Here are 74 books that The Art of Time in Memoir fans have personally recommended if you like
The Art of Time in Memoir.
Shepherd is a community of 11,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
The first memoir I ever read—Road Songby Natalie Kusz—pierced me in ways I did not know were possible. Kusz had written, in this elegantly crafted book, of an Alaskan childhood, a life-changing accident, early motherhood, and family love. She had written, I mean to say, of transcending truths. I have spent much of my life ever since deconstructing the ways in which true stories get told, and writing them myself. I’ve taught memoir to five-year-olds, Ivy League students, master’s level writers, and retirees. I co-founded Juncture Workshops, write a monthly newsletter on the form, and today create blank books into which other writers might begin to tell their stories.
No frills, this book. Just good stuff. Chapters on the state of nonfiction today and on the ways to end an essay. Essential talk about “the ethics of writing about others” and “the necessity of turning oneself into a character.” Thoughts on the lyric essay and on research as it applies to nonfiction. Lopate blazed many a trail for teachers and writers of nonfiction. He is perennially relevant.
A long-awaited new book on personal writing from Phillip Lopate—celebrated essayist, the director of Columbia University’s nonfiction program, and editor of The Art of the Personal Essay.
Distinguished author Phillip Lopate, editor of the celebrated anthology The Art of the Personal Essay, is universally acclaimed as “one of our best personal essayists” (Dallas Morning News).
Here, combining more than forty years of lessons from his storied career as a writer and professor, he brings us this highly anticipated nuts-and-bolts guide to writing literary nonfiction.
A phenomenal master class shaped by Lopate’s informative, accessible tone and immense gift for storytelling, To…
The first memoir I ever read—Road Songby Natalie Kusz—pierced me in ways I did not know were possible. Kusz had written, in this elegantly crafted book, of an Alaskan childhood, a life-changing accident, early motherhood, and family love. She had written, I mean to say, of transcending truths. I have spent much of my life ever since deconstructing the ways in which true stories get told, and writing them myself. I’ve taught memoir to five-year-olds, Ivy League students, master’s level writers, and retirees. I co-founded Juncture Workshops, write a monthly newsletter on the form, and today create blank books into which other writers might begin to tell their stories.
Yes, it’s the old chestnut, and forgive me, but we must read to write, we must wade into other worlds to understand what is at stake, and what is possible, when we begin to shape our story for the page. Noble’s anthology begins with a quote-worthy meditation on the lyric essay and its manifold forms. It carries readers forward with a range of essays and commentary by writers both well-known (Dinty W. Moore, Diane Seuss, and Lidia Yuknavitch) and up-and-coming. The flash, the braid, the collage, the mosaic, the hermit crab—all the forms are here, waiting to be admired and adapted.
What is a lyric essay? An essay that has a lyrical style? An essay that plays with form in a way that resembles poetry more than prose? Both of these? Or something else entirely? The works in this anthology show lyric essays rely more on intuition than exposition, use image more than narration, and question more than answer. But despite all this looseness, the lyric essay still has responsibilities-to try to reveal something, to play with ideas, or to show a shift in thinking, however subtle. The whole of a lyric essay adds…
The first memoir I ever read—Road Songby Natalie Kusz—pierced me in ways I did not know were possible. Kusz had written, in this elegantly crafted book, of an Alaskan childhood, a life-changing accident, early motherhood, and family love. She had written, I mean to say, of transcending truths. I have spent much of my life ever since deconstructing the ways in which true stories get told, and writing them myself. I’ve taught memoir to five-year-olds, Ivy League students, master’s level writers, and retirees. I co-founded Juncture Workshops, write a monthly newsletter on the form, and today create blank books into which other writers might begin to tell their stories.
This (almost) palm-sized book became an instant classic when it was published in 2008. Here, the reader watches the great memoirist, Abigail Thomas, at work, translating daily scenes into passages that resonate with universal appeal. It’s as if you are watching over her shoulder as she works. Writing a little of her own life, she’ll stop and look up and say, in so many words, join me. “Write two pages of what you have too much of,” she advises, after writing about a woman who ate only clams for months. “Write two pages about the softest thing,” she suggests, pages later, after she was “trying to recall the softest thing and remembered a white ermine muff.” Look to Thomas for the ways in which the every day becomes a story.
If living is an art, it must be practiced with diligence before being done with ease. Yet almost nothing in our culture prepares us for reflection on the great themes of existence: courage, friendship, listening, dignity—those everyday virtues that can transform our world. Because AARP believes it’s never too late (or too early) to learn, they, together with Sterling Publishing, have created the About Living series to address these crucial issues. Each entry will be written by only the best authors and thinkers. Thinking About Memoir, the first of these volumes, helps adults look back at their past and use…
The first memoir I ever read—Road Songby Natalie Kusz—pierced me in ways I did not know were possible. Kusz had written, in this elegantly crafted book, of an Alaskan childhood, a life-changing accident, early motherhood, and family love. She had written, I mean to say, of transcending truths. I have spent much of my life ever since deconstructing the ways in which true stories get told, and writing them myself. I’ve taught memoir to five-year-olds, Ivy League students, master’s level writers, and retirees. I co-founded Juncture Workshops, write a monthly newsletter on the form, and today create blank books into which other writers might begin to tell their stories.
Sometimes we just want to know how it feels to be someone else living the writer’s life. In this collection, forty-six writers ranging from Roxane Gay and Billy Collins to Edwidge Danticat and Amy Tan answer one single question: What inspires you? My favorite response comes from Marilynne Robinson, who writes “I’m drawn to that movement toward essentials, away from all secondary definitions, all extraneous props, and ornaments.” What about you? What inspires you? Why are you writing in the first place? You’ll ponder that question while you read these short pieces by writers who shine a light in dark places.
A stunning masterclass on the creative process, the craft of writing, and the art of finding inspiration from Stephen King, Elizabeth Gilbert, Amy Tan, Khaled Hosseini, Roxane Gay, Neil Gaiman, and more of the most acclaimed writers at work today
"For artists in need of a creative fix, Light the Dark is as good as a visit from the divine muse." -Bookpage
What inspires you? That's the simple, but profound question posed to forty-six renowned authors in LIGHT THE DARK. Each writer begins with a favorite passage from a novel, a song, a poem—something that gets them started and keeps…
I have taught history at the University of Alabama since the year 2000, and I have been working and writing as a historian of American slavery for more than twenty-five years. It is not an easy subject to spend time with, but it is also not a subject we can afford to turn away from because it makes us uncomfortable. Slavery may not be the only thing you need to understand about American history, but you cannot effectively understand American history without it.
As the domestic slave trade became more expansive alongside the growth of the cotton economy, it attracted the increased ire of antislavery activists in the United States and England alike. Using sketches and paintings of the slave trade made by British artist Eyre Crowe in the 1850s as an entry point, Maurie McInnis explores the landscape of the slave trade in major American cities such as Richmond and New Orleans. In the process, she also opens a fresh window onto the world of transatlantic abolitionism.
In 1853, Eyre Crowe, a young British artist, visited a slave auction in Richmond, Virginia. Harrowed by what he witnessed, he captured the scene in sketches that he would later develop into a series of illustrations and paintings, including the culminating painting, "Slaves Waiting for Sale", Richmond, Virginia. This innovative book uses Crowe's paintings to explore the texture of the slave trade in Richmond, Charleston, and New Orleans; the evolving iconography of abolitionist art; and the role of visual culture in the transatlantic world of abolitionism. Tracing Crowe's trajectory from Richmond across the American South and back to London -…
After 15 years as a screenwriter (and some heartbreaking near misses with the big screen), I turned my pen to novel writing, with an adaptation of a script I’d sold four times. My new book, Love and Fury: A Novel of Mary Wollstonecraft, is hot off the press this year and tells the story of one of the great writers and thinkers of the late 18th century, mother of Mary Shelley, and widely regarded as the mother of feminism. I’m drawn to larger-than-life, brilliant, charismatic, complicated figures whose own trajectories have altered our own. I’m now at work on a collection of short stories and an adaptation of Mr. Dickens and His Carol for the stage.
This book became a kind of hymnal for me during the writing of Love and Fury. It was Virginia Woolf who in 1929 resurrected Mary Wollstonecraft’s reputation and legacy, buried for a century because a tell-all memoir written by her widower, William Godwin, scandalized the world. It seemed natural to turn to Woolf, who found inspiration in Wollstonecraft’s “experiments in living”. I read a section of the diary every day before I started to write. Woolf’s profound creative visions, her anguish, and passions, her voice, helped me locate Wollstonecraft and my own voice in hers.
An invaluable guide to the art and mind of Virginia Woolf, drawn from the personal record she kept over a period of twenty-seven years.
Included are entries that refer to her own writing, and those that are relevant to the raw material of her work, and, finally, comments on the books she was reading. The first entry included here is dated 1918 and the last, three weeks before her death in 1941. Between these points of time unfolds the private world—the anguish, the triumph, the creative vision—of one of the great writers of the twentieth century.
I am fascinated by work, especially women at work. I am an immigrant, a child of immigrants, a former scientist, and for most of life, have been conditioned to work because if I could not work, then why else was I here? Yet work is not strictly an emblem of immigrant grit or the model minority mindset. It can be made funny, surreal, existential, and it’s a rich subject to tackle. More often than not, work is treated as taboo. It’s ignored or deemed too prosaic to discuss. Who wants to see what goes on insidethe factory? I do. I’m obsessed with stories that showcase the factory.
A friend once described her early years of motherhood as non-stop work but also total idleness. Galchen’s slim book of collected observations and witticisms about babies and motherhood, some only one dazzling paragraph long, made me pause to savor each word. I liken reading this book to reading fun poetry or admiring a pop-up gallery. You can read a bit of this book every day, without losing the thread. Each chapter (they are very mini chapters) made me see the world in a new light. Many made me laugh out loud with joy.
In this enchanting miscellany, Galchen notes that literature has more dogs than babies (and also more abortions), that the tally of children for many great women writers-Jane Bowles, Elizabeth Bishop, Virginia Woolf, Janet Frame, Willa Cather, Patricia Highsmith, Iris Murdoch, Djuna Barnes, Mavis Gallant-is zero, that orange is the new baby pink, that The Tale of Genji has no plot but plenty of drama about paternity, that babies exude an intoxicating black magic, and that a baby is a goldmine.
I am an ordained minister with over 10 years of experience serving as a pastor in both the hospital and church settings. I’m also a mom of three children, ages 2, 5, and 7. I routinely get asked for resources to help raise children in the Christian faith. As both a pastor and a mother, I am a strong advocate for teaching children a theology they won’t have to heal from. All the books I recommend are progressive, inclusive, and diverse. I’ve done extensive research when it comes to faith-based literature, and I’m passionate about finding the best books to recommend to families.
If you’re a parent who wants to raise their children in the faith, this is a primary resource to have on hand. Kids are always wondering what God is like. This book is a useful tool in showing children just how good God is. It explores all kinds of diverse metaphors and instills the important truth that God loves us all.
#1 NEW YORK TIMES BESTSELLER • The late, beloved Rachel Held Evans answers many children's first question about God in this gorgeous picture book, fully realized by her friend Matthew Paul Turner, the bestselling author of When God Made You.
Children who are introduced to God, through attending church or having loved ones who speak about God, often have a lot of questions, including this ever-popular one: What is God like? The late Rachel Held Evans loved the Bible and loved showing God’s love through the words and pictures found in that ancient text. Through these pictures from the Bible,…
As a 5-year-old boy, I was given a tin of watercolour paints by my Grandmother. I had no idea how to use them, and there was no one around to teach me. I had to find my own way. Around the same time I was taken on a day trip to London, where we visited the Tate Gallery. It was there that I was confronted for the first time by the magnificent paintings of J.M.W.Turner. My love for art was ignited. I became a serious student of art, and although I have had to make a living in the world like everyone else, art became my go-to therapy for relief and recreation.
On a day trip to Cambridge UK I was in an old book store. I could not believe my good fortune when I spotted an old-worn book entitled Howard Pyle’s Book of Pirates. I realised immediately that Pyle was the art teacher of N.C.Wyeth, the styles of the 2 are interchangeable. This book contains numerous Pirate stories, which Pyle wrote himself. Obviously the text is now very antiquated, but there are numerous illustrations illustrating Pirate battles and adventure. Pyle wrote and taught art in the late 19th Century. Any student of the Wyeth’s should check him out.
Pirates, Buccaneers, Marooners, those cruel but picturesque sea wolves who once infested the Spanish Main, all live in present-day conceptions in great degree as drawn by the pen and pencil of Howard Pyle….It is improbable that anyone else will ever bring his combination of interest and talent to the depiction of these old-time Pirates, any more than there could be a second Remington to paint the now extinct Indians and gun-fighters of the Great West.
I love suggesting these topics of coloring books because my clinical work involves using art, coloring, and creativity in a therapeutic setting. I am an art therapist working with children in a hospital setting and am trained in applying the arts to build coping skills for managing difficult emotions. As a Christian author, I like to integrate both scripture and art to allow big concepts to become more comprehendible for the younger reader. Growing up, I've always been a visual learner! Art accesses parts of the brain that reading cannot. So, I hope these recommendations and my book can be just the start of discovering the benefits of art.
This devotional book is perfect for kids because they get to learn Bible stories through coloring! I believe the more a child is able to apply what they learn creatively, ideas become more concrete for them. The art a child creates can become memory cues for what is read. Personally, I love this devotional and think it offers kids a unique way of comprehending the Bible. Not only does it benefit children, but I believe adults can benefit from doodling while they read, too! We may be older, butthe inner child in all of us is still there. So—if you're looking for a good faith-based devotional for your kids, I recommend a devotional that has some aspect of coloring in it!
A great way to get kids to dig deeper into their Bibles is to have them interact with its stories and lessons. Doodle Devotions for Kids by Nancy Taylor helps children do that through its 60 devotions accompanied by doodling activities. This collection of devos goes through the entire Bible while encouraging kids to respond in their own creative ways. Do as the author says, “Write all over this book!”
Designed to be appropriate for―and enjoyed by―both boys and girls, this devotional book featuring 152 pages and lots of fun illustrations would make a great gift for any kid in…
