100 books like Vietnam Black

This is a curious blend of survival thriller and sci-fi story about a vast hidden world of caves and tunnels beneath the surface of the earth, and a previously unknown civilization of humanoids who live there. Once discovered, the corporations of the world start what becomes known as “the descent” and start founding work colonies, like offshore oil rigs, but this time underground as they mine for resources and additional space for a booming upworld population. The story becomes something of a clash of civilizations, with the blue collar workers looking for a better life coming up against savage underworlders defending their homes.

This is a cyberpunk novel, and while most books in that genre focus more on characters like criminals or rebels, this one narrows in on a former police detective and private security contractor. This is one of the few books in the genre that looks at the working stiffs of the cyberpunk future, instead of the punks with mohawks & machine guns or the corporate suits with their android bodyguards and elegant penthouses.

The Black is my first pick because it most keenly represents what I consider to be Blue Collar sci-fi/horror fiction. The novel takes place on an offshore oil rig, and the characters in the story are various laborers and specialists living and working on the rig. Much care and attention were taken by the author to present characters and situations that ring true to the lived experience of oil rig workers, from the technical aspects of their work to the particulars of life on the rig. This deep dive into the minds, lives, and skills of the blue-collar characters truly hammered home the terror and otherness of the antagonist when it was finally revealed. We often overlook the danger and strangeness of high-risk blue-collar professions, and exploring that in the context of sci-fi/horror genre fiction is tremendously engaging.

This book also strives to capture the harsh working conditions and rugged individuals who must endure such endeavors, as well as the greed that often can push those in management positions to take risks for profit that might put others in danger. While this book paints with a broad brush, it does very well at telling a story about blue collar heroes, greedy villains, and the price of hubris in the form of a hungry beast.

Even though he’s her best friend’s ex, it totally makes the list because they were all childhood friends first. One of the most underrated books by Meghan Quinn, I can’t stop talking about Tucker and Emma. The reason this book is so good comes down to a simple recipe: fluffy, hilarious, and with a tortured hero who only wants to be loved. This book is a standalone but part of a wonderful series full of mouthwatering heroes.

This is a portrait of Nebraska (and Nebraskans) where most of my own book takes place. It’s also the state where I went to high school. I like Hansen’s spare and precise writing style because it perfectly fits the time and place, as well as the characters themselves who are presented stripped of the conceits and pretensions. For me, it’s a style, though different from McCarthy’s, that creates the illusion of actual direct experience as opposed to something I happen to be reading about. His story “Wickedness” creates a powerful image of winter on the Great Plains and its effect on people.

LeMasters hung out at a tavern in Wisconsin from 1967 to 1972, talking to factory workers who held well-paying, unionized jobs in the heyday of American industrial production. Working-class lives are so different now that I wish I could enter a time machine and travel back to the 1960s and talk to working-class men then. LeMasters’s book is as close as one can get to doing that. He describes the outlook of the tavern regulars on their work, their families, and the world around them. Despite their prosperity, they express attitudes about public life that, in some respects, would not sound out of place in a focus group of working-class adults today.   

In Marriage Markets, June Carbone and Naomi Cahn, both law professors like Lynne Marie Kohm, examine how macroeconomic forces are transforming our most intimate and important spheres, and how working-class and lower-income families have paid the highest price.

Their book shows how the best-educated and most prosperous have the most stable families, while working-class families have seen the greatest increase in relationship instability because greater economic inequality has profoundly changed marriage markets.

The failure to see marriage as a market affected by supply and demand has obscured any meaningful analysis of the way that societal changes influence culture. But Jane Austen understood this principle very well.

In this baker’s dozen of stories, Jean McGarry reprises favorite topics—tight-knit families, fraying loves, intimations of mortality. A native Rhode Islander with ties to Providence’s blue-collar Irish community, McGarry paints the state and its inhabitants in shades as tender as they are unsparing. McGarry’s great theme is decline: Everything that starts out promising invariably goes bad. Steeped in this worldview, her characters are lively and quick with an insult—even when they’re confronted by experts who presume to know them better than they know themselves. One mordant example: A therapist finally gets a breakthrough with a tough-to-reach Rhode Islander. The patient feels relief, and the therapist urges him to attend sessions more regularly. “You’re at it again,” the patient remarks. “Save your advertisements for someone else.”

This series grabbed me from page one. I don’t make a habit of reading books including the Fae, but I absolutely fell in love with everything she’s written after that.

You can tell she does her research on fae mythology, yet adds her own touches to it, including blending their world with ours.