The best books for truth wranglers

Yes, it’s the old chestnut, and forgive me, but we must read to write, we must wade into other worlds to understand what is at stake, and what is possible, when we begin to shape our story for the page. Noble’s anthology begins with a quote-worthy meditation on the lyric essay and its manifold forms. It carries readers forward with a range of essays and commentary by writers both well-known (Dinty W. Moore, Diane Seuss, and Lidia Yuknavitch) and up-and-coming. The flash, the braid, the collage, the mosaic, the hermit crab—all the forms are here, waiting to be admired and adapted.

This (almost) palm-sized book became an instant classic when it was published in 2008. Here, the reader watches the great memoirist, Abigail Thomas, at work, translating daily scenes into passages that resonate with universal appeal. It’s as if you are watching over her shoulder as she works. Writing a little of her own life, she’ll stop and look up and say, in so many words, join me. “Write two pages of what you have too much of,” she advises, after writing about a woman who ate only clams for months. “Write two pages about the softest thing,” she suggests, pages later, after she was “trying to recall the softest thing and remembered a white ermine muff.” Look to Thomas for the ways in which the every day becomes a story.

“One of the first discoveries I made when I began to return in a reflective way to earlier parts of my life was that there was often very little connection between events that by rights ought to be capitalized—important trips, moves, friendships, deaths—and the experiences that had in fact left the most vivid deposit in memory,” Birkerts writes in this little book that packs a punch. Focusing on Coming-of-Age Stories, Fathers and Sons, Mothers and Daughters, Trauma and Memory, Birkerts deconstructs well-loved texts to teach us how their writers chose to manage time.

Sometimes we just want to know how it feels to be someone else living the writer’s life. In this collection, forty-six writers ranging from Roxane Gay and Billy Collins to Edwidge Danticat and Amy Tan answer one single question: What inspires you? My favorite response comes from Marilynne Robinson, who writes “I’m drawn to that movement toward essentials, away from all secondary definitions, all extraneous props, and ornaments.” What about you? What inspires you? Why are you writing in the first place? You’ll ponder that question while you read these short pieces by writers who shine a light in dark places.

No frills, this book. Just good stuff. Chapters on the state of nonfiction today and on the ways to end an essay. Essential talk about “the ethics of writing about others” and “the necessity of turning oneself into a character.” Thoughts on the lyric essay and on research as it applies to nonfiction. Lopate blazed many a trail for teachers and writers of nonfiction. He is perennially relevant.