71 books like Thinking About Memoir

The first memoir I ever read—Road Song by Natalie Kusz—pierced me in ways I did not know were possible. Kusz had written, in this elegantly crafted book, of an Alaskan childhood, a life-changing accident, early motherhood, and family love. She had written, I mean to say, of transcending truths. I have spent much of my life ever since deconstructing the ways in which true stories get told, and writing them myself. I’ve taught memoir to five-year-olds, Ivy League students, master’s level writers, and retirees. I co-founded Juncture Workshops, write a monthly newsletter on the form, and today create blank books into which other writers might begin to tell their stories.

The first memoir I ever read—Road Song by Natalie Kusz—pierced me in ways I did not know were possible. Kusz had written, in this elegantly crafted book, of an Alaskan childhood, a life-changing accident, early motherhood, and family love. She had written, I mean to say, of transcending truths. I have spent much of my life ever since deconstructing the ways in which true stories get told, and writing them myself. I’ve taught memoir to five-year-olds, Ivy League students, master’s level writers, and retirees. I co-founded Juncture Workshops, write a monthly newsletter on the form, and today create blank books into which other writers might begin to tell their stories.

The first memoir I ever read—Road Song by Natalie Kusz—pierced me in ways I did not know were possible. Kusz had written, in this elegantly crafted book, of an Alaskan childhood, a life-changing accident, early motherhood, and family love. She had written, I mean to say, of transcending truths. I have spent much of my life ever since deconstructing the ways in which true stories get told, and writing them myself. I’ve taught memoir to five-year-olds, Ivy League students, master’s level writers, and retirees. I co-founded Juncture Workshops, write a monthly newsletter on the form, and today create blank books into which other writers might begin to tell their stories.

The first memoir I ever read—Road Song by Natalie Kusz—pierced me in ways I did not know were possible. Kusz had written, in this elegantly crafted book, of an Alaskan childhood, a life-changing accident, early motherhood, and family love. She had written, I mean to say, of transcending truths. I have spent much of my life ever since deconstructing the ways in which true stories get told, and writing them myself. I’ve taught memoir to five-year-olds, Ivy League students, master’s level writers, and retirees. I co-founded Juncture Workshops, write a monthly newsletter on the form, and today create blank books into which other writers might begin to tell their stories.

I love to write about crime. I have no idea why. I don’t have any real-life experience of crime. Honest. I enjoy setting books in the places that I love to visit. So Edinburgh, Amsterdam, Barcelona, and Nice all feature strongly here. And so far, the two novels I’ve written of which one is available on Amazon, have had strong female protagonists. I guess I find it interesting for a woman to take on a bunch of nasty men. And I studied art and the history of art at college, so everything I have written in terms of novels has been in the world of stolen art. 

One of the best parts of reaching middle age (with all the scrapes and scars of the forty-year trip) is admitting that the mess of life is what makes life pretty damned fun. I’m an expert on little but have a whole lot to say. I love reading stories about people being themselves, figuring out what it means to grow and change, and screwing up along the way. I believe the disaster of admitting I’m a mess has been the journey of a lifetime. We’re all just getting from one point to another in the best way we can—imperfections. I’m here to throw a party for the blips along the way. 

I’m Andy Marx and I am definitely a child of Hollywood. My paternal grandfather was the comic icon, Groucho Marx, and my maternal grandfather was the legendary songwriter, Gus Kahn, who wrote such classic songs as “It Had To Be You,” “Makin’ Whoopee!” and “Dream a Little Dream of Me.” After working as a film publicist on a number of films including, Terminator and Red Dragon, I launched my journalism career writing about Hollywood for such publications as The Los Angeles Times, and Daily Variety. I also co-founded the satirical website, Hollywood & Swine, which poked fun of Hollywood, not a terribly hard thing to do. 

Growing up, there was nothing I hated more than reading. Struggling with dyslexia and learning disabilities made books miserable and the distractions of screens didn’t help. However, everything changed when I discovered graphic novels and comics! That led to a newfound love of stories and books (especially graphic novels) which took me on a journey of not being able to read at age ten, to publishing my first novel at age fifteen. Since then, I’ve written and illustrated children’s books and young adult novels, but Mup is my first graphic novel. This has inspired me to create more graphic novels designed specifically for those who are just like me – reluctant readers.

I’m a contemporary mystery junkie. Realistic tales, set in the modern world always grab my attention. In a creative writing course in college, one professor suggested the old ‘write what you know’ approach. I don’t know everything, but I know what I like. Mysteries! I thrive on distinctive characters, those who are willing to put every effort into getting to the bottom of the situation. Sharp, tight dialogue and descriptions are essential. Give me that, and I’ll be back for more. This is my passion. Come along if you want a thrill and a surprise or two. 

As much as I enjoy traveling to real places in fiction, I find that authors who ask me to inhabit a world of their own making make me think more deeply, and these are also the novels I dream about when I’m not actually reading them, the pages I cannot wait to return to when I can pick up the book again. By exiting the world we inhabit, and occupying a world very much like our own, I end up reflecting more thoughtfully about the contemporary moment, and in a way, feel more connected. I tried to create such a world in The Stranger Game, and this is something I hope to do again in a future novel.