Here are 72 books that Trickster's Choice fans have personally recommended if you like
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I grew up on fairy tales and folklore in the Appalachian Mountains. Stories of adventure and dusty fairy tale books in my grandmother’s attic were my entertainment. The library trips we took “into town” added to my reading. I discovered that the step from fairy tales to classics wasn’t as wide as folks argue. Years later, when I went off to college, I became an English major, then a graduate student, and then started teaching literature at college. From childhood to adulthood, magic and fiction were my life... which led to selling a book of my own. Over the last 17 years, I’ve been writing fantasy.
I gave a quote for the cover of the first printing of it, in fact. Fifteen years later, it still remains a book that can carry me away to a world where magic is not a gift but a challenge to overcome.
Kristen had a fresh idea here, but it still folded into my love of adventure and magic and finding out who we are inside.
That’s a story that will always get my attention, and the writing in this one is also lush enough to make me want to pause and re-read lines.
Discover the Graceling Realm in this unforgettable, award-winning novel from bestselling author Kristin Cashore.
A New York Times bestseller ALA Best Book for Young Adults Mythopoeic Fantasy Award for Children's Literature Winner Publishers Weekly, School Library Journal,Booklist, and BCCB Best Book of the Year
"Rageful, exhilarating, wistful in turns" (The New York Times Book Review) with "a knee weakening romance" (LA Times). Graceling is a thrilling, action-packed fantasy adventure that will resonate deeply with anyone trying to find their way in the world.
Graceling tells the story of the vulnerable-yet-strong Katsa, who is smart and beautiful and lives in the…
I get bored easily when I read a book where I can predict the plot. The two things that really set apart the original stories are world development and character complexity. You need a strong character, filled with their own eccentricities, flaws, and virtues. And you need an interesting, well-developed world in which your character can live. If you do these two things well, the story easily writes itself. If you can discover how the character thinks, acts and interacts in their world, how they seek to solve their problems and fix their flaws—that’s what makes a story worth telling…and for me, that’s the story I want to write.
This book draws you into its own, unique world right from the first page. You immediately meet the main character in unusual circumstances—not where you might expect a protagonist to be found. Yet the author does a wonderful job of slowly showing you past events that brought the character to this place, and you find yourself hoping she will find a happy ending. I love the way the author draws you into the story so that you feel like you are experiencing what the main character feels.
In the territory of Ixia the government maintains control through the Code of Behaviour, forbidding the practice of magic, but danger lurks in mysterious places...
Imprisoned for murder Yelena Zaltana's punishment is death, until she is reprieved - for a price.
As the Commander of Ixia's food taster she will risk assassination from poison daily, a position she would be a fool to refuse... In a world where magic equals death and freedom is for the lucky few, survival is all Yelena has and the battle for her life has just begun.
As an author and a lifelong lover of books, I read all genres. My favorites are set in fantastical worlds with unique settings. The mash-up of history and fantasy is endlessly compelling to me, and I always want to see a romantic subplot (or main plot!) in the books I read. I want a happily-ever-after even when the strange world and its villains are conspiring against the main characters.
Set in the mid-1400s in France, this series starter contains action, court intrigue, romance, and assassin nuns! I read it years ago and it remains a favorite, not only for the beautiful language, but for the strong heroine, Ismae, and her journey from following the rules and doing as she’s been told, to learning how to discern right from wrong and follow the guidance of her own moral compass. This is a book I would loveto watch as a movie, not only for the action, but the costumes.
Seventeen-year-old Ismae escapes from the brutality of an arranged marriage into the sanctuary of the convent of St. Mortain, where the sisters still serve the gods of old. Here she learns that the god of Death Himself has blessed her with dangerous gifts—and a violent destiny. If she chooses to stay at the convent, she will be trained as an assassin and serve as a handmaiden to Death. To claim her new life, she must destroy the lives of others. Ismae’s most important assignment takes her straight into the high…
I’ve always been drawn to badass female protagonists in fantasy, but the femme fatale has a special place in my heart, and none more so than spies and assassins. Their weapons are a mix of daggers and subterfuge, poison, and seduction. They often straddle the line between cold-hearted villainess and righteous freedom fighter, and that complex morality can make for intriguing internal struggles that coincide nicely with their goal of dismantling corruption, which is not always black and white. Additionally, the aforementioned seduction means that they get to be unapologetically sexual (but only on their terms!). All of this went into Lily’s character.
Tess learns that she is not actually a princess but a decoy, and that the king and queen, who raised her as their child, have hidden the real princess away in a convent for her protection. It would explain why the chancellor taught her the arts of diplomacy, politics, self-defense, and subterfuge and had her build up a tolerance to poison. Despite feeling betrayed by her parents, after they are murdered by a usurper, she has to use all of her skills learned since childhood to reclaim the throne for the actual princess. While Tess is a bit bratty in the beginning (not surprising since she thinks she’s a princess), she develops into a mature (but still snarky) spy. The sequel, Princess at Sea, continues her adventure after restoring her “sister” to the throne.
The Princess Contessa of Constenopolie has just learned of her true identity-that of an orphan adopted and raised as a decoy to protect the real princess. That doesn't make Contessa less of a royal target.
Not only am I an author of fantastical, romantic, and magical novels, but I am also an incredibly passionate reader. Ever since I got my first library card I have devoured everything I could get my hands on, but I have always been drawn to novels featuring far-off lands and scheming royals, where magic was a commodity and romance appeared in the most unexpected of places. Not only have these books inspired my own writing, but they have allowed me to travel to a thousand different lands and experience a thousand different lifetimes. Reading is the true magic, and I’m thrilled to share my favorite novels featuring intrigue, romance, fantasy, and glamour.
I have to recommend this book first because it is one that has stayed with me through the years and inspired my own writing. It features one of my favorite reluctant heroines, Meliara Astiar, as she battles against a tyrant king in the land of Remalna. As the countess of a backwater province, Mel has little understanding of the complicated politics of the capital. When she declares a rebellion against the tyrant king, she soon finds herself embroiled in a fast-moving game of intrigue, magic, violence, betrayal, and romance. Ultimately, Mel will have to decide whether she’s willing to live beneath an evil king—or die trying to dethrone him.
Sherwood Smith's most popular young adult fantasy begins with Meliara and her brother vowing to free Remalna from an evil king. War is tougher than it seemed. When Meliara is caught by the enemy commander, the elegant Marquis of Shevraeth, it's escape or die.
Afterward, Meliara faces a tougher challenge: the battlefield is no longer mud and steel, but palaces, the weapons manners and fans. Toughest of all is courtship, when the one who catches her heart is her personal enemy—the new king.
This beloved romantic fantasy has been in continuous print for over twenty years. The definitive edition is…
After reading The Princess Bride, I fell in love with William Goldman’s style of narration, with his frequent interjections, clarifications, and asides. The feel I got from the author speaking directly to me transformed simple third-person narration into engaging storytelling. From then on, I sought out books using this style and have built a small library in all genres deploying this unique voice. I’ve found it most common (and most effectively deployed) in fantasy, but there are also numerous examples elsewhere in the literary world.
One of the most popular children’s book series of the twentieth century, all of the books in the series feature the author speaking directly to the reader, detailing past events, reminding the reader of personality traits of the characters, and providing the reader with background details about the world the reader finds themselves in.
More so than the other books on the list, it’s clear the voice is that of C.S. Lewis though, rather than a seemingly separate narrator.
Don’t miss one of America’s top 100 most-loved novels, selected by PBS’s The Great American Read.
Experience all seven tales of C. S. Lewis's classic fantasy series, The Chronicles of Narnia, in one impressive paperback volume!
Epic battles between good and evil, fantastic creatures, betrayals, heroic deeds, and friendships won and lost all come together in this unforgettable world, which has been enchanting readers of all ages for over sixty years.
This edition presents the seven books—The Magician's Nephew; The Lion, the Witch and the Wardrobe; The Horse and His Boy; Prince Caspian; The Voyage of the Dawn Treader; The…
I’m a YA fantasy writer, and I’ve been addicted to stories of adventure for as long as I can remember. My love of story filled me with a heart for other worlds and realms and a fondness of reading things that challenged my heart and mind here in the real world. Stories are what make us human, and we storytellers are tasked with challenging readers’ assumptions about how the world, life, love, and humanity works. My obsession with story-telling led me to write my YA fantasy series The Annals of Lusiartha.
As a kid, I loved all kinds of fiction—sci-fi, fantasy, realistic, historical—pretty much anything I could get my hands on! D.J. MacHale’s Pendragon series magically captures the best of every genre. In The Merchant of Death, Bobby Pendragon, a seemingly normal fourteen-year-old boy, finds himself pulled into an alternate dimension ruled by a magical tyrant. Bobby learns he is a Traveler, someone gifted with the ability to travel between alternate dimensions (called Territories) and his destiny is much bigger than he could ever have imagined. The Merchant of Deathis a thrilling start to a captivating YA adventure!
Bobby Pendragon is a seemingly normal teenager, swept into an amazing quest, and catapulted into the middle of an immense, interdimensional conflict. His success or failure will decide the course of human existence! The first book of this internationally best-selling series, each featuring a new and dangerous mission.
I have been a reader of fantasy, folklore, and fairy tales through childhood into adolescence and even studying these genres as a college student and adult. To this background, I also bring a complicated family—adopted children, step-siblings, divorce, career—and lifestyle changes. As the youngest of a sprawling clan, I was often left to reconcile my vision of family members with the vision of others. Understanding our family of origin is central to who we are, as my main character in Watersmeet discovers as she goes on a quest to find her father, and then must dig deep to understand what he means to her.
I reread Fire regularly because I love the heroine, Fire, and her conundrum: how can she love herself when her beauty is so destructive, when it inspires such terrible behavior in the people around her? We think of beauty as an asset, sure that we would be happier, more confident, more liked if we were more beautiful, and Cashore explores the limits of beauty in this novel. She also digs deep into a very problematic father/daughter relationship as Fire deals with the lessons her father, Cansrel, taught her about how to use her beauty for power, and decides to forge her own path. Like so many of these hard family relationships, Fire must reconcile her love for her father and her hatred of what he’s become.
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A must-read title for all fans of Patrick Rothfuss and Trudi Canavan, Fire will have you hooked on its gripping action, political intrigue, and beautiful central relationship.
'The book is REALLY good. Reading it made me very, very happy!' Tamora Pierce
Set in a world of stunningly beautiful, exceptionally dangerous monsters, Fire is one of the most dangerous monsters of all - a human one. Marked out by her vivid red hair, she's more than attractive. Fire is mesmerising.
But with this extraordinary beauty comes influence and power. People who are susceptible to her appeal will do anything for her…
My training is in Classics (especially Greek drama), which has given me an appreciation for clever writers who tweak conventional themes to surprise readers, foil expectations, and explore new ideas—or new sides of old ideas. Greek epic and tragedy also exhibit fairly rigid expectations about personal responsibility: even if a god made you do it, it’s still your responsibility. Agamemnon has to pay for sacrificing his daughter; Heracles has to perform his labors. Madness and possession are vivid ways to explore where one’s autonomy leaves off and another power takes over. They’re excellent tools for poking at humans to see how a thinking, feeling individual deals with unintended disaster.
The Bloodwrath is basically Berserkergang, not possession, right? It affects badgers almost exclusively. What a bummer to be a badger and bear a burden that no one else has!
But it’s a bit more like possession in this book. Lady Cregga has the Bloodwrath more strongly than anyone has ever observed before; her personality seems to reflect this, as she’s impatient, brusque, and aggressive (even for a badger). She’s wounded and loses her sight, and the Bloodwrath goes away.
Even though her personality appears to be tied up with her madness, the Bloodwrath must be something external, since it can leave her without destroying her. Is it an inborn quality or an effect brought about by her personal choices, an appetite that can be satiated, or something else?
The tenth book in the beloved, bestselling Redwall saga - soon to be a major Netflix movie!
Tammo dreams of joining the Long Patrol, the legendary army of fighting hares who serve Lady Cregga Rose Eyes, ruler of Salamandastron. And with Damug Warfang's mighty battalion of savage vermin on the rampage, young Tammo's dream is about to become a brutal reality . . .
I grew up reading and re-reading Tolkien’s The Hobbit and The Lord of the Ringstrilogy. But it always bothered me that there weren’t many girls or women in those books—and most of those that did appear were pretty, perfect, and—well—kind of boring. In college, I studied literature, myths, and fairytales and found that most of the female characters in those stories didn’t reflect women I wanted to be or know, either. So, I wrote my own high fantasy novel and continue to seek out great fantasy, sci-fi, and fairytale-inspired literature featuring strong female characters that are dragons on the inside—and sometimes on the outside, too.
This is a beautifully written YA fantasy that has the flavor of a traditional epic—like the Lord of the Rings—but also brings us intimately close to its characters, their individual cares, and their unique world. The story centers on Aerin, the king’s daughter, and her journey from being an outcast at her father’s court to becoming a hero in her own right—at the expense of a dragon, unfortunately.
The Hero and the Crown is often praised as an example of classic feminist fantasy. It was one of the first stories I encountered where the goal of the female main character wasn’t to be rescued or married. But in my opinion, it’s McKinley’s lyrical and compelling prose and fantastic world-building that truly makes this a not-to-be-missed read.
Although she is the daughter of Damar's king, Aerin has never been accepted as full royalty. Both in and out of the royal court, people whisper the story of her mother, the witchwoman, who was said to have enspelled the king into marrying her to get an heir to rule Damar-then died of despair when she found she had borne a daughter instead of a son. But none of them, not even Aerin herself, can predict her future-for she is to be the true hero who will wield the power of the Blue Sword...
