100 books like Way of the Clans

I, like many others, love Star Wars and was sad when it was announced that the old tie-in novels were being removed from canon. In particular this story made me the most upset. For me, this was the sequel trilogy that we never got.

It captured the universe that George Lucas set up for us so well that I never once felt like Luke, Han, or Leia were anything other than the characters we had seen in the movies. I loved how it took the lore and lovingly crafted it into a new story that fits within the parameters that had already been established without retreading the same old territory or falling into glorified fanfiction.

I recommend this book because it can help give a reader a good idea of what to expect with the military aspect of my story. I was always a massive fan of the games and was sure to jump into the books when they were released. And I enjoyed the books just as much.

I like to think the overall franchise influenced the ideas I came up with for my battle school setting in book one and other factors pertaining to the story.

Just as the Jade Phoenix Trilogy introduced me to mechs, Rogue Squadron is the book to explain starfighter combat. It’s the first of a long series that literally writes the book on the subject, and the tactics used actually make sense as opposed to books where they just fly around and shoot stuff. 

But more than that, it’s about a squadron, a team that works inside the cockpit and outside to have an impact on a galactic war. They don’t win it themselves, but you can see the impact of a few people at the right time and with the right motivation and gear can do a lot of good. They also show how Jedi do not just come from a Temple as kids. Sometimes adults, who had no idea of their potential, rise to great things. 

Potential isn’t just for kids, after all.

This was one giant book I got as a gift and thought I’d never read, but when I started I couldn’t stop. These are old stories, and arguably the oldest I have ever read that ring true today. Holmes is like Thrawn, a mastermind, but he doesn’t rule Empires or command armies. Holmes works in isolation with only his trusted assistant Watson. He follows mysteries wherever they present themselves and is bored by anything else.

It’s the keen intellect that draws me to this book. The kind of stuff most people wouldn’t waste their time on because it goes over their heads. This is not the new Hollywood version of Holmes, this is much more potent. Older movies of Holmes do much better, but none match the caliber that is in these original stories. 

I can’t fully explain, but there is a magic to them that rejects the ‘mundane’ world… show more.

You either already know Jon Dever and are excited by my mentioning of him or you’re completely unfamiliar with his work.

Jon Dever is the pioneer of choose-your-own-adventure books and Lone Wolf is his flagship series. Mydnight Hero is a stand-alone sequel to the Lone Wolf series and is a great choice for anyone who doesn’t want to commit to a fantasy series. What’s special about Lone Wolf is that it makes the reader the main character of the story, allowing them to make decisions that impact the story—it even has a playable combat system. 

Stories come alive when people tell them to each other.

In my mid-20s, I happened upon a weekly gathering in Toronto, “1001 Friday Nights of Storytelling.” In a former synagogue turned art school – with candlelight shining on works in progress – people told old tales, by heart and with heart. This was the beginning of many things in my life, and this is the community that folklorist Kay Stone has written about.

She shows that the Toronto storytelling circle is part of a worldwide movement. She talks with great storytellers and explores favourite stories with them. And she shares her own struggle with a witch story from Grimms’ Fairy Tales, and how, as she told it again and again, she changed the story and the story changed her.

This book is different. After a slew of books all pedaling the same material based on the dreaded Hollywood formula, it was really good to find something that bucked the trend. 

Truby focuses on morality in stories. He maintains that every story is actually a moral argument, and gives his practical steps for harnessing that morality and using it to create a strong story. 

I feel there is a lot to be said for this. The only real flaw is that there are actually twelve sensible bases for a story and although the moral argument is undeniably one of those that generates a strong story, it is important for writers to understand all of them.

Wild at Heart is my #1 favorite historical romance. Unfortunately, it is out of print. The writing is beautiful, the story heart-wrenching, and the heroine adventurous in a subtle way as she challenges those who are studying a man raised by wolves to view him not as an object but as a person. I found this story to be perfection. If you can find a copy, you won’t be disappointed.

As the title suggests, Williams’ book focuses on identifying the Moral Premise at the heart of your story idea and building around it. It’s a very thematic approach to storytelling. This Moral Premise essentially breaks the story into four components: a positive “virtue”, a negative “vice”, desirable consequences (success), and undesirable consequences (defeat). You can use this to create a simple structure of “Vice leads to undesirable consequences (defeat), while Virtue leads to desirable consequences (success)”. I'm admittedly oversimplifying it, but it's a great tactic to get to the heart of your story's theme and strengthen your narrative. 

I love great storytelling and what makes stories compelling. Suber goes into great detail about story, plot, and characters in a way that I found totally fascinating. It inspired me to think about storytelling differently. I got deeper and deeper into the process of what makes characters and their journey interesting.

There are many films that are successful at the box office, but not memorable. They fade as time passes. Great stories resonate for generations. Ultimately, the book is about what makes a film memorable.