Here are 100 books that A Day No Pigs Would Die fans have personally recommended if you like
A Day No Pigs Would Die.
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Books were a way to navigate life, my love for my horse, and just being
an awkward feeling person. For me, the most powerful thing that stories
provide is revealing that everyone is awkward. No one really feels like
they fit in, have everything figured out, and know what this whole,
crazy existence is about. A book offers a perspective
that makes me see my world just a little more clearly. When I find relatable characters in books, I feel comforted because it makes
me realize that no one is all good and no one is all bad. We are flawed and
beautiful all at once,
just like the characters that draw me into their worlds.
Gail Honeywell gave me a gift when she wrote the character of Elinore Oliphant. I felt so sorry for her one minute, and the next, I could relate to her crazy life and insecurities. I felt like I wanted to protect her, and I also wanted to shake her and tell her to stop being so weird. I wanted to give her a big hug, and I wanted to tell her to snap out of it.
Honeyman provided a magical experience for me that all the best authors are able to do. It’s like she is able to point at her character and say, “Look at this crazy human and her crazy behavior,” at the same time as holding up a mirror in front of my face.
"Beautifully written and incredibly funny, Eleanor Oliphant Is Completely Fine is about the importance of friendship and human connection. I fell in love with Eleanor, an eccentric and regimented loner whose life beautifully unfolds after a chance encounter with a stranger; I think you will fall in love, too!" -Reese Witherspoon
No one's ever told Eleanor that life should be better than fine.
Meet Eleanor Oliphant: She struggles with appropriate social skills and tends to say exactly what she's thinking. Nothing is missing in her carefully timetabled life of…
Books were a way to navigate life, my love for my horse, and just being
an awkward feeling person. For me, the most powerful thing that stories
provide is revealing that everyone is awkward. No one really feels like
they fit in, have everything figured out, and know what this whole,
crazy existence is about. A book offers a perspective
that makes me see my world just a little more clearly. When I find relatable characters in books, I feel comforted because it makes
me realize that no one is all good and no one is all bad. We are flawed and
beautiful all at once,
just like the characters that draw me into their worlds.
The voice of the main character Will Tweedy pulled me right in. I was drawn into the world of rural Georgia in the turn of the century as if it was yesterday. I could see, smell, taste, and feel everything Olive Ann Burns described. The main character brought me along on his journey in a Huck Finn sort of way that made me feel like his best buddy.
The one thing you can depend on in Cold Sassy, Georgia, is that word gets around—fast. When Grandpa E. Rucker Blakeslee announces one July morning in 1906 that he's aiming to marry the young and freckledy milliner, Miss Love Simpson—a bare three weeks after Granny Blakeslee has gone to her reward—the news is served up all over town with that afternoon's dinner. And young Will Tweedy suddenly finds himself eyewitness to a major scandal. Boggled by the sheer audacity of it all, and not a little jealous of his grandpa's new wife, Will nevertheless approves of this May-December match and…
Books were a way to navigate life, my love for my horse, and just being
an awkward feeling person. For me, the most powerful thing that stories
provide is revealing that everyone is awkward. No one really feels like
they fit in, have everything figured out, and know what this whole,
crazy existence is about. A book offers a perspective
that makes me see my world just a little more clearly. When I find relatable characters in books, I feel comforted because it makes
me realize that no one is all good and no one is all bad. We are flawed and
beautiful all at once,
just like the characters that draw me into their worlds.
I read this book on my honeymoon twenty years ago, and I couldn’t put it down. It made me laugh out loud to the point that I couldn’t help but read parts of it out loud to my husband.
I couldn’t help but root for Owen on the first page. His voice plunged me deep into the world and made me feel like I didn’t want the book to end. There’s such a bittersweet component to the story that felt comforting to me as well as spiritual.
'Marvellously funny . . . What better entertainment is there than a serious book which makes you laugh?' Spectator
'If you care about something you have to protect it. If you're lucky enough to find a way of life you love, you have to find the courage to live it.'
Summer, 1953. In the small town of Gravesend, New Hampshire, eleven-year-old John Wheelwright and his best friend Owen Meany are playing in a Little League baseball game. When Owen hits a foul ball which kills John's mother, their lives are changed in an instant.
Books were a way to navigate life, my love for my horse, and just being
an awkward feeling person. For me, the most powerful thing that stories
provide is revealing that everyone is awkward. No one really feels like
they fit in, have everything figured out, and know what this whole,
crazy existence is about. A book offers a perspective
that makes me see my world just a little more clearly. When I find relatable characters in books, I feel comforted because it makes
me realize that no one is all good and no one is all bad. We are flawed and
beautiful all at once,
just like the characters that draw me into their worlds.
I always love a strong voice. The fact that there was this horrific past in her family, and it hung like a dark cloud over them, gave such an interesting juxtaposition to the sweet, innocent voice of Sarah.
I felt the strain of the relationships with her brothers, her dad, and her mother. I felt her pain around her relationship with her brother, Cassie. I was filled with that sense of love and loss you can only have for a sibling that you’re fighting with one minute and having the best time of your life the next.
A NEW YORK TIMES BESTSELLER WINNER OF THE NATIONAL BOOK AWARD FOR NONFICTION
'A major book that I suspect will come to be considered among the essential memoirs of this vexing decade' New York Times Book Review
In 1961, Sarah M. Broom's mother Ivory Mae bought a shotgun house in the then-promising neighborhood of New Orleans East and built her world inside of it. It was the height of the Space Race and the neighborhood was home to a major NASA plant - the postwar optimism seemed assured. Widowed, Ivory Mae remarried Sarah's father Simon Broom; their combined family would…
I’ve always been interested in worlds other than ours, primarily extraterrestrial worlds because I believe expansion into space is vital to the future survival of humankind, but also fantasy worlds that illuminate ideas and feelings that are universal. I’ve written the Newbery Honor book Enchantress from the Stars and ten other science fiction novels, a classification that limits their discovery because they're often liked better by people who read little if any science fiction than by avid fans of that genre. Because they’re set in imaginary worlds distant from Earth—and are not fantasy because they contain no mythical creatures or magic—there is nothing else to call them. I wish books didn’t have to be labeled with categories!
All of Robert Heinlein's YA novels are good (better, in my opinion, than his adult novels), but this one has special meaning for me because it was the first book I ever read about colonizing an uninhabited world. At the time it was published in 1950 I was sixteen and had been enthusiastic about the possibility of space travel for four years, since long before the general public was familiar with it; but all the space fiction I knew of was about mere adventure, usually adventure focused on fighting. The idea that families could someday settle a new planet--and, despite danger and hardship, accomplish something of immense importance to the future of humankind--made a strong impression on me and became one of my deepest convictions.
I fell deeply in love with books as a child, wrote oodles of stories growing up, majored in English literature, and built a writing career in advertising and TV. But my deep love of children’s books never faded. Somewhere in my 30s, I had an epiphany sitting on the couch one day: I clearly saw that writing children’s books was what I wanted to build my life around. It took a lot of time and effort to accomplish that, but with the aid of a helpful hamster named Humphrey – and his friend Og - I found my happy place, and I hope I never, ever “grow up.”
Charlotte’s Web has it all: animal characters, a strong story with life and death at stake, yet as gentle as a breeze. Starring a naïve pig named Wilbur who faces a daunting future… and a unique friend in a spider named Charlotte. Again, a tale of true friendship when brave Charlotte soars beyond the limitations of a spider to save Wilbur.
Charlotte’s depth of character and creativity, paired with Wilbur’s innocence, makes this a classic book for all ages. Yes, she spins the words “Terrific” and “Some Pig,” but in the end, Charlotte herself is one terrific and memorable spider.
Puffin Classics: the definitive collection of timeless stories, for every child.
On foggy mornings, Charlotte's web was truly a thing of beauty . Even Lurvy, who wasn't particularly interested in beauty, noticed the web when he came with the pig's breakfast. And then he took another look and he saw something that made him set his pail down. There, in the centre of the web, neatly woven in block letters, was a message. It said: SOME PIG!
This is the story of a little girl named Fern, who loves a little pig named Wilbur - and of Wilbur's dear friend,…
Linda is an award-winning author and travel enthusiast. Her two-book memoir series, French Illusions, is based on her diaries from 1979 and 1980. She has completed an adaption of these books into a screenplay and is currently seeking representation. Originally from Seattle, Linda now resides in Saint Petersburg, Florida with her longtime husband near her youngest daughter and grandchildren. To this day, she tells people that she is thankful for her storybook life.
Written in an engaging style, A Long Way from Paris centers on a young women's experiences living with a small family and working as a goat herder in southern France in 1980. Elizabeth soon discovers that it is hard work dealing with the animals, especially during the frigid winter months. The language barrier between her and the family adds an unwelcome layer of complexity to an already challenging experience.
In this searing, authentic memoir, Elizabeth is hired to herd goats on a remote mountain farm in the South of France where she carves out a life for herself without heat, running water, or even a good grasp of French. Far from her younger life as a New England preppie and Oregon hippie, the challenges of farm work daunt her. She befriends an Australian shepherd, reflects on her spirituality, and muses on the man she left behind. As she grows stronger, Elizabeth faces her self-doubt while maintaining her humor, eking fun wherever she can. When tragedy strikes Elizabeth's adopted family,…
I am an award-winning author and illustrator of 20 board books and over 20 picture books, who very occasionally illustrates books for other authors too. I was born in Czechoslovakia, but have spent the second half of my life in England.
I could choose any of Eric Carle’s books purely for his beautiful, timeless illustrations, but my choice this time is Dream Snow. It is a lift-the-flap book about a farmer who falls asleep on Christmas Eve and wakes up just in time to deliver Christmas presents to his animals. They are called One, Two, Three, Four, and Five. The book has a lovely festive atmosphere and anyone who has come home tired from playing in the snow and fallen asleep in front of the fire will immediately recognise the cosy feeling of this book.
It's December 24th, and the old farmer settles down for a winter's nap, wondering how Christmas can come when there is no snow! In his dream he imagines a snowstorm covering him and his animals—named One, Two, Three, Four and Five—in a snowy blanket. But when the farmer awakens, he finds that it has really snowed outside, and now he remembers something! Putting on his red suit, he goes outside and places gifts under the tree for his animals, bringing holiday cheer to all.
"Few in number are the parents who have made it through their toddler's years on just…
I grew up in a farming community where everyone understood where our food comes from; we were all either farmers or related to farmers. I’ve since discovered that is not the case everywhere. Many kids honestly believe our food comes from grocery stores. Those that have been told our food is grown, are still unfamiliar with the extent of our reliance on agriculture—not just for food, but clothing; building and cleaning supplies; sports equipment; fuel; and so much more! They also don’t understand the amount of time and hard work (even technology) required to grow, harvest, and process the plants used to create their favorite foods. Hopefully these books—mine included—will help.
Written for slightly older readers, I love the browsable format of this nonfiction title. It makes the information accessible to lots of different reading and interest levels.
Want to know what machines modern farmers use? Check out the “springtime chapter” Farm Machinery. Want to know about the animals you saw at the county fair? Check out the “summertime chapter” Heading to the County Fair. Interested in orchard farming? Read each season’s chapter dedicated to orchard farming to learn how your favorite fruits are grown throughout the year.
Spot illustrations help break up the text and give readers, who may not be familiar with agricultural terms or phrases, the context they need to understand the information.
Where does our food come from? What role do farms play? What's it like to be a farmer? In this charmingly illustrated book, follow a farm throughout the year to discover how the farmer grows fresh and tasty food for us to eat in a sustainable and natural way.
Explore the workings of a small-scale, organic family farm and experience the rhythm of farm life. In the spring, visit the chicken coop, till the fields and tour the farm machinery. When summer comes, plant corn, meet the pollinators and head to the county fair. In the fall, make pies and…
I’ve always been a daydreamer on the lookout for my entry into another world. I spent a good chunk of my early elementary years imagining I was a flying pony who could travel to distant lands and perform dazzling deeds. I never got my wings—but I did discover a way to reach those distant lands. Today, I have the pleasure of creating worlds of my own as the author of three published middle-grade novels: The Mutant Mushroom Takeover, Attack of the Killer Komodos, and The Legend of Greyhallow.
This was one of my favorite books as a kid. One of the things I loved about it was that it featured a regular girl with no special abilities embarking on a grand adventure.
I could easily relate to Rose Larkin and imagine myself in her shoes. I was captivated by the simple way Rose entered the new world—stepping into her aunt’s root cellar and traveling back in time to Civil War-era United States.
As a kid, I loved that Rose brought modern money with her and that just a little bit was enough to purchase quite a lot in the 1860s. I also appreciated the little historical details, like how everyone in the past assumed Rose was a boy just because she had short hair and wore jeans.
The Root Cellar thrilled my eleven-year-old heart and was such a fun way to explore another time and place.
It looked like an ordinary root cellar—and if twelve-year-old Rose hadn’t been so unhappy in her new home, where she’d been sent to live with unknown relatives, she probably would never have fled down the stairs to the root cellar in the first place. And if she hadn’t, she never would have climbed up into another century, the world of the 1860s, and the chaos of the Civil War.
“Melds past and present neatly . . . suspenseful.”—Publishers Weekly
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