16 books like Titanic Thompson

I’m an English nonfiction writer who is, I suppose, best-known for Members Only, my biography of the London strip club owner, theatre impresario, property magnate, and porn baron Paul Raymond, which was adapted into a big-budget movie called The Look of Love. Like many of my books, Members Only strayed into true crime, a genre that has, for all sorts of reasons, been attractive to me as a writer. Probably the most important of those is that it provides the opportunity to tell inherently dramatic stories and to convey a vivid picture of the past, thanks to the wealth of documentation associated with major crimes. 

I’m an English nonfiction writer who is, I suppose, best-known for Members Only, my biography of the London strip club owner, theatre impresario, property magnate, and porn baron Paul Raymond, which was adapted into a big-budget movie called The Look of Love. Like many of my books, Members Only strayed into true crime, a genre that has, for all sorts of reasons, been attractive to me as a writer. Probably the most important of those is that it provides the opportunity to tell inherently dramatic stories and to convey a vivid picture of the past, thanks to the wealth of documentation associated with major crimes. 

I’m an English nonfiction writer who is, I suppose, best-known for Members Only, my biography of the London strip club owner, theatre impresario, property magnate, and porn baron Paul Raymond, which was adapted into a big-budget movie called The Look of Love. Like many of my books, Members Only strayed into true crime, a genre that has, for all sorts of reasons, been attractive to me as a writer. Probably the most important of those is that it provides the opportunity to tell inherently dramatic stories and to convey a vivid picture of the past, thanks to the wealth of documentation associated with major crimes. 

I’m an English nonfiction writer who is, I suppose, best-known for Members Only, my biography of the London strip club owner, theatre impresario, property magnate, and porn baron Paul Raymond, which was adapted into a big-budget movie called The Look of Love. Like many of my books, Members Only strayed into true crime, a genre that has, for all sorts of reasons, been attractive to me as a writer. Probably the most important of those is that it provides the opportunity to tell inherently dramatic stories and to convey a vivid picture of the past, thanks to the wealth of documentation associated with major crimes. 

I was a mailman when I became obsessed with card counting at blackjack. Not having enough money to play at a pro level, I decided to sell a mathematical formula I’d devised for evaluating games and systems. I offered it for sale through gambling newsletters at $100. I immediately had big sales because no one had ever seen a method for estimating card counters’ win rates. I got letters from college math professors asking me how I’d come up with the math. So, I started my own blackjack newsletter where I published my discoveries. I was inducted into the Blackjack Hall of Fame in 2002 and soon had big investors funding my play.

The prevention of money laundering caught my attention, and at that time, with so little information on the market, I decided to write my first book so that more people can protect themselves from this crime. I have a gift: explain complicated topics in an easy way. This has helped me to write several articles on different topics in international magazines. I’m a passionate-effective trainer who believes that helping people to grow helps to make this world better. It’s my legacy! I like to do the right thing; take this as a reliable fact: I consult my own book and articles written. I hope to help you grow too!

I’m a middle school librarian, former language arts teacher, and middle grade author. I have a passion for all things literary, especially as they relate to kids in grades 5-8. I also grew up in New Jersey, so I come by my fascination with the Mob as a result of proximity. What I enjoy most about books about criminals is the moral gray area that some criminals exist in. They’re doing bad things—robbing banks, selling stolen goods, killing people—but their hearts are pulling them in another direction. Middle school kids also feel that tug of moral dilemmas, figuring out what is just and unjust, and I love to help them wrestle with those ideas.

I’m a devourer of Golden Age Detective Fiction, and a writer of locked-room mysteries inspired by the classics. When it comes to old-school mystery writers, my favourites are John Dickson Carr, Ellery Queen, and of course Agatha Christie. What I love about that era is the brilliance of the puzzles, and the way those writers really engaged with the reader and (in some cases) addressed them directly, challenging them to solve the crime along with the detective. Additionally, I’m fascinated by stage illusions (though I’m terrible at performing them myself), and this has also had a major influence on my writing.

Magic hooked me at the age of eight and never let go. I began with a Mysto Magic Set, graduated to books and more books, joined magic societies, and studied with a true master, Tony Slydini, and finally began writing books about magic and magic lore (The Secrets of Alkazar, The Sorcerer’s Companion—A Guide to the Magical World of Harry Potter). What keeps my interest alive is the astonishing flow of invention that daily bubbles out of the magic community. And lucky me, I perform weekly at a fabulous little venue in the town where I live. This is a great time to learn and perform magic.

As a writer and lover of horror and science-fiction, I’ve always been influenced by films and media and these are just some of the texts that impacted not just my writing, but my life. Each does so much with its genre; regardless of their length, the stories are full of great characters and concepts and dabble with the perception of their genre in interesting and memorable ways. My many years of academic study were always bolstered when we were given texts such as these to dive into, and I’ve even based some of my writing style and published works on the themes, messages, and presentation of these texts.