Our eponymous lead character is quirky and odd, but the story is written with so much empathy, depth, and humor that I was rooting for her from the start.
I loved how the relationship between Eleanor and Raymond plays out and avoids the predictable ‘boy meets girl’ ending. It doesn’t surprise me that the book is ‘in development’ as a movie, as the story plays out like a film when you read it. Definitely read this one first before you see the film! (It probably won’t take long as I couldn’t put this book down.)
"Beautifully written and incredibly funny, Eleanor Oliphant Is Completely Fine is about the importance of friendship and human connection. I fell in love with Eleanor, an eccentric and regimented loner whose life beautifully unfolds after a chance encounter with a stranger; I think you will fall in love, too!" -Reese Witherspoon
No one's ever told Eleanor that life should be better than fine.
Meet Eleanor Oliphant: She struggles with appropriate social skills and tends to say exactly what she's thinking. Nothing is missing in her carefully timetabled life of…
Books were a way to navigate life, my love for my horse, and just being
an awkward feeling person. For me, the most powerful thing that stories
provide is revealing that everyone is awkward. No one really feels like
they fit in, have everything figured out, and know what this whole,
crazy existence is about. A book offers a perspective
that makes me see my world just a little more clearly. When I find relatable characters in books, I feel comforted because it makes
me realize that no one is all good and no one is all bad. We are flawed and
beautiful all at once,
just like the characters that draw me into their worlds.
The voice of the main character Will Tweedy pulled me right in. I was drawn into the world of rural Georgia in the turn of the century as if it was yesterday. I could see, smell, taste, and feel everything Olive Ann Burns described. The main character brought me along on his journey in a Huck Finn sort of way that made me feel like his best buddy.
The one thing you can depend on in Cold Sassy, Georgia, is that word gets around—fast. When Grandpa E. Rucker Blakeslee announces one July morning in 1906 that he's aiming to marry the young and freckledy milliner, Miss Love Simpson—a bare three weeks after Granny Blakeslee has gone to her reward—the news is served up all over town with that afternoon's dinner. And young Will Tweedy suddenly finds himself eyewitness to a major scandal. Boggled by the sheer audacity of it all, and not a little jealous of his grandpa's new wife, Will nevertheless approves of this May-December match and…
I grew up as a closeted homosexual in a fundamentalist Christian home, enduring nearly two decades in a crisis of faith. Sermons frequently warned of damnation for my natural inclinations, pushing me to fast, pray, and achieve to resist temptation. This crisis gradually resolved over the eight years I spent writing Playing by the Book, the first coming-out novel to win a National IPPY Medal in religious fiction. Although I don’t consider myself a spiritual writer, I am drawn to stories that explore existential struggles and triumphs, including those related to a crisis of faith—much like the characters in the novels on this list.
I love this book because it shows that being different does not exclude one from being an instrument of God. Owen Meany, with his unusual voice and diminutive stature, is an unforgettable character who, despite seeming out of place, becomes integral to a grander plan. His story resonated deeply with me, reminding me of my journey as a closeted gay man.
Like Owen, I felt different from everyone else and struggled with feelings of unworthiness—feelings that are now far behind me. This book celebrates the unusual and beautifully illustrates that every life has meaning and every person has a role to play.
'Marvellously funny . . . What better entertainment is there than a serious book which makes you laugh?' Spectator
'If you care about something you have to protect it. If you're lucky enough to find a way of life you love, you have to find the courage to live it.'
Summer, 1953. In the small town of Gravesend, New Hampshire, eleven-year-old John Wheelwright and his best friend Owen Meany are playing in a Little League baseball game. When Owen hits a foul ball which kills John's mother, their lives are changed in an instant.
Books were a way to navigate life, my love for my horse, and just being
an awkward feeling person. For me, the most powerful thing that stories
provide is revealing that everyone is awkward. No one really feels like
they fit in, have everything figured out, and know what this whole,
crazy existence is about. A book offers a perspective
that makes me see my world just a little more clearly. When I find relatable characters in books, I feel comforted because it makes
me realize that no one is all good and no one is all bad. We are flawed and
beautiful all at once,
just like the characters that draw me into their worlds.
I always love a strong voice. The fact that there was this horrific past in her family, and it hung like a dark cloud over them, gave such an interesting juxtaposition to the sweet, innocent voice of Sarah.
I felt the strain of the relationships with her brothers, her dad, and her mother. I felt her pain around her relationship with her brother, Cassie. I was filled with that sense of love and loss you can only have for a sibling that you’re fighting with one minute and having the best time of your life the next.
Winner of the 2018 The Australian/Vogel's Literary Award
Even before I knew anything about Granddad Les, Wally and me sometimes dared each other to see how close to the knackery we could get. It was way out in the bottom paddock, and Dad had banned us from going further than the dam. Wally said it was because the whole paddock was haunted. He said he could see ghosts wisping in the grass like sheets blown from the washing line. But even then I knew for sure that was a lie.
Ten-year-old Cub lives with her parents, older brother Cassie, and…
I’ve always been interested in worlds other than ours, primarily extraterrestrial worlds because I believe expansion into space is vital to the future survival of humankind, but also fantasy worlds that illuminate ideas and feelings that are universal. I’ve written the Newbery Honor book Enchantress from the Stars and ten other science fiction novels, a classification that limits their discovery because they're often liked better by people who read little if any science fiction than by avid fans of that genre. Because they’re set in imaginary worlds distant from Earth—and are not fantasy because they contain no mythical creatures or magic—there is nothing else to call them. I wish books didn’t have to be labeled with categories!
All of Robert Heinlein's YA novels are good (better, in my opinion, than his adult novels), but this one has special meaning for me because it was the first book I ever read about colonizing an uninhabited world. At the time it was published in 1950 I was sixteen and had been enthusiastic about the possibility of space travel for four years, since long before the general public was familiar with it; but all the space fiction I knew of was about mere adventure, usually adventure focused on fighting. The idea that families could someday settle a new planet--and, despite danger and hardship, accomplish something of immense importance to the future of humankind--made a strong impression on me and became one of my deepest convictions.
I fell deeply in love with books as a child, wrote oodles of stories growing up, majored in English literature, and built a writing career in advertising and TV. But my deep love of children’s books never faded. Somewhere in my 30s, I had an epiphany sitting on the couch one day: I clearly saw that writing children’s books was what I wanted to build my life around. It took a lot of time and effort to accomplish that, but with the aid of a helpful hamster named Humphrey – and his friend Og - I found my happy place, and I hope I never, ever “grow up.”
Charlotte’s Web has it all: animal characters, a strong story with life and death at stake, yet as gentle as a breeze. Starring a naïve pig named Wilbur who faces a daunting future… and a unique friend in a spider named Charlotte. Again, a tale of true friendship when brave Charlotte soars beyond the limitations of a spider to save Wilbur.
Charlotte’s depth of character and creativity, paired with Wilbur’s innocence, makes this a classic book for all ages. Yes, she spins the words “Terrific” and “Some Pig,” but in the end, Charlotte herself is one terrific and memorable spider.
Puffin Classics: the definitive collection of timeless stories, for every child.
On foggy mornings, Charlotte's web was truly a thing of beauty . Even Lurvy, who wasn't particularly interested in beauty, noticed the web when he came with the pig's breakfast. And then he took another look and he saw something that made him set his pail down. There, in the centre of the web, neatly woven in block letters, was a message. It said: SOME PIG!
This is the story of a little girl named Fern, who loves a little pig named Wilbur - and of Wilbur's dear friend,…
Growing up, if I wasn’t good at something right away, I’d quit. I didn’t want to embarrass myself in front of others. Because of that, I never experienced how great it felt to overcome obstacles, to succeed at something hard—until I played football. Girls Who Persevere is an important topic to me because so often, girls are treated as if they’re inferior or incapable. It’s ingrained in them that they shouldn’t try certain things (like football!), and if they fail at first, it must mean they can’t do it. I think it’s important to see strong girls doing big things, even when they’re hard. These books show just that.
This graphic novel is based on Lucy’s real life. It’s about a girl who begrudgingly moves from her home in the city to the country to live with her mom’s new boyfriend and share a bedroom with his daughters. I love this one because when you’re a kid, so many things are out of your control, and grown-ups are the ones making decisions for you. Sometimes, kids are forced to learn a whole new way of life. Stepping Stones is a great depiction of that experience—an experience I can relate to as someone whose mom remarried and then had to move towns and schools. I love how the main character, Jen, is terrible at math but has to handle money at the farmer’s market. She spends the summer persevering through her math troubles, her embarrassment related to it, and her new family and farm work expectations.
This contemporary middle-grade graphic novel about family and belonging from New York Times bestselling author Lucy Knisley is a perfect read for fans of Awkward and Be Prepared.
Jen is used to not getting what she wants. So suddenly moving the country and getting new stepsisters shouldn't be too much of a surprise.
Jen did not want to leave the city. She did not want to move to a farm with her mom and her mom's new boyfriend, Walter. She did not want to leave her friends and her dad.
History and historical fiction are my abiding passions, and as a child of the Missouri Ozarks, I’ve always been drawn to depictions of Midwestern and rural life in particular. I have studied 19th-century utopian communities for many years and have always been fascinated by the powerful appeal of such communities, and the internal dynamics that always seem to arise within them. My novel series follows the rise and decline of one such community, using it as a microcosm for American culture in general. What might seem like a byway of American history is to me a powerful source of insight.
Unlike the novels of warfare and suffering, The Moonflower Vine is an intimate portrait of family life, set in 1920s Missouri. It was a bestseller when it was first published in the early 1960s, but has since suffered neglect. But it richly rewards the reader with its heartfelt depiction of three sisters and their aging parents, whose passions, aspirations, and failures are portrayed with complex sensitivity. I don’t think historical novels have to focus on historical events – capturing the spirit of an era is just as important. And this novel took me into rural life of a hundred years ago with great generosity.
“Wit, emotion and undiminished boldness. . . . This is a book which celebrates life and warms the heart.” —Tulsa World
A timeless American classic, this beloved family saga of the heartland is “deeply felt . . . dramatic . . . constantly alive” (Harper’s Magazine)
On a farm in western Missouri during the first half of the twentieth century, Matthew and Callie Soames create a life for themselves and raise four headstrong daughters. Jessica will break their hearts. Leonie will fall in love with the wrong man. Mary Jo will escape to New York. And wild child Mathy's fate…
I am passionately keen on poetry of many types because, whether rhyming or not, most poetry employs rhythm which is something that has a subconscious appeal to human senses. For children, rhyme provides an easy introduction to poetry and I enjoy using it because children themselves love it. Mums tell me that they are asked to read the same book time and time again – and not to try to skip any spreads! At the age of three, before she could read, my son’s goddaughter knew the whole of You Can’t Take an Elephant on the Bus by heart. The rhymes children hear when very young remain with them, sometimes forever.
This is another quite different type of book which has taught me a lot about rhythm, how impelling it can be, and how a refrain can be used to advantage. Proceeding at a jaunty tempo here the boy frames his questions to his mother throughout the book with 3 possible answers, ‘Yes, or no or maybe.’
"Momma will you feed the hen?
Yes or no or maybe?
Scatter corn a round the pen.
You and me and baby?
To which the mum replies, in this case in the affirmative
Yes, we’ll feed the speckled hen
Scratching in the dew
Then she’ll lay two speckled eggs.
One for each of you."
This book has a memorable rhythm, good rhyme and it takes you into the world of the child and the mother. It finishes at the end of the day with the boy going to sleep which gives it the bonus…
I was a very active kid – the kind of kid who was constantly told to sit still and be quiet. Growing up in the 1960s, I had few opportunities to engage in athletics, other than neighborhood games of tag and kick-the-can. But when I got to high school, our school district had just begun offering competitive sports for girls. Finally, my energy and athletic ability were appreciated (at least by my coaches and teammates). So I guess it was inevitable that when I began writing books for young readers, I would start with a book about a girl who loves sports.
You’d have a hard time finding a funnier, more captivating first-person narrator than D.J. Swank. Growing up on her family’s farm, hoisting hay bales, and playing pick-up football with her brothers, it’s no wonder D.J. has the strength, ability, and desire to play on her high school’s football team. The two things I love most about this book are D.J.’s sheer joy in physical movement and Murdock’s depiction of how the hard work required to master sports skills can build self-confidence and a sense of achievement in young people. The characters are a bit older than those in most middle-grade books, but with nothing more controversial than the drinking of a beer, this is a book kids in the upper range of middle grade will love.
When you don’t talk, there’s a lot of stuff that ends up not getting said. Harsh words indeed, from Brian Nelson of all people. But, D. J. can’t help admitting, maybe he’s right.
When you don’t talk, there’s a lot of stuff that ends up not getting said. Stuff like why her best friend, Amber, isn’t so friendly anymore. Or why her little brother, Curtis, never opens his mouth. Why her mom has two jobs and a big secret. Why her college-football-star brothers won’t even call home. Why her dad would go ballistic if she tried out for the high…
