Here are 62 books that The Windsor Knot fans have personally recommended if you like
The Windsor Knot.
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I recall my younger self looking at the reading lists on Oxford University history courses, and asking, “Where are all the women?” I have always wanted to know what it was like to be there, in any century up to the present. How did families form and pass on their values, what did people wear and eat, when (and if) children learned to read, and what were people’s daily routines? Political, military, and economic history is important, but I have flourished in the social history trenches. I discovered women writers and historians have more acute antennae for the details I wanted, even when writing about wars and dynasties.
Yes, I know this is a novel, but Mantel’s historical research is impeccable and no one has done more to bring to light the shadowy, intrigue-filled court of Henry VIII. Mantel explores the intersection of political power and personal ambition as she traces the career of Thomas Cromwell, a rags-to-riches courtier.
I could almost taste the food, smell the decay, and touch the damp walls of the buildings. She took me deep into the consciousness of the unlikeable yet sympathetic and lonely main character, as he serves his monarch and defeats his enemies.
Winner of the Man Booker Prize
Shortlisted for the the Orange Prize
Shortlisted for the Costa Novel Award
`Dizzyingly, dazzlingly good'
Daily Mail
'Our most brilliant English writer'
Guardian
England, the 1520s. Henry VIII is on the throne, but has no heir. Cardinal Wolsey is his chief advisor, charged with securing the divorce the pope refuses to grant. Into this atmosphere of distrust and need comes Thomas Cromwell, first as Wolsey's clerk, and later his successor.
Cromwell is a wholly original man: the son of a brutal blacksmith, a political genius, a briber, a charmer, a bully, a man with…
I became fascinated with 16th-century and 17th-century Europe after reading Don Quixote many years ago. Since then, every novel or nonfiction book about that era has felt both ancient and contemporary. I’m always struck by how much our environment has changed—transportation, communication, housing, government—but also how little we as people have changed when it comes to ambition, love, grief, and greed. I doubled down my reading on that time period when I researched my novel, Dulcinea. Many people read in the eras of the Renaissance, World War II, or ancient Greece, so I’m hoping to introduce them to the Baroque Age.
I love O’Farrell’s use of language–the depth and the poetry—and have read most of her books. I especially liked this book because I read it shortly after my daughter died in 2020, and the maternal and complicated feelings of Hamnet’s mother (Shakespeare’s wife) are so well rendered.
O’Farrell also has a magical way of recreating a time and a place. I think she’s one of the best writers when it comes to getting into a character’s head, too.
WINNER OF THE 2020 WOMEN'S PRIZE FOR FICTION - THE NO. 1 BESTSELLER 2021 'Richly sensuous... something special' The Sunday Times 'A thing of shimmering wonder' David Mitchell
TWO EXTRAORDINARY PEOPLE. A LOVE THAT DRAWS THEM TOGETHER. A LOSS THAT THREATENS TO TEAR THEM APART.
On a summer's day in 1596, a young girl in Stratford-upon-Avon takes to her bed with a sudden fever. Her twin brother, Hamnet, searches everywhere for help. Why is nobody at home?
Their mother, Agnes, is over a mile away, in the garden where she grows medicinal herbs. Their father is working in London.
I love the novels of Charles Dickens and when I found out that he did go out with the London Police to research the criminal underworld for his magazine, I thought what a good detective he would make. He has all the talents a detective needs: remarkable powers of observation, a shrewd understanding of human nature and of motive, and the ability to mix with all ranks of Victorian society from the street urchin to the lord and lady. I love Victorian London, too, and creating the foggy, gas-lit alleys we all know from Dickens the novelist.
Miss Austen is Cassandra, sister of the more famous Jane, who takes centre stage in this story, though Jane is there, too, as the beloved missed sister, not the novelist. The year is 1840, Jane has been dead for twenty years, Cassandra is in her sixties and though frail is on a quest to find some missing letters which may reveal secrets about Jane and Cassandra which must not be known. It’s a mystery and we want to know if Cassandra will find those letters, but it is also a touching portrait of sisterly devotion. Cassandra makes an admirable heroine, determined and resourceful despite her frailty. It also tells much about the way in which spinsters, usually ignored by society, have a rich and complex inner life.
The Sunday Times bestselling novel, set to be a major TV drama ________________________ 'You can't help feeling that Jane would have approved.' OBSERVER
'So good, so intelligent, so clever, so entertaining - I adored it.' CLAIRE TOMALIN ________________________ Throughout her lifetime, Jane Austen wrote countless letters to her sister. But why did Cassandra burn them all?
1840: twenty three years after the death of her famous sister Jane, Cassandra Austen returns to the village of Kintbury, and the home of her family's friends, the Fowles.
She knows that, in some dusty corner of the sprawling vicarage, there is a cache…
I love the novels of Charles Dickens and when I found out that he did go out with the London Police to research the criminal underworld for his magazine, I thought what a good detective he would make. He has all the talents a detective needs: remarkable powers of observation, a shrewd understanding of human nature and of motive, and the ability to mix with all ranks of Victorian society from the street urchin to the lord and lady. I love Victorian London, too, and creating the foggy, gas-lit alleys we all know from Dickens the novelist.
Another woman steps out of the shadows of history in this novel about seventeenth-century Italy. Gulia Tofana was a notorious poisoner of terrible men and Deborah Swift explores in a tale full of excitement and drama the imagined early career of Gulia whose mother was executed for murder. Gulia just wants to be an apothecary, but her friendship with the abused wife of an aristocratic, power greedy husband draws her into murder. It is full of rich detail – you can feel the heat, smell the perfume, hear the rustle of silk and taffeta, and you can’t help being on the side of the women trapped in a corrupt and violent world.
Aqua Tofana – One drop to heal. Three drops to kill.
Giulia Tofana longs for more responsibility in her mother’s apothecary business, but Mamma has always been secretive and refuses to tell her the hidden keys to her success. But the day Mamma is arrested for the poisoning of the powerful Duke de Verdi, Giulia is shocked to uncover the darker side of her trade.
Giulia must run for her life, and escapes to Naples, under the shadow of Mount Vesuvius, to the home of her Aunt Isabetta, a famous courtesan. But when Giulia hears that her mother…
I’ve always been besotted with crime fiction. As a journalist in Scotland, I got to experience real-life crime on a daily basis. And the world of cozy crime fiction became a very valuable, indispensable escape for me. So, when it came to coming up with my characters for The Bingo Hall Detectives, I knew that I had to create a cast, a setting, a mystery even, that would take me out of the relentlessness of the real world and into the confines of a bloody good read. And I’m so glad I did. The Bingo Hall Detectives series is very dear to me and I’m very lucky to be able to bring it to readers.
I know it’s a bit of a cheat to have Sherlock Holmes here as he’s one of, if not the most famous detective in all of fiction.
However, he’s not an official cop so I’m claiming him for my list.
I remember being gifted a complete works of ACD when I was around 14 for a birthday. And I absolutely adored it from the off.
Like so many other crime and mystery writers, the Sherlock Holmes stories have been a constant, a mainstay throughout my career.
The Sign of Four is the second adventure with Holmes and Watson. And I recently re-read it for the Bloody Scotland Book Club.
It’s remarkable how well it’s aged, despite being over 100 years old. The tropes, style, and attention to forensic detail that ACD shows off are still used in crime fiction today. A truly wonderful masterpiece.
As a dense yellow fog swirls through the streets of London, a deep melancholy has descended on Sherlock Holmes, who sits in a cocaine-induced haze at 221B Baker Street. His mood is only lifted by a visit from a beautiful but distressed young woman - Mary Morstan, whose father vanished ten years before. Four years later she began to receive an exquisite gift every year: a large, lustrous pearl. Now she has had an intriguing invitation to meet her unknown benefactor and urges Holmes and Watson to accompany her. And in the ensuing investigation - which involves a wronged woman,…
Given the state of the world today, laughter truly is the best coping mechanism. The best satire is all about excess in design, intention, characterization, and deployment of attitude. The more extreme, the better; leave restraint to the prudish moralists!
Really hard to pick just one Pynchon for this list, as he is an all-around master of satire. But Inherent Vice is probably his LOL funniest, a stoner take on the detective genre set in the hippie world of 1970s southern California. The cinematic adaptation by Paul Thomas Anderson ain’t half bad, either.
Part noir, part psychedelic romp, all Thomas Pynchon-Private eye Doc Sportello surfaces, occasionally, out of a marijuana haze to watch the end of an era
In this lively yarn, Thomas Pynchon, working in an unaccustomed genre that is at once exciting and accessible, provides a classic illustration of the principle that if you can remember the sixties, you weren't there.
It's been a while since Doc Sportello has seen his ex- girlfriend. Suddenly she shows up with a story about a plot to kidnap a billionaire land developer whom she just happens to be in love with. It's the tail…
I’ve loved mysteries since I gobbled up Nancy Drew and the Encyclopedia Brown books in grade school. As I grew older, I got hooked on Agatha Christie’s Miss Marple, Sue Grafton’s Kinsey Milhone, and Sara Paretsky’s VI Warshawski. Besides being a diehard fan of female sleuths, I have a B.S. in Journalism, which drummed the importance of “who-what-when-where-and-why” into my brain. I definitely take a reporter’s mindset into my story-telling, particularly when it comes to the “who.” Breathing life into characters is crucial. Maybe that’s why I used bits and pieces of my grandma Helen in order to create my fictional Helen. Plus, it gives me a chance to spend time with her again, if only in my imagination.
When I think of small-town sleuths of a certain age, there’s no better example than crossword-puzzle writer Judith Potts who lives in the village of Marlow. She’s 77-years-old and physically active (she routinely swims nude in the river behind her house).
In my humble opinion, Judith has all the makings of a great amateur detective: she’s nosy, observant, and not afraid to ask questions of perfect strangers (qualities I quite admire!). I enjoyed this tale even more when Judith roped the vicar’s wife and a dog-walker into her investigation of not one murder but two. More nosy Nellies only adds to the fun!
The first in a stunning new series introducing the Marlow Murder Club!
'A hugely enjoyable murder mystery written with wonderful verve, humour and compassion. Utterly delightful' Robert Webb
'I love Robert Thorogood's writing' Peter James
From the creator of the BBC One hit TV series, Death in Paradise
To solve an impossible murder, you need an impossible hero...
Judith Potts is seventy-seven years old and blissfully happy. She lives on her own in a faded mansion just outside Marlow, there's no man in her life to tell her what to do or how much whisky to drink, and to keep…
I’ve always been besotted with crime fiction. As a journalist in Scotland, I got to experience real-life crime on a daily basis. And the world of cozy crime fiction became a very valuable, indispensable escape for me. So, when it came to coming up with my characters for The Bingo Hall Detectives, I knew that I had to create a cast, a setting, a mystery even, that would take me out of the relentlessness of the real world and into the confines of a bloody good read. And I’m so glad I did. The Bingo Hall Detectives series is very dear to me and I’m very lucky to be able to bring it to readers.
I love a great mystery and I adore fantastic characters.
That’s why A Spoonful of Murder is so high on my list. It’s cozy crime with attitude. Having a detective story that doesn’t feature any actual detectives is the challenge for all cozy crime writers.
And J.M. Hall does this with such verve, vigour, and lightness of touch that you find it impossible not to fall in love with Liz, Pat, and Thelma.
There’s a wonderful fraternity amongst us cozy crime writers and I’m very lucky to count Mr. Hall as a friend. He makes me want to be a better author, just to keep up with him!
I was born within sight of Pembroke Castle, birthplace of Henry Tudor, who later became King Henry VII and began the Tudor Dynasty, so I’ve always had an interest in his story. I found several biographies, but no novels which brought the truth of his story to life. The idea for the Tudor Trilogy occurred to me when I realised Henry Tudor could be born in book one, ‘come of age’ in book two, and rule England as king in book three. Since then, I’ve continued to follow the Tudor ‘thread’ all the way from Owen Tudor’s first meeting with Catherine of Valois, and culminating with the Elizabethan Series.
The third book of The Elizabeth of England Chronicles has Elizabeth finally becoming Queen of England and trying to unite a divided country. A Protestant queen surrounded by Catholic kings, all she has to do is marry well and secure the succession. Gemma Lawrence has a talent for developing convincing characters and evoking a compelling sense of time and place.
The witty, wily princess, Elizabeth Tudor has survived the turmoil of her formative years, and finally, is now Queen of England. Rising to the throne on a wave of popularity, Elizabeth is keen to avoid the mistakes of her siblings, and bring England to a new sense of unity and hope. But in the first two years of her reign, Elizabeth will be tested as in no other. She is seen as scandalous for her faith and sex in the courts of Europe. Untested in power and authority, Elizabeth must use all the weapons at her disposal to survive as…
When I was a child, I was forever drawing pictures of princesses in elaborate medieval and early modern dress. I devoured history books—especially those containing artworks that helped me visualize the people whose names rang out from their pages. Inexplicably, I was passionate about France and French language and culture from my primary school years. Then, in my early twenties, I stumbled onto Umberto Eco’s, The Name of the Rose, which appeared in English translation around 1983. History has been, and remains, my passion (as do whodunits). I have been passionately obsessed with in my research for over two decades—uncovering the truth that lies beneath the spin and the ashes.
Carole Levin’s magisterial work has now appeared in its second edition, a testament to its importance. Carole explores the myriad ways the unmarried, childless Elizabeth represented herself and the ways members of her court, foreign ambassadors, and subjects represented and responded to her as a public figure. Like her recently deceased successor, Elizabeth II, Elizabeth Tudor understood that she had to be seen to be believed. She fashioned herself into both the Virgin Queen and the mother of her people. Carole interrogates the gender constructions, role expectations, and beliefs about sexuality that influenced her public persona and the way she was perceived as a female Protestant ruler and points us to paths along which can travel to investigate other female monarchs regardless of time period and on a global scale.
In her famous speech to rouse the English troops staking out Tilbury at the mouth of the Thames during the Spanish Armada's campaign, Queen Elizabeth I is said to have proclaimed, "I may have the body of a weak and feeble woman, but I have the heart and stomach of a king." Whether or not the transcription is accurate, the persistent attribution of this provocative statement to England's most studied and celebrated queen illustrates some of the contradictions and cultural anxieties that dominated the collective consciousness of England during a reign that lasted from 1558 until 1603.
In The Heart…
