100 books like The Power of Film

I loved this book because it opened my mind to new ways of thinking about thinking and how we make decisions. We are not the rational beings we think we are. Michael Lewis has the gift of being able to take complex ideas and make them understandable, informative, and very entertaining.

The book is about psychologists Amos Tversky and Daniel Khaneman and their research into how people make decisions. Their story is riveting, and I couldn’t help but think about how I make decisions and how to frame questions to gain greater insight into that process.

I love books that cause me to view things in ways I never had before. Connections did that over and over again.

Burke views history through the lens of technical innovation. What his book revealed to me was that everything has its antecedents; things that came before that were the building blocks of what was to come. The more I read, the more I noticed that I was looking at things differently, not only seeing links but thinking about what could come next based on where something came from and the direction our culture was moving. This is a transformative book.

This book is simultaneously so exhilarating and creepy that it had me yelling at my car’s sound system as I listened to it! O’Gieblyn uses biography, history, and current events to ask why humans are pursuing artificial intelligence and what it means for the value of being human.

She weaves her life story, including losing her fundamentalist faith and spiraling into addiction, into a riveting analysis of artificial intelligence with all its promise and peril. I loved that she gave historical background about our search for artificial intelligence while also explaining what is at stake as AI infiltrates our very understanding of what it is to be human.

I finished the book feeling better informed about AI and better grounded in why being human is valuable, no matter what technology does next.

I loved this book because I remembered loving it. But why did I remember? What do I forget—and why? What is the function of memory? How do we unknowingly change our own narrative—and why?

I have always been fascinated by cognitive neuroscience. Thinking about how we think, what we think about, why we remember what we remember, and why we forget what we forget has always fascinated me. These are all things that we take for granted until something happens that changes our perception. We are constantly creating and editing our own narrative. From fond memories to trauma, memory is affected, as is our life narrative. It’s too early to tell if this book will be memorable to me, but I loved reading it. 

Gary is a master facilitator, improv comedian, and storyteller who inspires you through play.

His book shares how you can be successful in your work by tapping into your creative and playful side to get the best results. Having experienced Gary live in many settings, he knows his stuff! I’m always belly-laughing and coming up with new ideas.

This book is a good reminder that work doesn’t have to be stuffy. The best results come from the relaxed and playful mind and this book shows you how to do that.

As an artist, Corinna Luyken knows that mistakes happen. But some children crumple their papers and toss them with each perceived error. The Book of Mistakes demonstrates how mistakes are part of learning and growing. The illustrator takes each mistake and incorporates it into an expanding drawing until, voila, there is a magnificent two-page spread. But, she doesn’t stop there. The ending will surprise and delight and leave young children with the confidence to go make their own mistakes.

Using multiple helpful examples to illustrate her points, the author examines the various ways that films tell their stories visually through the use of cinematography.

Techniques of lighting, editing, movement, color, and camera placement are effectively discussed, making this a helpful and practical resource for film-making students as well as those who simply want to appreciate the art of filmmaking. 

This was the first story theory book I read and it was hugely influential on me, because it is probably the definitive work in terms of a formulaic, structural approach to story.

This book gave me a depth of knowledge of the traditional approach to story theory, but also a clear understanding of how people in the film industry are going about their work today. It is all wrong, in my opinion, but it is also the truth of what is going on.

It is wrong because a story does not begin with structure. A story begins in the mind, and a structure arrives later once the story is present. This book set me on my journey to find an alternative to structure.

Most of the books on this list aren’t strictly about story structure but instead combine unique storytelling insights with innovative structural concepts. Topping the list in that regard is Film Crit Hulk’s Screenwriting 101. Equal parts writing guide and manifesto against overused storytelling techniques like 3-Act Structure and the Hero's Journey, his emotional approach to structuring stories is perhaps the most thought-provoking I’ve encountered. Unfortunately, the book is currently out-of-print, though I have heard that Hulk (a pseudonym, obviously) intends to release a second edition in the future. Fingers crossed.

This is currently out of print, but a new edition is expected soon.

As the title suggests, Williams’ book focuses on identifying the Moral Premise at the heart of your story idea and building around it. It’s a very thematic approach to storytelling. This Moral Premise essentially breaks the story into four components: a positive “virtue”, a negative “vice”, desirable consequences (success), and undesirable consequences (defeat). You can use this to create a simple structure of “Vice leads to undesirable consequences (defeat), while Virtue leads to desirable consequences (success)”. I'm admittedly oversimplifying it, but it's a great tactic to get to the heart of your story's theme and strengthen your narrative.