100 books like The Wrong End of the Telescope

Connecting nation, migration, and narration, Stacy’s debut is a corrective to what we know about Arabs in the Americas at a time when their homeland transitioned from the Ottoman regime to the European mandate. It strikes with global strokes and fine details whether it is about women at a Brooklyn factory, a French consulate spy chasing an anti-German diplomat-turned-traitor, or some mysteriously disappearing witnesses on sight.

This is one of my all-time favorite children’s WW2 books set on America’s home front. The year is 1944, and Lily is off to spend another magical summer in Rockaway. The beach and the boardwalk, the swimming and fishing, and her friend Margaret are waiting. But the summer soon begins to fall apart. Margaret and her family are leaving for a town in Michigan where her father has a job in a wartime factory. And her own father reveals that he is about to work as an engineer for the army somewhere in Europe.

Loneliness sets in until Lily meets an orphaned boy named Albert, a Hungarian refugee who is spending the summer with relatives. Albert’s parents have been taken by the Nazis, and his sister, Ruth, is left behind in France. Lily and Albert have much to learn from each other, and much to share. This book tells a… show more.

My final choice is a scintillating work of scholarship by Lyndsey Stonebridge, Professor of Humanities and Human Rights at the University of Birmingham. Entitled Placeless People: Writing, Rights, and Refugees, it draws upon a range of reportage, political theory, poetry, and other texts to ask challenging questions about the stance that modern states and citizens in Western societies adopt towards refugees who are sometimes described as distant strangers. By engaging with authors who are relatively well known, such as George Orwell, W.H. Auden, Simone Weil, Samuel Beckett, and the political philosopher Hannah Arendt, and with those who may be less familiar, such as the American journalist Dorothy Thompson (1893-1961) and the contemporary Palestinian Lebanese-born poet Yousif M. Qasmiyeh, Stonebridge insists that it is essential to portray refugees as deserving and demanding something other than charity or humanitarian concern no matter how well-intentioned. Instead, the appropriate response is to demand… show more.

This wordless picture book uses gorgeous collage art to soften the frightening story of a wartime escape from Vietnam. The use of ants as a refugee metaphor, and the intertwined wordless stories of ants with a fleeing human family, may make the story a bit complex for very young readers. But the lack of text, in this case, makes it a perfect read-together book and conversation starter. It is a story of hope, courage, and kindness, which are key pillars for refugees to survive and thrive. Separately, we all tend to focus on the biggest, most current, refugee crises (and there are many!). Yet children should also hear refugee stories from around the world and through history. What do these journeys have in common? What makes them unique? What can we learn?

Pearlman expertly, delicately and lovingly assembles elements from the stories and journeys of close to 90 Syrians into a mosaic “mapped onto Syria’s historical trajectory from authoritarianism to revolution, war, and exile” as she explains in the introduction. For me there are echoes of Maalouf’s Origins in this book: More than a hundred years later and Syrians and Levantines are still having to flee their homelands because of tyranny, conflict and political and social upheaval. Pearlman is an accomplished professor at Northwestern University who speaks Arabic and has spent more than 20 years studying and living in the Middle East. Her expertise and empathy shine through in a book that gives us a chance “to listen to actual Syrians, as human beings,” as she says.

Espiritu’s book is a foundational text in critical refugee studies, an interdisciplinary field of academic inquiry that underscores the agency and resilience of refugees rather than their status as objects of rescue.

Histories of refugee policy often downplay the role resettlement nations have played in the displacement of the populations they resettle. Espiritu reminds us that US militarism in southeast Asia contributed to the forced migration of hundreds of thousands of people, many of whom were then forced to seek refuge in the United States and its territories. Their “rescue” cannot ever legitimize or justify the militarism that produced their displacement.

Espiritu’s examination of Vietnamese displacement is especially important for its discussion of the politics of memory and the commemoration of the Vietnam War.

My mother read this book to me over the course of several weekday afternoons. I was nine, maybe ten. The book’s protagonist, David, is a boy who escapes from a concentration camp somewhere in Eastern Europe and walks to Denmark in search of his mother. Lying next to my own mother, on her bed, listening to her voice, cocooned by her love, I identified so very powerfully with this unrooted, solitary, questing boy. It stirred me more than anything else I read as a child. There is something in a refugee’s tale that is so primal, so hard to shake off. There but by the grace of God go I, I thought, every time my mother opened the book to read some more.

Kingsley’s The New Odyssey is a journalistic account of what became known during the 2015-2016 period as “Europe’s Refugee Crisis.” It brings a human face to the million or so refugees— a significant number of whom were from Syria, Afghanistan, and Iraq— who sought asylum in Europe by way of various irregular Mediterranean routes. By embedding himself with the refugees at the center of his book, Kingsley gives an intimate portrait of the reasons Europe became a destination for these refugees and of the violence and hardships they are subjected to at the hands of an unwelcoming Europe. The New Odyssey also provides an in-depth and nuanced portrait of the smugglers who, while by no means idealized in the book, are an easy scapegoat in European attempts to deflect responsibility for the suffering and death of migrants taking the irregular Mediterranean routes. Kingsley’s narrative balances a broad overview of the… show more.

This is one of my favorite books about how to deal with fear. Fear is such a natural emotion, and sometimes it can be really intense; I loved how Francesca Sanna introduces Fear as a cute character, which children and adults can both relate to.

I know what it’s like to be a new kid in a new country, so when Fear grows so big that Fear overwhelms the little girl and takes over, I really felt for her. Of course, bravery is called for to overcome Fear and make friends with a new boy. For me, the most reassuring message was that the new friend also has his Fear character, who he carries with him, as we all do.

Nine-year-old Ahmet, a Syrian refugee, has arrived in Mrs. Khan’s classroom after fleeing the horrors of war. One of the things that is so striking about this book is how the children in the story have far more understanding than most adults. It is both funny and heartfelt and is a masterclass in teaching empathy – for the young and the old.