Here are 63 books that Wallflower fans have personally recommended if you like
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I like to write more than I like to read, but when I do read, I want to learn about other places and times besides my own. Since my own novels are contemporary fiction, it makes sense that historical fiction is my favorite category to read. Likewise, my interest in romance isn’t from unrequited love, but rather, a desire to explore the difficulties of choosing a life partner in our complicated world. (Even my detective novels contain romance!) But I don’t like sappy introspective thought processes, a variation of teen angst, and most readers of historical romance have this same aversion. So none of my recommendations will be that way.
Terry Laster, who translated this work from the German original, does a masterful job of expressing the situation in 14th-century Heidelberg when a female secretly heals patients and for her success, is accused of performing works of the devil. In their ignorance, the town council appoints her husband, a lawyer, to discover her identity. How this story resolves is a testament to the power of good works and encourages me when I face opposition from ignorant people.
In the fourteenth century, opportunities for women are limited to the home. But spirited young Madlen finds her calling as assistant to the city's trusted midwife, Clara. Working alongside Clara, Madlen develops a surprisingly soothing technique and quickly becomes a talented healer.
After Clara's tragic death, Madlen alone rushes to assist the birth of a local nobleman's child. But rather than the joy of birth, Madlen walks into an accusation of murder and witchcraft because of her extraordinary gifts. Forced to flee her own town, she establishes a new identity in the home of her aunt. Yet even though it…
I like to write more than I like to read, but when I do read, I want to learn about other places and times besides my own. Since my own novels are contemporary fiction, it makes sense that historical fiction is my favorite category to read. Likewise, my interest in romance isn’t from unrequited love, but rather, a desire to explore the difficulties of choosing a life partner in our complicated world. (Even my detective novels contain romance!) But I don’t like sappy introspective thought processes, a variation of teen angst, and most readers of historical romance have this same aversion. So none of my recommendations will be that way.
It has been many years since I first read this book yet I still remember how successful the author was in recreating the atmosphere presented by the movie, Gone with the Wind. She was so successful that this book is advertised as a sequel to Margaret Mitchell’s original work. If you want to know how civilian life was in the South during the American Civil War, you won’t be disappointed with this work. And of course, there is the tumultous relationship between Scarlett and Rhett Butler.
Discover the phenomenal #1 bestselling sequel to Gone With the Wind: "true to Scarlett's spirit," this inventive novel beautifully continues Margaret Mitchell's timeless tale (Chicago Tribune). The most popular and beloved American historical novel ever written, Gone With the Wind is unparalleled in its portrayal of men and women at once larger than life but as real as ourselves. Now Alexandra Ripley brings us back to Tara and reintroduces us to the characters we remember so well: Rhett, Ashley, Mammy, Suellen, Aunt Pittypat, and, of course, Scarlett. As the classic story, first told over half a century ago, moves forward,…
I like to write more than I like to read, but when I do read, I want to learn about other places and times besides my own. Since my own novels are contemporary fiction, it makes sense that historical fiction is my favorite category to read. Likewise, my interest in romance isn’t from unrequited love, but rather, a desire to explore the difficulties of choosing a life partner in our complicated world. (Even my detective novels contain romance!) But I don’t like sappy introspective thought processes, a variation of teen angst, and most readers of historical romance have this same aversion. So none of my recommendations will be that way.
Set at the end of the Georgian period in England (1790s), ‘Bet’ or Elizabeth is a reluctant rebel. Although she is fifty years before the suffragette movement, she resists the norms of her day, even disguising herself as a man to avoid an unwanted marriage. Although she is an anachronism, I found her character believable, a mixture of practicality and altruism. Her devoted friend, William, shows an understanding that many men of our day would do well to have. And it is no wonder they grow in affection for each other as she faces one hurdle after another in a “Man’s” world. This is a feel-good read.
Lady Elizabeth Randolph had always been a rebellious young woman, but when her scheming guardian threatens to marry her off to a grotesque stranger, she finds her gumption truly tested. Escaping to London disguised as a young man, Elizabeth discovers a new world of gambling, duels, cruelty and love. Railing against the limitations of her gender and with her best friend, William, by her side, Elizabeth sets out to win her freedom.
I like to write more than I like to read, but when I do read, I want to learn about other places and times besides my own. Since my own novels are contemporary fiction, it makes sense that historical fiction is my favorite category to read. Likewise, my interest in romance isn’t from unrequited love, but rather, a desire to explore the difficulties of choosing a life partner in our complicated world. (Even my detective novels contain romance!) But I don’t like sappy introspective thought processes, a variation of teen angst, and most readers of historical romance have this same aversion. So none of my recommendations will be that way.
Although I can’t say much about the book’s cover, this is a wonderful sequel to Jane Austen’s Pride and Prejudice. It answers the question many readers have about life at Pemberly after Elizabeth and Darcy marry. Set at the end of the Regency period in England in 1814, it follows the courtship of Darcy’s younger sister, Georgiana, and deals with the issues faced by women of that day. I must confess, I have an attraction for strong female characters who must battle the norms of their society in order to find true happiness. If you have the same attraction, you’ll like this book.
Mr. Darcy's younger sister searches for her own happily-ever-after...
The year is 1814, and it is springtime at Pemberley. Elizabeth and Mr. Darcy have married. But now a new romance is in the air, along with high fashion, elegant manners, scandal, deception, and the wonderful hope of a true and lasting love.
Shy Georgiana Darcy has been content to remain unmarried, living with her brother and his new bride. But Elizabeth and Darcy's fairy-tale love reminds Georgiana daily that she has found no true love of her own. And perhaps never will, for she is convinced the one man she…
I’ve been a manager and leader in social justice nonprofits and campaigns for almost 15 years. A lot of my work has been in fast-paced environments with high stakes and few resources. Consequently, I’ve spent a lot of time figuring out how to lead effectively under less-than-ideal conditions—whether that’s because of a tough political climate, financial constraints, or supporting staff through personal crises. I know from experience that social justice leaders and managers are often called to show up as our best selves so that we can support our teams to do their best work. In order to do this, we need to build our internal reserves to lead effectively.
Gather is a collection of poetry and musings. Each section starts with a saying, followed by insights and reflections from Octavia Raheem, and closes out with a reflection question for the reader to ruminate on.
I love pulling out this book when I’m in a rut and need something to spark honest introspection and creativity. The section on “rest” offers important reminders (“Sometimes the next right step is to take a pause”) for managers and leaders who are often running from one thing to the next, fueled by the urgency of their work.
I’ve always had an interest in art, growing up a military brat and constantly moving, left me time to doodle and read. I spent the first part of my life as an art professor and artist. I began writing three years ago when my manuscript was chosen for RWA’s Ramp program in 2021. With my art, my interest leans more towards the bizarre and unexplained. I believe the romance stories I write follow suit, dark and gothic romance my primary interest, but always with spiritual and hopeful undertones. I also write some non-fiction for a local magazine where I live, The Greenville Stroll and on substack a newsletter for romance writers.
Skye Warren is one of my favorite romance authors. HerEndgame Trilogygot me hooked on romance. However, I love Wanderlust even more.
It chronicles the story of a budding photographer who leaves her overbearing mother to work in another city. On her way there, a trucker kidnaps and holds her in the back of his truck as they cross the country. This book has a similar theme as my book and some of the others I've listed and deals with captivity and power.
I've read this book several times, once as a reader and then as a writer, analyzing how to transform a morally gray character or someone despicable into someone readers could care about. Turning hatred for an abductor into pity and wanting him to be with the heroine is no easy feat. I'm still impressed with her skill.
"I loved the story! I loved that it made me feel, that it turned me on, turned me off, made me pause and think, twisted my stomach into knots..." - Haydee's ReviewsCan love come from pain?Evie always dreamed of seeing the world, but her first night at a motel turns into a nightmare. Hunter is a rugged trucker willing to do anything to keep her--including kidnapping. As they cross the country in his rig, Evie plots her escape, but she may find what she's been looking for right beside her.Wanderlust is a full-length dark romance novel that explores captivity and…
I'm a curious writer and compulsive traveler. My lifelong goal is to communicate the message “You don’t have to live your life the way others expect.” From 2002-2015 I went to every country in the world, chronicling the journey on my blog The Art of Non-Conformity. At first I thought the blog would be just about travel, but along the way I began meeting lots of people interested in living unconventionally. Ever since, I've been writing books, hosting events, and avoiding traditional employment by any means necessary.
A very early (published in 1908!) example of the personal development genre. Some of Bennett's recommendations may seem a little outdated now, but the concept of "you should work on improving yourself, and here's how" still feels fresh and original.
A secret publishing dream of mine is to update this book and introduce it to a new generation of readers. But don't wait until I'm able to do that (or until someone beats me to it). Jump in now and read the original.
2019 Reprint of 1910 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition software. In the book, first published in 1908, Bennett addressed the large and growing number of white-collar workers that had accumulated since the advent of the Industrial Revolution. In his view, these workers put in eight hours a day, 40 hours a week, at jobs they did not enjoy, and at worst hated. They worked to make a living, but their daily existence consisted of waking up, getting ready for work, working as little as possible during the workday, going home, unwinding, going to…
I’ve loved history and historical fiction since childhood and have been writing historical fiction/historical romance for about ten years. To give readers a sense of what life was really like almost three hundred years ago, I do extensive research: the weight of a 1717 French musket, the terrain where my story is set, and guardianship law, among other details. Titled men, gentlemen smugglers, and ballrooms are mostly absent because although they’re the stuff of daydreams, our most common problems center around family relationships. Making ends meet, difficult relatives, loyalty to family versus honor, or one’s own best interests or duty offer plenty of scope for conflict (and excitement and romance, too).
This book reminds me of my favorite Georgette Heyer romances in its depiction of the Georgian period. When I read historical fiction of any kind, I want to feel I’m in that time, not reading about modern people in costume.
The story of a blind young woman confined to a country estate because her brother feels she is unable to deal with society was compelling. I liked the characters, and the story carried me along so successfully that I regretted finishing it (after keeping me up after I should have been in bed).
I’m a critical reader, and I couldn’t find a thing in the book to annoy me.
The Marquis de Amberley falls in love with Rosalind, a blind girl, but when he learns that he was responsible for her loss of sight, he is convinced she will never accept him
The world is a strange place and life can feel very weird at times, and I have long had the suspicion that a truly imaginative and inventive comedy has more to say about reality, albeit in an exaggerated and oblique way, than much serious gloomy work. Comedy has a wider range than people often think. It doesn’t have to be sweet, light, and uplifting all the time. It can be dark, unsettling and suspenseful, or profoundly philosophical. It can be political, mystical, paradoxical. There are humorous fantasy novels and short story collections that have been sadly neglected or unjustly forgotten, and I try to recommend those books to readers whenever I can.
This book is luminous. The world of everyday reality and the world of magic overlap and interact and influence each other. There are philosophers and gods, leprechauns and (once again) taking animals, and women wiser than all of them put together. The plot concerns a crime that never occurred and various types of bizarre trouble that result from it. Adventures follow adventures in a picaresque manner, not all of them necessarily connecting with any other, a free and easy approach that gives great fluidity to the whimsical narrative.
The Crock of Gold (1912), one of three original novels by James Stephens, is a work only a master of fiction and folklore could imagine. Taking up the major philosophical and psychological concerns of the early-twentieth century-over a decade before works by T.S. Eliot, James Joyce, and Virginia Woolf, among others, would cement literary Modernism's place in history-Stephens' novel is a groundbreaking and important work.
The text centers on the Philosopher and his wife, the Thin Woman, who undergo a series of journeys and harrowing trials. Faced with danger both human and divine, the two characters are forced to weather…
I started keeping a journal when I was fifteen. Ten years later, I had the raw material for Fugue, a portrait of the artist as a young woman (I had read Joyce's Portrait of the Artist as a Young Man) that ends in celebration, rather than suicide (I had also recently read Plath's The Belljar). It did not get published. Thirty years later, I had so little, far too little, to celebrate. The portrait had become one of relentless frustration and persistent failure, despite my continued effort ... so much effort ... And so I wrote This is what happens, dedicating it to all the passionate, hard-working, competent women — it's not you.
Feminist theorist Dale Spender wrote, in Women of Ideas and What Men Have Done to Them, “We need to know how women disappear….” Although she spoke of women who disappear from the historical record, all too many women seem to disappear from any sort of public life as soon as they leave high school: so many shine there, but once they graduate, they become invisible. What happens?
Marriage and kids is an inadequate answer because married-with-kids straight-A boys are visible. Everywhere. Even the straight-B boys are out there. So what happens?
